DOCSLIB.ORG

O Dowland! Sla Ery & La

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
O Dowland! Sla Ery & La PRICELESS! Vol 20 No 6 CONCERT LISTINGS MARCH 1- APRIL 7 2015 O Dowland! Slaery & La Nef “...she has chops that Eric Clapton would wish for “A testament to his faith, on a good day.” BOSTON MUSICAL Bach’s Passions speak to us INTELLIGENCER of the greater human experience through music of powerful drama and profound beauty.” IVARS TAURINS BAROQUE MISBEHAVING BACH ST. JOHN AISSLINN NOSKY PASSION VIOLINIST AND GUEST DIRECTOR Musical Misdemeanours and Mayhem. DIRECTED BY Apr 23-26 Trinity-St. Paul’s Centre, Jeanne Lamon Hall IVARS TAURINS Apr 28 George Weston Recital Hall Powerful Drama. An orchestral romp featuring music by Purcell, Profound Beauty. Telemann, Charpentier, and and Snow White, a new work by Canadian composer Michael Oesterle. Mar 19-22 Trinity-St. Paul’s Centre, Jeanne Lamon Hall APR 23 SPONSORED BY Tafelmusik Baroque Orchestra and Chamber Choir GWRH CONCERT SUPPORTED BY Margaret and Jim Fleck Julia Doyle, soprano Daniel Taylor, countertenor Charles Daniels, tenor TSP: 416.964.6337 Peter Harvey, baritone GWRH: 1.855.985.2787 tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR “...she has chops LET THE TSO that Eric Clapton would wish for “A testament to his faith, on a good day.” Bach’s Passions speak to us BOSTON MUSICAL INTELLIGENCER INSPIRE YOU of the greater human experience through music of powerful Beethoven Symphony 7 Stravinsky The Rite of Spring Tchaikovsky Symphony 4 drama and profound beauty.” WED, MAR 11 AT 8pm FRI, MAR 27 AT 7:30pm WED, APR 1 AT 8pm IVARS TAURINS THU, MAR 12 AT 8pm SAT, MAR 28 AT 7:30pm THU, APR 2 AT 2pm SAT, MAR 14 AT 8pm Krzysztof Urbański, conductor James Conlon, conductor Gianandrea Noseda, conductor Sol Gabetta, cello Vilde Frang, violin Adrianne Pieczonka, soprano Kilar: Orawa (MAR 27 ONLY) Wagner: Preludes to Acts I & III from Casella: Italia Dvořák: Cello Concerto Lohengrin BAROQUE R. Strauss: Vier letzte Lieder Stravinsky: The Rite of Spring (1947) Korngold: Violin Concerto (Four Last Songs) Tchaikovsky: Symphony No. 4 MISBEHAVING Wagner: Prelude and Liebestod from BACH Tristan und Isolde ST. JOHN Beethoven: Symphony No. 7 AISSLINN NOSKY PASSION VIOLINIST AND GUEST DIRECTOR Musical Misdemeanours and Mayhem. DIRECTED BY Apr 23-26 Trinity-St. Paul’s Centre, Jeanne Lamon Hall IVARS TAURINS Apr 28 George Weston Recital Hall Powerful Drama. An orchestral romp featuring music by Purcell, Profound Beauty. Telemann, Charpentier, and and Snow White, a new work by Canadian composer Michael Oesterle. Mar 19-22 Trinity-St. Paul’s Centre, Jeanne Lamon Hall APR 23 SPONSORED BY Tafelmusik Baroque Orchestra and Chamber Choir GWRH CONCERT SUPPORTED BY Margaret and Jim Fleck VILDE FRANG, Julia Doyle, soprano VIOLIN (APR 1 & 2) Daniel Taylor, countertenor Charles Daniels, tenor TSP: 416.964.6337 Peter Harvey, baritone GWRH: 1.855.985.2787 tafelmusik.org ROY THOMSON HALL | 416.593.4828 | TSO.CA SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir OFFICIAL AIRLINE & MAR 11 PERFORMANCE SPONSOR MAR 28 PERFORMANCE SPONSOR APR 1 PERFORMANCE SPONSOR the azrieli musiC proJeCt Commissioning Competition DeaDline: april 15, 2015 $50,000 prize for a new orChestral work for CanaDian resiDents, a Commissioning grant for a new work of orChestral Jewish musiC between 15 anD 25 minutes Duration gala ConCert with the orChestre symphonique De montréal anD kent nagano Presented by www.azrielifoundation.org/music Volume 20 No 6 | March 1 to April 7, 2015 FEATURES 6. Damn the Torpedoes | DAVID PERLMAN Till Fellner | PAUL ENNIS 8. ATMA presents the trio’s first album 9. O Dowland! | DAVID PODGORSKI 11. Conversations@ | PAUL ENNIS EN TROIS COULEURS 12. All Roads Lead to Summer | SARA CONSTANT 52. Maestro Classes | PAUL ENNIS A landscape of jazz, 