DOCSLIB.ORG

Durham E-Theses

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Durham E-Theses Durham E-Theses The contemporary long poem : spatial practice in the work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert Kroetsch and Daphne Marlatt. Thurgar-Dawson, Christopher Paul Joseph How to cite: Thurgar-Dawson, Christopher Paul Joseph (1998) The contemporary long poem : spatial practice in the work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert Kroetsch and Daphne Marlatt., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1054/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 THE CONTEMPORARY LONG POEM Spatial Practice in the Work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert ICroetsch and Daphne Marlatt Christopher Paul Joseph Thurgar-Dawson Thesis submitted for the Degree of PhD University of Durham, Department of English Studies The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. UNIVERSITY OF DURHAM 1998 2 4 FEB MB Let us space. The art of this text is the air it causes to circulate between its screens. The chainings are invisible, everything seems im- provised or juxtaposed. This text induces by agglutinating rather than by demonstrating, by coupling and uncoupling, gluing and ungluing rather than by exhibiting the continuous, and analogical, instructive, suffocating necessity of a discursive rhetoric. — Derrida, Glas 75 CONTENTS sn-• List of Figures iii Abstract iv Declaration v Acknowledgements vi Note on the Text vii Abbreviations viil General Introduction: The Long Poem and Spatial Practice 1 PART I: CARIBBEAN SPATIAL PRACTICE Introduction 20 1 Productive Choropoetics: The Production of Space in 25 Edward Kamau Brathwaite's "Second New World Trilogy" 2 Landscape Choropoetics: Another Life for Poetry, 59 Space and Landscape in the work of Derek Walcott PART II: AMERICAN SPATIAL PRACTICE Introduction 95 3 Consumer Choropoetics: Readers, Tourists and the 100 Reception of Space in Ed Dorn's Gunslinger 4 Chronological Choropoetics: Timing Space and Spacing 137 Time in Susan Howe's Pythagorean Silence PART III: CANADIAN PLACIAL PRACTICE Introduction 178 5 Topographical Choropoetics: Mapping the Failures of 183 Place in Robert Kroetsch's Completed Field Notes 6 Gendering Choropoetics: Feminist and Future Geographies 218 of Place in Daphne Marlatt's Steveston Conclusion 253 Notes 258 Select Bibliography 279 Bibliography 280 II LIST OF FIGURES - Figure 1. Models of Spatial Diffusion Maps 169 Figure 2. Spatial Diffusion Map 1: Parenthesis 170 Figure 3. Spatial Diffusion Map 2: Capitalization 171 Figure 4. Spatial Diffusion Map 3: White Space 172 111 ABSTRACT Christopher Thurgar-Daw son The Contemporary Long Poem: Spatial Practice in the Work of Kamau Brathwaite and Derek Walcott; Ed Dorn and Susan Howe; Robert Kroetsch and Daphne Marlatt PhD, University of Durham, 1998 The key to understanding the contemporary long poem lies in its use of spatial practices. Since recent long poems employ an identifiable set of six spatial practices, it is possible to attach a new label to this technique: "choropoetics." The best way for readers to approach the texts is directly through the analysis of their choropoetics. This new interpretive mode can be called a "chorological reading practice." Part I explores the spatial practices at work in two Caribbean long poems. Chapter 1 makes a Lefebvrean "triadic" reading of Brathwaite's trilogy Mother Poem, Sun Poem, and X/Self through social geography whilst chapter 2 converts Chris Fitter's "matrices of landscape perception" into an environmental geography for Walcott's Another Life. Part II moves to America but retains spatial materialism as its organizing concept. Whereas chapter 3 surveys the geography of consumption to make a touristic and Parmenidean reading of Dorn's Gunslinger, chapter 4 uses contextual theory and time-geography to interpret the space-time dimensions of Howe's Pythagorean Silence. Part III focuses on place and placial practices in two Canadian long poems. Chapter 5 confronts geographical theories of "non-place" and "placelessness" in order