Rules Reference
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Devils Picturebooks a History of Playing Cards
P RE FA C E . “ ’ H E Devil s Book s was the name bestowed upon Playing- cards by the P urita n s and other piou s souls who were probably in h opes that this name would alarm timid persons and so prevent their use . Whether or not his S a tan ic P - Majesty originated laying cards , we have no means of discovering ; but it is more probable he - that only inspired their invention , and placed of who them in the hands mankind , have eagerly o of ad pted this simple means amusing themselves , and have used it according to the good or evil s which predominated in their own brea ts . Many learned men have written books or treatises on P - I for laying cards , and am indebted a large part of the information contained in this histo ry to “ ” Les C a . P C artes Jouer, by M aul la roix ; ” P - Facts and Speculations about laying cards , by h of P - . C T e Mr hatto ; History laying cards , by T The of the Rev . Edward aylor ; and History ” - P . laying cards , by M r Singer out of These books are now print, and some ffi I n what di cult to obtain ; and hope , by bringi g into a small compass the principal features set I to f forth in them , shall be able place be ore a number of readers interesting facts that would be otherwise unobtainable . Hearty thanks are due to the custodians of the o Nati nal M useum in Washington , who have aided t o me in every way in their power, and also the many kind friends who have sought far and wide for o of unique and uncomm n packs cards , and helped materially by gathering facts rel a ting to fo r them me . -
Pandemic: Reign of Cthulhu Rulebook
Beings of ancient and bizarre intelligence, known as Old Ones, are stirring within their vast cosmic prisons. If they awake into the world, it will unleash an age of madness, chaos, and destruction upon the very fabric of reality. Everything you know and love will be destroyed! You are cursed with knowledge that the “sleeping masses” cannot bear: that this Evil exists, and that it must be stopped at all costs. Shadows danced all around the gas street light above you as the pilot flame sputtered a weak yellow light. Even a small pool of light is better than total darkness, you think to yourself. You check your watch again for the third time in the last few minutes. Where was she? Had something happened? The sound of heels clicking on pavement draws your eyes across the street. Slowly, as if the darkness were a cloak around her, a woman comes into view. Her brown hair rests in a neat bun on her head and glasses frame a nervous face. Her hands hold a large manila folder with the words INNSMOUTH stamped on the outside in blocky type lettering. “You’re late,” you say with a note of worry in your voice, taking the folder she is handing you. “I… I tried to get here as soon as I could.” Her voice is tight with fear, high pitched and fast, her eyes moving nervously without pause. “You know how to fix this?” The question in her voice cuts you like a knife. “You can… make IT go away?!” You wince inwardly as her voice raises too loudly at that last bit, a nervous edge of hysteria creeping into her tone. -
Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities
--- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book. -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
Discussions with Teachers
DISCUSSIONS WITH TEACHERS [III] FOU NDAT IONS OF WALDORF EDU C AT ION R U D O L F S T E I N E R Discussions with Teachers FIFTEEN DISCUSSIONS WITH THE TEACHERS OF THE STUTTGART WALDORF SCHOOL AUGUST 21– SEPTEMBER 6, 1919 THREE LECTURES ON THE CURRICULUM SEPTEMBER 6, 1919 Anthroposophic Press The publisher wishes to acknowledge the inspiration and support of Connie and Robert Dulaney ❖ ❖ ❖ Translated from shorthand reports unrevised by the lecturer from the German text: Erziehungskunst. Seminarbesprechungen und Lehrplanvorträge. (Vol. No. 295 in the Bibliographical Survey) published by Rudolf Steiner Verlag, Dornach, Switzerland, 1961. The fifteen discussions were translated by Helen Fox and revised by the publisher for this edition. English versions of the speech exercises, rendered by Maisie Jones, are from Creative Speech: The Nature of Speech Formation, published by Rudolf Steiner Press, London, 1978. The three lectures on the curriculum were translated by Katherine E. Creeger for this edition. Copyright © 1997 Anthroposophic Press Published by Anthroposophic Press 3390 Route 9, Hudson, NY 12534 Library of Congress Cataloging-in-Publication Data Steiner, Rudolf, 1861–1925. Discussions with teachers : fifteen discussions with the teachers of the Stuttgart Waldorf School from August 21 to September 6, 1919 : three lectures on the curriculum given on September 6, 1919 / Rudolf Steiner. p. cm. — (Foundations of Waldorf education ; 3) Translations of unrevised shorthand reports that were published in 1959 as part of Erziehungskunst, Seminarbesprechungen und Lehrplanvorträge. Includes bibliographical references and index. ISBN 0-88010-408-2 (paper) 1. Teaching. 2. Waldorf method of education. 3. Educational psychology. I. Steiner, Rudolf, 1861–1925. -
The International Playing-Card Society PATTERN SHEET Suit System G Other Classification the International Playing-Card Society
The International Playing-Card Society PATTERN SHEET 110 Suit System G Other Classification Characteristic features Recommended name: Daus cards: Show antique gods/ goddesses: Double headed Prussian pattern Type I - Acorns - Dionysos/Bakchos, Leaves - with scenic pip cards. Artemis/Diana, Hearts - Athena/Minerva Alternative name: Prussian-Silesian pattern and Bells - Demeter/Ceres. with scenic pip cards. Kings: Each bear two suit-marks beside the Opposite to the common practice the type of head. They show frontal position, the kings this pattern is differentiated according to the of Acorns, Leaves and Hearts wear different configuration of the pip and not of the court crowns, the king of Bells wears a turban. cards. The suit Leaves is dedicated to hunting from Ober to 7. History Obers: Acorns show a pitman in official The Prussian pattern supposedly originated dress, Hearts another huntsman and Bells a at Naumburg a.d.Saale which belonged since noble man smoking a pipe. 1815 (congress of Vienna, where the Unters: Represent simple men of lower kingdom of Saxony had to abandon a great rank, Acorns - a young farmer in Sunday part of its state territory to Prussia) to the attire, Leaves - a hunter’s helper, Hearts - a Prussian province Saxony. Here the card- waiter and Bells -a village innkeeper. maker Christian Theodor Traugott Sutor The pip cards show scenes of everyday life printed several German suited cards with a in part with tongue in cheek. They vary a bit mixture of pictures taken from decks of other between manufacturers. manufacturers with “Biedermeier” motives like hunting scenes and professions. Composition About 1840 a certain combination of single 32 cards: Daus, King, Ober, Unter, X to 7 headed court and pip cards hardened with the for Skat. -
Intelligent System for Playing Tarok
Journal of Computing and Information Technology - CIT 11, 2003, 3, 209-215 209 Intelligent System for Playing Tarok Mitja Lustrekˇ and Matjazˇ Gams “Jozefˇ Stefan” Institute, Ljubljana, Slovenia We present an advanced intelligent system for playing Tarok 7 is a very popular card game in several three-player tarok card game. The system is based countries of central Europe. There are some on alpha-beta search with several enhancements such as fuzzy transposition table, which clusters strategically tarok-playing programs 2, 9 , but they do not similar positions into generalised game states. Unknown seem to be particularly good and little is known distribution of other players’ cards is addressed by Monte of how they work. This is why we have cho- Carlo sampling. Experimental results show an additional sen tarok for the subject of our research. The reduction in size of expanded 9-ply game-tree by a factor of 184. Human players judge the resulting program to resulting program, Silicon Tarokist, is available play tarok reasonably well. online at httptarokbocosoftcom. Keywords: game playing, imperfect information, tarok, The paper is organised as follows. In section 2 alpha-beta search, transposition table, Monte Carlo rules of tarok and basic approaches to a tarok- sampling. playing program are presented. Section 3 gives the overview of Silicon Tarokist. Section 4 describes its game-tree search algorithm, i.e. an advanced version of alpha-beta search. In 1. Introduction section 5 Monte Carlo sampling is described, which is used to deal with imperfect informa- tion. Section 6 discusses the performance of Computer game playing is a well-developed the search algorithm and presents the results of area of artificial intelligence. -
