DOCSLIB.ORG

Butley's Painful Discoveries Are Made Against a Back­ Ground of Petty University Politics and Unease About Student Dissent

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Butley's Painful Discoveries Are Made Against a Back­ Ground of Petty University Politics and Unease About Student Dissent ''::.,,'1-r •, . ~., .,, The QuestorsTheatre Company lF-IE QUE5TORS lF-IFATRE COMPANY First performance May 31st 1980 First staged at the Criterion Theatre in 1971, 'Sutley' is a play about a university lecturer, Ben Sutley, who shares his office and his flat with a former star pupil, Joey, now also a teacher. On the day when the play takes place Sutley faces both the ultimate breakdown of his marriage and of his intense friendship with Joey. Butley's painful discoveries are made against a back­ ground of petty university politics and unease about student dissent. He greets them with a blistering torrent of repartee and rhetoric. 'Sutley ..... could well join that distinguished gallery of human debris represented by Willie Loman, Jimmy Porter and Bill Maitland in post-war drama ...... What is so wondrous about a play so basically defeatist and hurtful is its ability to be funny. The stark, unsentimental approach to the homosexual relationship, the cynical send-up of academic life, the sceptical view of the teacher-pupil associations are all stunningly illuminated by continuous explosions of sardonic, needling, feline, vituperative and civilised lines. Milton Shulman in the 'Evening Standard'. Butley Cast in order of appearance BEN BUTLEY PETER CARISS JOSEPH KEYSTON GRAHAM WILLIAMS MISS HEASMAN SARAH ANDREWS EDNA SHAFT JENNY HICKS ANNE BUTLEY DOROTHY BOYD-TAYLOR REG NUTTAL MIKE LANGRIDGE MR. GARDNER IAN PINKERTON Director EDWARD PITT Designed by BETH CROWLEY Costumes by LINDSAY UDELL THE PLAY IS SET IN 1971 ACT I An office in a College of London University about 10a.m. ACT II The Office as before After Lunch THERE WILL BE AN INTERVAL OF 15 MINUTES BETWEEN ACT I AND ACT II STAGE MANAGER MARTIN UDALL DEPUTY STAGE MANAGER BARBARA SEXON ASSISTANT STAGE MANAGERS SIMON CROMBIE, JULIA ANDREWS, LINDA RIVANS, JANE FENELON, MAGGIE DAVIDSON, ANNA TAYLOR, STAN GLEBOCKI, MELITA WATSON, BRIAN BEEVERS, ALEX CHARLES, STEVE KNIGHT, ROY BRIERLEY, JOHN DAVIS. SOUND LEON HENRY LIGHTING LES SMITH ASSISTED BY KAREN BECKETT PROPERTIES JOAN CURRY WARDROBE LINDSEY UDELL COMING TO THE DISCUSSION? Continuing our series of public discussions after each production, that on the present show will be held on TUESDAY, 10th JUNE at 7.45p.m. in the BERNARD SHAW ROOM led, as usual, by a prominent theatre personality. Note the date- TUESDAY, 10th JUNE, at 7.45p.m. SIMON GRAY Simon Gray's first stage play, 'Wise Child', starring Alec Guinness, was produced at Wyndham's Theatre in 1967. This was followed by 'Dutch Uncle'; 'Spoiled'; two award-winning plays, 'Sutley' and 'Otherwise Engaged', both starring Alan Bates and directed by Harold Pinter; 'Dog Days' at the Oxford Playhouse; 'Molly' at Watford and the Comedy Theatre; 'The Rear Column' at the Globe; an adaptation of Dostoievsky's 'The Idiot' and 'Close of Play' for the National Theatre. He has had four novels published -- 'Colmain', 'Simple People', ' Little Portia' and 'A Comeback for Stark' (the latter under the pseudonym Hamish Reade) . His television plays include 'The Caramel Crisis', 'Death of a Teddy Bear' which won the Writer's Guild Award, 'Pig in a Poke', 'Man in a Side­ car', 'Plaintiffs and Defendants', and 'Two Sundays'. Simon Gray was born in Hampshire, educated at West­ minster School and at universities in Canada and France before reading English at Cambridge. He teaches English Literature at Queen Mary College, London. COMING IN THE MAIN THEATRE .. .... 21 - 28 June MACBETH by William Shakespeare Shakespeare's great play about the nature of evil; the story of Macbeth's fatal step onto the dark path which leads inevitably to his own tragedy is told in some of the finest dramatic poetry ever written by the world's greatest poetic dramatist. 12 - 19July The Questors Student Group presents UNDER MILK WOOD by Dylan Thomas The amusing and moving journey through a single day in the li fe of the imaginary Welsh village of Llareggyb; Dylan Thomas's memorable characters move (or stagger!) on their eccentric paths from dawn to dusk. COMING IN THE STUDIO ...... 20 - 27 July MEASURE FOR MEASURE by William Shakespeare The production planned and worked on by the late David Gower. The first two performances (20th and 21st J uly) will be given in aid of Cancer Research. Shakespeare's fascinating exploration of justice and mercy in relation to ordinary mortals. Printed and published by The Questors Ltd. Theatre Manager: Ben O'Mahony .