to explore the topography of Kroetsch's Completed Field Notes and chapter 6 approaches Marlatt's Steveston as a feminist geography and as a Geographical Information System. Each study in the thesis founds a new core element of "choropoetics" — the writing of regional space into a long poem form. These comprise: the production of space; landscape and space; the consumption of space; space-time; topography; and the gendering of place. The thesis aims to correlate literary and geographical critical practices. iv DECLARATION Oh. This thesis is the original work of the author except where indicated by reference, and no part of the thesis has been previously submitted for a degree in this or any other university. The copyright of this thesis rests with the author. No quotation from it should be published without the author's prior written consent and information derived from it should be acknowledged. V ACKNOWLEDGEMENTS With thanks to the following for their advice and encouragement: John Bak, Gordon Brown, Ric Caddel, Mike and Clare Cain, Colleen Emann, Debbie and Ian Greenhaugh, Ben Knights, Karl Nicholas, Maggie Nolan, Don Sparling, Lucy Shedden, Sarah Tully and Paul Whittaker. And institutional thanks to staff, students and friends at: the British Association for Canadian Studies (BACS); Development of University English Teaching (DUET); the British Council (Olomouc and Prague); the National Library of Scotland; the British Library; the Northern Poetry Library; Durham University Library; Waterstones Booksellers (Durham and Newcastle); the Basil Bunting Centre; and the Morden Tower. Three of the chapters initially took shape at conferences: Palacky University (Brathwaite), Brno University (Marlatt) and the University of Wales, Swansea (Kroetsch). Many thanks to all involved for their comments and suggestions. Financial thanks to the Department of English Studies at Durham University for a Departmental Postgraduate Award in 1997/98 and to the English and Cultural Studies Section at Teesside University for two generous travel awards. Also special thanks to the students of my two long poem modules at Palacky University, 1995- 96 - Na Zdravi! Which leaves my supervisors Sean Burke and Diana Collecott who have helped at every stage of the work with care, patience and generosity. The thesis is dedicated to Christine vi NOTE ON THE TEXT 1••• MLA Style The thesis is written in MLA style using endnotes for substantive material and abbreviations for frequently cited texts. Abbreviations are listed by chapter on the following two pages. Cross-references are contained in the endnotes. Long quotations append the name of the author where it may be unclear from the context of the argument. Ed Dorn's long poem Gunslinger (chapter 3) contains a character called "I." To avoid confusion I have used quotation marks around this name. Citation of the Long Poem The exaggerated length of the long poem line presents particular difficulties for accurate quotation if correct page-space is to be reproduced. Rather than adjust fonts I have chosen where required (chapter 6) to release the right-hand margin in order to preserve the integrity of the material quoted. The referencing convention for long poems is simply to cite the whole page number where the specific text occurs. No line numbers are given. Greek Alphabet The characters of the Greek alphabet have been reproduced as follows: alpha a nu v beta 13 xi § gamma y omicron o delta 6 pi n epsilon E rho r zeta z sigma 0 eta n tau I theta 0 upsilon u iota i phi 4> kappa k chi X lambda 1 psi co mu p omega w vii ABBREVIATIONS .10.• CHAPTER 1: BRATHWAITE CD Michael Havinden and David Meredith, Colonialism and Development: Britain and its Tropical Colonies, 1850-1960 (London: Routledge, 1993) MP Mother Poem (Oxford: Oxford UP, 1977) PS Henri Lefebvre, The Production of Space (Oxford: Blackwell, 1991) R Roots (Michigan: Ann Arbour, 1993) SP Sun Poem (Oxford: Oxford UP, 1982) XS X/Self (Oxford: Oxford UP, 1987) CHAPTER 2: WALCOTT AL Another Life (London: Cape, 1973) HHG Derek Gregory and Rex Walford, eds. Horizons in Human Geography (Basingstoke: Macmillan, 1989) L Richard Payne Knight, The Landscape: A Didactic Poem in Three Books (1795), facsimile of 2nd edition (Farnborough: Gregg, 1972) PSL Chris Fitter, Poetry, Space, Landscape: Toward a New Theory (Cambridge: Cambridge UP, 1995) CHAPTER 3: DORN G Gunslinger (Durham, NC: Duke, 1989) IR Donald Wesling, ed. Internal Resistances: the Poetry of Edward Dorn (Berkeley, CA: U of California P, 1985) P Leonardo Taran, Parmenides (Princeton: Princeton UP, 1965) PEL Michel de Certeau, The Practice of Everyday Life (Berkeley, CA: U of California
