DOCSLIB.ORG

PROGRAMS Ow" FEB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PROGRAMS Ow ILLUSTRATED -DETAILED 11/F1-4E LISTENERS' PICTO PROGRAMS ow" FEB. I TO FEB. 7, INCLUSIVE I, 1947 ALL THE PROGRAMS OF THE WEEK ---IN DETAIL ND GREAT RADIO T E:á::a,? ENTERTAINMENT OF ALL KINDS WFIL PHILADELPHIA PRESENTS PROGRAMS TOGETHER WITH A DESIGNED TO PROVIDE COMPLETE COVERAGE T O P ENTERTAINMENT ON WORLD-WIDE WHETHER YOU PREFER AND LOCAL NEWS MUSIC, COMEDY, QUIZ OR MYSTERY GOOD LISTENING-- MORNING, NOON, AND NIGHT FIRST WPIL ON YOUR A All: DIAL :..- - BUFFALO'S .'-i., , '-/I4",4`\A -/'...i / .'Í.\\` FRIENDLY ,0.!..,...` \--/ STATION i: . ;-, +j'. N\ . .4.,A-4, W EB 1340 ON YOUR DIAL MUTUAL BROADCASTING The Díjírabeiphía Inquirer tatíon SYSTEM AFFILIATE It's the Truth-These Were the "Consequences achy by MIKE MELLER -/1SIOIV WHEN a gentleman by the name of Mike THE LISTENERS' PICTORIAL WEEKLY Kozall won the whole "TruthorConse- Prepared for Corwin quence" show as a "Consequence" and took Established 1924 New Series No. 64 To the Editor: Thank you for publishing your many over as emcee the following week (Saturday night, feature stories, including the one on Norman Corwin's "One World Flight."It enabled me to follow the NBC, January 18), just about everything you would series from the beginning, and `to be prepared for the CONTENTS expect to happen did. programs, learn how the material had been gathered, the actual voices on records and so on.It was most EDITORIAL Let's put it in chronological order: interesting, and I enjoyed the first broadcast immensely. And Letters to Editor 3 MIKE'S FIRST GUEST: Won a blouse with Thank you,also, WITHIN VISION r.ü w:M fortheweekly By Foster Sinclair 4 "Compliments of 'Sally Lee Dress Shop,' 6435 Holly- storiesandpic- "CINDERELLA" LIFE ROUGH STUFF wood Blvd, Hollywood." The plug was for Mike, the tures on the By Dell Chandler 4 owner. Met r op olitan LOWELL THOMAS' STORY Opera broadcasts. By Jack Whiting 5 No. 2: A young lady by the name of "Ida."She I never usedto THE BAND BEAT was Mike's cousin.Ida won $200 by remembering, listen to the opera By Tim Gayle 6 matinees, but THE LISTENER TALKS BACK after hearing them once, the names of 20 members yourmagazine Program Reviews 6 who stood up in the studio audience. They were her has been respon- TURN -TABLE TOPICS siblefor getting With Harold K. Halpern 7 friends and relatives.For standing up Mike re- me started,and THESE THINGS ALSO HAPPENED warded the 20 relatives with a party. now Iwouldn't Cross -Country News 8 missthemfor SCREENLAND VISIONS No. 3:Mrs. Millet.She got a jewel -studded anything. Could By George L. Watson 9 watch for walking on the platform. Mike asked her you tell me what became of Dora STYLED FOR OUTDOOR RUNWAYS no Fashions in Radio 10 questions.She was Mike's nephew's school thy Alt, who used YOUR STATION DIAL teacher. DorothyAlt to be on the In- ternational House Log of All Stations 11 No. 4: This one we couldn't quite follow.Some- SATURDAY PROGRAMS 12 Party from WBEN? If I remember correctly, she is a TREASURE TRAIL body was dressed up in a beard and somebody kissed Canadian and went back to Canada. Can she be heard Picture Page 15 somebody's wife, but, anyway, one of Mike's friends on any other program? IT'S FUN FOR ALL Irene Shuman, By Gordon Sinclair 16 walked off with a radio. Syracuse,N.Y. SUNDAY PROGRAMS 18 NOTE: Miss Alt is back in Canada, at present MONDAY PROGRAMS 22 appearing on Latin-American Serenade via the CBC TUESDAY PROGRAMS 24 Dominion network, Sundays at 10.30 p.m.