Not Forgotten a Review of London's War Memorials July 2009
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The Oxford Democrat
The Oxford Democrat. NUMBER 24 VOLUME 80. SOUTH PARIS, MAINE, TUESDAY, JUNE 17, 1913. where hit the oat "Hear Hear The drearily. "That's you look out for that end of the business. to an extent. low Voted Out the Saloons called ye! ye! poll· D. *ΆΚΚ. increase the aupply quite They he said. on | are now closed." Everyone drew a aigb nail on the head," "Mouey. ▲11 I want you to do 1b to pass this AMONG THE FARMERS. Some Kansas experiment· show an in- The following extract from λ lettei Auctioneer, DON'T HURRY OR WORRY of and went borne to aopper, ex- the mean and dirty thing that can here note." Lictjnsed crease after a crop of clover was turned 'rom Mrs. Benj. H. Fiab of Santa Bar relief, — who ate theirs world—that's «"»«· At Meals Follows. TH* cept tbe election board, the best man In the "Colonel Tod hunter," replied tlie »IU>. Dyspepsia "SPKED PLOW." under. The yield of corn was Increased >ara, Calif., may be of interest bott whip âû0TH and oat of pail· and boxes, and afterwards Thurs." "the Indorsement and the col- Moderate- 20 bushel· an acre, oats 10 bushels, rom the temperance and tbe suffrage Colonel the trouble. banker, Tera» I went to A serene mental condition and time began counting votes. aleep other man's mon- a Correspondence on practical agricultural topics potatoes 30 bushel*. itand point. "Ifs generally the lateral make this note good, and it's to chow your food is more la bearing them count. thoroughly aollcHed. -
The Last Post Reveille
TTHHEE LLAASSTT PPOOSSTT It being the full story of the Lancaster Military Heritage Group War Memorial Project: With a pictorial journey around the local War Memorials With the Presentation of the Books of Honour The D Day and VE 2005 Celebrations The involvement of local Primary School Chidren Commonwealth War Graves in our area Together with RREEVVEEIILLLLEE a Data Disc containing The contents of the 26 Books of Honour The thirty essays written by relatives Other Associated Material (Sold Separately) The Book cover was designed and produced by the pupils from Scotforth St Pauls Primary School, Lancaster working with their artist in residence Carolyn Walker. It was the backdrop to the school's contribution to the "Field of Crosses" project described in Chapter 7 of this book. The whole now forms a permanent Garden of Remembrance in the school playground. The theme of the artwork is: “Remembrance (the poppies), Faith (the Cross) and Hope( the sunlight)”. Published by The Lancaster Military Heritage Group First Published February 2006 Copyright: James Dennis © 2006 ISBN: 0-9551935-0-8 Paperback ISBN: 978-0-95511935-0-7 Paperback Extracts from this Book, and the associated Data Disc, may be copied providing the copies are for individual and personal use only. Religious organisations and Schools may copy and use the information within their own establishments. Otherwise all rights are reserved. No part of this publication and the associated data disc may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval systems, without permission in writing from the Editor. -
No Goose Step at the Cenotaph
,m,^M,w,m^«««^,,mr,'.^,:>-., .'.^^.^^•^.^n^'y^^, »g^y=^^^i^:^3,..^ i».s^-^^.^:n>.««».a»siBai AJ R Information Volume XLIX No. 6 June 1994 £3 (to non-members) Don't miss . The debate about German participation in the VE Day anniversary Controversial corridors p3 No goose step at the Cenotaph Before the anticlimax pl2 he proposed participation of German soldiers To reiterate these facts is not to rehearse the "let's- Musical in ceremonies on the 50th anniversary of VE be-beastly-to-the-Hun" theme beloved of the late midsummer Day is fuelling widespread and bitter debate. Lord Vansittart and currently echoed in sections of madness p. 16 T Amid the clash of contending opinions one truth the tabloid press. The Nazified Wehrmacht did not stands out beyond peradventure. The German army stand in direct line of succession to the Junker-led that surrendered in May 1945 had been an enthusi Prussian Army. Readers familiar with The Case of astic - and, at the very least, a supremely acquiescent Sergeant Grisha will have recognised the bourgeois- — instrument in Hitler's war of conquest. Buoyed up descended Ludendorff figure responsible for Grisha's The by the euphoria of early victories, it had helped inflict execution in the novel as a precursor of Manstein and unprecedented suffering on millions of Poles, Jews, Keitel in the Second World War. imperative Russians and other Europeans. In fact it was largely from the Junker class the that of Justice I German officers had shown none of their Italian opponents of Hitler who engineered the Officers' Plot counterparts' scruples about despatching Jews to of 20 July 1944 came. -
A Brief History of War Memorial Design