63. We are all Music’s Children | MJ BUELL improvisation, and world music. BEAT BY BEAT 14. Classical & Beyond | PAUL ENNIS 16. In with the New | WENDALYN BARTLEY 19. World View | ANDREW TIMAR 21. Jazz Stories | ORI DAGAN 23. Early Music | DAVID PODGORSKI 26. Choral Scene | BENJAMIN STEIN 28. On Opera | CHRISTOPHER HOILE 30. Art of Song | HANS DE GROOT 31. Bandstand | JACK MACQUARRIE 49. Mainly Clubs, Mostly Jazz | BOB BEN LISTINGS 32. A | Concerts in the GTA 45. B | Concerts Beyond the GTA 49. C | Music Theatre 50. D | In the Clubs (Mostly Jazz) 53. E | The ETCeteras 57 – 62. SUMMER MUSIC EDUCATION DISCOVERIES: RECORDINGS REVIEWED 64. Editor’s Corner | DAVID OLDS 64. Vocal 66. Early Music & Period Performance 68. Classical & Beyond 69. Strings Attached | TERRY ROBBINS 70. Modern & Contemporary 72. Jazz & Improvised 72. Something in the Air | KEN WAXMAN ACD2 2709 73. Jazz, Eh? | STUART BROOMER 75. Pot Pourri 75. Old Wine, New Bottles | BRUCE SURTEES MARIE-JOSÉE SIMARD MORE PERCUSSION 6. Contact Information & Deadlines 7. Index of Advertisers FRANÇOIS BOURASSA 56. Classified Ads PIANO Cover Photograph PASY YVES LÉVEILLÉ PIANO AVAILABLE IN HD AT ATMACLASSIQUE.COM STUDIO CD QUALITY MP3 QUALITY IN THIS ISSUE Select ATMA titles now on sale LESLIE ANN BRADLEY ELLIOT MADORE MUSIC’S CHILD? 63 ON OPERA 28 ART OF SONG 30 FOR OPENERS | DAVID PERLMAN Damn the Torpedoes always have a funny moment of pleasure when one of our colum- One: Azrieli nists finds himself or herself having to preface a reference to a Were you in too much of a hurry to come visit me here to notice the I particular upcoming event with a disclaimer – calling readers’ advertisement from the Azrieli Foundation on page 4, announcing the attention to the fact that the columnist in question is actually Azrieli Music Project ? The competition announced in the ad should performing in the event they’re about to tell you about. (See the final make the composers among you sit up and take notice, at any rate. It paragraphs of Ben Stein’s and Ori Dagan’s columns in this issue for offers a $50,000 prize for a 15 to 25 minute newly composed work of examples of what I am talking about.) “orchestral Jewish music,” by a Canadian resident; to be performed in It doesn’t happen often, but often enough. And the pleasure that a gala concert by Kent Nagano and the Montreal Symphony Orchestra. I get from it, every time, is the little reminder that so many of our The question that jumped up at me immediately was “So, what writers are, in fact, active participants in the musical “Beats” they constitutes ‘Jewish music,’ in these times?” To their credit, the AMP write about, rather than detached observers. doesn’t duck the question. “The question What is Jewish Music? is at I also get some satisfaction, in those situations, from the fact that the heart of a constantly evolving cultural dialogue,” they say. “Taking we still make the effort to point these little conflicts of interest out into account the rich and diverse history of Jewish musical traditions, to our readers when they happen. It gets harder and harder when all the AMP defines ‘Jewish Music’ as music that incorporates a Jewish the protocols they teach in publishing courses about keeping one’s thematic or Jewish musical influence. … Defining Jewish music as editorial operations as pure as the driven snow are being blown both deeply rooted in history and tradition and forward-moving and away by the winds of digital change. It’s especially hard for the little dynamic, the AMP … challenges orchestral composers of all faiths, guys like us to stick to protocols for keeping editorial and advertising backgrounds and affiliations to engage creatively and critically with separate at a time when even the big guys who passed exams in the this question in submitting their work.” rules are floundering