DOCSLIB.ORG

Zephyrus Image Collection Section 1: Collins Street Books

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zephyrus Image Collection Section 1: Collins Street Books Zephyrus Image Collection This is the current listing of the contents of the ZI Collection which is updated as and when new material comes in. The organisation of the list follows the order as devised by Alastair Johnston in his Zephyrus Image: a bibliography (Poltroon Press 2003). Key events, such as the Kent State Arts Festival, and Watergate, have their own sections. Contents Section 1: Collins Street Books………………………..1 Section 2: Bean News…………………………………..2 Section 3: Collins Street Ephemera…………………...3 Section 4: Geary Boulevard Books……………………7 Section 5: Geary Boulevard Ephemera……………….7 Section 6: Kent State Arts Festival……………………9 Section 7: Watergate……………………………………10 Section 8: Healdsburg Books………………………….11 Section 9: Healdsburg Ephemera…………………….12 Section 10: Jobwork……………………………………16 Section 11: Cranium Press…………………………….19 Section 1: Collins Street Books 1.1 Tex Ro-Non-So-Te [Keith Lampe, aka Ponderosa Pine] Amorphia. San Francisco: Hermes Free Press 1972. [8]p. Two copies. 115x68mm. [ref. 27, 176: Copy 2 is a variant: the initial upper-case S is a plainer design, perhaps a test initial checking size and layout] 1.2 Energy-Hustler Ro-Non-So-Te. Election year. San Francisco: Hermes Free Press 1972. [8]p., 116x69mm. [ref. 27, 176. Mike Myers cover artwork] Keith Lampe was an environmental campaigner and activist. Amorphia was a not-for-profit organisation campaigning for the legalisation of cannabis. In Election year, plans are afoot to disrupt the Republican convention before the 1972 election. 1.3 Wilson, S. Clay. Murder. [8]p., [Printed at Rip Off Press. No date] 126x184mm. Comic strip collage format. Rob Rusk was a friend of Wilson’s and introduced him to Holbrook Teter, who paid for this edition. A unique look at Women’s Lib. [ref. 51, 177] 1.4a Rilke, Rainer Maria and Robert Bly [trans.]. Ten sonnets to Orpheus. [24]p., Zephyrus Image Magazine Number One 1972. First edition, printed on Curtis Utopian natural white paper (including the wrappers) and set in Aldus and Palatino. Cover linocut in four colours by Michael Myers. 218x152mm. [ref. 49, 175- 176] 1.4b Rilke, Rainer Maria and Robert Bly [trans.]. Ten sonnets to Orpheus. [28]p., Mudra/Zephyrus Image Magazine 1972. Second edition, offset-printed from the first edition and set in Aldus and Palatino. Cover linocut in four colours by Michael Myers. Distributed out of Berkeley by Book People. Stapled wrappers. 215x152mm. [ref. 49, 175-176] 1.5 Myers, Michael. Accordion to St Luke. [12]p. 69x58mm. Made by Myers for a Christmas greeting. Folded accordion-style. On each face there are different accordions printed from the ZI collection of found blocks. Initial letter printed in red and black, the ‘A’ gilded by hand. The final image is a head and shoulders portrait of Ted Mack altered by Myers, who added a golden halo which has slipped down. [ref. 61, 176] 1.6 Teter, Holbrook and Michael Myers. Nixon Gutters Bungle Dish. 1971. [6]p. 118x92mm. Strip of newsprint folded accordion-style, each of the four faces showing Nixon’s bowling action in his private White House bowling alley. Text on final face reads “May Allah preserve our Bengali brothers”. [ref.176] Section 2: Bean News 2.1 Bean News: all the news that's been. [1972] “8-page newspaper full of weirdness”. 358x230mm. Two copies, one on newsprint, the other on bible paper. [ref. 76, 177] 2.2 Press pass. 66x99mm. Undecorated proof for the actual press pass issued as part of the Bean News Service Press Kit, printed on plain brown paper stock. [ref.178(a)] 2.3 The Dick and Pat Fly-Swatter and Fan. [1974] 142x145mm. Mike Myers linocut title, red newspaper zinc showing the Nixons waving to a crowd. Three states: Key Biscayne. [ref.179(a). The first one printed] Common Market Model. [ref.179(b)] Deluxe Casa Nostra Model. [ref.179(g)] Deluxe Cosa Nostra Model. [unrecorded in Johnston] 2.4 Bean News letterhead. 