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Cracow Indological Studies Vol. XIX, No. 2 (2017) https://doi.org/10.12797/CIS.19.2017.02.06

Andrew Ollett, Language of the Snakes. , , and the Language Order of Premodern India . pp. 290. Oakland: University of California Press. October 2017.—Reviewed by Lidia Wojtczak (SOAS, University of London).

$QGUHZ2OOHWW¶VERRNSXEOLVKHGLQ2FWREHUFRQVWLWXWHVDUHYLVHG YHUVLRQ RI KLV 'RFWRUDO 7KHVLV RI  7KH ³ELRJUDSK\ RI 3UDNULW IURPWKHSHUVSHFWLYHRIFXOWXUDOKLVWRU\´ S LVDEROGVWDWHPHQWRI WKHDXWKRU¶VGHGLFDWLRQWRDFORVHDQGVHQVLWLYHUHDGLQJRIWKHOLWHUDWXUH RI SUHPRGHUQ 6RXWK$VLD7KH ERRN LV GLYLGHG LQWR VHYHQ FKDSWHUV HDFK D IDUUHDFKLQJ DQG LQGHSWK DQDO\VLV RI 3UDNULW¶V LPSDFW RQ and interactions with, the literary culture of early India. The volume LV VXSSOHPHQWHG \ WKUHH YDOXDEOH DQG LOOXPLQDWLQJ DSSHQGLFHV DQG E\ FRSLRXV QRWHV ZKLFK EULQJ RXW WKH DXWKRU¶V HUXGLWH DSSURDFK WRWKHVXEMHFWPDWWHU 2OOHWW SRVLWV WKDW 3UDNULW LV WKH ³NH\ WR XQGHUVWDQGLQJ KRZ literary languages worked in premodern India as a whole and it pro- YLGHV DQ DOWHUQDWLYH ZD\ RI WKLQNLQJ DERXW ODQJXDJH´ S   $V KHH[SODLQV3UDNULW¶VSODFHLQWKHLQWHUDFWLYHOLQJXLVWLFIUDPHZRUNRI ,QGLDDWWKHEHJLQQLQJRIWKH&RPPRQ(UD2OOHWWGLVWDQFHVKLPVHOI IURP PRGHUQ GLVFXVVLRQV RQ ZKDW VWDQGV EHKLQG WKH WHUP µ3UDNULW¶ DV RSSRVHG WR µ0LGGOH ,QGLF¶  DQG LQVWHDG ORRNV IRU KLV GH¿QLWLRQ LQSUHPRGHUQVRXUFHV3UDNULWKHWHOOVXV³LVZKDW3UDNULWWH[WVWHOOXV they are written in”, and most generally, it is “the language of literary WH[WVFRPSRVHGLQWKH¿UVWKDOIRIWKH¿UVWPLOOHQQLXP&(´ S  118 Cracow Indological Studies

,W ZDV D ³FODVVLFDO´ ODQJXDJH LQ PDQ\ VHQVHV RI WKH ZRUG²3UDNULW WH[WVZHUHMXGJHGFODVVLFDOE\WKHSHRSOHUHDGLQJWKHPIURPWKHEHJLQ - ning of the Common Era and the language was cultivated as a mark- HU RI ³LQWHOOHFWXDO FXOWXUH´ QRW RQO\ LQ ,QGLD EXW DFURVV 6RXWK DQG South-East Asia (p. 9). Literature was foundational to the formation of the “Sanskrit Cosmopolis”—the supra-regional, socio-political, and cultural order WKDW 6KHOGRQ 3ROORFN KDV LGHQWL¿HG DV H[LVWLQJ LQ WKH ¿UVW PLOOHQ nium CE. As the term itself suggests, this was a phenomenon that hinged on the