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ON TAUNGURUNG LAND SHARING HISTORY and CULTURE Aboriginal History Incorporated Aboriginal History Inc
ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), The Australian National University, Acton, ACT, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE UNCLE ROY PATTERSON AND JENNIFER JONES Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464066 ISBN (online): 9781760464073 WorldCat (print): 1224453432 WorldCat (online): 1224452874 DOI: 10.22459/OTL.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover photograph: Patterson family photograph, circa 1904 This edition © 2020 ANU Press and Aboriginal History Inc. Contents Acknowledgements ....................................... vii Note on terminology ......................................ix Preface .................................................xi Introduction: Meeting and working with Uncle Roy ..............1 Part 1: Sharing Taungurung history 1. -
Fighting Extinction Challenge Teacher Answers Middle Years 9-10
Fighting Extinction Challenge Teacher Answers Middle Years 9-10 Wurundjeri Investigation We are all custodians of the land, just as the Wurundjeri have been for thousands of years. During your independent investigation around the Sanctuary look for ways that the Wurundjeri people lived on country and record these observations in the box below. Look (what you saw) Hear (what you heard) I wonder… (questions to ask an expert or investigate back at school ) Bunjil Soundscapes Waa Information from education Mindi officers Signs about plant uses Dreaming stories at feature shows Signs about animal dreaming Information about Wurundjeri stories Seasons Sculptures Didjeridoo Scar Tree Bark Canoe Gunyah Information about Coranderrk William Barak sculpture Information about William Barak Artefacts (eg eel trap, marngrook, possum skin cloak) 1. Identify and explain how did indigenous people impact upon their environment? Indigenous people changed the landscape using fire stick farming which also assisted hunting Aboriginal people used their knowledge of the seasons to optimise hunting, gathering, eel farming and more Aboriginal people used organic local materials to create tools to assist them with hunting and gathering their food i.e. eel traps, woven grass baskets, rock fish traps etc. They only ever took what they needed from the land and had a deep respect and spiritual connection to the land and their surroundings. 2. How are humans impacting on natural resources in today’s society? How does this affect wildlife? When the land is disrespected, damaged or destroyed, this can have real impact on the wellbeing of people, plants and animals. European settlers and modern day humans have caused land degradation by: •Introducing poor farming practices causing land degradation •Introducing noxious weeds •Changing water flow courses and draining wetlands •Introducing feral animals •Destroying habitat through urbanization, logging and farming practices 3. -
Climate Adaptation Strategy 2021–2025 DRAFT for PUBLIC COMMENT Who Is This Document For?
DRAFT FOR PUBLIC COMMENT Grampians Region Climate Adaptation Strategy 2021–2025 DRAFT FOR PUBLIC COMMENT Who is this document for? Victoria’s Climate Change Act requires the Government to ‘take strong action to build resilience to, and reduce the risks posed by, climate change and protect those most vulnerable.’11 Development of this community-led Grampians Region Climate Adaptation Strategy and coordination of its implementation has been funded by the Department of Environment, Land, Water and Planning (DELWP). The Strategy was written collaboratively by members of Regional Climate Adaptation Groups (RCAG) representing state government, agencies, local government, universities, farmers, business and community in close consultation with key stakeholders throughout the Grampians Region. It is intended that everyone involved can see their own climate adaptation aspirations reflected. Efforts across the Region can be better