280x203mm. Letterhead printed in black. Myers linocut designs at the top and three fruit machine windows at the bottom (cherries, lemon, and SLLAB from page 2 of Bean News). Verso, a half-page found zinc of a train, a steel worker foregrounding a cityscape. [ref.178(b)] 2.5 Myers linocut. 1972. 101x151mm. Cream coloured postcard. Verso has an offset image of a cancelled 1c stamp. Text in top-left reads: “A contemporaneous Charryon demonstrates local Injun divination method now bein’ used. The Beanville C of C invites you to see yourself while staying at attractive spas. Easy access to 4-Corners area is provided by Modern Transportation.”. [ref.178] 2.6 Daily World Bean Special. Vol.. 1, No. 3. Sept., 1975. “Commemorates shooting of Gerald Ford by Sara Moore, a member of the S.L.A.” 229x139mm. Printed on bible paper. [ref.177] Section 3: Collins Street Ephemera 3.1 Alcatraz is Not an Island. 215x114mm. Broadside. A statement made by Native Americans who were occupying the land between 1969 and 1971, to raise awareness of Native American issues. We have two examples: (a), printed on grey paper, and (b), printed on lavender paper. [ref. 180] 3.2 Creeley, Robert. Change. 96x149mm. Postcard poem with palm tree stamp by Michael Myers. [ref.181(a), Johnston prints the title as ‘Changes’] 3.3 Harper, Michael S. Homage to the New World. Hermes Free Press. 292x145mm. Broadside. The second in a series of free poems. [2 copies: one on grey paper stock the other on lavender, ref.182] 3.4 Jackson, Harold. War Crimes. Hermes Free Press 1972. 204x278mm. Broadside on newsprint. An article reset by Holbrook Teter, from the Manchester Guardian, about the use, by America, of a new type of anti-personnel bomb which when exploded, sent out plastic pellets. [ref.183] 3.5 Kabir. The Musk inside the Deer. Broadside: State 1: with an aqua linocut of a mollusc by Myers, printed landscape size. 131x256mm. [ref.183(i)]. State 2: has a linocut in dark pink (jellyfish-like) and image is centred on the page, text in black. Johnston describes the image as being printed in brown. 250x131mm, [ref.183(ii-a), variant] State 3: has the same linocut as State 2, but in pink and blue iridescent ink and printed on the left side of the page, text in black on brown card stock. 253x158mm, [ref.183(ii-c) 3.6 Myers, Michael. Liberate Berkeley. 1970. 222x167mm. Linocut depicting a fist rising from a bunch of dynamite, flanked by two Molotov cocktails with two sub-machine guns forming the left and right borders. Johnston’s state (iv) which is a reissue of the first state, but printed in black on white stock. One of our two copies carries on the verso the announcement of ‘A Wake for Michael’ which was circulated in 1982. [ref.184(iv)] 3.7 Myers, Michael. Emergency Equipment. 163x113mm. Verbatim instructions of how to inflate an aircraft’s escape chute. This copy printed in black on Day-Glow orange crack-n-peel sticker with the Hermes Free Press logo of a winged roller- skate at the bottom. [ref.185(b)] 3.8 Myers, Michael. Help Your Local Junkie Kick. 312x163mm. Broadside on newsprint. Ornate linocut in green ink featuring syringes and weeping angels. We hold both states of this broadside, the second of which is 254x165mm and printed in black on kromecote. Read it both ways. [ref.185(a) and (b)] 3.9 Raffael, Joseph. August 1st, 1970. [Hermes Free Press 1970] 215x278mm. Broadside poem on newsprint with the poem on the right and a zinc cut of Anubis on the left. [ref.187] 3.10.1 Richter® Household Seismometer. The Original Household Seismometer. 1971. 