Load more

Recommended publications
  • Print Journalism: a Critical Introduction
    Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved.
    [Show full text]
  • The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
    Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A.
    [Show full text]
  • Natural Pursuits – the Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011
    PRESS RELEASE June 2011 11/49 Natural Pursuits – The Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011 BFI Southbank celebrates the tragi-comic screen dramas of the late Simon Gray. A writer of immense wit and intellectual charm whose razor-sharp dialogue is unsurpassed. The month long season features some of Gray’s most celebrated work including screenings of Unnatural Pursuits (1992), After Pilkington (1987) and They Never Slept (1991) which feature performances by British acting elite including Alan Bates, Edward Fox and Miranda Richardson. Following the screening of They Never Slept, a panel of guests including producer Kenith Trodd, and directors Udayan Prasad and Christopher Morahan will discuss his great contribution to television drama and the theatre illustrated with clips of some of his early and rare television plays to be chaired by Broadcaster Matthew Sweet. After the screening of Butley on Sunday 14 Aug, Lindsay Posner, director of the 40th anniversary revival of the play currently running at the Duchess Theatre will also be welcomed to the BFI stage for a Q&A. Gray wrote prolifically from the mid-60s onwards for both the West End stage (Otherwise Engaged, Quartermaine’s Terms, The Late Middle Classes, Butley) and for television, where such important early successes such as Death of a Teddy Bear, Man in a Sidecar and The Caramel Crisis were carelessly wiped. His most fertile period writing specifically for TV occurred between 1975 and 1993 during a close collaboration with producer Kenith Trodd and four major directors, Michael Lindsay- Hogg, Christopher Morahan, Udayan Prasad and Pat O’Connor.
    [Show full text]
  • Lecture 5 to UNESCO.Pdf (459.39
    Lecture № 5 The theme: ENGLISH AND AMERICAN FAMOUS WRITERS, POETS AND PLAYWRIGHTS Plan: 1. Introduction. 2. The life and creative activity of William Shakespeare. 3. The life and creative activity of Charles John Huffam Dickens. 4. The life and creative activity of Samuel Langhorne Clemens (Mark Twain). 5. The life and creative activity of Theodore Herman Albert Dreiser (Theodore Dreiser). 6. The life and creative activity of James Augustine Aloysius Joyce (James Joyce). 7. The life and creative activity of Ernest Miller Hemingway (Ernest Miller Hemingway). 8. Exercises for the consolidation of the lecture. 9. Assessment. 1. Introduction. At the end of the 20 th century new writers, poets and playwright appeared. During the 1970s and early 1980s, such writers as Greene, Lessing and Le Carre continued to produce important novels. Modern writers are creating their works in different genres and various themes. John Fowler combined adventure and mystery in such novels as “The French Lieutenant's Woman” (1969), Margaret Drabble described the complex lives of educated middle-class people in London in “The Garrick Years”(1964), “The Middle Ground”(1980) and other novels. Iris Murdoch's novels are psychological studies of upper middle-class intellectuals. The three leading English poets today are Ted Hughes, Philip Larkin, and Donald Davie. Ted Hughs produced a major work in his cycle of “Crow” poems (1970-1971). Philip Larkin's verse has been published in his collection “High 1 Windows” (1974). Many of Davie's poems were collected in “In the Stopping Train” (1977). Drama is also flourishing in today's English literature.