A BRIEF HISTORY OF WAR MEMORIAL DESIGN War Memorials in Manitoba: An Artistic Legacy A BRIEF HISTORY OF WAR MEMORIAL DESIGN war memorial may take many forms, though for most people the first thing that comes to mind is probably a freestanding monument, whether more sculptural (such as a human figure) or architectural (such as an arch or obelisk). AOther likely possibilities include buildings (functional—such as a community hall or even a hockey rink—or symbolic), institutions (such as a hospital or endowed nursing position), fountains or gardens. Today, in the 21st century West, we usually think of a war memorial as intended primarily to commemorate the sacrifice and memorialize the names of individuals who went to war (most often as combatants, but also as medical or other personnel), and particularly those who were injured or killed. We generally expect these memorials to include a list or lists of names, and the conflicts in which those remembered were involved—perhaps even individual battle sites. This is a comparatively modern phenomenon, however; the ancestors of this type of memorial were designed most often to celebrate a victory, and made no mention of individual sacrifice. Particularly recent is the notion that the names of the rank and file, and not just officers, should be set down for remembrance. A Brief History of War Memorial Design 1 War Memorials in Manitoba: An Artistic Legacy Ancient Precedents The war memorials familiar at first hand to Canadians are most likely those erected in the years after the end of the First World War. Their most well‐known distant ancestors came from ancient Rome, and many (though by no means all) 20th‐century monuments derive their basic forms from those of the ancient world. -
Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
Tower of London World Heritage Site Management Plan
Tower of London World Heritage Site Management Plan Published by Historic Royal Palaces © Historic Royal Palaces 2007 Historic Royal Palaces Hampton Court Palace Surrey KT8 9AU June 2007 Foreword By David Lammy MP Minister for Culture I am delighted to support this Management Plan for the Tower of London World Heritage Site. The Tower of London, founded by William the Conqueror in 1066-7, is one of the world’s most famous fortresses, and Britain’s most visited heritage site. It was built to protect and control the city and the White Tower survives largely intact from the Norman period. Architecture of almost all styles that have since flourished in England may be found within the walls. The Tower has been a fortress, a palace and a prison, and has housed the Royal Mint, the Public Records and the Royal Observatory. It was for centuries the arsenal for small arms, the predecessor of the present Royal Armouries, and has from early times guarded the Crown Jewels. Today the Tower is the key to British history for visitors who come every year from all over the world to relive the past and to enjoy the pageantry of the present. It is deservedly a World Heritage Site. The Government is accountable to UNESCO and the wider international community for the future conservation and presentation of the Tower. It is a responsibility we take seriously. The purpose of the Plan is to provide an agreed framework for long-term decision-making on the conservation and improvement of the Tower and sustaining its outstanding universal value. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
Mud Blood and Futility RUAE
PASSAGE 1 The passage is taken from the introduction to Peter Parker’s book “The Last Veteran”, published in 2009. The book tells the life story of Harry Patch, who fought in the First World War, and eventually became the last surviving soldier to have fought in the trenches. He died in 2009, aged 111. Mud, Blood and Futility At 11 a.m. on Monday 11 November 1918, after four and quarter years in which howitzers boomed, shells screamed, machine guns rattled, rifles cracked, and the cries of the wounded and dying echoed across the battlefields of France and Belgium, everything suddenly fell quiet. A thick fog had descended that 5 morning and in the muffled landscape the stillness seemed almost palpable. For those left alive at the Front – a desolate landscape in which once bustling towns and villages had been reduced to piles of smoking rubble, and acre upon acre of woodland reduced to splintered and blackened stumps – there was little cause for rejoicing. The longed-for day had finally arrived but most 10 combatants were too enervated to enjoy it. In the great silence, some men were able to remember and reflect on what they had been through. Others simply felt lost. The war had swallowed them up: it occupied their every waking moment, just as it was to haunt their dreams in the future. There have been other wars since 1918 and in all of them combatants have 15 had to endure privation, discomfort, misery, the loss of comrades and appalling injuries. Even so, the First World War continues to exert a powerful grip upon our collective imagination. -
VOL.40 No.4 APRIL 1985 (PDF) Download