280x175mm. Second state. Johnston dates 1975. Printed on white rag paper with deckle edge. Myers’ block in brown printed over blue zinc image of Henry Kissinger watching Chinese children playing. Beneath image “69th Anniversary Edition” in red. Copyright declaration and title in brown. Richter trademark in day-glo orange. [ref.187c] 3.10.1ii Richter® Household Seismometer. The Original Household Seismometer. First issue. 1971. 285x159mm. Printed on tan laid card. Myers’ block in black, leaves coloured green, Richter trademark in red. Imprint: © 1971 by Zephyrous Image Graphics, 243 Collins St., San Francisco. [ref.187a] 3.10.2 [Richter® Household Seismometer] Instructions for Installation. 1971. 229x126mm. Newsprint broadside with a Myers linocut printed in black with pendulum points indicated in red. [ref.188ii] 3.11 Teter, Holbrook. That’s no way to go said Cheops on first seeing the Step Pyramid. Hermes Free Press. 283x166mm. Broadside poem on newsprint with square block ornaments in bottom-left corner. [ref.190: variant] 3.12 Teter, Holbrook. Time as a Chinese Shudder. 560x203mm. Broadside proof of a poem. [ref.190] 3.13 Warren, F. Eugene. Launching Apollo 12. Hermes Free Press. 507x203mm. Broadside on newsprint with a red double ruled border along the top and down the left-hand side. [ref.191] 3.14 ZI Business Card. 58x76mm. Printed on white card with a linecut of a field of wheat, farmhouse, hills and clouds in the distance. [ref.192] 3.15 This is a CHAIN LETTER. [1971] 255x191mm. An anti-Vietnam war flyer calling for a boycott of certain businesses which profit from war. Broadside printed in brown ink on cream paper stock. Not listed in Johnston. 3.16 Fowler, John. Medium or manipulator . .. Hermes Free Press. 118x208mm. Broadside on cream laid paper, typeset in blue and Myers’ linocut in pink of naked man and woman holding hands and wearing elaborate earphones. [ref.181] 3.17 Rusk, Robert. Bruno’s New Tattoo. Hermes Free Press. Broadside with ornament above title. Two copies: Copy 1 241x158mm: on newsprint, but not one of the two states recorded in Johnston.
Load more

Recommended publications
  • Alexander Literary Firsts & Poetry Rare Books
    CATALOGUE THIRTY-TWO Mark Alexander Alexander Rare Books 234 Camp Street ALEXANDER LITERARY FIRSTS Barre, VT 05641 Office: (802) 476-0838 & POETRY RARE BOOKS Cell: (802) 522-0257 [email protected] All items are US, UK or CN First Editions & First Printings unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days.; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards via electronic invoice (Paypal) accepted. Net so days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (generally via Priority Mail) & Canada; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for cover scans or photos of most items. We encourage you to visit for the latest acquisitions. ------------- Due to ever increasing inventory, we will be increasing the frequency of electronic catalogues. If you receive our printed catalogues we encourage you to sign up for our electronic catalogues, also. We will continue to mail print catalogues four CATALOGUE THIRTY-TWO times a year. Electronic catalogues will include recently acquired Summer 2013 items as well as sales. Catalogue 32 5. Adam, Helen. Third Eye Shining. [San Francisco]: Intersection, 1980. First edition thus. Illustrated broadside with a poem by Adam. Designed and printed by Arion Press on Arches. Artwork by 1. A. C. D. (ed.); THE 11. Boulder, CO: Summer 1972. First edition. Adam tipped onto the broadside. One of 100 numbered and signed Stapled mimeograph magazine with a cover illustration by Charles diJulio. copies, this copy not numbered (presumably hors commerce), Printed on rectos only.
    [Show full text]
  • The Berkeley Poetry Conference
    THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson.
