Truth in Comedy.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Edmond Press
International Press International Sales Venice: wild bunch The PR Contact Ltd. Venice Phil Symes - Mobile: 347 643 1171 Vincent Maraval Ronaldo Mourao - Mobile: 347 643 0966 Tel: +336 11 91 23 93 Email: [email protected] Email: [email protected] Fax: 041 5265277 Carole Baraton 62nd Mostra Venice Film Festival: Tel: +336 20 36 77 72 Hotel Villa Pannonia Email: [email protected] Via Doge D. Michiel 48 Gaël Nouaile 30126 Venezia Lido Tel: +336 21 23 04 72 Tel: 041 5260162 Email: [email protected] Fax: 041 5265277 Silva Simonutti London: Tel: +33 6 82 13 18 84 The PR Contact Ltd. Email: [email protected] 32 Newman Street London, W1T 1PU Paris: Tel: + 44 (0) 207 323 1200 Wild Bunch Fax: + 44 (0) 207 323 1070 99, rue de la Verrerie - 75004 Paris Email: [email protected] tel: + 33 1 53 01 50 20 fax: +33 1 53 01 50 49 www.wildbunch.biz French Press: French Distribution : Pan Européenne / Wild Bunch Michel Burstein / Bossa Nova Tel: +33 1 43 26 26 26 Fax: +33 1 43 26 26 36 High resolution images are available to download from 32 bd st germain - 75005 Paris the press section at www.wildbunch.biz [email protected] www.bossa-nova.info Synopsis Cast and Crew “You are not where you belong.” Edmond: William H. Macy Thus begins a brutal descent into a contemporary urban hell Glenna: Julia Stiles in David Mamet's savage black comedy, when his encounter B-Girl: Denise Richards with a fortune-teller leads businessman Edmond (William H. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Famous Chicagoans Source: Chicago Municipal Library
DePaul Center for Urban Education Chicago Math Connections This project is funded by the Illinois Board of Higher Education through the Dwight D. Eisenhower Professional Development Program. Teaching/Learning Data Bank Useful information to connect math to science and social studies Topic: Famous Chicagoans Source: Chicago Municipal Library Name Profession Nelson Algren author Joan Allen actor Gillian Anderson actor Lorenz Tate actor Kyle actor Ernie Banks, (former Chicago Cub) baseball Jennifer Beals actor Saul Bellow author Jim Belushi actor Marlon Brando actor Gwendolyn Brooks poet Dick Butkus football-Chicago Bear Harry Caray sports announcer Nat "King" Cole singer Da – Brat singer R – Kelly singer Crucial Conflict singers Twista singer Casper singer Suzanne Douglas Editor Carl Thomas singer Billy Corgan musician Cindy Crawford model Joan Cusack actor John Cusack actor Walt Disney animator Mike Ditka football-former Bear's Coach Theodore Dreiser author Roger Ebert film critic Dennis Farina actor Dennis Franz actor F. Gary Gray directory Bob Green sports writer Buddy Guy blues musician Daryl Hannah actor Anne Heche actor Ernest Hemingway author John Hughes director Jesse Jackson activist Helmut Jahn architect Michael Jordan basketball-Chicago Bulls Ray Kroc founder of McDonald's Irv Kupcinet newspaper columnist Ramsey Lewis jazz musician John Mahoney actor John Malkovich actor David Mamet playwright Joe Mantegna actor Marlee Matlin actor Jenny McCarthy TV personality Laurie Metcalf actor Dermot Muroney actor Bill Murray actor Bob Newhart -
Lab 2019: in the Room
Lab 2019: In the Room Sunday, August 18th Victory Gardens Biograph, 2433 N. Lincoln Avenue 10:00-10:30am REGISTRATION AND ORIENTATION 10:30-1:00pm INTRODUCTIONS, ICE BREAKERS, AND SETTING GOOD INTENTIONS LUNCH BREAK 2:00-2:45pm THROUGHLINE PROJECT INTRODUCTION BREAK 3:00-3:30pm YOUR ROOM Lavina Jadhwani, Freelance Director 3:30-5:30pm FINDING THE NEXUS OF BEST WORK/BEST ROOM Laura Fisher, Not in Our House/Chicago Theatre Standards TRAVEL BREAK 7:00-8:00pm The Infinite Wrench Created by the Neo-Futurists The Neo-Futurist Theater, 5153 N. Ashland Avenue 8:30-10:00pm DINNER Reza’s, 