for consistency. Consider the following: in this month’s WholeNote listings So what am I driving at? Well, just this: this is one of those times there is a concert on March 12, jointly presented by the Ashkenaz when I am busting to use this supposedly sacred bit of editorial real Foundation and the Aga Khan Museum, titled “Spotlight on Israeli estate to tell you about a whole bunch of things I would not even Culture” and featuring the Diwan Saz Interfaith Ensemble – a multi- know about if I were wearing only my editorial hat instead of the two cultural ensemble of Jewish, Muslim, Christian and Bedouin musi- or three that every member of this tiny organization must juggle just cians performing “ancient music from Central Asia, Turkey, Persia to keep this little publication going. and the Holy Land.” And two days later, on March 14, the Music So, damn the torpedoes! Here I go! (I can always go back to being Gallery, Ashkenaz Foundation and Koffler Centre for the Arts combine an editorial virgin in the morning, can’t I?) to present a work called The Lanka Suite by Tova Kardonne which, ™ The WholeNote THANKS TO THIS MONTH’S CONTRIBUTORS Upcoming Dates & Deadlines VOLUME 20 NO 6| MARCH 1, 2015 – APRIL 7, 2015 Beat Columnists Centre for Social Innovation Hans de Groot, Jack MacQuarrie, Benjamin Stein, Free Event Listings Deadline 720 Bathurst St., Suite 503, Toronto ON M5S 2R4 Paul Ennis, David Olds, David Podgorski, Midnight Sunday March 8 PHONE 416-323-2232 | FAX 416-603-4791 Ori Dagan, Wendalyn Bartley, Bob Ben, Display Ad Reservations Deadline Publisher/Editor In Chief | David Perlman mJ buell, Christopher Hoile, Andrew Timar 6pm Sunday March 15 [email protected] Features Classifieds Deadline Chairman of the Board | Allan Pulker Sara Constant, Paul Ennis, David Podgorski 6pm Tuesday March 24 [email protected] Advertising Materials Due EDITORIAL CD Reviewers 6pm Wednesday March 18 Managing Editor | Paul Ennis Karen Ages, Stuart Broomer, Max Christie, Hans Publication Date [email protected] de Groot, Daniel Foley, Janos Gardonyi, Richard Tuesday March 31 Recordings Editor | David Olds Haskell, Tiina Kiik, Roger Knox, Alison Melville, Volume 20 No 7 covers [email protected] Lesley Mitchell-Clarke, Ivana Popovic, Michael April 1, 2015 to May 7, 2015 Social Media Editor | Sara Constant Schwartz, Bruce Surtees, Andrew Timar, Robert [email protected] Tomas, Ken Waxman, Dianne Wells WholeNote Media Inc.
Load more

Recommended publications
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ VIOLIN ETUDES: A PEDAGOGICAL GUIDE A document submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2006 by Semi Yang [email protected] B.M., Queensland Conservatorium of Music, Griffith University, Australia, 1995 M.M., Queensland Conservatorium of Music, Griffith University, Australia, 1999 Advisor: Dr. Won-bin Yim Reader: Prof. Kurt Sassmannshaus Reader: Dr. Robert Zierolf ABSTRACT Studying etudes is one of the most essential parts of learning a specific instrument. A violinist without a strong technical background meets many obstacles performing standard violin literature. This document provides detailed guidelines on how to practice selected etudes effectively from a pedagogical perspective, rather than a historical or analytical view. The criteria for selecting the individual etudes are for the goal of accomplishing certain technical aspects and how widely they are used in teaching; this is based partly on my experience and background. The body of the document is in three parts. The first consists of definitions, historical background, and introduces different of kinds of etudes. The second part describes etudes for strengthening technical aspects of violin playing with etudes by Rodolphe Kreutzer, Pierre Rode, and Jakob Dont. The third part explores concert etudes by Wieniawski and Paganini.