-Editor. WEDNESDAY PROGRAMS 25 THURSDAY PROGRAMS 26 Pleased With Radio -Vision FRIDAY PROGRAMS 27 DAYTIME PROGRAMS 28 To the Editor: Enclosed you will find the sum of three dollars and fifty cents for my subscription to TEEN TALK Radio -Vision.Thus far, 'I have been well pleased with By Charley Colville 30 the magazine, and I hope you will keep it up to the Publisher: Jack Walker standard you have initiated. Editor: Svend Blangsted Rev. T. E. Briceland, New York: 41 Whst 52nd St.; Editorial and Read, Ontario. Advertising, George Lilley, Dick Mooney Editorial Associates: TheLate 'Johnny Neblett -Programs-Jack Walker Jr., Bill Winter To theEditor: Our Chicagoofficereportsthat . Motion Pictures-George Watson Johnny Neblett was killedin a crashofhis own Youth-Charley Colville plane on Sept. 15,1946. The plane crashed on Tam Art --Will Long O'Shanter Golf Course, north of Chicago.The cause Circulation --Charles Walker of the crash has never been determined. Subscription Rates: $3.50 per annum or 10c per NBC Press Dept., copy on news stands in United States and Can- New York 20, N.Y. ada. Radio -Vision assumes no responsibility for loss or non -return of manuscripts, drawings or NOTE: This information is in reply to a léttér photographs,which must be accompanied by in a recent issue, asking for the details of the acci- return postage. Allow two weeks for change of address. Published weekly and copyright 1947 dent in which the well-known broadcaster, Johnny by Radio -Vision,73 Adelaide St.W., Toronto. Neblett, was killed.-Editor. Canada. Authorized as second class matter by the Post Office Department, Ottawa. Printed by The Globe Printing .," 20 About Anne Sterrett Company, Commercial Department. To the Editor: rm a regular reader of Radio -Vision, and think you have the best radio publication ever to hit the newsstands.I like the program listings and the pictures illustrating the features.I know that I RALPH EDWARDS turns over the entire am asking a great deal, but could you not occasionally Radio1.0.VISION give us some information on the daytime dramas.I "Truth or Consequences" show to Mike Kozall admit that some of them have been on the air. so long (right) of Los Angeles, with the above results. that the regular listeners know all about them, and No. 5: A fellow who comes on stage accompanied that you are pub- a by a lady described ás a beautiful model. Mike gave lishing many pic- tures ofthose the guy a. quick "consequence." He sent him home participating in to do his (Mike's) dishes-with DUZ, of course- them. I was rath- er . interestedin while Mike dated the model.Mike added another Anne Sterrett in "consequence": $25 to Mike "for expenses." the role of Ginny Campbell in s No. 6: Mrs. Gold was asked the precise land area NBC's "Right to of North America in square, miles.She gave the Happiness.", Do youhappento xr correct- answer to the mile.Mrs. Gold was awarded know if she comes $100.She was Mike's mother-in-law.Mrs. Gold got fromPennsylva- nia (where I was Lookslike radio's top, brand new comic of an additional $5 for sending in the question. born),asIbe- the yearis 21 -year -old Donald O'Connor. He No. 7: Ralph Edwards, who stepped up from the lieve I know rela- Anne Sterrett has comeinto prominence the last few months tives of hers.At on theGinny Simms show (Friday nights, 9. audience.Ralph's "consequence" was for $1,000 to any rate, I am curious to know something abouther EST,CBS).Donald is the son of the -late take. over Mike's job for one week, fitting dresses, and, if