    [Show full text]
  • James S. Jaffe Rare Books Llc
    JAMES S. JAFFE RARE BOOKS LLC P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. [ANTHOLOGY] JOYCE, James. Contact Collection of Contemporary Writers. (Edited by Robert McAlmon). 8vo, original printed wrappers. (Paris: Contact Editions Three Mountains Press, 1925). First edition, published jointly by McAlmon’s Contact Editions and William Bird’s Three Mountains Press. One of 300 copies printed in Dijon by Darantiere, who printed Joyce’s Ulysses. Slocum & Cahoon B7. With contributions by Djuna Barnes, Bryher, Mary Butts, Norman Douglas, Havelock Ellis, Ford Madox Ford, Wallace Gould, Ernest Hemingway, Marsden Hartley, H. D., John Herrman, Joyce, Mina Loy, Robert McAlmon, Ezra Pound, Dorothy Richardson, May Sinclair, Edith Sitwell, Gertrude Stein and William Carlos Williams. Includes Joyce’s “Work In Progress” from Finnegans Wake; Hemingway’s “Soldiers Home”, which first appeared in the American edition of In Our Time, Hanneman B3; and William Carlos Williams’ essay on Marianne Moore, Wallace B8. Front outer hinge cleanly split half- way up the book, not affecting integrity of the binding; bottom of spine slightly chipped, otherwise a bright clean copy. $2,250.00 BERRIGAN, Ted. The Sonnets. 4to, original pictorial wrappers, rebound in navy blue cloth with a red plastic title-label on spine. N. Y.: Published by Lorenz & Ellen Gude, 1964. First edition. Limited to 300 copies. A curious copy, one of Berrigan’s retained copies, presumably bound at his direction, and originally intended for Berrigan’s close friend and editor of this book, the poet Ron Padgett.
    [Show full text]
  • American Book Awards 2004
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • Diane Di Prima in the West
    Journal X Volume 8 Number 1 Autumn 2003 Article 2 2020 The Place Where Your Nature Meets Mine: Diane di Prima in the West Timothy Gray College of Staten Island, City University of New York Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Literature Commons Recommended Citation Gray, Timothy (2020) "The Place Where Your Nature Meets Mine: Diane di Prima in the West," Journal X: Vol. 8 : No. 1 , Article 2. Available at: https://egrove.olemiss.edu/jx/vol8/iss1/2 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Gray: The Place Where Your Nature Meets Mine: Diane di Prima in the Wes "The Place Where Your Nature Meets Mine": Diane di Prima in the West Timothy Gray Timothy Gray is In Minor Characters, her memoir of growing up Assistant Professor in the Beat Generation, Joyce Johnson describes of English at the a moment in 1947 when Jack Kerouac, languish­ College of Staten ing in his mother's apartment in Queens, began Island, City Univer­ to dream of a life on the road: sity of New York. He has published on Frank O'Hara, In Ozone Park, the evenings were as James Schuyler, drowsy as his memories of boyhood. In Gary Snyder, and the eternal, spotless order of his mother's Greil Marcus in kitchen, a long subway ride from the all- such journals as night haunts of Times Square, he spread Contemporary Liter­ maps out on the table after the dishes ature, Genre and were cleared, and like a navigator plot­ Prospects: An ted the route of his contemplated jour­ Annual of Ameri­ ney.
    [Show full text]
  • Roots and Routes Poetics at New College of California
    Roots and Routes Poetics at New College of California Edited by Patrick James Dunagan Marina Lazzara Nicholas James Whittington Series in Creative Writing Studies Copyright © 2020 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Creative Writing Studies Library of Congress Control Number: 2020935054 ISBN: 978-1-62273-800-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Max Kirkeberg, diva.sfsu.edu/collections/kirkeberg/bundles/231645 All individual works herein are used with permission, copyright owned by their authors. Selections from "Basic Elements of Poetry: Lecture Notes from Robert Duncan Class at New College of California," Robert Duncan are © the Jess Collins Trust.