coordinated, leading to improved outcomes for communities and the environment. Community groups, local governments, agencies and organisations can use this document to: • Align their own climate adaptation planning and projects to regional goals and outcomes, providing opportunities for partnerships and collaboration to maximise collective impact. • Apply for grants funded by DELWP. • Support funding applications for other government, corporate and philanthropic grants. Activities aligned with these goals and outcomes will be able to demonstrate a high level of strategic thinking at a regional level, stakeholder engagement -
A Grampians Massacre? an Analysis of the Participant’S Account of an Early Whyte Brothers Massacre in the Portland District
A Grampians Massacre? An analysis of the Participant’s account of an early Whyte Brothers massacre in the Portland district by PD Gardner (written with assistance from the Search Foundation.This is an unpublished essay completed about 2010) The account of this massacre - which I consider a primary source and not as well known as it should be - went as follows: “ ‘Why' said one of them, the elder of the two, ‘I can remember when they used to shoot down the blacks in this colony as you would do kangaroos, all because they sometimes killed a few sheep. I remember down in the Port District, when the four Parks and three other men, I was one of them, shot sixty-nine in one afternoon. The devils had stolen about 100 sheep and driven them away to the ranges. When they got them there they broke their legs to prevent them escaping, and were killing them and eating them at their leisure ... We all mounted horses, and armed with rifles set off in hot pursuit. It was early morning when we started, and about the middle of the day we came up with the black rascals, and a rare chase we had of it. They set off like mad, about one hundred and fifty of them, never showing fight in the least. The ranges were so rocky that we had to dismount and follow them on foot, and after two or three hours chase we got them beautiful - right between a crossfire, a steep rock on one side they could not climb, and rifles on each of the other. -
Innovate Reconciliation Action Plan May 2018 – May 2020 About the Artist
Innovate Reconciliation Action Plan May 2018 – May 2020 About the artist Corrina Eccles Cover artwork Wadawurrung Woman / Wathaurong Community Ngubitj Murrup (Water spirit) I am a direct descendant of Queen Mary Robinson. I am The three main colours of our traditional paint Paapul the granddaughter of Aunty Joyce Eccles. My grandmother (ochre) has been used. Ochre is a traditional paint that is 94 years of age. She is the eldest living Elder of the reflects Aboriginal culture through ceremonies and Wadawurrung people. I have a granddaughter and we have art. It is spiritually and culturally significant. five generations living on Wadawurrung country. My Nan’s connection to spirit and culture connected me to the The Paapul is connected to water, it is from special Wathaurong community at a young age. My journey and places on Wadawurrung country. The feather represents connection continued with being guided by strong Elders our Creation spirit Bunjil. The handprints symbolise and respected men and women in the community. I have our ancestors’ connection to Country and caring for an enormous spiritual passion for better outcomes for our country. The gathering dots are our water places. people and to be part of a strong connected Aboriginal community. ‘We are one and we are many’. Art is a personal The artwork showcased in this document is two parts of a five piece artwork displayed at the Barwon Water connection I have with my culture and gives me the Head Office, titled;Paapul Ngubitj - Wadawurrung opportunity to embrace my identity. (Connection to ochre and water). Artwork © Corrina Eccles, Ngubitj Murrup (Water spirit) 2018 Wadawurrung Woman/Wathaurong Community Indigenous Arts Management by Dreamtime Art Managing Director statement On behalf of