    [Show full text]
  • Job Description
    Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure .
    [Show full text]
  • The Judas Kiss
    2016 BAM Winter/Spring #TheJudasKiss Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer The Judas Kiss BAM Harvey Theater May 11—14, 17—21, 24—28 & 31, Jun 1—4, 7—11 at 7:30pm; May 14, 21, 28, Jun 4 & 11 at 2pm; May 15, 22, 29, Jun 5 & 12 at 3pm Running time: approx. two hours & 20 mins. including intermission Written by David Hare Directed by Neil Armfield Chichester Festival Theatre in association with Robert Fox, Theatre Royal Bath Productions, and Hampstead Theatre Productions Season Sponsor: Set design by Dale Ferguson Costume design by Sue Blane Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation Lighting design by Rick Fisher The Francena T. Harrison Foundation Trust Sound design by Paul Groothuis Donald R. Mullen Jr. Original Casting Director Cara Beckinsale CDG The Fan Fox & Leslie R. Samuels Foundation, Inc. The Morris and Alma Schapiro Fund Composed by Alan John The SHS Foundation The Shubert Foundation, Inc. Additional support provided by Broadway Stages. The Judas Kiss FOR THE JUDAS KISS General manager Kathy Bourne Associate director Jonathan O’Boyle Costume supervisor Allan Watkins Co-Costume supervisor/Wardrobe mistress Josie Thomas Wigs supervisor Helen Keelan Associate lighting Andrew Murrell Associate sound David Gregory Production manager Simon Marlow Production carpenter Micky Murray Company stage manager Ba Penney Deputy stage manager Sophia Dalton Canadian assistant stage manager Kathleen Harrison Rehearsal assistant stage manager Paul Puttock American stage manager R.
    [Show full text]
  • Tartuffe: a Modern Adaptation
    TARTUFFE: A MODERN ADAPTATION A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Stephen Benjamin August, 2013 TARTUFFE: A MODERN ADAPTATION Stephen Benjamin Thesis Approved: Accepted: ___________________________ ______________________________ Advisor Interim School Director James Slowiak Dr. Ann Usher _______________________ ______________________________ Committee Member Dean of the College Durand L Pope Dr. Chand Midha _______________________ ________________________________ Committee Member Dean of the Graduate School Dr. Maria Adamowicz-Hariasz Dr. George R. Newkome ______________________________ Date ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION ……………………..………………………………………….……............…………… 1 II. TRANSLATION & TRANSLATORS …….....………………………………………………………… 5 Tartuffe History………………..…………..………………………………………………..….. 5 Translation Categories…………..……………………………………………………….….. 9 Translation Versus Adaptation…………………..…………………………..…………. 11 Taking Liberties ……………………………………….……………………………………… 14 Tartuffe Translation History ……………………………………………….…………… 15 Early Tartuffe Translators ………….…………………………….…………… 15 Post-World War II Tartuffe Translators …………………….…………… 17 Modern Tartuffe Translators …………………………………….…………… 17 Tartuffe Translators Utilized in My Adaptation ……………………...………… 19 Richard Wilbur ………………………….…………………………….…………… 20 Donald Frame ……...…………………….…………………………….…………… 21 John Wood ………......…………………….…………………………….…………… 23 David Coward after John Wood ………......…………………….……………
    [Show full text]
  • Otherwise Engaged Otherwise Engaged Simon Gray
    PROSCENIUM Otherwise Engaged By Simon Gray Otherwise Engaged Wednesday 26th to Saturday 29th April 2017 Compass Theatre, Ickenham Otherwise Engaged Simon Gray The Cast Simon Hench............................................................... Luke Buffini Dave .................................................................Stephen Koranteng Stephen Hench ..............................................................Ben Morris Jeff Golding ..............................................................James Stephen Davina Saunders .....................................Madeleine Clifford-Roper Wood .............................................................................Paul Davis Beth ..........................................................................Zena Wigram Directed by .................................................................Jevan Morris Stage Manager .......................................................Shirley Wootten Set Construction ......................................................Richard Kessel Design .....................................................................Simon J. Raver Lighting and Sound .................................................Simon J. Raver Setting – The living-room of the Henchs’ house in Islington. Present day. Act One – A morning in summer Act Two – The same. Immediately following. There will be an interval of 15 minutes between Acts 1 and 2 Play History The play previewed at the Oxford Playhouse and the Richmond Theatre, and then opened at the Queen's Theatre in London on 10