Sanskrit language, and it was intrinsically connected to the production of “courtly literature”, NƗY\D . However, Ollett under- VFRUHVWKHVLJQL¿FDQWLPSDFWWKDW3UDNULWKDGRQWKHGHYHORSPHQWRI NƗY\D DQGKHSURSRVHVWRWDNHXS³DQROGEXWPRVWO\IRUJRWWHQVXJJHV - tion that NƗY\D EHJDQDVkavva DQGWKDW6DQVNULWOHDUQHGWREHSRHWLF IURP3UDNULW´ S  2OOHWWUHÀHFWVWKDW3UDNULWLVDODQJXDJHZKLFKVWXEERUQO\UHIXVHV to conform to modern categories of language theory. This gives rise WRWKHTXHVWLRQRIWKHIXQFWLRQRI3UDNULW²LWZDVQRWDODQJXDJHRI D³FRPPXQLW\RIVSHDNHUV´RURIDUHOLJLRXVJURXSEXWXSKHOGZKDW FDQ RQO\ EH GH¿QHG DV D ³OLWHUDU\ FXOWXUH´ S   3UDNULW PXFK OLNH6DQVNULWZDVDQ³DUWL¿FLDO´ODQJXDJHZKLFKIXQFWLRQHGWKURXJK LWV WH[WV S   DQG ERWK 6DQVNULW DQG 3UDNULW ³FDQ EH WKH VXEMHFWV RI D FXOWXUDO KLVWRU\ RI ODQJXDJH VLQFH WKH\ KDYH EHHQ GH¿QHG DQG deployed as cultural products all along” (p. 22). Ollett is not in favour RIVHDUFKLQJIRUWKHEHJLQQLQJVRI3UDNULWLQWKHPRVWDQFLHQW,QGLDQ WH[WV VXFKDV3DWDxMDOL¶V 0DKƗEKƗ܈\D DQGLQVWHDGDUJXHVWKDW3UDNULW EHJDQZKHQLWZDV³LQYHQWHG´DVDODQJXDJHRISRZHU7KLVPRPHQW of creation was part and parcel of the greater emergence of a set of FXOWXUDODQGSROLWLFDOSUDFWLFHVLQWKHFRQWH[WRIWKH6ƗWDYƗKDQD(PSLUH (1 st c. BCE–3 rd c. CE). 2OOHWWJRHVRQWRDUJXHIRUWKH³LQYHQWLRQ´RI3UDNULWLQWKHWZR following chapters. In Chapter Two, he provides the reader with a pen- HWUDWLYHVWXG\RIWKHHDUOLHVW6ƗWDYƗKDQDLQVFULSWLRQVDWWKH1Ɨ৆HJKƗ৬ 3DVV LQ WKH:HVWHUQ *KDWV7KH 6ƗWDYƗKDQDV UXOHG RYHU WKH 'HFFDQ Reviews 119

URXJKO\ EHWZHHQ  %&( DQG  &( DQG DV 2OOHWW ZULWHV ZHUH ³FORVHO\ DVVRFLDWHG ERWK ZLWK UDGLFDO LQQRYDWLRQV LQ LQVFULSWLRQDO GLVFRXUVHLQWKLVSHULRGDQGZLWKWKHLQYHQWLRQRI3UDNULWOLWHUDWXUH´ S $W1Ɨ৆HJKƗ৬ĝUƯ6ƗWDNDU৆LDQGKLVTXHHQ1ƗJDQLNƗFRPPLV - , L۬Ɨ܈VLRQHGWKHFDUYLQJRID3UDNULWLQVFULSWLRQLQZKLFK and GDN as well as the Vedic rituals of UƗMDVnj\D and DĞYDPHGKD play a central UROHDWWHVWLQJWRWKH6ƗWDYƗKDQD¶V³YLVLRQRISROLWLFDOSRZHU´ S  2OOHWW UHPDUNV RQ WKH XQPLVWDNDEO\ OLWHUDU\ QDWXUH RI WKH LQVFULS - WLRQ¶V ODQJXDJH²LW LV FKDUDFWHUL]HG E\ ORQJ VHULHV RI FRPSRXQGV ZKDWZRXOGODWHUEHFDOOHG ojas SRZHUE\WKHRUHWLFLDQV DQGE\¿J - XUHVRIERWKVRXQGDQGVHQVH S  Ollett then discusses a roughly contemporaneous counter-practice RI XVLQJ 6DQVNULW LQ HXORJLVWLF LQVFULSWLRQV ZKLFK ZDV HPSOR\HG E\ WKH .