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How It Works: This Is a Way of Working That
- - - - - - - - - - - - - - - - - - How it works: This is a way of working that anyone can do. This will clear your mind. You must not worry. You will not be judged. Relax and enjoy the materials and music. Allow your whole body to loose control and let the materials and music take over. You may use a visual reference if you prefer or let your hand guide you. The materials will do lovely blends by themselves We will start with warm up exercise 1. Then exercise 2 onwards is more of a process that you can do over a few days or in 1 long session. There are 2 processes. I have given you a descriptive plan of making an image using various materials whilst listening to music. Also use a references, E.g still life or landscape, or life drawing. You can have an image in-front of you to respond to. The seascape example you see in picture form in this pack. I listened to the sea and the wind, bird and atmospherics to help with the brush strokes. The still life of a stack of large beach pebbles, where I still listened to music. mainly classical. For this project I have the following music Chinese music that is very simple and you hear each sound and instrument clearly. Talk Talk. From the Album Spirit of Eden. Specifically The Rainbow, Eden, Desire, Inheritance, I believe in you, wealth. https://www.youtube.com/watch?v=HSfGvuiFOWI Also the Harpist Lavinia Meijer. Her work Gnossienne, Lift off and Metatmorphosis, https://www.youtube.com/watch?v=FWEymbfwNzo https://www.youtube.com/watch?time_continue=1&v=hV2-zFh3tAU&feature=emb_lo go https://www.youtube.com/watch?v=oN99NYFHWEs https://www.youtube.com/watch?v=WbCjceRPXyw Your materials are: Bamboo stick, which you can extend by using your own longer stick. -
They Dance Alone
They Dance Alone Why are these women here dancing on their own ? Why is there this sadness in their eyes ? Why are the soldiers here Their faces fixed like stone ? I can't see what it is that they despise CHORUS They're dancing with the missing They're dancing with the dead They dance with the invisible ones Their anguish is unsaid They're dancing with their fathers They're dancing with their sons They're dancing with their husbands They dance alone They dance alone It's the only form of protest they're allowed I've seen their silent faces They scream so loud If they were to speak these words They'd go missing too Another woman on the torture table What else can they do? One day we'll dance on their graves One day we'll sing our freedom One day we'll laugh in our joy And we'll dance (twice) Ellas danzan con los desaparecidos Danzan con los muertos Danzan con amores invisibles Con silenciosa angustia Danzan con sus padres, con sus hijos, con sus esposos Ellas danzan solas, danzan solas Hey Mr Pinochet, you've sown a bitter crop It's foreign money that supports you One day the money's going to stop No wages for your torturers No budget for your guns Can you think of your own mother Dancin' with her invisible son? Music and lyrics: Sting © 1988 Magnetic Music Pub. For France: Warner/Chappell Music France They Dance Alone Sting’s comment “On the Amnesty Tour of 1986 the musicians were introduced to former political prisoners, victims of torture and imprisonment without trial, from all over the world. -
Leggi, Scrivi E Condividi Le Tue 10 Righe Dai Libri
leggi, scrivi e condividi le tue 10 righe dai libri http://www.10righedailibri.it I edizione Arcana: 2011 © 2011 Arcana Edizioni Srl Via Isonzo 34, Roma Tutti i diritti riservati Cover: Laura Oliva La presente opera di saggistica è rivolta all’analisi e alla promozione di autori e opere di ingegno. Si avvale dell’articolo 70, 1° e 3° comma, del Codice Civile circa le utilizzazioni libere, nonché dell’articolo 10 della Convenzione di Berna. ISBN: 978-88-6231-141-0 www.arcanaedizioni.com GIOVANNI POLLASTRI THE POLICE & STING SHAPE OF MY HEART TESTI COMMENTATI Prefazione di Diego De Silva arcana STING [Newcastle, 1951] “Non ho mai detto grazie a Sting per aver scritto tutte quelle fantasti- che canzoni”. – STEWART COPELAND “Sting ha un talento naturale nello scrivere armonia e melodia”. – ANDY SUMMERS “Quando ho visto i Police dal vivo a Los Angeles nel 1983, è stata un’e- sperienza che mi ha cambiato la vita”. – GWEN STEFANI “Non capisco proprio questa passione per la musica country da parte di Sting”. – DOMINIC MILLER “Sono rimasto colpito dalla sua sorprendente umiltà. Sting è proprio una bella persona”. – PUFF DADDY “Puoi suggerire qualsiasi cosa a Sting, ma alla fine decide lui cosa fare”. – IAN COPELAND “Chiunque si faccia chiamare Sting a sessant’anni è un idiota!”. – SIMON COWELL “Fields Of Gold sembra proprio una canzone irlandese”. – BOB GELDOF “È una persona molto più tranquilla e serena da quando ha lasciato i Police”. – TRUDIE STYLER 7 “Un altro esempio di come la cultura delle api sia stata saccheggiata per nulla più di un nome per darsi delle arie sul palco, vero, Mr. -