Load more

Recommended publications
  • Parliamentary Poet Laureate
    Parliamentary Poet Laureate POETRY CONNECTION: LINK UP WITH CANADIAN POETRY Daphne Marlatt (1942 – ) was born in Australia but has lived most of her life in Vancouver. She was a key constituent of the early 1960’s “Tish” group at the University of British Columbia and has published numerous books of fiction and poetry. Since the 1970’s she has been a major participant in feminist writing and critique and, recently, has written for Noh theatre. Her poems here resonate with two earlier books (Vancouver Poems, 1972 and Salvage, 1991) in her ongoing interest in what might be considered a “poetics of renovation” that attends to texts of revision, rewriting, and extension. In 2006 she was made a Member of the Order of Canada. Poems for discussion: Wet fur wavers and animal sheen From: Liquidities: Vancouver Poems Then and Now Talonbooks, 2013 Wet fur wavers up a long eye-line Sunday sprays interior city ground. Aqueous cut of the sea’s a bottomless lagoon. Logs lash on. The grey stretch of sand I walk, footsteps sucked. jumped. Changes air now wet as the sea, the sh’te comes walking up thru humor in the way of Daphne Marlatt vision, salt. Cedar all over. Cedar for headdress. Beaver or bear, what is there to the touch of, you said. Come well back into view. Trappings, change, what runs in the middle, gestures, wired for vision. Spiral back through city even underground (the esplanade traffics in waves to the point that all of your faces echo, through one I. white. Small figures as blue and white when shadows come, down alleyways of sight, peri winkle, vinca, small single flower by the sea (Salt does.
    [Show full text]
  • Acquisizioni Fino Al 30 Giugno 2006
    AUTORE/CURATORE TITOLO ANNO PRIMA PAROLA DEL TITOLO A A comme …60 fiches de pédagogie concrète 1979 A A voce alta 2002 AA.VV. Dimensioni attuali della professionalità docente 1998 AA.VV. Donne e uomini nelle guerre mondiali 1991 AA.VV. faccia scura della Luna (La) 1997 AA.VV. insegnamento delle scienze nella scuola... (L') 1981 AA.VV. legge antimafia tre anni dopo (La) 1986 AA.VV. Lessico oggi 2003 AA.VV. libro nero del comunismo (Il) 2000 AA.VV. Per conoscere la mafia 1994 AA.VV. Per una nuova cultura dell'azione educativa 1995 AA.VV. Renato Vuillermin… 1981 AA.VV. soggetti dell'autonomia (I) 1999 AA.VV. Storia di Torino - vol. 1 1997 AA.VV. Storia di Torino - vol. 2 1997 AA.VV. Storia di Torino - vol. 3 1997 AA.VV. Storia di Torino - vol. 4 1997 AA.VV. Storia di Torino - vol. 5 1997 AA.VV. Storia di Torino - vol. 6 2000 AA.VV. Storia di Torino - vol. 7 2001 AA.VV. Storia di Torino - vol. 8 1998 AA.VV. Storia di Torino - vol. 9 1999 AA.VV. Volontariato e mezzogiorno-vol. 1 1986 AA.VV. Volontariato e mezzogiorno-vol. 2 1986 AAI Politica locale dei servizi 1975 Aarts, Flor English Syntactic Structures 1982 Abastado, Claude Messages des médias 1980 Abbate, Michele alternativa meridionale (L') 1968 Abburrà, Luciano modello per l'analisi e la previsione dei flussi…(Un) 2002 Abete, Luigi Professionalità zero? 1979 Abitare Abitare la biblioteca 1984 Abraham, G. sogno del secolo (Il) 2000 Abruzzese, A. Sostiene Berlinguer 1997 Acanfora, L. Come logora insegnare 2002 Accademia di San Marciano guerra della lega di Augusta fino alla battaglia…(La) 1993 Accame, Silvio Perché la storia 1981 Accordo Accordo di revisione del Concordato Lateranense 1984 Accornero, Aris paradossi della disoccupazione (I) 1986 Acerboni, Lidia Italiano-Progetto ARCA 1995 Achenbach, C.