possible, see her picture.Thanks for allpast vaudevilleacrobat. John (Chuck) O'Connor. favors and a really marvellous magazine. Theyouth made his stage debut at 13 months pinning up hems, dressing windows, at Mike's dress Mrs. E. P. Bennett, of age-doingthe Blackbottom, but by the age shop.Mike also "awarded" Edwards with a boss- Providence, R.I. of 13,had performed in ten Hollywood films. "Dusty. Rhodes," the fellow Edwards kept on a Los He NOTE: Anne Sterrett went to school in Garden continued with a career of dancing and Angeles traffic isrand three weeks., . City, L.I., but she is the daughter of the Rt. -Rev, movieacting until the Army cast him in a private'srole. A guest appearance with Ginny No. 8: A lady gets the grand prize, $250, for Frank W. Sterrett, Bishop of the R iscopalian Dio- saying "Ah." Ah,well,she'sjust Mike's wife. cese of Bethlehem¡ Pennsylvania. Site is a veteran Simmsstretched into four, and now he is per- actress, married, has a daughter 14 years old and manentlyfeatured on the show. Thrown in is an all -expense -paid week at Nevada's devotes a great deal of time to reilgious group work "Last ° Frontier"hotel. The last"consequence": . with youngsters of the same age as her daughter.- Mike goes along as "escort." Editor. PAGE 3 - RADIO -VISION 'TakeItOr LeaveIt' Column of the Week To the Editor: In your issue of Jan. 18, accompany- ing a picture of Phil Baker, you state that "Take It Or Columnist Looks Upon Radio WITHIN VISION Leave It" will be seven years old in April.The pro- Frank Munn Retired - AndyRussellStays gram is much older than that.I have seen the pro- gram several times in New York. The first time was 'Cinderella' Life as Rough Stuff On Hit Parade-Kay Kyser for Governor? in. September, 1936, and it had been broadcasting quite -Accuracy of Hooper some time before that.I enjoy your magazine very by DELL CHANDLER much, but wish' you would keepita strictly radio Radio Editor, Newark Star -Ledger By FOSTER SINCLAIR magazine. There are enough movie magazines on the market now.Would like to ask ifitis not pos- Even the down -trodden Cinderella of the fairy NEW YORK, N.Y.
Load more

Recommended publications
  • PPM Top-Line Radio Statistics Montreal CTRL Anglo
    PPM Top-line Radio Statistics Montreal CTRL Anglo Broadcast year: Radio Meter 2020-2021 Survey period: November 30, 2020 - February 28, 2021 Demographic: A12+ Daypart: Monday to Sunday 2am-2am Geography: Montreal CTRL Anglo Data type: Respondent November 30, 2020 - February 28, 2021 Average Daily Universe: 863,000 Station Market AMA (000) Daily Cume (000) Share (%) CBFFM Montreal CTRL Anglo 0.5 12.0 1.2 CBFXFM Montreal CTRL Anglo 0.6 11.8 1.4 CBMFM Montreal CTRL Anglo 1.5 28.9 3.7 CBMEFM Montreal CTRL Anglo 3.6 47.5 8.8 CFGLFM Montreal CTRL Anglo 0.8 26.0 2.1 CHMPFM Montreal CTRL Anglo 1.1 22.3 2.6 CHOMFM Montreal CTRL Anglo 5.3 85.7 13.0 CITEFM Montreal CTRL Anglo 0.4 13.6 1.0 CJAD Montreal CTRL Anglo 12.3 146.6 30.4 CJFMFM Montreal CTRL Anglo 3.1 86.6 7.6 CJPXFM Montreal CTRL Anglo 0.1 4.9 0.2 CKAC Montreal CTRL Anglo 0.1 2.4 0.2 CKBEFM Montreal CTRL Anglo 7.2 138.4 17.7 CKGM Montreal CTRL Anglo 1.9 33.0 4.6 CKLXFM Montreal CTRL Anglo 0.0 3.0 0.1 CKMFFM Montreal CTRL Anglo 0.3 13.4 0.7 CKOIFM Montreal CTRL Anglo 0.3 21.2 0.7 TERMS Average Minute Audience (000): Expressed in thousands, this is the average number of persons exposed to a radio station during an average minute. Calculated by adding all the individual minute audiences together and dividing by the number of minutes in the daypart.