Barwon Water, I am proud to present our Innovate Reconciliation Action Plan (RAP) for May 2018 - May 2020. -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 90, NUMBER 2, DECEMBER 2019 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Victorian Historical Journal has been published continuously by the Royal Historical Society of Victoria since 1911. It is a double-blind refereed journal issuing original and previously unpublished scholarly articles on Victorian history, or occasionally on Australian history where it illuminates Victorian history. It is published twice yearly by the Publications Committee; overseen by an Editorial Board; and indexed by Scopus and the Web of Science. It is available in digital and hard copy. https://www.historyvictoria.org.au/publications/victorian-historical-journal/. The Victorian Historical Journal is a part of RHSV membership: https://www. historyvictoria.org.au/membership/become-a-member/ EDITORS Richard Broome and Judith Smart EDITORIAL BOARD OF THE VICTORIAN HISTORICAL JOURNAL Emeritus Professor Graeme Davison AO, FAHA, FASSA, FFAHA, Sir John Monash Distinguished Professor, Monash University (Chair) https://research.monash.edu/en/persons/graeme-davison Emeritus Professor Richard Broome, FAHA, FRHSV, Department of Archaeology and History, La Trobe University and President of the Royal Historical Society of Victoria Co-editor Victorian Historical Journal https://scholars.latrobe.edu.au/display/rlbroome Associate Professor Kat Ellinghaus, Department of Archaeology and History, La Trobe University https://scholars.latrobe.edu.au/display/kellinghaus Professor Katie Holmes, FASSA, Director, Centre for the Study of the Inland, La Trobe University https://scholars.latrobe.edu.au/display/kbholmes Professor Emerita Marian Quartly, FFAHS, Monash University https://research.monash.edu/en/persons/marian-quartly Professor Andrew May, Department of Historical and Philosophical Studies, University of Melbourne https://www.findanexpert.unimelb.edu.au/display/person13351 Emeritus Professor John Rickard, FAHA, FRHSV, Monash University https://research.monash.edu/en/persons/john-rickard Hon. -
Torresstrait Islander Peoples' Connectiontosea Country
it Islander P es Stra eoples’ C Torr onnec tion to Sea Country Formation and history of Intersection of the Torres Strait the Torres Strait Islands and the Great Barrier Reef The Torres Strait lies north of the tip of Cape York, Torres Strait Islanders have a wealth of knowledge of the marine landscape, and the animals which inhabit it. forming the northern most part of Queensland. Different marine life, such as turtles and dugong, were hunted throughout the Torres Strait in the shallow waters. Eighteen islands, together with two remote mainland They harvest fish from fish traps built on the fringing reefs, and inhabitants of these islands also embark on long towns, Bamaga and Seisia, make up the main Torres sea voyages to the eastern Cape York Peninsula. Although the Torres Strait is located outside the boundary of the Strait Islander communities, and Torres Strait Islanders Great Barrier Reef Marine Park, it is here north-east of Murray Island, where the Great Barrier Reef begins. also live throughout mainland Australia. Food from the sea is still a valuable part of the economy, culture and diet of Torres Strait Islander people who have The Torres Strait Islands were formed when the land among the highest consumption of seafood in the world. Today, technology has changed, but the cultural use of bridge between Australia and Papua New Guinea the Great Barrier Reef by Torres Strait Islanders remains. Oral and visual traditional histories link the past and the was flooded by rising seas about 8000 years ago. present and help maintain a living culture. -
Taylors Hill-Werribee South Sunbury-Gisborne Hurstbridge-Lilydale Wandin East-Cockatoo Pakenham-Mornington South West