    [Show full text]
  • Principal Sources Consulted
    Principal Sources Consulted Archival Harold Pinter Archive, British Library. Add. Ms 88880 (see British Library website: www.bl.uk). Printed Baker, William, Harold Pinter (London: Continuum, 2008). Baker, William and John C. Ross, Harold Pinter: A Bibliographical History (London: British Library and New Castle, DE: Oak Knoll Press, 2005). Baker, William and Stephen Ely Tabachnick, Harold Pinter (Edinburgh: Oliver & Boyd, 1973). Bakewell, Joan, The Centre of the Bed (London: Hodder & Stoughton, 2003). Billington, Michael, Harold Pinter, rev. edn (London: Faber, 2007). —— ‘Pinter, Harold (1930–2008)’, Oxford Dictionary of National Biography, Oxford University Press, Jan 2012, www.oxforddnb.com/view/article/100647. Codron, Michael and Alan Strachan, Putting It On: The West End Theatre of Michael Codron (London: Duckworth Overlook, 2010). Coleman, Terry, Olivier (London: Bloomsbury, 2005). Esslin, Martin, Pinter the Playwright (London: Methuen, 1982). Fay, Stephen, Power Play: The Life and Times of Peter Hall (London: Hodder & Stoughton, 1995). Fraser, Antonia, Must You Go?: My Life with Harold Pinter (London: Weidenfeld & Nicolson, 2010). Gale, Steven H. (ed.), The Films of Harold Pinter (Albany: State University of New York Press, 2001). —— Sharp Cut: Harold Pinter’s Screenplays and the Artistic Process (Lexington: University Press of Kentucky, 2003). Gale, Steven H. and Christopher Hudgins, ‘The Harold Pinter Archives II: A Des- cription of the Filmscript Materials in the Archive in the British Library’, The Pinter Review: Annual Essays 1995 and 1996, ed. Francis Gillen and Steven H. Gale (University of Tampa Press, 1997), 101–42. Gillen, Francis and Steven H. Gale (eds), The Pinter Review: Annual Essays (University of Tampa Press, 1987–2011).
    [Show full text]
  • "Would You Like Me to Seduce You?" Kathleen Turner Seizes the Role of Mrs
    Page 1 "WOULD YOU LIKE ME TO SEDUCE YOU?" KATHLEEN TURNER SEIZES THE ROLE OF MRS. ROBINSON IN A STAGE ADAPTATION OF 'THE GRADUATE' By Maureen Dezell, Globe Staff Truth be told, says Kathleen Turner, "I find men under 30 quite uninteresting. "I shouldn't make blanket generalizations, but I will," she adds with a throaty laugh that sounds as if it's soaked in smoke, honey, and single-malt scotch. "I can appreciate a nicely formed bod as much as anyone. But men, until about the age of 29, lack conversation." Turner puts aside her personal indifference to jejune members of the opposite sex to play Mrs. Robinson, a woman of a certain age and experience who seduces a callow Benjamin Braddock in the stage version of "The Graduate," which opens this week at the Colonial Theatre. The Broadway-bound production is based more on Charles Webb's novel "The Graduate" than Mike Nichols's 1967 film adaptation. But it was brought to the stage because of the resonance of the movie, a classic that singularly captured the calm of postwar American affluence and youthful anomie just before the social, political, and sexual storms of the 1960s. A treasure trove of popular culture milestones and memorable moments, "The Graduate" also launched Dustin Hoffman's movie career, turned Simon & Garfunkel into mainstream musical bards, made "plastics" a punch line, and introduced "Mrs. Robinson" to America's sexual lexicon. But this eagerly anticipated revival owes almost as much to Turner as it does to the film. A bawdy dame with a brain whom Time magazine once described as the "first authentically mysterious feminine presence since Garbo," she is an American pop icon in her own right.