    [Show full text]
  • Private Broadcasting and the Path to Radio Broadcasting Policy in Canada
    Media and Communication (ISSN: 2183–2439) 2018, Volume 6, Issue 1, Pages 13–20 DOI: 10.17645/mac.v6i1.1219 Article Private Broadcasting and the Path to Radio Broadcasting Policy in Canada Anne Frances MacLennan Department of Communication Studies, York University, Toronto, M3J 1P3, Canada; E-Mail: [email protected] Submitted: 6 October 2017 | Accepted: 6 December 2017 | Published: 9 February 2018 Abstract The largely unregulated early years of Canadian radio were vital to development of broadcasting policy. The Report of the Royal Commission on Radio Broadcasting in 1929 and American broadcasting both changed the direction of Canadian broadcasting, but were mitigated by the early, largely unregulated years. Broadcasters operated initially as small, indepen- dent, and local broadcasters, then, national networks developed in stages during the 1920s and 1930s. The late adoption of radio broadcasting policy to build a national network in Canada allowed other practices to take root in the wake of other examples, in particular, American commercial broadcasting. By 1929 when the Aird Report recommended a national net- work, the potential impact of the report was shaped by the path of early broadcasting and the shifts forced on Canada by American broadcasting and policy. Eventually Canada forged its own course that pulled in both directions, permitting both private commercial networks and public national networks. Keywords America; broadcasting; Canada; commission; frequencies; media history; national; networks; radio; religious Issue This article is part of the issue “Media History and Democracy”, edited by David W. Park (Lake Forest College, USA). © 2018 by the author; licensee Cogitatio (Lisbon, Portugal). This article is licensed under a Creative Commons Attribu- tion 4.0 International License (CC BY).
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • PRO FOOTBALL HALL of FAME TEACHER ACTIVITY GUIDE 2020-2021 Edition
    PRO FOOTBALL HALL OF FAME TEACHER ACTIVITY GUIDE 2020-2021 EDITIOn Quarterback Joe Namath - Hall of fame class of 1985 nEW YORK JETS Team History The history of the New York franchise in the American Football League is the story of two distinct organizations, the Titans and the Jets. Interlocking the two in continuity is the player personnel which went with the franchise in the ownership change from Harry Wismer to a five-man group headed by David “Sonny” Werblin in February 1963. The three-year reign of Wismer, who was granted a charter AFL franchise in 1959, was fraught with controversy. The on-the-field happenings of the Titans were often overlooked, even in victory, as Wismer moved from feud to feud with the thoughtlessness of one playing Russian roulette with all chambers loaded. In spite of it all, the Titans had reasonable success on the field but they were a box office disaster. Werblin’s group purchased the bankrupt franchise for $1,000,000, changed the team name to Jets and hired Weeb Ewbank as head coach. In 1964, the Jets moved from the antiquated Polo Grounds to newly- constructed Shea Stadium, where the Jets set an AFL attendance mark of 45,665 in the season opener against the Denver Broncos. Ewbank, who had enjoyed championship success with the Baltimore Colts in the 1950s, patiently began a building program that received a major transfusion on January 2, 1965 when Werblin signed Alabama quarterback Joe Namath to a rumored $400,000 contract. The signing of the highly-regarded Namath proved to be a major factor in the eventual end of the AFL-NFL pro football war of the 1960s.