    [Show full text]
  • Report to the Friends of Music
    Summer, 2020 Dear Friends of the Music Department, The 2019-20 academic year has been like no other. After a vibrant fall semester featur- ing two concerts by the Parker Quartet, the opening of the innovative Harvard ArtLab featuring performances by our faculty and students, an exciting array of courses and our inaugural department-wide throwdown–an informal sharing of performance projects by students and faculty–we began the second semester with great optimism. Meredith Monk arrived for her Fromm Professorship, Pedro Memelsdorff came to work with the Univer- sity Choir as the Christoph Wolff Scholar, Esperanza Spalding and Carolyn Abbate began co-teaching an opera development workshop about Wayne Shorter’s Iphigenia, and Vijay Iyer planned a spectacular set of Fromm Players concerts and a symposium called Black Speculative Musicalities. And then the world changed. Harvard announced on March 10, 2020 that due to COVID-19, virtual teaching would begin after spring break and the undergraduates were being sent home. We had to can- cel all subsequent spring events and radically revise our teaching by learning to conduct classes over Zoom. Our faculty, staff, and students pulled together admirably to address the changed landscape. The opera workshop (Music 187r) continued virtually; students in Vijay Iyer’s Advanced Ensemble Workshop (Music 171) created an album of original mu- sic, “Mixtape,” that is available on Bandcamp; Meredith Monk created a video of students in her choral class performing her work in progress, Fields/Clouds, and Andy Clark created an incredible performance of the Harvard Choruses for virtual graduation that involved a complicated process of additive recording over Zoom.
    [Show full text]
  • First-Generation Historians Leaving a Mark: Yasmeen Ragab, Carmen Gutierrez, Johnna Jones, Jason Smith PAGE 2 Letter from the Chair
    University of Illinois at Urbana-Champaign www.history.illinois.edu Spring 2020 First-Generation Historians Leaving a Mark: Yasmeen Ragab, Carmen Gutierrez, Johnna Jones, Jason Smith PAGE 2 Letter from the Chair fter twenty years in Champaign-Urbana and sixteen years as a faculty member, I became interim chair of the department in August 2019. I feel so lucky to lead Asuch an amazing group of scholars—faculty, graduate students, and undergradu- ate majors—for the next two years. I am grateful to Clare Crowston for her advice and wise counsel throughout the summer as we prepared for the transition. My faculty joins me in wishing her all the best for a productive and restorative sabbatical this year and in the new position she’ll assume in August 2020 as Associate Dean for the Humanities and Interdisci- plinary Programs in the College of Liberal Arts and Sciences. The dedicated staff in 309 Gregory Hall provide the support we all need to keep the department running smoothly, attending to every detail. I have relied on their expertise, experience, and professionalism as I have learned the job, and I am grateful to each of them. For the past eighteen years, Tom Bedwell, our business manager, has ensured the successful running of all aspects of departmental operations. His total commitment, professionalism, and skill as a financial manager are matched by his unflagging dedication to the welfare of each and every faculty member, student, and staff. Dawn Voyles assists Tom working effi- ciently to reserve flights for faculty, pay honoraria to visiting scholars, and process receipts.
    [Show full text]
  • Ons-Tafelmusik.Pdf
    CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Don Lee, The Banff Centre Banff The Don Lee, Today’s performance is sponsored by Gay D. Dunne and James H. Dunne COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Mary Ellen Litzinger Lam Hood, vice chair Bonnie Marshall Pieter Ouwehand William Asbury Melinda Stearns Patricia Best Susan Steinberg Lynn Sidehamer Brown Lillian Upcraft Philip Burlingame Pat Williams Alfred Jones Jr. Nina Woskob Deb Latta Eileen Leibowitz student representative Ellie Lewis Jesse Scott Christine Lichtig CENTER FOR THE PERFORMING ARTS AT PENN STATE presents Tafelmusik Baroque Orchestra Jeanne Lamon, director The Galileo Project: Music of the Spheres Conceived, programmed, and scripted by Alison Mackay Glenn Davidson, production designer Marshall Pynkoski, stage director John Percy, astronomical consultant Shaun Smyth, narrator 7:30 p.m. Wednesday, November 5, 2014 Schwab Auditorium The performance includes one intermission. This presentation is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the proj- ect provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the grant project. sponsors Gay D. Dunne and James H. Dunne support provided by Nina C. Brown Endowment media sponsor WPSU The Center for the Performing Arts at Penn State receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania, and the National Endowment for the Arts, a federal agency.