MONTHLY JOUffNAL CF THE 2/4 INFANTRY BATTALION ASSOCIATION -----i PATRON: Major Genera! Sir Ivan Dougherty, C.B.E.. D.S.O. & Bar. E D., B.Ec.. LL.D (Hon.) I 40th Year of continuous publication fi ^SK. Registered by:- Australia Post Publication NAS1532. Price:- 50c per copy VoluBe 46 Ho. 4 Month:- April t985. President: Alf Carpenter 66 Chatham Rd, Georgetown 2298 Ph. 049-671969 Vice-Presidents: Senior Allen Lindsay 21a Mirral Rd, Caringbah 2229 02- 5241937 Queensland Laurie hcCosker 60 Hillsdon Rd, Tarlnga 4O66 07-3701395 Far Nth Coast Allan Kirk 1?9 Dibbs St, Lismore 248O 066-214464 Northern JISW £sca Riordan 111 Kemp St, Kempsey 244O 065-624671 Newcastle George Mitchell 6 verll Place Waratab 2298 049-672182 Southern NSW Artie Kleem 5 Karabah Awe, Young 2594 063-822461 Victoria Claude Raymond 92 Rose St, West Coburg 3058 03- 3541145 Sth Australia Peter Denver 15 Admiral Terrace Qoolwa 5214 O85-552252 West Australia Doug Slinger 53 Botham St Bayswater 6053 09-2717027 Committee: Cec Chrystal,Ferd Pegg, Ken Kesteven MC, John Hawkins, Ted Fox, Harry Wright, Worm Aubereon, George Stack, ecretary: Fred Staggs 13 Seven Hills Rd, Seven Hills 2147 02-6711765 .set. Secy: John Meehan 5/23 Dine St, Randwick 2031 02-3999606 Treasurer: Allen Lindsay 21a Mirral Rd, Caringbah 2229 02-5241937 Editor! Laurie Waterhouse 34 Milford Rd, Miranda 2228 02-5242114 Welfare Officer: Harry Wright 3 Boundary Rd, Carlingford 2118 02-8715312 Liaison Officer to the Gallipoli Memorial Club: Athol Heath 02-4514466 NEXT MLETIHQ. The next regular monthly meeting will be held on Tuesday, 28th MAY. -
Naród Polski Bi-Lingual Publication of the Polish Roman Catholic Union of America a Fraternal Benefit Society Safeguarding Your Future with Life Insurance & Annuities
Naród Polski Bi-lingual Publication of the Polish Roman Catholic Union of America A Fraternal Benefit Society Safeguarding Your Future with Life Insurance & Annuities June 2018 - Czerwiec 2018 No. 6 - Vol. CXXXIII www.PRCUA.org President of the Republic of Poland Andrzej Duda and First Lady Agata Kornhauser-Duda Make a Historic Visit to the PRCUA/PMA Headquarters Zapraszamy do czytania stron 19-24 w j`z. polskim. President of the Republic of Poland Andrzej Duda and First Lady Agata Kornhauser-Duda with invited guests at the PMA’s Great Hall (photo: J. Siegel) Chicago, IL - Gallery and the Sabina The Polish Museum P. Logisz Great Hall, of America and the where they met with a Polish Roman group of invited guests. Catholic Union of Present were members America were of the PMA Board of honored to welcome Directors, President of the representatives from Republic of Poland various Polish Andrzej Duda and American organi- First Lady Agata zations, political Kornhauser-Duda to representatives, and the their headquarters on PMA’s staff. Poland’s Presidential Couple welcomed by PRCUA V.P. Jaminski presenting the PRCUA history in the Friday, May 18, President and First President Drobot and PMA President Owsiany Board Room 2018. Lady Duda signed the (photo: Facebook - Consulate General of Poland) (photo: Facebook - Consulate General of Poland) The Presidential PMA Guest Book and couple visited Chicago on May 18-19 during their recent trip to the United presented the PMA with the flag of the Republic of Poland, which was States. This was President Duda’s first trip to Chicago since his election as gratefully accepted by PMA President Richard Owsiany. -
Heritage Premises: Fire Safety Guidance Background
Heritage Premises: Fire Safety Guidance Background: Important heritage buildings are listed by Historic England. Listing, scheduling, registering and protecting are all forms of Designation, for protecting buildings, monuments, parks and gardens, battlefields and wreck sites respectively. Designation is the act of identifying the most important parts of our heritage so they can receive special protection and make sure that our history can be enjoyed by present and future generations. All of these sites are brought together in the National Heritage List for England (NHLE) Buildings and structures which meet the criteria for national protection are listed. This protection system has been in place since 1947 and operates under; The Planning (Listed Buildings and Conservation Areas) Act 1990. Guidance to selection criteria is available on Historic England`s web site: http://historicengland.org.uk/listing/selection-criteria/listing-selection/ Listed Buildings: Listing helps us acknowledge and understand our shared history. It marks and celebrates a building's special architectural and historic interest, and also brings it under the consideration of the planning system so that some thought will be taken about its future. The older a building is, the more likely it is to be listed. All buildings built before 1700 which survive in anything like their original condition are listed, as are most of those built between 1700 and 1840. Particularly careful selection is required for buildings from the period after 1945. A building has normally to be over 30 years old to be eligible for listing. Categories of listed buildings: Grade I buildings are of exceptional interest, only 2.5% of listed buildings are Grade I.