    [Show full text]
  • MJC Media Guide
    2021 MEDIA GUIDE 2021 PIMLICO/LAUREL MEDIA GUIDE Table of Contents Staff Directory & Bios . 2-4 Maryland Jockey Club History . 5-22 2020 In Review . 23-27 Trainers . 28-54 Jockeys . 55-74 Graded Stakes Races . 75-92 Maryland Million . 91-92 Credits Racing Dates Editor LAUREL PARK . January 1 - March 21 David Joseph LAUREL PARK . April 8 - May 2 Phil Janack PIMLICO . May 6 - May 31 LAUREL PARK . .. June 4 - August 22 Contributors Clayton Beck LAUREL PARK . .. September 10 - December 31 Photographs Jim McCue Special Events Jim Duley BLACK-EYED SUSAN DAY . Friday, May 14, 2021 Matt Ryb PREAKNESS DAY . Saturday, May 15, 2021 (Cover photo) MARYLAND MILLION DAY . Saturday, October 23, 2021 Racing dates are subject to change . Media Relations Contacts 301-725-0400 Statistics and charts provided by Equibase and The Daily David Joseph, x5461 Racing Form . Copyright © 2017 Vice President of Communications/Media reproduced with permission of copyright owners . Dave Rodman, Track Announcer x5530 Keith Feustle, Handicapper x5541 Jim McCue, Track Photographer x5529 Mission Statement The Maryland Jockey Club is dedicated to presenting the great sport of Thoroughbred racing as the centerpiece of a high-quality entertainment experience providing fun and excitement in an inviting and friendly atmosphere for people of all ages . 1 THE MARYLAND JOCKEY CLUB Laurel Racing Assoc. Inc. • P.O. Box 130 •Laurel, Maryland 20725 301-725-0400 • www.laurelpark.com EXECUTIVE OFFICIALS STATE OF MARYLAND Sal Sinatra President and General Manager Lawrence J. Hogan, Jr., Governor Douglas J. Illig Senior Vice President and Chief Financial Officer Tim Luzius Senior Vice President and Assistant General Manager Boyd K.
    [Show full text]
  • Channel Line-Up VIP Digital Cable (Markham)
    Channel Line-Up VIP Digital Cable (Markham) Here are the channels included in your package CH# INCL CH# INCL CH# INCL Your World This Week 1 Sportsnet 360 44 DIY Network 89 TV Ontario (TVO - CICA) 2 OLN 45 Disney Junior 92 Global Toronto (CIII) 3 Turner Classic Movies 46 Disney Channel 93 OMNI.1 4 TELETOON (East) 47 Free Preview Channel 1 94 TV Listings 5 Family Channel (East) 48 FX 95 CBC Toronto (CBLT) 6 Peachtree TV 49 NBA TV Canada 96 Citytv Toronto 7 CTV Comedy Channel (East) 50 Leafs Nation Network 97 CTV Toronto (CTVTO) 8 FX 51 TSN2 98 YES TV 9 Food Network 52 Sportsnet ONE 99 CHCH 11 ABC Spark 53 Rogers On Demand 100 ICI Radio-Canada Télé (TOR) 12 History 54 TVA Montreal (CFTM) 101 TFO (CHLF) 13 CTV Sci-Fi Channel 55 ICI RDI 102 OMNI.2 14 MTV 56 TV5 103 FX 15 BET (Black Entertainment 57 CPAC English (& CPAC French- 104 CBS Bufalo (WIVB) 16 DTOUR 58 Ontario Legislature 105 Sportsnet ONE 17 Your World This Week 59 Makeful 106 ABC Bufalo (WKBW) 18 VisionTV 60 A.Side 107 Today's Shopping Choice 19 PBS Bufalo (WNED) 61 CTV Toronto (CTVTO) 108 CTV Two Toronto 20 CTV News Channel 62 CTV Kitchener/London (CTVSO) 109 FOX Bufalo (WUTV) 21 Free Preview Channel 1 63 CTV Winnipeg (CTVWN) 110 The Weather Network (Richmond) 22 CTV Life Channel 64 CTV Calgary (CTVCA) 111 CBC News Network/AMI-audio 23 Treehouse 65 CTV Vancouver (CTVBC) 112 CP24 24 BNN Bloomberg 66 CTV Two Atlantic 113 YTV (East) 25 Nat Geo Wild 67 CTV Atlantic Halifax (CJCH) 114 TSN4 26 Family Jr.
    [Show full text]
  • MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
    MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member.
