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Jay Sukow Jay Sukow 14836 Dickens Street #12 | Sherman Oaks, CA 91403 | 312.699.2206 | [email protected] | www.todayimprov.com Stage The Best of the Second City Northwest ensemble The Second City NW Watch your Back ensemble The Second City NW Mitch Greene Presents... Mitch Greene Various Various improv and sketch comedy groups Guest Artist Second City Mainstage, Second City ETC, Second City Northwest, Messing with a Friend, Boom Chicago, ComedySportz (various) Film American Legacy Dale Harris Group Mind Films Trubadeaux: A Restaurant Movie Gavin Brandt Group Mind Films Direction Sheboygan Director Chicago Sketch Fest Web Bye Dr. Johnson Fulton Market Films Numerous corporate live and video productions. List available upon request. Training Improvisation • Del Close, Charna Halpern, Kevin Dorff, Jon Favreau, TJ Jagodowski, Peter Gwinn, Noah Gregoropolous at iO Chicago • Stephen Colbert, Steve Carell, David Razowsky, Michael Gellman, Tom Gianis, Fran Adams at The Second City • Keith Johnstone, Dick Schaal • Mick Napier, Mark Sutton, Rebecca Sohn at the Annoyance Theater Acting • Meisner: Sommer Austin and Andrew Gallant • Scene Study: Marlene Zuccaro Degree • BA in Mass Communications, Illinois State University, 1992 Festivals New Orleans Improv Festival (instructor and performer), C/U Improv Fest (instructor and performer), Del Close Marathon (performer), CIF Teen Comedy Festival (instructor), CIF apprentice team (instructor) Other Sketch writing (both theatrically and corporate), juggling, sports expertise, loves Beastie Boys, eyes change color based on what I’m wearing..

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COMEDY CENTRAL(R) Honored with Nine Primetime Emmy(R) Nominations
COMEDY CENTRAL(R) Honored With Nine Primetime Emmy(R) Nominations Thirteen-Time Emmy-Winner "The Daily Show With Jon Stewart" Cited Again For Program, Writing, Directing, Plus Nods For Technical Direction And thedailyshow.com's "Ask A Correspondent," Totaling Five Nominations Emmy-Winner Hit "The Colbert Report" Scores Three Big Nominations For Show, Writing And Directing Four-Time Emmy-Winning Animated Favorite "South Park" Receives Tenth Nomination NEW YORK, July 8, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL earned nine nominations in the 2009-2010 Primetime Emmy® Awards competition, it was announced today by the Academy of Television Arts and Sciences (ATAS). Thirteen-time Emmy-winner (seven times for program and six for writing) "The Daily Show with Jon Stewart" the network's unique news parody series, is nominated this year in five categories: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series and Chuck O'Neil, singled out for the seventh year-in-a-row for Outstanding Directing For A Variety, Music Or Comedy Series. Two additional nominations came in the Technical Direction category and The Daily Show Ask a Correspondent piece, "The Meaning of Life," credited to thedailyshow.com, COMEDY CENTRAL Digital. This brings the grand total of Primetime Emmy nominations for the "Daily Show" to 37. The program is also a two-time winner of the prestigious Peabody® Award for Excellence in Broadcasting. "The Colbert Report," with Stephen Colbert assuming a dismissive, Bill O'Reilly-like persona while commenting on the issues of the day, received three Emmy Award nominations: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series, a category in which it won its first Emmy in 2008, and Director Jim Hoskinson was cited for Outstanding Directing For A Variety, Music Or Comedy Series.
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Nomination Press Release
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COPAS—Current Objectives of Postgraduate American Studies Issue 15.1 (2014) “A Good Story”: On Black Abjection in Improv Comedy Michel Büch Abstract: This article discusses Black absence in Improv comedy as a symptom of a racial exclusion inherent in Humanism. Relating Improv’s liberatory and democratic ideals to the epistemological paradigm of modernity, I engage in deconstructive play with the literary doppelgänger motif as a Romanticist reaction to Enlightenment’s ratio-centric ideals. The argument considers the cultural phenomenon of Improv to be a particular manifestation of White aesthetic, cultural, and political hegemony in popular culture, not despite but because of its rhetorics of freedom. Keywords: Blackness; Critical Whiteness Studies; Improvisation; Humanism; Enlightenment; Theater; Doppelgänger; Performance; I think that satiric improvisational theater is definitely a cosmopolitan phenomenon and the people who do it and its audience are cosmopolitan people who are sufficiently liberated from their ethnic backgrounds to identify with whatever is going on throughout the world. […] But I don’t think most black people are cosmopolitan. I think they’re more ethnic in their orientation, so when they’re black actors, they want to do black theater. […] The ethnic experience is very enjoyable, but it excludes the outer world. It’s always “Us against them.” Roger Bowen (qtd. in Sweet 40-41)1 Improv and Diversity In a recent article for the Chicago Tribune, Meredith Rodriguez engages with “the lack of diversity” on NBC’s comedy show Saturday Night Live and traces the absence of black cast members back to the racial dynamics of the major breeding ground for future comedians: Chicago’s Improv scene.
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Contemporary Improvisational Theater in Poland and the United States
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 2(40) 2017 http://dx.doi.org/10.18778/1505-9057.40.05 Magdalena Szuster* “Alchemy and smoke in a bottle” – contemporary improvisational theater in Poland and the United States Part 1: (Re)defining Improvised Theater – the American and Polish Perspectives What Does Impro(v) Mean Anyway? The origins of improvisation are indistinct, and for most part untraceable. An academic endeavor to establish its beginnings would go unrewarded, as there is no one distinct inventor1 of improvisation. This technique, or method, had been used as means of expression in art long before Spolin or Johnstone, and far away from Chicago or London. The Atellan farce (1 BC), secular entertainers and court jesters in China (10 BC), or the frenzied improvisations in Ancient Greece (600 BC) had preceded the 16th century commedia dell’arte2 the Italian improvised per- formance based on scenarios and/or sketches. The renaissance of improvisation in the 20th century was largely brought about by experimental artists who used it as means of expression, communication and representation. As a tool, a vessel or foundation improvisation existed in theater (both formal and popular), painting, poetry and music. It was an important substance, and an interesting addition to avant-garde art. The early avant-garde theater welcomed improvisation as a means in the pro- cess of developing plays and productions, or as a component of actor training, yet an independent improvisational format was yet to be devised. In the mid-twentieth * Dr, University of Łódź, Faculty of Philology, Department of American Literature and Cul- ture, 91-404 Łódź, ul.
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THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 38Th ANNUAL DAYTIME ENTERTAINMENT EMMY ® AWARD NOMINATIONS
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Nomination Press Release
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Rank Series T Title N Network Wr Riter(S)*
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Funny Feminism: Reading the Texts and Performances of Viola
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Boley to Welcome
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Edta Catalog
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