5255 N. Clark Street Lab 2019: In the Room Monday, August 19th The Design Museum of Chicago, 72 E. Randolph Street 10:00-10:30am CHECK-IN AND QUESTIONS 10:30-11:45am SETTING THE STAGE Hallie Rosen, Chicago Architecture Center BREAK 12:00-1:00pm DOWNTOWN THEATRE HISTORY Melanie Wang, Dept. of Cultural Affairs and Special Events Mitchell J. Ward, Free Tours by Foot LUNCH AND TRAVEL BREAK/OPTIONAL CONTINUED TOUR The Second City, 230 W. North Avenue 2:00-5:00pm SATIRE AND THE SECOND CITY Rachael Mason, The Second City BREAK 5:00-6:00pm COMEDY TODAY & THE MAINSTAGE PROCESS Anthony LeBlanc, Jesse Swanson, Mick Napier, and others TBD, The Second City FREE NIGHT Lab 2019: In the Room Tuesday, August 20th Reva and David Logan Center for the Arts, 915 E. 60th Street 10:00-10:15am CHECK-IN AND QUESTIONS 10:15-11:15am THE BEND IN THE ROAD Lydia Milman-Schmidt, Parent-Artist Advocacy League Cassie Calderone, Love, Your Doula BREAK 11:30-12:30pm DIRECTING VIRTUALLY Alice Bever, Chang Nai Wen, Monty Cole, and Evan Tsitias, Freelance Directors and International Lab Affiliates LUNCH BREAK 1:30-2:30pm ROOM FOR ART IN ACADEMIA Tiffany Trent, Logan Center for the Arts BREAK 3:00-5:00pm CREATING A TRANS AFFIRMING WORKPLACE Carolyn Leach, Chicago House TransWorks 5:00-6:00pm PEER-LED SESSION TRAVEL AND DINNER BREAK 8:00pm THE BEST OF SECOND CITY Directed by Jonald Reyes UP Comedy Club, 230 W. -
THE PEDAGOGY and ETHICS of IMPROVISATION USING the HAROLD David Dellus Patton Virginia Commonwealth University
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2007 THE PEDAGOGY AND ETHICS OF IMPROVISATION USING THE HAROLD David Dellus Patton Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/906 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © David Patton 2007 All Rights Reserved THE PEDAGOGY AND ETHICS OF IMPROVISATION USING THE HAROLD A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by DAVID PATTON Bachelor of Arts, College of William and Mary 1997 Master of Divinity, Union Theological Seminary and PSCE 2005 Director: AARON ANDERSON ASSISTANT PROFESSOR OF THEATRE Reader: JANET RODGERS HEAD OF PERFORMANCE Reader: CHARNA HALPERN ARTISTIC DIRECTOR OF IO CHICAGO Virginia Commonwealth University Richmond, Virginia May, 2007 ii Acknowledgement I would like to thank my father for inspiring my love of theatre and supporting me no matter what. I would also like to thank my Aunt Jane and Uncle Norman for being so very cool. Thanks to my old friends, Matt Williams and Tina Medlin Nelson, and my new VCU friends, Shanea N. Taylor and Kim Parkins, for making grad school bearable. Also thanks to Hana, Tara and the whole Beatty family for their love and support. -
PENGUIN GROUP USA Spring/Summer 2008 New Books for Course Use & Adoption Consideration
PENGUIN GROUP USA SPRING/SUMMER 2008 NEW BOOKS FOR COURSE USE & ADOPTION CONSIDERATION PENGUIN CLASSICS • democraCY: An American Novel/Henry Adams/Edited with • PURGATORIA/Dante Alighieri/Translated with Intro & Notes an Intro & Notes by Earl N. Harbert/978-0-14-303980-8/ by Robin Kirkpatrick/978-0-14-144896-2/$17.00/Mar 2008. $13.00/“One of the most perceptive books ever written about Washington.”—Maureen Dowd, New York Times/June 08. • pARADISO/Dante Alighieri/Translated with an Intro & Notes by Robin Kirkpatrick/978-0-14-144897-9/$13.00/Mar 2008. • THE FIRST POEMS IN ENGLISH/Michael Alexander/ 978-0-14-043378-4/$15.00/Contains the 'heroic poems' • ANCIEN REGIME AND THE FRENCH REVOLUTION/Alexis de including passages from Beowulf/Aug 2008. Tocqueville/Translated with an Intro by Gerald Bevan/ 978-0-14-144164-1/$14.00/Penguin Classics Original/Aug • THE UNDERDOGS: A Novel of the Mexican Revolution/Mariano 2008. Azuela/Translated by Sergio Waisman/Intro by Carlos Fuentes/ 978-0-14-310527-5/$8.00/A classic of