    [Show full text]
  • Violin Repertoire List
    Violin Repertoire List In reverse order of difficulty (beginner books at top). Please send suggestions / additions to [email protected]. Version 1.1, updated 27 Aug 2015 ​ List A: (Pieces in 1st position & basic notation) ​ Fiddle Time Starters Fiddle Time Joggers Fiddle Time Runners Fiddle Time Sprinters The ABCs of Violin Musicland Violin Books Musicland Lollipop Man (Violin Duets) Abracadabra - Book 1 Suzuki Book 1 ABRSM Grade Book 1 VIolinSchool Editions: Popular Tunes in First Position ● Twinkle Twinkle Little Star ● London Bridge is Falling Down ● Frère Jacques ● When the Saints Go Marching In ● Happy Birthday to You ● What Shall We Do With the Drunken Sailor ● Ode to Joy ● Largo from The New World ● Long Long Ago ● Old MacDonald Had a Farm ● Pop! Goes the Weasel ● Row Row Row Your Boat ● Greensleeves ● The Irish Washerwoman ● Yankee Doodle Stanley Fletcher, New Tunes for Strings, Book 1 2 Step by Step Violin Play Violin Today String Builder Violin Book One (Samuel Applebaum) A Tune a Day I Can Read Music Easy Classical Violin Solos Violin for Dummies The Essential String Method (Sheila Nelson) Robert Pracht, Album of Easy Pieces, Op. 12 Doflein, Violin Method, Book 1 Waggon Wheels Superstudies (Mary Cohen) The Classical Experience Suzuki Book 2 Stanley Fletcher, New Tunes for Strings, Book 2 Doflein, Violin Method, Book 2 Alfred Moffat, Old Masters for Young Players D. Kabalevsky, Album Pieces for 1 and 2 Violins and Piano *************************************** List B: (Pieces in multiple positions and varieties of bow strokes) ​ Level 1: Tomaso Albinoni Adagio in G minor Johann Sebastian Bach: Air on the G string Bach Gavotte in D (Suzuki Book 3) Bach Gavotte in G minor (Suzuki Book 3) Béla Bartók: 44 Duos for two violins Karl Bohm www.ViolinSchool.org | [email protected] | +44 (0) 20 3051 0080 ​ ​ ​ 3 Perpetual Motion Frédéric Chopin Nocturne in C sharp minor (arranged) Charles Dancla 12 Easy Fantasies, Op.86 Antonín Dvořák Humoresque King Henry VIII Pastime with Good Company (ABRSM, Grade 3) Fritz Kreisler: Berceuse Romantique, Op.
    [Show full text]
  • ABBA MANIA Return to the Florida Theatre on February 25, 2021
    ABBA MANIA Return to the Florida Theatre on February 25, 2021 Jacksonville, Fla. (May 26, 2020) – The Florida Theatre is pleased to announce the return of the world’s number one touring ABBA tribute concert, ABBA MANIA, on Thursday, February 25, 2021. ABBA MANIA returns to perform the group’s biggest hits "Dancing Queen," "Waterloo," "Mamma Mia," "The Winner Takes it All," "Super Trouper,” Fernando,” ‘‘Take A Chance On Me" and many more in this special live concert. ABBA MANIA formed in 1999 and the show has been selling out theatres and concert halls internationally ever since. This show has toured the world in its quest to bring the music of the Swedish supergroup to their millions of fans, old and new. ABBA’s timeless songs were written to be enjoyed live and ABBA MANIA gives you exactly that. Two hours of uplifting, dance inducing and sometimes heart-breaking songs, fully live with fantastic staging, lighting and effects. ABBA MANIA is the perfect concert for lifelong, die-hard ABBA fans as well as the new generation of fans who never had the opportunity to see ABBA live. Agnetha, Bjorn, Benny and Anni-Frid, collectively known as ABBA, dominated the charts for nearly ten years and enjoyed nine UK number 1 hits. At their height they became Sweden’s highest export earners, amazingly, outselling Volvo cars. ABBA Gold was continuously in the album Charts throughout the nineties and is one of the biggest selling albums ever. “Beware of imitations…this is the real musical tribute!” - Polly Graham, Sunday Mirror The historic, nonprofit Florida Theatre is sponsored by Community First Credit Union.