    [Show full text]
  • American Literature
    AMERICAN LITERATURE ASSOCIATION A Coalition of Societies Devoted to the Study of American Authors 17th Annual Conference on American Literature May 25-28, 2006 Hyatt Regency San Francisco in Embarcadero Center 5 Embarcadero Center San Francisco, CA 94111 415-788-1234 Conference Director Maria Karafilis California State University, Los Angeles American Literature Association I would like to thank the society representatives and all of the participants for their contributions to the conference. Special thanks also go to the following individuals at the California State University, Los Angeles for their support of the ALA: Jeanne Gee and Yolanda Galvan for their invaluable administrative assistance; Steven Jones and John Cleman, Chairs of the English Department; Carl M. Selkin, Dean of the College of Arts and Letters; and President James R. Rosser. Alfred Bendixen, Executive Director of the American Literature Association, wishes to express his appreciation to California State University, Los Angeles, and Texas A&M University for their support of the ALA. Best wishes for a successful conference and thank you for your support of the American Literature Association. Maria Karafilis Conference Director Please join us next year for the 18th Annual Conference May 24-27, 2007 Westin Copley Place 10 Huntington Avenue Boston, MA 02116 Details forthcoming on the ALA website www.americanliterature.org American Literature Association A Coalition of Societies Devoted to the Study of American Authors 17th Annual Conference on American Literature May
    [Show full text]
  • A Voice Full of Cities / Robert Kelly
    The Collected Essays of Robert Kelly It is no exaggeration to suggest that Robert Kelly may well be America’s most L A prolific poet,& certainly one of the most singular& ceaselessly innovative writers RK1 L nd CITIES the country produced in the 2 part of the past century. To date, he has writ- F U A Pierre Pierre Joris ten more than 70 books of poetry and fiction — books that reveal a breathtaking O Voice Full of Full Cities: Voice The CollectedEssays of range, from freshly minted trobar clus and contemporized sonnet forms, to epic- F VOICE length narratives and non-narratives — such as Axon Dendron Tree, The Loom, or the first two installments of a recent trilogy,Fire Exit & Uncertainties. & Just as compelling are the volumes of shorter lyric forms, such as Finding the Peter Cockelbergh ( , – , , and , or his even more ex- Measure. Songs I X X X Not this Island Music Lapis perimental work, such as Sentence, The Flowers of Unceasing Coincidence, or his writing-through of Shelley’s poem, Mont Blanc. The deeper unity of the work is unavoidably present in the voice that underlies the multiplicity of forms. As Guy Davenport wrote : “A Kelly poem is a Kelly poem. It dances in his way, sings in his in- tonations, insisting on its style. No American poet except perhaps Wallace Stevens has his sense of balance in a line. [...] Kelly has nothing to hide : the untiltable eds balance is there to begin with.” ) Less visible than the poetry, but certainly no less important, incisive, worth pre- serving & circulating anew, are the trove of essayistic materials disseminated throughout numerous small & not so small magazines of the second half of the 20th C & beyond.
    [Show full text]
  • Small Press Poetry Collection
    Small Press Poetry Collection Alphabetical by press UPDATED MARCH 2019 Numbers 20 Pages 1204. Bernstein, Charles and Susan Bee. The nude formalism. Los Angeles: 20 Pages 1989. 811 Books 998. Corless-Smith, Martin. of the Universe The way things are On the Nature of things The Nature of and being by Lucretius: Incorporating marginalia. [Phoenix, Arizona]: 811 Books [1999] A Aard Press 541. Aaboe, Ruth. Zyzh. London: Aard Press 1978. Abbeygate Books 1339. Cooke, David. On the front. Grimsby: Abbeygate Books 2009. 1340. Cooke, David. Bruegel’s dancers. Grimsby: Abbeygate Books 2009. Acadia Press 484. Adam, Helen. Ballads. Illustrated by Jess. New York: Acadia Press 1964. Active in Airtime 1206. Hawkins, Ralph. Pelt. Brightlingsea, Essex: Active in Airtime 2002. 1219. Hawkins, Ralph. Writ. Colchester: Active in Airtime 1993. Actual Size Press 734. Raworth, Tom. Heavy light. New York: Actual Size Press [1984]. 947. Muckle, John and Ian Davidson. It is now as it was then. London: MICA in association with Actual Size 1983. 1228. De Wit, Johan. Rose poems. [London]: Actual Size 1986. Adam McKeown 1375. Intimacy. Edited by Adam McKeown. Maidstone, Kent: Adam McKeown 1992–1998. Volumes 1–3, 5. Adrian Blamires 1358. Blamires, Adrian. Eliza’s entertainments. [Reading: The Author 2015] Adventures in Poetry 100. O’Hara, Frank. Belgrade, November 19, 1963. New York City: Adventures in Poetry [1972 or 1973] 911. Bernheimer, Alan. The Spoonlight Institute. Princeton NJ: Adventures in Poetry 2009. Afterdays Press 1319. Hullah, Paul and Susan Mowatt. Unquenched. [Edinburgh]: Afterdays Press 2002. Aggie Weston’s 201. Mills, Stuart. ‘There is nothing outside the text’.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses The contemporary long poem : spatial practice in the work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert Kroetsch and Daphne Marlatt. Thurgar-Dawson, Christopher Paul Joseph How to cite: Thurgar-Dawson, Christopher Paul Joseph (1998) The contemporary long poem : spatial practice in the work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert Kroetsch and Daphne Marlatt., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1054/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 THE CONTEMPORARY LONG POEM Spatial Practice in the Work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert ICroetsch and Daphne Marlatt Christopher Paul Joseph Thurgar-Dawson Thesis submitted for the Degree of PhD University of Durham, Department of English Studies The copyright of this thesis rests with the author.