Necronomicon to Celebrate Horror Writer Lovecraft
In searching the publicly accessible web, we found a webpage of interest and provide a snapshot of it below. Please be advised that this page, and any images or links in it, may have changed since we created this snapshot. For your convenience, we provide a hyperlink to the current webpage as part of our service. Page 1 of 2 NecronomiCon to Celebrate Horror Writer Lovecraft NecronomiCon to celebrate work, influence of early 20th century horror writer HP Lovecraft By MICHELLE R. SMITH Associated Press The Associated Press PROVIDENCE, R.I. If you've enjoyed the works of Stephen King, seen the films "Alien" or "Prometheus," or heard about the fictional Arkham Asylum in Batman, thank H.P. Lovecraft, the early 20th century horror writer whose work has been an inspiration to others for nearly a century. The mythos Lovecraft created in stories such as "The Call of Cthulhu," ''The Case of Charles Dexter Ward" and "At the Mountains of Madness," has reached its tentacles deep into popular culture, so much that his creations and the works they inspired may be better known than the Providence writer himself. Lovecraft's fans want to give the writer his due, and this month are holding what they say is the largest celebration ever of his work and influence. It's billed the "NecronomiCon," named after a Lovecraft creation: a book that was so dark and terrible that a person could barely read a few pages before going insane. The Aug. 22-25 convention is being held in Providence, where he lived and died — poor and obscure — at age 46 in 1937. -
The Nyarlathotep Papers
by Larry DiTillio and Lynn Willis with Geoff Gillan, Kevin A. Ross, Thomas W. Phinney, Michael MacDonald, Sandy Petersen, Penelope Love Art by Lee Gibbons, Nick Smith, Tom Sullivan, Jason Eckhardt Design by Mark Schumann, Mike Blum, Thomas W. Phinney, Yurek Chodak, Shannon Appel Project and Editorial by Lynn Willis Interior Layout by Shannon Appel and Meghan McLean Cover Layout by Charlie Krank Copyreading by Janice Sellers, Alan Glover, Rob Heinsoo Chaosium is Lynn Willis, Charlie Krank, Dustin Wright, Fergie, William Jones, Meghan McLean, Nick Nacario, and Andy Dawson Chaosium Inc. 2010 The Clear Credit Box Larry DiTillio wrote the first draft of Chapters One through Six, except as noted below. The conception, plot, and essential Masks of Nyarlathotep Fourth Edition execution are entirely his, and remain a is published by Chaosium Inc. roleplaying classic. Lynn Willis rewrote the succeeding drafts, originating the his- torical background, introducing race as a Masks of Nyarlathotep Fourth Edition theme, inserting or adjusting certain char- is copyright © 1984, 1989, 1996, 2001, 2006, 2010 acters, writing the introductory chapter, by Chaosium Inc. and most of the advice, asides, incidental jokes, etc., and as an afterthought added All rights reserved. the appendix concerning what might be done with shipboard time. In the introduc- Call of Cthulhu® is the registered trademark of Chaosium Inc. tory chapter, Michael MacDonald wrote the original version of the sidebar concern- ing shipboard travel times and costs. Similarities between characters in Masks of Nyarlathotep Thomas W. Phinney set forth the back- Fourth Edition and persons living or dead are ground chronology of the campaign, and strictly coincidental. -
Lovecraft Country
LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 1 11/18/15 12:06 PM ALSO BY MATT RUFF The Mirage Bad Monkeys Set This House in Order: A Romance of Souls Sewer, Gas & Electric: The Public Works Trilogy Fool on the Hill LovecraftCountry_i-viii,1-376_3p_MB1118.indd 2 11/18/15 12:06 PM LOVECRAFT COUNTRY • A NOVEL • MATT RUFF HARPER An Imprint of HarperCollinsPublishers LovecraftCountry_i-viii,1-376_3p_MB1118.indd 3 11/18/15 12:06 PM Copyright lovecraft country. Copyright © 2016 by Matt Ruff. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Harper Collins Publishers, 195 Broadway, New York, NY 10007. Harper Collins books may be purchased for educational, business, or sales promotional use. For information, please e- mail the Special Markets Department at [email protected]. first edition Designed by Jaime Putorti Copyright for images: cajoer/Shutterstock, Inc. Library of Congress Cataloging- in- Publication Data has been applied for. ISBN: 978- 0-06- 229206- 3 16 17 18 19 20 ov/rrd 10 9 8 7 6 5 4 3 2 1 LovecraftCountry_i-viii,1-376_3p_MB1118.indd 4 11/18/15 12:06 PM Dedication FOR HAROLD AND RITA •• LovecraftCountry_i-viii,1-376_3p_MB1118.indd 5 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 6 11/18/15 12:06 PM LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 7 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 8 11/18/15 12:06 PM LOVECRAFT COUNTRY •• JIM CROW MILE— A unit of measurement, peculiar to colored motor- ists, comprising both physical distance and random helpings of fear, paranoia, frustration, and outrage. -
Catalog 20: Horror from the Eivind Jensen Collection
Catalog No. 20 Horror from the Eivind Jensen Collection 2 Introduction The books listed in this catalog are but a fraction of the material that comprise the Eivind Jensen collection. In addition to books, Mr. Jensen also collected related magazines, booklets and other ephemera. We encourage readers interested in such material to contact us for a complete inventory. TERMS All items are subject to prior sale. All books are returnable within 10 days if returned in the same condition as sent. Please call before returning. Payment should accompany order unless you are known to us. We accept MasterCard, Visa, checks and money orders. Please include $5 for the first item, $3 for each item thereafter for postage. Books are sent vis USPS Media Mail unless otherwise requested. Colorado residents please add 8.81% sales tax. All items are guaranteed as described. Danbom & Son Books has a brick-and-mortar presence at Printed Page Bookshop at 1416 S. Broadway, Denver, CO 80210. Danbom & Son Books is a member of the Antiquarian Booksellers Association of America, the International League of Antiquarian Booksellers, and the Rocky Mountain Antiquarian Booksellers Association. Danbom & Son Books 974 S. Josephine St. Denver, CO 80209 303-880-1217 [email protected] Graphic design by Julie Hutchinson Cover illustration from The Height of the Scream CATALOG NO. 20: HORROR FROM THE EIVIND JENSEN COLLECTION 3 Eivind Jensen HP Lovecraft was an unforgivably racist man. Anyone who endeavors to collect his works will notice also that he was a gifted creator of strange and horrific worlds that we all enjoy consuming. -
The New World Witchery Guide to CARTOMANCY
The New World Witchery Guide to CARTOMANCY The Art of Fortune-Telling with Playing Cards By Cory Hutcheson, Proprietor, New World Witchery ©2010 Cory T. Hutcheson 1 Copyright Notice All content herein subject to copyright © 2010 Cory T. Hutcheson. All rights reserved. Cory T. Hutcheson & New World Witchery hereby authorizes you to copy this document in whole or in party for non-commercial use only. In consideration of this authorization, you agree that any copy of these documents which you make shall retain all copyright and other proprietary notices contained herein. Each individual document published herein may contain other proprietary notices and copyright information relating to that individual document. Nothing contained herein shall be construed as conferring, by implication or otherwise any license or right under any patent or trademark of Cory T. Hutcheson, New World Witchery, or any third party. Except as expressly provided above nothing contained herein shall be construed as conferring any license or right under any copyright of the author. This publication is provided "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR NON-INFRINGEMENT. Some jurisdictions do not allow the exclusion of implied warranties, so the above exclusion may not apply to you. The information provided herein is for ENTERTAINMENT and INFORMATIONAL purposes only. Any issues of health, finance, or other concern should be addressed to a professional within the appropriate field. The author takes no responsibility for the actions of readers of this material. This publication may include technical inaccuracies or typographical errors.