    [Show full text]
  • Holiday That Traditional Tljie Holiday. Has Un¬ Sabbath at 10:45 A.M
    SCHEDULE OF YOM KIPPUR SERVICES Sunday, September 28th, Yom Kippur Eve Mincha 1:30 KOL NIDRE 5:30 Rabbi Lookstein will speak Monday, September 29th, Yom Kippur Morning .' 8:00 Memorial Service (Yizkor) 11:15 PLEASE NOTE that the hours indicated above are Eastern Standard Time which will go into effect this Sunday morning. PLANS MADE FOR FESTIVE SUKKOTH HOLIDAY The forthcoming Sukkoth festival As announced in last week's Bul¬ w ill long be remembered by those letin, arrangements have been com¬ w ho will participate in its celebration pleted for catered meals to be served at Kehilath Jeshurun. Plans are being in the Sukkah on the first two days mjade for the Sukkoth holiday that of the festival: Friday and Saturday wjill make for a beautiful as well as evenings and Saturday and Sunday eiiijoyable observance of the Feast of afternoons. The price per plate is Tfabernacles, without for one moment $6.00 — a nominal sum that will leasing sight of the ancient traditional cover everything that is required, in¬ practices that constitute the heart of cluding gratuities. In order to allow tljie holiday. enough time for the necessary ar¬ rangements, the dead-line for reserva¬ j Once again, the Sisterhood has un¬ tions has been set for Tuesday, Sep¬ dertaken to decorate the Sukkah. A tember 30th. We should like to re¬ gjvoup of the organization's members, mind you that all reservations must uirider the chairmanship of Mrs. be accompanied by check. David Joseph, are now planning to The true celebration of the holiday prepare the spacious Sukkah, which takes place proper.
    [Show full text]
  • The CRTC's Enforcement of Canada's Broadcast Legislation: 'Concern', 'Serious Concern' and 'Grave Concern'
    Canadian Journal of Law and Technology Volume 5 Number 3 Article 1 8-1-2006 The CRTC's Enforcement of Canada's Broadcast Legislation: 'Concern', 'Serious Concern' and 'Grave Concern' Monica Auer Follow this and additional works at: https://digitalcommons.schulichlaw.dal.ca/cjlt Part of the Computer Law Commons, Intellectual Property Law Commons, Internet Law Commons, Privacy Law Commons, and the Science and Technology Law Commons Recommended Citation Monica Auer, "The CRTC's Enforcement of Canada's Broadcast Legislation: 'Concern', 'Serious Concern' and 'Grave Concern'" (2006) 5:3 CJLT. This Article is brought to you for free and open access by the Journals at Schulich Law Scholars. It has been accepted for inclusion in Canadian Journal of Law and Technology by an authorized editor of Schulich Law Scholars. For more information, please contact [email protected]. The CRTC’s Enforcement of Canada’s Broadcasting Legislation: ‘‘Concern’’, ‘‘Serious Concern’’, and ‘‘Grave Concern’’ M.L. Auer, M.A., LL.M.† I. Introduction again in 2004, by the Parliamentary Standing Com- mittee on Heritage. Generally speaking, however, these his paper describes results from a quantitative study studies used case-based analyses wherein the conclusions T of the enforcement by the Canadian Radio-televi- necessarily depended on the cases reviewed. This paper sion and Telecommunications Commission 1 (CRTC or adopts a broadly based empirical approach to describe Commission) over the last several decades of Canada’s and analyze the CRTC’s regulation of its conventional, broadcasting legislation and its own regulations. Estab- over-the-air radio licensees from 1968 to 2005. lished by Parliament in 1968, the CRTC is a quasi-judi- This paper concludes that the CRTC uses informal cial regulatory agency that administers Canada’s Broad- sanctions, rather than the penalties set out by Parliament casting Act, 1991 2 as well as the nation’s in Canada’s broadcasting legislation, and that the telecommunications legislation.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. IDgher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & HoweU Information Compaiy 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 OUTSIDE THE LINES: THE AFRICAN AMERICAN STRUGGLE TO PARTICIPATE IN PROFESSIONAL FOOTBALL, 1904-1962 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State U niversity By Charles Kenyatta Ross, B.A., M.A.
    [Show full text]