    [Show full text]
  • Billboard 1978-05-27
    031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing.
    [Show full text]
  • BOOKLET CCS SA SEL 3705 21-11-2017 13:26 Pagina 1
    BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 1 CHANNEL CLASSICS CCS SA SEL 6717 SUPER ARTISTS IN SUPER AUDIO 15 tracks 69 minutes 32 composers 11 channel classics artists BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 2 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 3 CCS SA 33412 Allegro from Concerto No.1 - A. Vivaldi 1 Holland Baroque Rachel Podger, violin ‘La Cetra’ A. Vivaldi 12 Violin Concertos, opus 9 on historical instruments SA-CD.net 5 stars: ... a triumphant return to Vivaldi ... Classics Today 5 stars: ... a search for the best recording of a given set of Vivaldi violin concertos gets easier with every new release from Rachel Podger ... Podger is a dynamic and unfailingly accurate virtuoso with exceptional interpretive instincts ... WQXR: Album of the Week: ... it's well tuned, and supported by a richly varied continuo of archlute, theorbo, gui - tar, organ and harpsichord ... Stereophile 5 stars: ... Podger and her Dutch band seek out the peculiari - ties, the differences and surprises ... the fast movements are joyful, almost dancelike, and the slow move - ments are embellished in ways that can be practically bluesy … the recording is spectacular … these per - formances are beauties, every one ... 3 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 4 CCS SA 32713 Götterdämmerung - Siegfried's Funeral March - R.Wagner 2 Budapest Festival Orchestra Iván Fischer, conductor Petra Lang, soprano R. Wagner Götterdämmerung Die Meistersinger von Nürnberg Excerpts Siegfried – Idyll BBC Music Magazine 5 stars: ... Fischer’s Meistersinger is quite sprightly yet poised, with an attractively underlying warmth, and his Siegfried-Idyll has chamber-like translucency ..
    [Show full text]
  • CHAN 0723 Booklet.Qxd 13/12/07 18:40 Page 2
    CHAN 0723 Front.qxd 13/12/07 18:36 Page 1 BUXTEHUDE SACRED CANTATAS Vol. 2 EMMA KIRKBY • MICHAEL CHANCE • CHARLES DANIELS • PETER HARVEY THE PURCELL QUARTET CHAN 0723 CHANDOS early music CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 2 Dietrich Buxtehude (c. 1637–1707) Sacred Cantatas, Volume 2 1 Das neugebor’ne Kindelein, BuxWV 13 6:45 for soprano, alto, tenor, bass, three violins, violone and basso continuo AKG Images 2 Quemadmodum desiderat cervus, BuxWV 92 7:44 Chiaccona à 3 for tenor, two violins and basso continuo Nichts soll uns scheiden von der Liebe Gottes, BuxWV 77 10:22 for soprano, alto, bass, two violins, violone and basso continuo 3 Nichts soll uns scheiden von der Liebe Gottes 2:34 4 Wie sollte wohl heißen das zeitliche Leiden 1:54 5 Auch ist kein erschaffnes Vermögen zu nennen 2:00 6 Denn Gott hat die Liebe so hoch ja getrieben 3:52 Dixit Dominus Domino meo, BuxWV 17 10:03 for soprano, two violins, two violas, violone and basso continuo 7 Sonata 0:44 8 Dixit Dominus Domino meo 2:43 9 Juravit Dominus 0:52 Dietrich Buxtehude, with sheet of music, in an allegorical painting by Johann (Johannes) 10 Dominus a dextris tuis confregit in die irae suae reges 1:30 Voorhout (1647–1723) called Musizierende Gesellschaft, or Häusliche Musikszene (1674), 11 …conquassabit capita in terra multorum 1:22 also showing Johann Adam Rincken, at the keyboard 12 Gloria patri et filio et spiritui sancto 2:48 3 CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 4 An filius non est Dei, BuxWV 6 12:09 29 Jesu dulcis memoria, BuxWV 57 7:20 for alto, tenor, bass,
    [Show full text]
  • 'Race' and Diaspora: Romani Music Making in Ostrava, Czech Republic