N° Artiste Titre Formatdate Modiftaille 14152 Paul Revere & the Raiders Hungry Kar 2001 42 277 14153 Paul Severs Ik Ben
N° Artiste Titre FormatDate modifTaille 14152 Paul Revere & The Raiders Hungry kar 2001 42 277 14153 Paul Severs Ik Ben Verliefd Op Jou kar 2004 48 860 14154 Paul Simon A Hazy Shade Of Winter kar 1995 18 008 14155 Me And Julio Down By The Schoolyard kar 2001 41 290 14156 You Can Call Me Al kar 1997 83 142 14157 You Can Call Me Al mid 2011 24 148 14158 Paul Stookey I Dig Rock And Roll Music kar 2001 33 078 14159 The Wedding Song kar 2001 24 169 14160 Paul Weller Remember How We Started kar 2000 33 912 14161 Paul Young Come Back And Stay kar 2001 51 343 14162 Every Time You Go Away mid 2011 48 081 14163 Everytime You Go Away (2) kar 1998 50 169 14164 Everytime You Go Away kar 1996 41 586 14165 Hope In A Hopeless World kar 1998 60 548 14166 Love Is In The Air kar 1996 49 410 14167 What Becomes Of The Broken Hearted kar 2001 37 672 14168 Wherever I Lay My Hat (That's My Home) kar 1999 40 481 14169 Paula Abdul Blowing Kisses In The Wind kar 2011 46 676 14170 Blowing Kisses In The Wind mid 2011 42 329 14171 Forever Your Girl mid 2011 30 756 14172 Opposites Attract mid 2011 64 682 14173 Rush Rush mid 2011 26 932 14174 Straight Up kar 1994 21 499 14175 Straight Up mid 2011 17 641 14176 Vibeology mid 2011 86 966 14177 Paula Cole Where Have All The Cowboys Gone kar 1998 50 961 14178 Pavarotti Carreras Domingo You'll Never Walk Alone kar 2000 18 439 14179 PD3 Does Anybody Really Know What Time It Is kar 1998 45 496 14180 Peaches Presidents Of The USA kar 2001 33 268 14181 Pearl Jam Alive mid 2007 71 994 14182 Animal mid 2007 17 607 14183 Better -
The California Tech
Dilbert! Fox Trot! IT uP. see page 7 see page 7 THE CALIFORNIA TECH -VOLUME XCVllI, NUMBER 24 PASADENA , CALIFORNIA FRIDAY,ApRIL 18, 1997 ARC report from the Student-Faculty Conference Dissention was rampant at the Stu whether an accuser in a BOC trial that the curriculum should support the sented, the committees and the ARC dent-Faculty Conference Tuesday April should be informed of the outcome of breath as well as depth of their inter will pare them down further. We will IS'" sponsored by the Academics and the case. This was intended to facili ests, compose a set of proposals listi ng spe Research Committee. ARC identified tate trust that the system does in fact Both the panelists and the audience cific areas that need improvement and !he issues that undergraduates, gradu act to correct injustice, but some speak had a multitude of ideas they felt were a recommended course of action for lies, and faculty felt most needed to be ers felt that this violated the subject's important and worthy of discussion. each, The plan is to present these ideas addressed, Three committees pre People wanted to debate even after the to the appropriate administrative divi sented ideas covering the topics of the allotted time had expired, After the sion and generate changes based on the Purpose of an Undergraduate Educa .. students brought up conference ended, both faculty and input derived from the student body. tion at Cal tech, Student Life, and the the contrast between students expressed their admiration of The ARC feels that it is important Honor System. -
Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora
JOMEC Journal Journalism, Media and Cultural Studies Published by Cardiff University Press Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora Claudia Bucciferro Gonzaga University Email: [email protected] Keywords Music Latin America Activism Exile Diasporic communities Abstract This article addresses the long-standing connection between music and social activism in Latin America, centering on a discussion of ‘the music of exile’ as a cultural artifact of historical and conceptual significance for diasporic Latin American communities. The music produced by artists who were persecuted during the years of military rule was characterized by an engagement with social and political affairs, and often helped bring people together in the struggle for democratization. Despite censorship laws and other repressive measures enacted by the dictatorships, the music not only endured but traveled across nations and continents, carried by the millions of people who were displaced due to State-sponsored violence. Now distributed through new media platforms, such as YouTube, this music functions as a repository of memory and an emblem of solidarity that connects dispersed Latin American communities. Using Cultural Studies as a theoretical framework and employing an interpretive methodology, this study focuses on a selection of songs written between 1963 and 1992, presenting an analysis that centers on their lyrics and connects their meanings to larger social processes. Contributor Note Dr. Claudia Bucciferro is Assistant Professor of Communication Studies at Gonzaga University, in Spokane, Washington. Citation Bucciferro, Claudia (2017), ‘Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora’, JOMEC Journal 11, ‘Diaspora beyond Nationalism’, ed. Idil Osman. -
Download the Archives Here
23.12.12 Merry Christmas Here comes the time for a family gathering. Hope your christmas tree will have ton of intersting presents for you. 22.12.12 Sting to perform in Jodhpur in march Sting is sheduled to perform in march (8, 9 or 10) for Jodhpur One World Retreat. It will be a private show for head injury victims. Only 250 couples will attend the party, with 30,000$ to 60,000$ donations. More information on jodhpuroneworld.org. 22.12.12 The last ship I made some updates to the "what we know about the play" on the forum. Please, check them to know all the informations about "The Last Ship", that could be released in 2013-2014. 16.12.12 Back to bass tour : the end The Back to bass tour has ended yesterday (well, that's what some fans hope) in Jakarta. You'll find all the tour history on the forum, and all informations about the "25 years" best of, that pointed the start of this world tour on this special page. What will follow ? We know that Sting's musical "The last ship" could be released in 2013/2014. We also know that he will perform in France and Marocco this summer. 10.12.12 Back to Bass last dates reports Follow the recent reports from the past shows from Back to Bass tour in Eastern Europe and Asia. Sting and his band met warm audiences (yesterday one in Manilla seems to have been the best from the tour according to Peter and Dominic's tweets and according to various Youtube crazy videos) You'll find pictures and videos on the forum. -
Yamaha – Pianosoft Solo 29
YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4. -
Kein Weg Zurück in Syrien Warten Gefangene Islamisten Auf Einen Prozess
Strassenmagazin Nr. 472 davon gehen CHF 3.– Bitte kaufen Sie nur bei Verkaufenden 27. März bis 16. April 2020 CHF 6.– an die Verkaufenden mit offiziellem Verkaufspass Corona- Krise Wir brauchen Sie! Daesch Kein Weg zurück In Syrien warten gefangene Islamisten auf einen Prozess. Keiner will ihn führen. Seite 8 Surprise 472/20 3 INFOS ZUM VERKAUFSSTOPP Der Verein Surprise stellt den Verkauf des Strassenmagazins und die Sozialen Stadtrundgänge bis auf Weiteres ein. So soll die besonders vulnerable Gruppe der Armutsbetroffenen geschützt und ein Beitrag zur Eindämmung des Coronavirus geleistet werden. Die Massnahmen gelten bis auf Weiteres. Das aktuelle Surprise Strassenmagazin steht in dieser Zeit kostenlos via Website zum Download bereit und wird in kleiner Auflage weiterhin für AbonnentInnen gedruckt. Der Verein setzt alles daran, die Verkaufenden und Stadtführenden finanziell zu unterstützen und weiterzubegleiten. Wir sind aber dringend auf Ihre Hilfe angewiesen. Die Massnahmen stellen die Verkaufenden und Stadtführenden sowie den Verein Surprise vor massive Herausforderungen. Viele der rund 450 Verkaufenden und 14 Stadtführenden sind armutsbetroffen und für ihr Überleben vom Verkauf des Strassenmagazins und von den Führungen abhängig. Der Verein Surprise wird nicht staatlich subventioniert und ist zu 65 Prozent vom Heftverkauf abhängig. Surprise ist deshalb auf Ihre Solidarität angewiesen. Unterstützen Sie uns mit einer Spende für die betroffenen Verkaufenden und Stadtführenden sowie für den Verein Surprise. Vielen herzlichen Dank für -
Pianodisc Music Catalog.Pdf
