CARTOON NETWORK February 2017

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CARTOON NETWORK February 2017 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 The Pink Panther & Pals Steven Universe 4:00 4:30 Regular Show Mr. Bean Animated: series 2 4:30 5:00 The Garfield Show season 3 2/20～The Garfield Show The Bugs Bunny Show 5:00 5:30 Tom & Jerry The Garfield Show season 2 5:30 6:00 ＨＡＮＡＫＡＰＰＡ (J) 6:00 6:30 Uncle Grandpa Thomas and Friends 6:30 6:45 Clarence 7:00 TEEN TiTANS GO! The Amazing World of Gumball 7:00 7:30 The Amazing World of Gumball 8:00 Steven Universe Adventure Time 8:00 8:30 The Powerpuff Girls TEEN TiTANS GO! 8:30 8:45 ＨＡＮＡＫＡＰＰＡ (J) Wabbit - A Looney Tunes 9:00 Tom & Jerry Kids BEN 10 9:00 Production 9:30 Uncle Grandpa The Powerpuff Girls Chowder 9:30 2/11～ 2/5～ 10:00 Clarence TEEN TiTANS GO! TEEN TiTANS GO! BEN 10 BEN 10 10:30 TEEN TiTANS GO! Uncle Grandpa Uncle Grandpa 10:00 Clarence Clarence 11:00 Dragons: Riders of Berk 2/3～The Looney Tunes Show Steven Universe Steven Universe 11:30 Baby Looney Tunes Peter Rabbit 11:30 12:00 Thomas and Friends 12:00 12:30 ＨＡＮＡＫＡＰＰＡ (J) ＨＡＮＡＫＡＰＰＡ (J) 12:30 12:45 PINGU 12:45 13:00 The Amazing World of Gumball 13:00 13:30 Adventure Time 13:30 14:00 Tom & Jerry Clarence 14:00 14:30 The Pink Panther & Pals Uncle Grandpa 14:30 15:00 The Powerpuff Girls The Tom and Jerry Show 15:00 15:15 Clarence 15:30 Foster's Home for Imaginary Friends The Garfield Show 15:30 16:00 Regular Show Mr. Bean Animated: series 2 16:00 Wabbit - A Looney Tunes Production 16:30 Steven Universe The Powerpuff Girls 2/12～Eagle Talon（J)/ 16:30 Eagle Talon The Countdown（J) 17:00 Adventure Time The Amazing World of Gumball 17:00 18:00 The Amazing World of Gumball Adventure Time 18:00 19:00 Foster's Home for Imaginary Friends TEEN TiTANS GO! 19:00 19:30 TEEN TiTANS GO! Clarence 19:30 20:00 Mr. Bean Animated: series 2 Steven Universe 20:00 20:30 Uncle Grandpa The Powerpuff Girls Uncle Grandpa 20:30 PEANUTS by Schulz 21:00 21:00 Cartoon Night The Bugs Bunny Show 21:30 22:00 SLAYERS NEXT（J) 2/6～Eagle Talon（J)/Eagle Talon The Countdown（J) 22:00 22:30 NINKU（J) 2/6～SLAYERS NEXT（J) 2/15～SLAYERS （J) NINKU（J) 22:30 2/11～Eagle Talon（J)/ SLAYERS NEXT（J) 23:00 The Batman 2/6～NINKU（J) 23:00 Eagle Talon The Countdown（J) 2/19 23：00～SLAYERS（J) 23:30 Young Justice 2/17～The Batman 23:30 0:00 Regular Show 0:00 0:30 MIO&MAO SERIES 0:30 0:45 Hilltop Hospital 1:00 The Adventures of Pim & Pom 1:00 Young Justice The Batman 1:15 PINGU 2/18 2：30～The Batman 2/12～NINKU（J) 1:30 Young Justice 2/21～The Pink Panther & Pals 1:30 2:00 Adventure Time 2:00 2:30 The Amazing World of Gumball 2:30 3:00 Foster's Home for Imaginary Friends Clarence 3:00 3:30 Steven Universe Steven Universe 3:30 ●（Ｊ）＝Japanese Only ●Programming may change without notice. ●Cartoon Network Special ■12-NINJA KIDS!!!（J) （11：30-13：30/19：00-21：00） ●Cartoon Network Special ■26-NINJA KIDS!!!（J) （11：30-13：30） ●Cartoon Network Special ■11-The Amazing World of Gumball Special （13：00-20：00） ●Cartoon Network Special ■18-The Tom and Jerry Show ＆Tom and Jerry: Spy Quest （13：00-18：00） ●Cartoon Network Special ■22-28-The Garfield Show Special （19：00-21：00） ●Cartoon Network Special ■14-Cartoon Valentine Special （16：00-22：00）.