    [Show full text]
  • Issue29 V5 Lineonline.Pdf
    line http://americanbookreview.org ON Amber Dermont reviews Stephanie Fiorelli, Adam Koehler, line and Andrew Palmer, eds. AVER Y : Matthew Roberson reviews AN ANTHOLOG Y O F Fabrice Rozié, Esther Allen, and Guy Walter, eds. NE W FICTION Avery House Press AS YOU WERE Say ING : AMERIC A N WRITERS RESPOND TO “The great pleasure is in seeing THEIR FRENCH CONTEMPOR A RIES how the short fiction tradition is built upon, skewed, and subverted.” Dalkey Archive Press “As You Were Saying is a successful adventure in illustrating the Gabriel Cutrufello reviews unpredictable pleasures of encounter, Richard Katrovas dialogue, and connection.” THE YE A RS O F SM A SHING BRICKS : AN ANECDOT A L MEMOIR Bruce Holsapple reviews Carnegie Mellon University Press Philip Whalen; Michael Rothenberg, ed. “Katrovas at times seems to be dressing up over-sentimentalized THE COLLECTED POEMS O F memories of a painful young PHILIP WH A LEN adulthood with seemingly profound observations.” Wesleyan University Press “This poet is a master in the use of self-regard.” Stephen Burn reviews J. Peder Zane, ed. THE TOP TEN : WRITERS PICK THEIR Sam Truitt reviews Hannah Weiner; FA VORITE BOOKS Patrick F. Durgin, ed. Norton HA NN A H WEINER ’S “With the right writer, the list can OPEN HOUSE be a revealing window on to their Kenning Editions formative influences.” “A great boon of Hannah Weiner’s Open House lies in gathering her career-wide formal inflections in one place for the first time.” The Human Line Marilyn Kallet reviews ELLEN BASS Ellen Bass THE HUM A N LINE Kirby Olson reviews Copper Canyon Press Tony Trigilio “The Human Line is a ALLEN GINSBERG ’S well-made prayer for peace UDDHIST OETICS B P in the guise of art.” Southern Illinois University Press “Ginsberg’s aggression toward Buddhism needs to be carefully positioned when we think of Ginsberg as a ‘Buddhist.’” LineOnLine announces reviews abr featured exclusively on ABR’s website.
    [Show full text]
  • The Suturing of Poetic Ideology During the Early Years of the Loft and the Jack Kerouac School of Disembodied Poetics
    The Urgency of Community: The Suturing of Poetic Ideology During the Early Years of the Loft and the Jack Kerouac School of Disembodied Poetics A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Rebecca Weaver IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Maria Damon and Jane Blocker, Co-advisers May 2011 Rebecca Weaver, Copyright 2011 Acknowledgements I owe a deep debt of thanks first to the directors of this project, Maria Damon and Jane Blocker, without whose genius, patience, and enthusiasm, this dissertation would have never existed. I am also incredibly and especially grateful for the insights and long conversations with my other committee members, Siobahn Craig and Edward Griffin. Many people, including poets, administrators, archivists, and program directors graciously gave me their time, words, and attention during the years I was researching this project: Amiri Baraka, Lisa Birman, Michael Dennis Browne, Reed Bye, Jack Collom, Clark and Susan Coolidge, Jim Dochniak, Phebe Hanson, Carla Harryman, Hettie Jones, Deborah Keenan, Ruth Kohtz, Eric Lorberer, Caroline Marshall, Sue Ann Martinson, Bernadette Mayers, John Minczeski, Jim Moore, Maureen Owen, Mary Rockcastle, Marly Rusoff, Greg Rutter, Larry Sutin, Anne Waldman, Lew Warsh, Marjorie Welish, David Wojahn, the staff at the Allen Ginsberg Library and Archives at Naropa University, the librarians at the Minnesota State Historical Society, the staff at the Special Collections Library at the University
    [Show full text]