Welcome Welcome to the latest edition of PianoDisc's Music Catalog. Inside you’ll find thousands of songs in every genre of music. Not only is PianoDisc the leading manufacturer of piano player sys- tems, but our collection of music software is unrivaled in the indus- try. The highlight of our library is the Artist Series, an outstanding collection of music performed by the some of the world's finest pianists. You’ll find recordings by Peter Nero, Floyd Cramer, Steve Allen and dozens of Grammy and Emmy winners, Billboard Top Ten artists and the winners of major international piano competi- tions. Since we're constantly adding new music to our library, the most up-to-date listing of available music is on our website, on the Emusic pages, at www.PianoDisc.com. There you can see each indi- vidual disc with complete song listings and artist biographies (when applicable) and also purchase discs online. You can also order by calling 800-566-DISC. For those who are new to PianoDisc, below is a brief explana- tion of the terms you will find in the catalog: PD/CD/OP: There are three PianoDisc software formats: PD represents the 3.5" floppy disk format; CD represents PianoDisc's specially-formatted CDs; OP represents data disks for the Opus system only. MusiConnect: A Windows software utility that allows Opus7 downloadable music to be burned to CD via iTunes. Acoustic: These are piano-only recordings. Live/Orchestrated: These CD recordings feature live accom- paniment by everything from vocals or a single instrument to a full-symphony orchestra. -
1991 the Witness, Vol. 74, No. 12. December 1991
publication. and reuse for required Permission DFMS. / Church Episcopal the of Archives 2020. Copyright DECEMB NUMBE VOLUM R E E 1 7 2 4 Detroit WHILE THE WHOLE [October] issue is ex- those keeping women dependent. cellent, the core of it all is expressed in Barbara M. Palmer James Boggs' "Making Over Motown." Utica,MI 1 BEGAN READING Witness with the let- Boggs says "We have to stop seeing the city [Ed. Note: I can only presume that this ters to the editor and thoroughly enjoyed as just a place to which you come to make a letter is precipitated by Barbara Palmer's them. My, my, what a fuss about homosexu- living. Instead we must start seeing it as the knowledge that, when I edited the Episco- ality! You would think, after all we have place where our humanity is enriched be- pal diocesan paper in Michigan, I pub- been through in the 20th century, stretching cause we have the opportunity to work and lished an award-winning article about an the rules to encompass fast divorces, abor- live in harmony with people of many differ- Operation Rescue maneuver. That article tions, autonomy, "healthy" greed and ro- ent ethnic and social backgrounds." gave an inside view, allowing participants bust competition amongst canines and homo- The photo of Poletown children is an icon to speak for themselves. It gave a mixed sapiens, that this trifle about fellow sexes of the agony and the potential of the Detroit portrait but was not a condemnation. bedding together would present no great neighborhoods. -
Mark Hollis, Leader of ’80S Band Talk Talk, Is Dead
LOG IN Mark Hollis, Leader of ’80s Band Talk Talk, Is Dead Mark Hollis of Talk Talk in 1986. The success of the group’s second album, “It’s My Life,” gave Mr. Hollis and the rest of the band free rein to experiment. Rob Verhorst/Redferns, via Getty Images By Daniel E. Slotnik Feb. 27, 2019 Mark Hollis, the frontman for the British band Talk Talk, which had synth-pop hits in the early 1980s before veering into a more experimental sound that influenced a generation of musicians, has died. Mr. Hollis, about whom personal details are scarce, was widely reported to have been 64. A Facebook page devoted to the group confirmed the death, citing Keith Aspden, Mr. Hollis’s former manager, but provided no further details. Talk Talk was formed in London in 1981, when new wave and synth-pop groups like A Flock of Seagulls and Duran Duran were beginning to receive heavy airplay. Talk Talk’s biggest hits, among them “It’s My Life” and “Such a Shame,” were typical of the style: buoyant songs built on catchy, danceable beats and Mr. Hollis’s plaintive lyrics. The band at first consisted of Mr. Hollis on vocals, guitar and piano, Lee Harris on drums, Paul Webb on bass and Simon Brenner on keyboards. Mr. Brenner left after the group released its first album, “The Party’s Over,” on EMI in 1982, and Tim Friese-Greene became the band’s producer and unofficial fourth member. Talk Talk toured with Duran Duran and broadened its American audience with videos on MTV.