    [Show full text]
  • William Carlos Williams' Indian Son(G)
    The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India.
    [Show full text]
  • Alexander Literary Firsts & Poetry Rare Books
    CATALOGUE THIRTY-TWO Mark Alexander Alexander Rare Books 234 Camp Street ALEXANDER LITERARY FIRSTS Barre, VT 05641 Office: (802) 476-0838 & POETRY RARE BOOKS Cell: (802) 522-0257 [email protected] All items are US, UK or CN First Editions & First Printings unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days.; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards via electronic invoice (Paypal) accepted. Net so days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (generally via Priority Mail) & Canada; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for cover scans or photos of most items. We encourage you to visit for the latest acquisitions. ------------- Due to ever increasing inventory, we will be increasing the frequency of electronic catalogues. If you receive our printed catalogues we encourage you to sign up for our electronic catalogues, also. We will continue to mail print catalogues four CATALOGUE THIRTY-TWO times a year. Electronic catalogues will include recently acquired Summer 2013 items as well as sales. Catalogue 32 5. Adam, Helen. Third Eye Shining. [San Francisco]: Intersection, 1980. First edition thus. Illustrated broadside with a poem by Adam. Designed and printed by Arion Press on Arches. Artwork by 1. A. C. D. (ed.); THE 11. Boulder, CO: Summer 1972. First edition. Adam tipped onto the broadside. One of 100 numbered and signed Stapled mimeograph magazine with a cover illustration by Charles diJulio. copies, this copy not numbered (presumably hors commerce), Printed on rectos only.
    [Show full text]
  • The Development of Dylan Thomas' Use of Private Symbolism in Poetry A.Nne" Marie Delap Master of Arts
    THE DEVELOPMENT OF DYLAN THOMAS' USE OF PRIVATE SYMBOLISM IN POETRY By A.NNE" MARIE DELAP \\ Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1964 ~ubmitted to the faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May, 1967 0DAHOMI STATE IJIIVERsifi'li' 1-~BR,AYRV dlNlQN THE DEVELOPMENT OF DYLAN THOMAS O USE OF PRIVATE SYMBOLISM IN POETRY Thesis Approved: n n 11,~d Dean of the Graduate College 658670 f.i PREFACE In spite of numerous explications that have been written about Dylan Thomas' poems, there has been little attention given the growth and change in his symbolism. This study does not pretend to be comprehensive, but will atte~pt, within the areas designated by the titles of chapters 2, 3, and 4, to trace this development. The terms early 129ems and later poems will apply to the poetry finished before and after 1939, which was the year of the publication of The Map tl Love. A number of Thomas• mature poems existed in manu- script form before 1939, but were rewritten and often drastically altered before appearing in their final form. .,After the funera1° ' i is one of these: Thomas conceived the idea for the poem in 1933, but its final form, which appeared in The Map .Q! ~' represents a complete change from the early notebook version. Poem titles which appear in this study have been capitalized according to standard prac- tice, except when derived from the first line of a poem; in thes,e cases only the first word is capitalized.