ৢDWUDSDV²WKH 6F\WKLDQ RU ĝDND NLQJV RI ZKDW LV PRGHUQGD\ *XMDUDW%\UHIHUULQJWRDSDLURILQVFULSWLRQVVSRQVRUHGE\WKHĝDNDUXOHU 8ৢDYDGƗWD RQHLQ3UDNULWWKHRWKHULQDPL[RI3UDNULWDQG6DQVNULW  2OOHWWSURYHVWKDWOLQJXLVWLFFKRLFHVKDGDNH\IXQFWLRQDOLW\LQHVWDE - OLVKLQJ WKH FRQFHSWLRQV RI SRZHU LQ WKH ¿UVW FHQWXULHV RI WKH &RP - mon Era and that these choices had lasting effects on the political and cultural discourse. 7KHFKDQJHVZKLFKOHG6DQVNULWWREHFRPH the language of power WRRNSODFHDV2OOHWWQRWHVRQDQDHVWKHWLFYHFWRUDQGZHUHQRWLQÀX - HQFHGE\UHOLJLRXVFRQFHUQV+HUHIXWHVWKHWKHRU\WKDW6DQVNULWZHQW “hand-in-hand” with Brahmanization, pointing out that the early Brah- minical society had never expressed itself as a SROLWLFDO or cultural HQWLW\LQ6DQVNULW,QIDFWDV2OOHWWDUJXHV%UDKPLQVZRXOGKDYHEHHQ VWURQJO\DJDLQVWWKHXVHRIWKHODQJXDJHRIWKHJRGVE\IRUHLJQLQYDGHUV VXFKDVWKH.ৢDWUDSDV SS±  Ollett challenges the role of Sanskrit as a legitimizing agent and questions the importance of Sanskritization in creating a language of politics. He points to the contradictions which arise when one links Sanskritization to the Brahmanization of cultural discourse. He writes WKDW³>L@WLVRQO\ZKHQZHORRNDWFXOWXUDOFKDQJHVDQGDERYHDOOWKHFUH - DWLRQDQGFRQWHVWDWLRQRIDSRHWU\RISROLWLFVEHWZHHQWKH6ƗWDYƗKDQDV 120 Cracow Indological Studies

DQGWKH.ৢDWUDSDVWKDWZHFDQXQGHUVWDQGWKHJHQXLQHO\QHZUROHVWKDW 6DQVNULWDQGLWVRWKHUVRFFXSLHGLQWKH¿UVWFHQWXU\DQGWKHFRPSOH[ ways in which these roles redetermined the languages that occupied them” (p. 48). In the conclusion to Chapter Two, Ollett also proposes WRORRNDWWKHSURFHVVHVWDNLQJSODFHLQWKH,QGLDRIWKH6ƗWDYƗKDQDV DQG .ৢDWUDSDV WKURXJK WKH OHQV RI ³OLWHUDUL]DWLRQ´ ZKLFK KH GH¿QHV DV ³WKH SURFHVV E\ ZKLFK DQ H[LVWLQJ GLVFRXUVH WDNHV RQ µOLWHUDU\¶ features” (p. 48). &KDSWHU7KUHH³,QYHQWLQJ3UDNULW7KH/DQJXDJHVRI/LWHUDWXUH´ FHQWUHV RQ WKH LPSRUWDQFH RI -DLQ 3UDNULW OLWHUDWXUH 2OOHWW SURSRVHV WKDW WKH KLWKHUWR KHOG UHGXFWLYH GLYLGH RI HDUO\ 3UDNULW LQWR ³-DLQ´ DQG³FRXUWO\´3UDNULWKDVVNHZHGRXUXQGHUVWDQGLQJRIWKHDQDORJLHV EHWZHHQWH[WVVXFKDVWKH³QRQ-DLQ´ 6DWWDVDƯ and the “Jain” 7DUD۪JDYDWƯ (p. 51). In presenting his vision of the interconnected and multi-lingual emergence of poetic language in India, Ollett coins the phrase “ NƗY\D movement” which he understands as “a cultural-political formation, lasting roughly from the second to the twelfth century and spreading over much of southern Asia, that was imagined through the universal- izing discourses of Sanskrit” (p. 52). 7KHIROORZLQJVHFWLRQVGHDOZLWKWKHEHJLQQLQJVRI3UDNULWOLWHUDWXUH DQGWKHPDLQGLIIHUHQFHVWKDWDUHVHHQWRH[LVWEHWZHHQ-DLQDQGQRQ -DLQ 3UDNULW ZRUNV IRUPDO WKHPDWLF OLQJXLVWLF FRQWH[WXDO  2OOHWW emphasizes that these differences were not present in the earliest stages RIWKHGHYHORSPHQWRI3UDNULWOLWHUDWXUHDQGSURFHHGVWRDQLQGHSWK analysis of the 6DWWDVDƯ —theories on its dating, its self-representation (p. 59), its literary and ideological context, and its courtliness. The 6DWWDVDƯ  FRPSRVHG LQ WKH FRXUW RI WKH 6ƗWDYƗKDQD NLQJ +ƗODZDVDVWDUWLQJSRLQWIRUWKHFRXUWO\3UDNULWSRHPDQG2OOHWWXVHV LWV DQDO\VLV WR IRUP WKH JURXQGZRUN IRU TXHVWLRQV DERXW WKH EHJLQ - QLQJVRI-DLQ3UDNULWOLWHUDWXUH+HGLVFXVVHVWKUHHDFFHSWHGFRQVWDQWV of : its continuity with Jain teachings; the continuity ³EHWZHHQ -DLQ ODQJXDJH SUDFWLFHV DQG GHPRWLF µHYHU\GD\¶ ODQJXDJH SUDFWLFHV´DQGWKHLGHQWL¿FDWLRQRI-DLQODQJXDJHSUDFWLFHVDV3UDNULW (pp. 69–72). Ollett studies the development of literature composed in Reviews 121

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This association, together with the features of the 7DUD۪JDYDWƯ  VKRZ WKDW LQ 3ƗOLWWD¶V WLPHV ³WKH FRXUWO\ DQG WKH -DLQ KLVWRULHV RI 3UDNULW DUH FURVVHG RU UDWKHUWKH\KDYHQRW\HWEHHQVHSDUDWHGIURPHDFKRWKHU´ S  2OOHWW¶VPRVWLPSRUWDQWFRQFOXVLRQLQWKLVFKDSWHULVWKDWWKHHURWLF FRXUWO\3UDNULWWH[WVDQGWKHPRUHGLGDFWLF-DLQ3UDNULWSRHWU\FRRSHUDW - HGLQWKHFUHDWLRQRIWKH³QHZGLVFXUVLYHSKHQRPHQRQ´WKDWZDV3UDNULW OLWHUDWXUH+H]HURHVLQ³RQDPRPHQWZKHQ3UDNULWOLWHUDWXUHZDVJLYHQ the form that it would take for more than a millennium afterwards” S DQGSRVLWLRQVLWDVWKHSRLQWRIRULJLQRIDOLWHUDUL]HG3UDNULW² “of new discursive spheres, new genres and practices to occupy them, and new disciplines to regulate them” (p. 