TAYLORS HILL-WERRIBEE SOUTH SUNBURY-GISBORNE HURSTBRIDGE-LILYDALE WANDIN EAST-COCKATOO PAKENHAM-MORNINGTON SOUTH WEST Metro/Country Postcode Suburb Metro 3200 Frankston North Metro 3201 Carrum Downs Metro 3202 Heatherton Metro 3204 Bentleigh, McKinnon, Ormond Metro 3205 South Melbourne Metro 3206 Albert Park, Middle Park Metro 3207 Port Melbourne Country 3211 LiQle River Country 3212 Avalon, Lara, Point Wilson Country 3214 Corio, Norlane, North Shore Country 3215 Bell Park, Bell Post Hill, Drumcondra, Hamlyn Heights, North Geelong, Rippleside Country 3216 Belmont, Freshwater Creek, Grovedale, Highton, Marhsall, Mt Dunede, Wandana Heights, Waurn Ponds Country 3217 Deakin University - Geelong Country 3218 Geelong West, Herne Hill, Manifold Heights Country 3219 Breakwater, East Geelong, Newcomb, St Albans Park, Thomson, Whington Country 3220 Geelong, Newtown, South Geelong Anakie, Barrabool, Batesford, Bellarine, Ceres, Fyansford, Geelong MC, Gnarwarry, Grey River, KenneQ River, Lovely Banks, Moolap, Moorabool, Murgheboluc, Seperaon Creek, Country 3221 Staughtonvale, Stone Haven, Sugarloaf, Wallington, Wongarra, Wye River Country 3222 Clilon Springs, Curlewis, Drysdale, Mannerim, Marcus Hill Country 3223 Indented Head, Port Arlington, St Leonards Country 3224 Leopold Country 3225 Point Lonsdale, Queenscliffe, Swan Bay, Swan Island Country 3226 Ocean Grove Country 3227 Barwon Heads, Breamlea, Connewarre Country 3228 Bellbrae, Bells Beach, jan Juc, Torquay Country 3230 Anglesea Country 3231 Airleys Inlet, Big Hill, Eastern View, Fairhaven, Moggs -
The Boomerang Effect. the Aboriginal Arts of Australia 19 May - 7 January 2018 Preview 18 May 2017 at 6Pm
MEG Musée d’ethnographie de Genève Press 4 may 2017 The Boomerang Effect. The Aboriginal Arts of Australia 19 May - 7 January 2018 Preview 18 May 2017 at 6pm White walls, neon writing, clean lines: the MEG’s new exhibition «The Boomerang Effect. The Aboriginal Arts of Australia» welcomes its visitors in a space evocative of a contemporary art gallery. Here the MEG unveils one of its finest collections and reveals the wealth of indigenous Australia's cultural heritage. Visiting this exhibition, we understand how attempts to suppress Aboriginal culture since the 18th century have ended up having the opposite of their desired effect. When James Cook landed in Australia, in 1770, he declared the country to be «no one’s land» (terra nullius), as he recognized no state authority there. This justified the island's colonization and the limitless spoliation of its inhabitants, a medley of peoples who had lived there for 60,000 years, societies which up until today have maintained a visible and invisible link with the land through a vision of the world known as the Dreaming or Dreamtime. These mythological tales recount the creation of the universe as well as the balanced and harmonious relation between all the beings inhabiting it. It is told that, in ancestral times, the Djan’kawu sisters peopled the land by naming the beings and places and then lying down near the roots of a pandanus tree to give birth to sacred objects. It is related that the Dätiwuy clan and its land was made by a shark called Mäna. -
Download Our Reflect Reconciliation Action Plan
The Telecommunications Industry Ombudsman’s Reflect Reconciliation Action Plan July 2020 to June 2021 The Telecommunications Industry Contents Ombudsman acknowledges the Overview traditional owners of country Artist acknowledgement 3 Message from the Ombudsman 4 throughout Australia and their Message from Reconciliation Australia 5 Our approach to reconciliation 6 continuing connection to land, Our business 7 Our reconciliation journey 9 culture, and community. Reconciliation actions Relationships 12 We pay our respects to elders Respect 14 past, present, and future. Opportunities 17 Governance 18 TIO | Reflect Reconciliation Action Plan 2 Overview Artist acknowledgement About the artist Artist, Jasmine Sarin is a proud Kamilaroi and Jerrinja woman with a passion for Aboriginal culture and art. She is a self-taught visual artist and graphic designer who grew up predominantly on the south coast of New South Wales in