Latin American • THE SAGA OF THE PEOPLE OF LAXARDAL AND BOLLI BOLLA- literature/Penguin Classics Original/Aug 2008. SON'S TALE/Leifur Eiricksson/Translated by Keneva Kunz/Intro by Bergljót Kristjánsdóttir/Notes, a chronology, maps, • russiaN THINKERS/Isaiah Berlin/Intro by Henry Hardy/ suggestions for further readings/978-0-14-044775-0/$16.00/ 978-0-14-144220-4/$16.00/Mar 2008. Penguin Classics Original/Aug 2008. • THE GOOD PERSON OF SZECHWAN/Bertolt Brecht/ • THE VINLAND SAGAS/Leifur Eiricksson/Translated by Keneva Forword by Carl Weber/New Intro by Norm Roessler/ Kunz/Intro by Gisli Sigurosson/978-0-14-044775-0/$15.00/ Translated by John Willett/Edited with an Intro by John Willett Replaces 978-0-14-044154-3/Aug 2008. -
Jokes So Effective
CHAPTER TWO But Seriously, Folks ... One of the biggest mistakes an improviser can make is attempting to be funny. In fact, if an audience senses that any performer is deliberately trying to be funny, that performer may have made his task more difficult (this isn't always the case for an established comedian playing before a sympathetic crowd — comics like Jack Benny and Red Skelton were notorious for breaking up during their sketches, and their audiences didn't seem to mind it a bit. A novice performer isn't usually as lucky, unless he's managed to win the crowd over to his side). When an actor gives the unspoken message "Watch this, folks, it's really going to be funny," the audience often reads this as "This is going to be so funny, I'm going to make you laugh whether you want to or not." Human nature being what it is, many audience members respond to this challenge with "Oh, yeah? Just go ahead and try, because I'm not laughing," to the performer's horror. A much easier approach for improvisers is to be sincere and honest, drawing the audience into the scene rather than reaching out and trying to pull them along. Improvisers can be relaxed and natural, knowing that if they are sincere, the audience will be more receptive to them. Audience members laugh at things they can relate to, but they cannot empathize if the performers are insincere. Ars est celare artem, as the ancient Romans would say: the art is in concealing the art. -
Ronnie Ray "Very Talented Comedian"
Ronnie Ray "Very Talented Comedian" Ronnie Ray has tremendous presence no matter what he does – Beth Lisick, The San Francisco Chronicle Originally from the south side of Chicago, Ronnie Ray’s passion in comedy transcribes into hilarious real life moments brought to the stage! Trained at The Second City Chicago Ron performs with sketch comedy ensemble Oui Be Negroes and Nation of Improv. As a stand-up comedian his material spans from a PG-13 to an R rating, with subjects that consist of growing up on the South Side of Chicago, the different types of comedians and the often requested crowd favorite that basketball star Shaquille O’Neal should retire from NBA and go back to his career as a rap artist. He his performed at a variety of clubs such as The World Famous Comedy Store (Hollywood), The Laugh Factory (Hollywood), The Improv (West Palm Beach) and Pechanga Comedy Club (Temecula) just to name a few and have been privileged to share the stage with comedy greats such as Damon Waynes, Chris Tucker and Robin Williams. His uniqueness as a comedic actor has given him the opportunity and distinction of being the only comic to perform on Playboy TV (Canoga Park and Totally Busted) AND Nickelodeon (Victorious) along with other T.V. and Movies projects. Such as Paramount Pictures “Save the Last Dance”, Groit Pictures “Redrum”, adding his voice to the Animation “Gangs of LA 1991_ and the award winning comedy from Jib Jab’s Shawshank in Minute, directed by John Landis. A gifted comedic writer, He has written numerous sketch comedy scenes of OBN and has written many spec productions with QRS Productions. -
TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, BA Sport
Chura 1 DIGITAL BRAND MANAGEMENT STRATEGY: TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, B.A. Sport Management, B.A. Fine Arts Submitted to the Graduate Faculty of Department of Strategic Communication Bob Schieffer School of Communication Texas Christian University in partial fulfillment of the requirements for the degree of Master’s of Science May 2016 Chura 2 Project Advisors: Jong-Hyuok Jung, Ph.D. Assistant Professor of Strategic Communication Wendy Macias, Ph.D. Associate Professor of Strategic Communication Catherine Coleman, Associate Professor of Strategic Communication Chura 3 TABLE OF CONTENTS 1. Introduction……………………………………………………………………………p.4 2. Situation Analysis……………………………………………………………………...p.6 3. Literature Review………………………………………………………….…………p.10 4. Method…………………………………………………………………….…………..p.16 5. Results…………………………………………………………...…………………….p.20 6. Implications…………………………………………………...………………………p.29 7. Limitations and Future Research……………………………………………………p.33 8. Reference……………………………………………………………………….……..p.35 9. Appendix………………………………………………………………………………p.37 Chura 4 INTRODUCTION Digital media threatens the profits of the entrainment industry. The variety of options offered by digital platforms such as Netflix, Hulu, and YouTube introduces new competitors to physical entertainment venues, such as comedy clubs. IBIS World Report suggests that the comedy club industry generates $315.1 million annually in the United States. However, while the industry itself is growing, digital entertainment venues (e.g., Netflix, Hulu, Vimeo, and YouTube) threaten the future of physical stand-up clubs (Edwards, 2015). This potential substitute has left stand-up comedy clubs, like the Texas Improv Comedy Clubs, questioning if they can maintain their brand identity, while potentially leveraging new media to their advantage. Overview In 1963, the Improvisation Comedy Club, or Improv, started in New York City by Budd Friedman as a venue for Broadway performers to relax after their shows. -
The Artillery of Critique Versus the General Uncritical Consensus: Standing up to Propaganda, 1990-1999
THE ARTILLERY OF CRITIQUE VERSUS THE GENERAL UNCRITICAL CONSENSUS: STANDING UP TO PROPAGANDA, 1990-1999 by Andrew Alexander Monti Master of Arts, York University, Toronto, Canada, 2013 Bachelor of Science, Bocconi University, Milan, Italy, 2005 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program of Communication and Culture Toronto, Ontario, Canada, 2018 © Andrew Alexander Monti, 2018 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The Artillery of Critique versus the General Uncritical Consensus: Standing Up to Propaganda, 1990-1999 Andrew Alexander Monti Doctor of Philosophy Communication and Culture Ryerson University, 2018 In 2011, leading comedy scholars singled-out two shortcomings in stand-up comedy research. The first shortcoming suggests a theoretical void: that although “a number of different disciplines take comedy as their subject matter, the opportunities afforded to the inter-disciplinary study of comedy are rarely, if ever, capitalized on.”1 The second indicates a methodological void: there is a “lack of literature on ‘how’ to analyse stand-up comedy.”2 This research project examines the relationship between political consciousness and satirical humour in stand-up comedy and attempts to redress these two shortcomings. -
Atra Asdou Gray Talent Group