    [Show full text]
  • 11 Ronald Mar and the Trope of Life
    11 Ronald Mar and the Trope of Life The Translation of Western Modernist Poetry in Hong Kong Chris Song Abstract This essay examines the Chinese-language debut of Western surrealist poetry in Hong Kong and its effect on the local poetry scene through the work of Ronald Mar 馬朗, from the early years of the Cold War era onward. It traces the trope of poetry being “true to life” – as resistance to the surrealist influence – through evolving notions and experiences of Hong Kong identity over time, up to the present day in the post-handover era. Keywords: Chinese poetry, translation, Ronald Mar, Hong Kong, modern- ism, surrealism Twenty years since the handover of sovereignty from the British Crown to the People’s Republic of China, Hong Kong society has known increasingly severe conflicts with China, fueled by animosity toward the mainland among the local population. Growing up in such a politically intense environment, Hong Kong youths feel that political and economic systems have conspired to leave them a hopeless future. As their demand for universal suffrage in the election of the Chief Executive of the Hong Kong Special Administrative Region government was denied in September 2014, their anxiety finally broke into realization as the Umbrella Movement. Apart from responding through poetry to this large democratic movement, some young local poets perceived a need to redefine the “localness” of Hong Kong poetry. Though without much theoretical depth, their quest is quite clear: they believe that the localness of their poetic language lies, paradoxically, in the distance from external reality – a symbolic denial of the Umbrella Movement’s failed demands for universal suffrage, or any further realistic democratization, in Van Crevel, Maghiel and Lucas Klein (eds.), Chinese Poetry and Translation: Rights and Wrongs.
    [Show full text]
  • Media and Trauma in the Work of Phyllis Webb and Daphne
    INTIMATE ENCOUNTERS WITH VIOLENCE: MEDIA AND TRAUMA IN THE WORK OF PHYLLIS WEBB AND DAPHNE MARLATT by © Collin Campbell A Dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English Memorial University of Newfoundland May 2021 St. John’s, Newfoundland and Labrador i Abstract This dissertation looks at the work of Phyllis Webb and Daphne Marlatt, two West Coast Canadian poets who explored questions of media technologies and trauma violence in their work during the latter half of the twentieth century. This thesis takes up contemporary phenomenological and feminist analyses of the connections between media technologies and trauma, especially war violence, in relation to both the creative and practical careers of these two writers. Research into the histories of media technologies such as the letter, radio, photography, and television shows how these technologies have shaped our experience of violence both globally and locally, from nineteenth-century colonial garrisons in Canada to the internment of Japanese Canadians during the Second World War to the 1991 Gulf War. Ultimately, this dissertation suggests that these two poets offer new phenomenological interpretations of the ways in which media technologies shape our perception of historical, hidden traumas. ii Acknowledgements I would like to thank Dr. Joel Deshaye for endless patience and insight in supervising this dissertation. And thank you to the administrative staff and faculty of the English department at Memorial University. I am also endlessly indebted to the staff at Memorial University’s Queen Elizabeth II library for their dedication and ingenuity.
    [Show full text]
  • The Berkeley Poetry Conference
    THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson.