83). &KDSWHU)RXU³7KH)RUPVRI3UDNULW/LWHUDWXUH´DLPVWRGLVFXVV 3UDNULW ³SKHQRPHQRORJ\ DQG DHVWKHWLFV´ ZLWKRXW FRQWUDVWLQJ WKHP with their Sanskrit counterparts (p. 85). Ollett examines various DSSURDFKHV WRZDUGV OLWHUDU\ ODQJXDJH DQG REVHUYHV RQFH DJDLQ WKDW 3UDNULWFDQQRWEHIRUFHGLQWRDQ\RIWKHH[LVWLQJPRXOGV+HWKHQSUHV - HQWV KLV UHDGHUV ZLWK ZKDW PDGH 3UDNULW D OLWHUDU\ ODQJXDJH DFFRUG - LQJWRWKHSHRSOHXVLQJLW²³VZHHWV\OODEOHV´³TXDYHULQJUK\WKP´DQG ³XQERXQGFKDUDFWHU´ S 7KHVHFWLRQRQWKH¿UVWLVDQH[DPLQDWLRQ RIWKHSKRQHWLFFKDUDFWHULVWLFVRIWKH3UDNULWODQJXDJH²WKHVFDUFLW\RI FRQVRQDQWVFRPELQHGZLWKWKHSUHGRPLQDQFHRIRSHQYRZHOVRXQGV gives the impression of musicality (pp. 88–94). The section Quavering Verses  LV DQ DGYDQFHG VWXG\ RI 3UDNULW YHUVL¿FDWLRQ DQG WKH RPQL - present and versatile JƗWKƗ metre, which was also employed in sung YHUVHDQGIXUWKHUDGGHGWRWKHSRHWU\¶VPHORGLRXVQHVV SS± ,Q Inexhaustible Collections SS± 2OOHWWQRWLFHVWKDWPRVW3UDNULW JƗWKƗ verses were poems in themselves. This allowed the majority of 3UDNULWSRHWU\WRH[LVWLQDQWKRORJLHVRIVLQJOHVWDQ]DVDQG³HQFRXUDJHG 122 Cracow Indological Studies poems to circulate promiscuously, to appear in diverse contexts, to mean different things to different people” (p. 110). 2OOHWWLVLQVSLUHGE\,PPDQXHO.DQWDQGHVSHFLDOO\1DRNL6DNDL WRDGRSWDVFKHPDLQDQDWWHPSWWRGHVFULEHWKHODQJXDJHRUGHURISUH - PRGHUQ,QGLDLQ&KDSWHU)LYH³)LJXULQJ3UDNULW´+HQRWHVWKDWWKLV is a novel approach towards language in the Indological context, which tends to favour sociolinguistic methods (p. 112). Ollett outlines four main features of what he calls the “archetypal schema”: “the opposi- WLRQEHWZHHQ6DQVNULWDQG3UDNULWWKHLGHQWLW\RI6DQVNULWDQG3UDNULW WKHWRWDOLW\RIWKHSUDFWLFHVWKHVFKHPDUHSUHVHQWVDQGWKHLWHUDELOL - ty of its distinctions” (p. 114). As he takes his readers through these IRXUSRLQWVLQWKHIROORZLQJVHFWLRQV SS± 2OOHWWEULQJVRXW the interconnectedness of the representations of languages in premod- HUQ,QGLD+LVVFKHPD³VXSSOLHVWKHEDVLFFDWHJRULHV²LQFOXGLQJWKHODQ - JXDJHVWKHPVHOYHV²DQGFDOLEUDWHVDFRPSOH[VHWRIUHODWLRQVFRQVWLWXWLQJ DIUDPHZRUNZLWKLQZKLFKODQJXDJHFDQEHWKRXJKW´ S  7KHVWXG\RI3UDNULWDVDQREMHFWRINQRZOHGJHIRUPVWKHFRUHRI &KDSWHU6L[³.QRZLQJ3UDNULW´7KLVLQFOXGHVNQRZOHGJHRIWKHSODFH RI 3UDNULW WH[WV ZLWKLQ OLWHUDU\ WUDGLWLRQV DV ZHOO DV WKH WUDGLWLRQV RI NQRZOHGJH DERXW 3UDNULW DV D ODQJXDJH 3UDNULW JUDPPDU  2OOHWW SRLQWVRXWWKDWNQRZOHGJHRI3UDNULWZDV³SKLORORJLFDO´DQGWKDWLWZDV ³QRWDµPRGHORI¶DOLQJXLVWLFUHDOLW\ZLWKDQLQGHSHQGHQWH[LVWHQFHEXW DµPRGHOIRU¶WKHFRQWLQXRXVUHFUHDWLRQ²WKURXJKUHDGLQJFRPPHQW - LQJ DQWKRORJL]LQJ UHFRPELQLQJ DQG FRPSRVLQJ DQHZ²RI OLWHUDU\ traditions” (p. 142). :KDWIROORZVLVDQH[KDXVWLYH³DUFKDHRORJ\´RI3UDNULWNQRZOHGJH ³DQ DWWHPSW WR FRQVWUXFW D KLVWRULFDO QDUUDWLYH RQ WKH EDVLV RI WH[WV that resist it: lost texts, fragmentary texts, poorly preserved texts, cor- rupt texts, authorless texts, imaginary texts, mythical texts” (p. 144). 2OOHWWGUDZVRQPDQ\3UDNULWVRXUFHVEXWIRFXVHVPDLQO\RQ9DUDUXFL¶V 3UƗN܀WDSUDNƗĞD WKHHDUOLHVWIXOO\H[WDQW3UDNULWJUDPPDU+HUHLWHUDWHV /XLJLD1LWWL'ROFL¶VREVHUYDWLRQWKDWWKLVLVQRWDJUDPPDURIDODQJXDJH LQWKHEURDGHUVHQVHEXWDJUDPPDURIWKH³3UDNULWOLWHUDU\WUDGLWLRQ UHSUHVHQWHGDERYHDOOE\ Seven Centuries ” (p. 148). Ollett launches into Reviews 123 a study of the textual history of the 3UƗN܀WDSUDNƗĞD , emphasizing what KHEHOLHYHVWREHDOLPLQDOSRLQWLQ³3UDNULWNQRZOHGJH´LHWKHDGGL - WLRQRIFKDSWHUVRQRWKHUODQJXDJHVQDPHO\0ƗJDGKƯDQGĝDXUDVHQƯ ZKLFKUHSUHVHQW³DSOXUDOL]DWLRQRIWKHFDWHJRU\RIµ3UDNULW¶´ S  7KH ¿QDO VHFWLRQ RI WKLV FKDSWHU Grammar, Metagrammar and the Regional  GHDOV ZLWK WKH FRQYHQWLRQV RI 3UDNULW JUDPPDU PRVW prominently with its three core categories of tatsama , tadbhava and GHĞƯ 2OOHWWSUHIHUV³PHWDJUDPPDU´IRUWKHVH ZKLFKKDYHWKHLUEHJLQQLQJV LQ 'D৆ঌLQ¶V .ƗY\ƗGDUĞD  3UDNULW LV WKHQ FRQWH[WXDOL]HG LQ LWV UHODWLRQ - VKLSZLWKWKHYHUQDFXODUODQJXDJHVRISUHPRGHUQ,QGLDDQG2OOHWWUHÀHFWV RQLWVUROHLQWKH³9HUQDFXODU0LOOHQQLXP´3UDNULWKHDUJXHVSURYLGHG WKHPRGHOIRUYHUQDFXODUODQJXDJHVWREHFRPHQRWRQO\OLWHUL]HGEXWDOVR OLWHUDUL]HGLHUH¿QHGWRVHUYHWKHSXUSRVHVRIOLWHUDWXUH S LWSURYHG that there could exist a “counterpractice to Sanskrit” (p. 164). 