ATRA ASDOU GRAY TALENT GROUP . 312.663.1659 . 727 S DEARBORN ST #312 . CHICAGO, IL 60605 Height: 5'5” Weight: 130 lbs Eyes: DK BrwN Hair: BlacK THEATRE SemiNar Izzy HaveN Theatre/Marti LyoNs A Christmas Carol Belle The Goodman Theatre/HeNry Wishcamper BeNgal Tiger at the Baghdad Zoo Hadia LooKiNgglass Theatre/Heidi Stillman Heartbreak House Ellie DuNN Writers' Theatre/William BrowN Dirty April The Gift Theatre/JoNathaN Berry Teddy Ferrara* JeNNy The Goodman Theatre/Evan CabNet *staged readiNg COMMERCIAL/TV/INDUSTRIAL/PRINT Cricket Wireless PriNcipal CapguN Collective Rivers CasiNo PriNcipal Des PlaiNes Rivers CasiNo L&M Cigarettes (PriNt) PriNcipal Leo BurNett The Room Place (PriNt) PriNcipal Silver LiNiNgs Media FEMA PSA PriNcipal Leo BurNett Life FitNess PriNcipal Richter Studios OCLC WorldCat PriNcipal Waymack aNd Crew ProductioNs TV/FILM MiNd Games (Pilot) Co-star ABC/Miguel SapochNiK RooNey (Pilot thesis) Co-Star LFS/Nathan HeNNeNfeNt JohnsoN Featured 2DS ProdcutioNs/Huck BotKo Follow the Leader Featured GiNa FoNtaNiNi ProductioNs/GiNa FoNtaniNi Nightlights Featured Play ON ProductioNs/David Midell EDUCATION/TRAINING Loyola UNiversity Chicago, B.A. Theatre, (English MiNor) SecoNd City Chicago CoNservatory Level 1, 2, 3, 4, 5 Norm Holly, Rachael MasoN, JohN Hildreth, Tim O'Malley SceNic ImprovisatioN 1 Tim Paul ImprovisatioN for Actors 1 & 2 Michael GellmaN & Tim Paul iO Chicago ImprovisatioN: Levels 1, 2, 3, 4a, 4b, 5a Todd Edwards, Susan MessiNg, JasoN Shotts, DiNa Facklis, JasoN ChiN, Tara DeFrancisco Writing: Sitcom Spec/TalK show/TV SKetch Nate HermaN Loyola UNiversity Improv WorKshop David Pasquesi/CharNa HalperN/Mick Napier SPECIAL SKILLS MovemeNt: Yoga, DaNce (Jazz, ModerN – Humphrey & Graham TechNiques,) ViewpoiNts, MasK Music: Mezzo- SopraNo, Jazz Other: WritiNg, StaNd-up, Hula-hoop, Cartwheels, Voices/Dialects, Ambidextrous, WorKs well with childreN aNd aNimals, caN picK thiNgs up with toes, caN touch tongue to Nose.. -
JANELLE SNOW Resume 6-1-19
Janelle Snow Stewart Talent: 312-943-3131 SAG-AFTRA * AEA [email protected] THEATER (select roles) HAND TO GOD Margery Victory Gardens Gary Griffin THE CROWD YOU’RE IN WITH Melinda Goodman Theatre Wendy C. Goldberg SPARE CHANGE Claire Steppenwolf Theatre Lisa Portes SKYLIGHT Kyra Steppenwolf Theatre Mike Nussbaum ALWAYS PATSY CLINE Louise Theatre at the Center Brian Russell THE CHERRY ORCHARD Ranevskaya Strawdog Theatre Kimberly Senior SUDDENLY LAST SUMMER** Catherine Eclipse Theatre Company Thom Cox THE SWEETEST SWING IN BASEBALL Dana Eclipse Theatre Company Nathaniel Swift RUMORS Claire Eclipse Theatre Company Greg Werstler BIG TIME Fran Eclipse Theatre Company Steve Scott ONLY THE SOUND* Lila Chicago Dramatists Russ Tutterow HENRY FLAMETHROWA Beth Victory Gardens Susan Nussbaum NO ONE AS NASTY Janet Victory Gardens Susan Booth THE TRIP TO BOUNTIFUL Jessie Mae American Theatre Company Sarah Whitney FLUNG Win American Theatre Company Susan Nussbaum 5 WOMEN WEARING THE SAME DRESS** Trish Circle Theatre Greg Kolack AUSCHWITZ LULLABY* Kapo Vacek Circle Theatre Alena Murguia LIPS TOGETHER, TEETH APART Sally Circle Theatre Alena Murguia A PIECE OF MY HEART*** Whitney Circle Theatre Greg Kolack *Jeff Nomination: Actress **Jeff Award: Actress ***Jeff Award: Ensemble FILM RAIN BEAU’S END (post-prod.) Lead Halfjack Generation Tracy Wren NOISE AND COLOR Lead Cinestone Pictures Logan Stone STAGE FOUR Lead Contrarian Films Wendy Roderweiss GARDENING AT NIGHT Lead Liminal Films Shayna Connelly THE WIDOWER Supporting Willy Laszlo David Pasquesi LOVE BUG Supporting Back 40 Productions Mitch E. Apley THE RINGING OF THE BELLES Supporting Dreaming Tree Films John Dunne DEATH OF A PRESIDENT Featured Borough Films Gabriel Range NEW PORT SOUTH Featured Touchstone Kyle Cooper TELEVISION CHICAGO MED Recurring NBC Universal/Wolf Films Waxman/Forney/Berner CHICAGO FIRE Recurring NBC Universal/Wolf Films Steve Shill/Olivia Newman BOSS Co-star Lionsgate Television Mario Van Peebles THE BEAST Co-star A&E | Sony Pictures Michael Dinner E/R Co-star NBC | Warner Bros.