    [Show full text]
  • Post-Cognitive Subjectivity in the Work of Bpnichol and Daphne Marlatt Miriam Nichols
    Document generated on 09/23/2021 10:17 a.m. Studies in Canadian Literature / Études en littérature canadienne Subjects of Experience: Post-cognitive Subjectivity in the Work of bpNichol and Daphne Marlatt Miriam Nichols Volume 25, Number 2, Fall 2000 Article abstract Both bp Nichol and Daphne Marlatt have recently been reproached for "an URI: https://id.erudit.org/iderudit/scl25_2art06 imperialist narrative of nation" and for "feminist essentialism" respectively. The critiques have been aimed at the "subject who knows," when in fact both See table of contents writers "assume the position of the subject who undergoes," rendering much of the negative criticism irrelevant, because misdirected. Theorists such as Foucault, Derrida, and Kristeva have argued that consciousness is a derivative Publisher(s) sociolinguistic product and that the critic should search out blind spots where ideology is received as common sense. Given the notion of the The University of New Brunswick subject-in-process, or the subject undergoing, these theoretical proscriptions are problematic. The work of Nichol and Marlatt contains a double tension ISSN between cultural givens and productive becoming. The polemical and politicized disparagement ignores the aesthetic play and intensely subjective 0380-6995 (print) aspects of both poets' work. 1718-7850 (digital) Explore this journal Cite this article Nichols, M. (2000). Subjects of Experience:: Post-cognitive Subjectivity in the Work of bpNichol and Daphne Marlatt. Studies in Canadian Literature / Études en littérature canadienne, 25(2), 108–130. All rights reserved © Management Futures, 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online.
    [Show full text]
  • Kellie L. Chouinard
    UNIVERSITY OF CALGARY Disconnect by Kellie L. Chouinard A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH CALGARY, ALBERTA SEPTEMBER, 2012 © Kellie L. Chouinard 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-91175-4 Our file Notre référence ISBN: 978-0-494-91175-4 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • The Computer As Author and Artifice
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Silicon poetics| The computer as author and artifice Lawrence Andrew Koch The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Koch, Lawrence Andrew, "Silicon poetics| The computer as author and artifice" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 3555. https://scholarworks.umt.edu/etd/3555 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of J M O N T A N A Pennission is granted by the author to reproduce tliis material in its entirety, provided that tliis material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission Author's Signature D ate Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. SILICON POETICS: THE COMPUTER AS AUTHOR AND ARTIFICE by Lawrence Andrew Koch B. A., Rutgers College, Rutgers University, 1991 Presented in partial fulfillment of the requirements for the degree of Master of Arts in English (Literature option) The University of Montana 1996 Approved by: Chair, Board of Examiners Dean, Graduate School Date UMI Number: EP35509 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • James S. Jaffe Rare Books Llc
    JAMES S. JAFFE RARE BOOKS LLC P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. [ANTHOLOGY] JOYCE, James. Contact Collection of Contemporary Writers. (Edited by Robert McAlmon). 8vo, original printed wrappers. (Paris: Contact Editions Three Mountains Press, 1925). First edition, published jointly by McAlmon’s Contact Editions and William Bird’s Three Mountains Press. One of 300 copies printed in Dijon by Darantiere, who printed Joyce’s Ulysses. Slocum & Cahoon B7. With contributions by Djuna Barnes, Bryher, Mary Butts, Norman Douglas, Havelock Ellis, Ford Madox Ford, Wallace Gould, Ernest Hemingway, Marsden Hartley, H. D., John Herrman, Joyce, Mina Loy, Robert McAlmon, Ezra Pound, Dorothy Richardson, May Sinclair, Edith Sitwell, Gertrude Stein and William Carlos Williams. Includes Joyce’s “Work In Progress” from Finnegans Wake; Hemingway’s “Soldiers Home”, which first appeared in the American edition of In Our Time, Hanneman B3; and William Carlos Williams’ essay on Marianne Moore, Wallace B8. Front outer hinge cleanly split half- way up the book, not affecting integrity of the binding; bottom of spine slightly chipped, otherwise a bright clean copy. $2,250.00 BERRIGAN, Ted. The Sonnets. 4to, original pictorial wrappers, rebound in navy blue cloth with a red plastic title-label on spine. N. Y.: Published by Lorenz & Ellen Gude, 1964. First edition. Limited to 300 copies. A curious copy, one of Berrigan’s retained copies, presumably bound at his direction, and originally intended for Berrigan’s close friend and editor of this book, the poet Ron Padgett.
    [Show full text]