    Music, ‘Race’ and Diaspora: Romani Music Making in Ostrava, Czech Republic Melissa Wynne Elliott 2005 School of Oriental and African Studies University of London PhD ProQuest Number: 10731268 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731268 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of ‘race’. My research is based on fieldwork conducted in Ostrava, between August 2003 and July 2004 and East Slovakia in July 2004, as well as archival research in Ostrava and Vienna. These fieldwork experiences compelled me to explore music and ideas of ‘race’ through discourses of diaspora in order to assist in conceptualising and interpreting Romani music making in Ostrava. The vast majority of Roma in Ostrava are post-World War II emigres or descendants of emigres from East Slovakia. In contemporary Ostrava, most Roma live on the socio­ economic margins and are most often regarded as a separate ‘race’ with a separate culture from the dominant population.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae Nathan E. Nabb, D.M. Associate Professor of Music – Saxophone Stephen F. Austin State University www.nathannabbmusic.com Contact Information: 274 Wright Music Building College of Fine Arts - School of Music Stephen F. Austin State University TEACHING EXPERIENCE Associate Professor of Saxophone Stephen F. Austin State University 2010 to present Nacogdoches, Texas Maintain and recruit private studio averaging 20+ music majors Applied saxophone instruction to saxophone majors (music education and performance) Saxophone quartets (number depending on enrollment) Private Applied Pedagogy and Repertoire for graduate saxophone students Recruitment tour performances and master classes with other wind faculty Saxophone studio class Assistant Professor of Saxophone Morehead State University 2005 to 2010 Morehead, Kentucky Maintain and recruit private studio averaging 17-22 music majors Applied saxophone instruction to saxophone majors (education, performance and jazz) Saxophone quartets (three or four depending on enrollment) Woodwind methods course (flute, clarinet and saxophone) Saxophone segment of Advanced Woodwind Methods Course Private Applied Pedagogy and Performance Practice for graduate saxophone students Guided independent study courses for graduate saxophone students Present annual clinics for Kentucky high-school saxophonists for the MSU Concert Band Clinic Present annual All-State audition preparation clinics Academic advisor for undergraduate private applied saxophonists Saxophone studio class Nathan E. Nabb Curriculum
    [Show full text]
  • La Phil and Gustavo Dudamel Announce 2020/21 Season That Celebrates the Music of the Americas, Expands the Musical World with Mo
    LA PHIL AND GUSTAVO DUDAMEL ANNOUNCE 2020/21 SEASON THAT CELEBRATES THE MUSIC OF THE AMERICAS, EXPANDS THE MUSICAL WORLD WITH MORE THAN TWO DOZEN COMMISSIONS, AND BRINGS EXCITING NEW VOICES TO BELOVED MASTERWORKS Dudamel launches multi-year Pan-American Music Initiative celebrating the vision and creativity of artists from across the Americas; inaugural year curated by composer Gabriela Ortiz features commissions and multi-disciplinary collaborations America: The Stories We Tell, a season-long musical journey into the ways in which narrative shapes American identity Seoul Festival, curated by composer Unsuk Chin, links South Korea’s cultural scene to the city with America’s largest Korean population The return of the landmark Tristan Project led by Esa-Pekka Salonen, with direction by Peter Sellars and visuals by Bill Viola, featuring Nina Stemme, Stephen Gould, Michelle DeYoung and Franz Josef Selig Katia and Marielle Labèque in an immersive multimedia journey, Supernova, with Barbara Hannigan and director Netia Jones, and concerts featuring new music by Nico Muhly and The National’s Bryce Dessner Season Subscription Series Available Now Single Ticket Sales Begin Sunday, August 23, 2020 Los Angeles, CA (February 5, 2020) – Los Angeles Philharmonic Music & Artistic Director Gustavo Dudamel and David C. Bohnett Chief Executive Officer Chair Chad Smith today announced the 2020/21 Walt Disney Concert Hall season featuring three trailblazing new projects: Pan-American Music Initiative and America: The Stories We Tell led by Gustavo Dudamel and Seoul Festival curated by Unsuk Chin; the premieres of 27 LA Phil commissions; the revival of LA Phil productions including the landmark Tristan Project Page 1 of 11 collaboration of Esa-Pekka Salonen, Peter Sellars and Bill Viola; and performances by world- renowned guest artists including Yuja Wang, Hélène Grimaud, Lang Lang, Itzhak Perlman, Yefim Bronfman, Leila Josefowicz, Katia and Marielle Labèque and Barbara Hannigan.
    [Show full text]