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Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation
AN ABSTRACT OF THE THESIS OF Adam C. Hughes for the degree of Master of Arts in Applied Ethics presented on July 15, 2013 Title: Abandoning the Girl's Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation Abstract approved: Flora L. Leibowitz In regards to animation created and aimed at them, girls are largely underserved and underrepresented. This underrepresentation leads to decreased socio-cultural capital in adulthood and a feeling of sacrificed childhood. Although there is a common consensus in entertainment toward girls as a potentially deficient audience, philosophy and applied ethics open up routes for an alternative explanation of why cartoons directed at young girls might not succeed. These alternative explanations are fueled by an ethical contract wherein producers and content creators respect and understand their audience in return for the privilege of entertaining. ©Copyright by Adam C. Hughes July 15, 2013 All Rights Reserved Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation by Adam C. Hughes A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented July 15, 2013 Commencement June 2014 Master of Arts thesis of Adam C. Hughes presented on July 15, 2013 APPROVED: Major Professor, representing Applied Ethics Director of the School of History, Philosophy, and Religion Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. My signature below authorizes the release of my thesis to any reader upon request. Adam C. Hughes, Author ACKNOWLEDGEMENTS This author expresses sincere respect for all animators and entertainers who strive to create a better profession for themselves and their audiences.
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Jack in the Box Corporate
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Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism.
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CARTOON NETWORK February 2021 MON. -FRI. SAT. SUN. 4:00 Grizzy and the Lemmings We Bare Bears 4:00 4:30 The Powerpuff Girls BEN 10 4:30 5:00 Uncle Grandpa The Amazing World of Gumball 5:00 5:30 Sylvester & Tweety Mysteries Oggy & the Cockroaches (season 5) 5:30 6:00 Thomas and Friends 6:00 The Happos Family Season 2 6:30 6:30 Sergeant Keroro（J) Pingu in the City 6:40 7:00 7:00 Uncle Grandpa 7:30 Uncle Grandpa 7:30 8:00 Unikitty! Tom & Jerry series 8:00 8:30 Baby Looney Tunes 9:00 Tom & Jerry series The Amazing World of Gumball 9:00 9:30 Grizzy and the Lemmings 10:00 Thomas and Friends Mao Mao: Heroes of Pure Heart 10:00 10:30 The Happos Family Season 2 DC SUPER HERO GIRLS(Seson6) 10:30 10:40 Pingu in the City 11:00 Oggy & the Cockroaches (season 5) TEEN TiTANS GO! 11:00 11:30 Unikitty! Uncle Grandpa 11:30 12:00 Thomas and Friends 12:00 12:30 The Happos Family Season 2 Grizzy and the Lemmings 12:30 12:40 Pingu in the City 13:00 Dorothy and the Wizard of Oz 13:00 SHIZUKU (J) 13:30 Oggy & the Cockroaches (season 5) 13:30 14:00 Eagle Talon series （J) 14:00 SHIZUKU (J) 14:30 The Powerpuff Girls 14:30 15:00 Buck & Buddy Uncle Grandpa 15:00 15:15 Uncle Grandpa 15:30 The New Looney Tunes Show 15:30 16:00 16:00 Sergeant Keroro（J) Tom & Jerry series 16:30 16:30 17:00 17:00 Adventure Time The Amazing World of Gumball 17:30 17:30 18:00 18:00 The Amazing World of Gumball TEEN TiTANS GO! 18:30 18:30 19:00 Victor and Valentino 19:00 Tom & Jerry series 19:30 We Bare Bears 19:30 20:00 The New Looney Tunes Show 20:00 Sergeant Keroro（J) 20:30 OK KO: Let's Be Heroes! 20:30 21:00 Taffy 21:00 The Amazing World of Gumball 21:30 Oggy & the Cockroaches (season 5) 21:30 22:00 A Destructive God Sits Next to Adventure Time 22:00 Eagle Talon series（J) 22:30 Me（J) Bravest Warriors 22:30 23:00 23:00 23:30 Tom & Jerry series / The Bugs Bunny Show / MGM Cartoons 23:30 0:00 0:00 Samurai Jack remaster ver.