2OOHWWRSHQV&KDSWHU6HYHQ³)RUJHWWLQJ3UDNULW´ZLWKDQH[WUHPHO\ useful and clear summary of his dense and wide-ranging work. He goes RQ WR GLVSXWH WKH QDUUDWLYH RI 3UDNULW¶V ³GHFOLQH´ QRWLQJ VRPH NH\ SRLQWVWKDWKDYHEHHQRYHUORRNHGE\WKRVHZKRDFFHSWWKLVQDUUDWLYH He proposes to analyse this complex process from multiple points of YLHZ7KH ¿UVW RI WKHVH LV WKH SHUVSHFWLYH RI ³GLVSODFHPHQW´ ZKLFK KHXQGHUVWDQGVDV³3UDNULW¶VGLVSODFHPHQWIURPDSRVLWLRQRILPSRU - WDQFHERWKLQDFWXDOSUDFWLFHVDQGLQWKHFRQFHSWXDORUGHULQJRIWKHVH SUDFWLFHV´ S $QRWKHUSURFHVVWKDWLQÀXHQFHG3UDNULW¶VORVVRI importance was “vernacularization”, in which vernacular languages HGJHG3UDNULWRXWRIWKH³VFKHPDRIFR¿JXUDWLRQ´ YLVjYLV Sanskrit S  7KHVH SURFHVVHV HQDEOHG RU SHUKDSV HQFRXUDJHG WKH SXVK WRFUHDWHDEULGJPHQWVRI3UDNULWOLWHUDWXUHDQGWRWUDQVODWH3UDNULWZRUNV into Sanskrit (pp. 178–180). 2OOHWWKLJKOLJKWVWKDWWKHSURFHVVHVRI³GLVSODFHPHQWDEULGJPHQW DQGWUDQVODWLRQDOOSRLQWWRWKHSUHFDULRXVSRVLWLRQWKDW3UDNULWKDGJRLQJ LQWRWKHWZHOIWKDQGWKLUWHHQWKFHQWXULHV´ S $OWKRXJK3UDNULW¶V role continued to diminish, over the following centuries many com- PHQWDULHVDQGWUHDWLVHVRI3UDNULWJUDPPDUZHUHZULWWHQLQ³LPSRUWDQW centers of political and intellectual power, and some were produced 124 Cracow Indological Studies

E\WKHPRVWOHDUQHGVFKRODUVRIWKHLUDJH´ S 6FKRODUVUHWDLQHG interest in reworking and re-conceptualising the knowledge of this ³G\LQJODQJXDJH´EHFDXVHLWZDVDPDUNHURI³SKLORORJLFDOH[SHUWLVH´ S ZKLFK2OOHWWGHPRQVWUDWHVRQWKHH[DPSOHRI*KDQDĞ\ƗPD¶V ƖQDQGDVXQGDUƯ (18 th F&( D3UDNULWURPDQWLFFRPHG\ VDܒܒDND ). ,QWKHRSHQLQJSDJHVRIKLVERRN$QGUHZ2OOHWWZULWHVWKDW3UDNULW ³LVWKHPRVWLPSRUWDQW,QGLDQODQJXDJH\RX¶YHQHYHUKHDUGRI´ S  However even for those of us fully aware of the existence and of WKHLPSRUWDQFHRI3UDNULWLQWKHFXOWXUDOGLVFRXUVHRISUHPRGHUQ,QGLD “The Language of the Snakes” is eye-opening. Ollett does not hesitate to question the hitherto functioning theories and terminology connect- HG ZLWK WKH K\EULGLW\ RI ODQJXDJHV %UDKPDQL]DWLRQ 6DQVNULWL]DWLRQ and legitimization, to name a few. Instead, he provides much more sophisticated and thoughtful interpretations of the necessarily compli- cated linguistic, political and cultural landscape of India in the early FHQWXULHVRIWKH&RPPRQ(UD+HUHDGVWH[WVQRWLQLVRODWLRQEXWDVSDUW RIDJUHDWHUDQGPRUHE\]DQWLQHVWUXFWXUHRIZHEVRILQÀXHQFHDQGGRHV not settle for reductive answers to the most perplexing questions.