Nowra and Woollongong. Her business, JS Koori Designs, strives to build and grow a sustainable Aboriginal owned and operated business by celebrating the world’s oldest living culture. The Telecommunications Industry Ombudsman commissioned Jasmine to produce the artwork contained in this document. Artwork: Created by Jasmine Sarin Title: Ngara (2020) About the artwork “The centre is you guys, it’s everything TIO stands for. Think of the circles as rings in a tree, they carry knowledge and each one is different just as each person that works within TIO is different and brings something unique. Its also representative of the journey TIO has been through thus far. The connecting lines to the centre link to everything around it. These other circles are the members and providers you work with. -
Torres Strait Islanders: a New Deal
The Parliament of the Commonwealth of Australia TORRES STRAIT ISLANDERS: A NEW DEAL A REPORT ON GREATER AUTONOMY FOR TORRES STRAIT ISLANDERS House of Representatives Standing Committee on Aboriginal & Torres Strait Islander Affairs August 1997 Canberra Commonwealth of Australia 1997 ISBN This document was produced from camera-ready copy prepared by the House of Representatives Standing Committee on Aboriginal and Torres Strait Islander Affairs and printed by AGPS Canberra. The cover was produced in the AGPS design studios. The graphic on the cover was developed from a photograph taken on Yorke/Masig Island during the Committee's visit in October 1996. CONTENTS FOREWORD ix TERMS OF REFERENCE xii MEMBERSHIP OF THE COMMITTEE xiii GLOSSARY xiv SUMMARY AND RECOMMENDATIONS xv CHAPTER 1 – INTRODUCTION REFERRAL TO COMMITTEE.......................................................................................................................................1 CONDUCT OF THE INQUIRY ......................................................................................................................................1 SCOPE OF THE REPORT.............................................................................................................................................2 PRELIMINARY OBSERVATIONS .................................................................................................................................3 Commonwealth-State Cooperation ....................................................................................................................3 -
Mount Gambier Cemetery Aus Sa Cd-Rom G
STATE TITLE AUTHOR COUNTRY COUNTY GMD LOCATION CALL NUMBER "A SORROWFUL SPOT" - MOUNT GAMBIER CEMETERY AUS SA CD-ROM GENO 2 COMPUTER R 929.5.AUS.SA.MTGA "A SORROWFUL SPOT" PIONEER PARK 1854 - 1913: A SOUTHEE, CHRIS AUS SA BOOK BAY 7 SHELF 1 R 929.5.AUS.SA.MTGA HISTORY OF MOUNT GAMBIER'S FIRST TOWN CEMETERY "AT THE MOUNT" A PHOTOGRAPHIC RECORD OF EARLY WYCHEPROOF & AUS VIC BOOK BAY 10 SHELF 3 R 994.59.WYCH.WYCH WYCHEPROOF DISTRICT HISTORICAL SOCIETY "BY THE HAND OF DEATH": INQUESTS HELD FOR KRANJC, ELAINE AND AUS VIC BOOK BAY 3 SHELF 4 R 614.1.AUS.VIC.GEE GEELONG & DISTRICT VOL 1 1837 - 1850 JENNINGS, PAM "BY THE HAND OF DEATH": INQUESTS HELD FOR KRANJC, ELAINE AND AUS VIC BOOK BAY 14 SHELF 2 614.1.AUS.VIC.GEE GEELONG & DISTRICT VOL.1 1837 - 1850 JENNINGS, PAM "HARMONY" INTO TASMANIAN 1829 & ORPHANAGE AUS TAS BOOK BAY 2 SHELF 2 R 362.732.AUS.TAS.HOB INFORMATION "LADY ABBERTON" 1849: DIARY OF GEORGE PARK PARK, GEORGE AUS ENG VIC BOOK BAY 3 SHELF 2 R 387.542.AUS.VIC "POPPA'S CRICKET TEAM OF COCKATOO VALLEY": A KURTZE, W. J. AUS VIC BOOK BAY 6 SHELF 2 R 929.29.KURT.KUR FACUTAL AND HUMOROUS TALE OF PIONEER LIFE ON THE LAND "RESUME" PASSENGER VESSEL "WANERA" AUS ALL BOOK BAY 3 SHELF 2 R 386.WAN "THE PATHS OF GLORY LEAD BUT TO THE GRAVE": TILBROOK, ERIC H. H. AUS SA BOOK BAY 7 SHELF 1 R 929.5.AUS.SA.CLA EARLY HISTORY OF THE CEMETERIES OF CLARE AND DISTRICT "WARROCK" CASTERTON 1843 NATIONAL TRUST OF AUS VIC BOOK BAY 16 SHELF 1 994.57.WARR VICTORIA "WHEN I WAS AT NED'S CORNER…": THE KIDMAN YEARS KING, CATHERINE ALL ALL BOOK BAY 10 SHELF 3 R 994.59.MILL.NED