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Signature Date
2285 Lincoln Highway East, Lancaster, PA 17602 717-740-2777 I TOLL FREE 1-833-TOONHTL Sales Department: 717-925-7834 I Fax: 717-740-2776 CartoonNetworkHotel.com All fields are required. Date of Event* Guest Count (MAX 8 will fit into dream cube)* Proposed time of celebration* Contact Name* Birthday boy or girl name(s) Contact number* Contact email* Address* Entrée Selection Side Selection Beverage Selection Additional Requests (please list any dietary restrictions for your guests): Terms & Conditions: Your event must be paid in full 10 days prior. A cancellation policy applies; cancellations must be made 72 hours prior to your event. Please note: The maximum capacity in the Dream Cubes is 8 people. Although Dream Cubes are private “cube” seating, they are located in the Cartoon Kitchen, which is open to the public. Due to limited seating in the Dream Cube area, we may not be able to accommodate add-ons the day of the party. Reservations for parties must be made 14 days in advance. No outside food or beverage may be brought into the hotel. We can accommodate dietary restrictions with advance notice; please list restrictions in “additional requests” section above. Your signature indicates your agreement with the above terms & conditions: _______________________________________ _______________________ Signature Date TM & © 2019 Cartoon Network 2285 Lincoln Highway East, Lancaster, PA 17602 717-740-2777 I TOLL FREE 1-833-TOONHTL Sales Department: 717-925-7834 I Fax: 717-740-2776 CartoonNetworkHotel.com Ever Celebrate Your Birthday… In A Cartoon? Celebrate a Toon-Tastic birthday in the most unique way by celebrating in a unique “dream cube” themed to your favorite characters! Your first step towards animated fun is just a few steps away! Dream Cube Celebration: $230 $15 per additional guest Package Includes: • Dream Cube Rental • Meal (8) • Party Favor (8) • $5 Omnicade Arcade Cards (8) • Cupcakes (8) *Due to popularity of our dream cubes, dream cubes may not be available for desired date.
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Gender, Politics and Manga in Current Chilean Art
gaston j. muñoz j. Gender, Politics and Manga in Current Chilean Art Keywords: Contemporary painting, manga, gender, race, Chilean post-transition era Figure 1. Marco Arias 2000, from the El estado soy yo [I Am the State] series, acrylic, enamel, oil and fotocopy on canvas, 210 x 260 cm, 2015. Chilean painter Marco Arias created the work 2000 (fig. 1) not during the year its title signals, but in 2015 as part of a larger series called El estado soy yo (I Am the State). At first glance, we are taken by the many color- ful characters that are disposed over the canvas in a somewhat disshev- 115 elled, almost aleatory composition. We recognize many cartoon charac- ters with their schematic outlines, but also more realistic characters, and even a mix between both modes of representation. They vary in shape, color and size, and almost seem to be distributed according to an uniden- tified value scale. However, a closer inspection of the painting will lead us to appreciate a certain layering and box-like grid arrangement that ren- ders this particular piece of transcultural art a nostalgic one at its core. Arias was born in 1988, the same year that Augusto Pinochet’s dicta- torship was voted to a close over a national plebiscite. He was only two years old when Chile returned to democracy, and twelve years old at the turn of the century. This means that, growing up in the 1990s, the artist was introduced to a wide variety of media content through the television screen: current events, toy commercials, political news, and Japanese ani- me.
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