    [Show full text]
  • Clive Francis Photo: Simon Annand
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Clive Francis Photo: Simon Annand Playing Age: 51 - 60 years Greater London, England, United Location: Other: Equity Kingdom Eye Colour: Blue Height: 5'9" (175cm) Hair Colour: Light/Mid Brown Weight: 11st. 8lb. (73kg) Hair Length: Mid Length Stage 2018, Stage, Frank Doel, 84 Charing Cross Road, Cambridge Arts Theatre, Richard Beecham 2017, Stage, Mr Thwaites, Slaves of Solitude, Hampstead Theatre, Jonathan Kent 2016, Stage, Mr Birling, An Inspector Calls, PW Productions, Playhouse Theatre, Stephen Daldry 2016, Stage, Frank Doel, 84 Charing Cross Road, Cambridge Arts Theatre, James Roose Evans 2016, Stage, Major George Rice, Les Blancs, National Theatre, Yael Farber 2015, Stage, William Pennington, The Gathered Leaves, Park Theatre, Anthony Eden 2015, Stage, Frank Doel, 84 Charing Cross Road, Salisbury Playhouse, James Roose Evans 2013, Stage, Sir Hector Benbow, THARK, Snapdragon Productions, Clive francis 2012, Stage, Doctor Willis, The Madness of George III, Apollo Theatre, London, Chris Luscombe 2011, Stage, Jimmy Broadbent, The Reluctanct Debutante, Ian Fricker Productions, Belinda Lang 2010, Stage, Ken Lay, ENRON, Headlong. West End & UK Tour, Rupert Gould 2009, Stage, Argan, THE HYPOCHONDRIAC, English Touring Theatre, Gemma Bodinetz 2008, Stage, Scrooge, A CHRISTMAS CAROL, Guildford, Clive Francis 2008, Stage, President Eisenhower, NEVER SO GOOD, National Theatre, Howard Davies 2008, Stage, Sir, THE DRESSER, Palace Theatre
    [Show full text]
  • Study Guide For
    Study Guide for Written by Sophie Watkiss Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Johan Persson This programme has been made possible by the generous support of The Bay Foundation, Noel Coward Foundation and Universal Consolidated Group 1 Contents Section 1: Cast and Creative Team Section 2: Background to THE LATE MIDDLE CLASSES Simon Gray as playwright THE LATE MIDDLE CLASSES in context The characters in the play Synopsis for Act One, Scenes One and Two Section 3: Inside the rehearsal room The world of the play Timeless characters versus a 1950’s period setting Themes emerging from rehearsals. Extracts from a rehearsal diary: Titas Halder, Assistant Director Section 4: Practical work Section 5: Bibliography and endnotes 2 section 1 Cast and Creative Team Cast ELEANOR BRON: ELLIE Theatre: includes The Clean House (Northampton/Sheffield), All About My Mother (Old Vic), In Extremis (Globe), Making Noise Quietly (Whitehall), Dona Rosita the Spinster, Desdemona – If You Had Only Spoken! (one-woman show, Almeida), A Delicate Balance (Nottingham Playhouse), Hamlet (English Touring Theatre), The Miser, The White Devil, The Duchess of Malfi, The Real Inspector Hound, The Cherry Orchard (NT), The Chalk Garden (Windsor), Oedipus Rex, Oedipus at Colonus, The Prime of Miss Jean Brodie, Heartbreak House, A Family, Uncle Vanya, Present Laughter (Royal Exchange), Duet for One, Betrayal, The Master Builder, The Boy Friend (Bristol Old Vic), Hedda Gabler (Worthing), Cinderella (Lyric Hammersmith), Private Lives (Nottingham). Film: includes Street Dance, Wimbledon, Love’s Brother, The Heart of Me, Iris, House of Mirth, A Little Princess, Black Beauty, Little Dorrit, Turtle Diary, Women in Love, Two for the Road, Bedazzled, Alfie, Help.
    [Show full text]