CARTOON NETWORK April 2017

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CARTOON NETWORK April 2017 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 The Pink Panther & Pals Steven Universe 4:00 4:30 Regular Show Clarence 4:30 5:00 The Garfield Show season 2 Uncle Grandpa 5:00 5:30 Tom & Jerry The Garfield Show season 3 5:30 6:00 ＨＡＮＡＫＡＰＰＡ (J) 6:00 6:30 Uncle Grandpa Thomas and Friends 6:30 6:45 Clarence 7:00 TEEN TiTANS GO! The Amazing World of Gumball 7:00 7:30 The Amazing World of Gumball 8:00 Steven Universe Adventure Time 8:00 8:30 The Powerpuff Girls TEEN TiTANS GO! 8:30 8:45 ＨＡＮＡＫＡＰＰＡ (J) 9:00 Tom & Jerry Kids BEN 10 The Tom and Jerry Show 9:00 9:30 Uncle Grandpa The Powerpuff Girls We Bare Bears 9:30 10:00 Clarence 4/8～ 4/2～ Uncle Grandpa Uncle Grandpa 10:30 TEEN TiTANS GO! The Amazing World of Gumball The Amazing World of Gumball 10:00 Clarence Clarence The Tom and Jerry Show The Tom and Jerry Show 11:00 The Garfield Show Over the Garden Walls 4/2～ The Tom and Jerry Show 11:15 11:30 MIO&MAO SERIES Peter Rabbit 11:30 11:45 Aesop's Theater 4/15～ 11：30 MIO&MAO SERIES 11：45 Aesop's Theater 12:00 Thomas and Friends 12:00 12:30 ＨＡＮＡＫＡＰＰＡ (J) 12:30 12:45 PINGU 12:45 13:00 The Amazing World of Gumball 13:00 13:30 Adventure Time 13:30 14:00 Tom & Jerry Clarence 14:00 14:30 The Pink Panther & Pals Uncle Grandpa 14:30 15:00 The Powerpuff Girls remaster ver. The Tom and Jerry Show 15:00 15:30 TEEN TiTANS GO! The Garfield Show 4/22～The Garfield Show season 2 15:30 16:00 Uncle Grandpa The Pink Panther & Pals We Bare Bears 16:00 Eagle Talon（J)/ 16:30 Tom & Jerry The Powerpuff Girls 16:30 Eagle Talon The Countdown（J) 17:00 Eagle Talon（J)/Eagle Talon The Countdown（J) The Amazing World of Gumball 17:00 17:30 Adventure Time 18:00 The Amazing World of Gumball Adventure Time 18:00 19:00 The Tom and Jerry Show TEEN TiTANS GO! 19:00 19:30 TEEN TiTANS GO! Clarence 19:30 20:00 Clarence Steven Universe 20:00 20:30 Uncle Grandpa The Powerpuff Girls Uncle Grandpa 20:30 The Amazing World of Gumball 21:00 21:00 Cartoon Night Regular Show 21:30 22:00 Eagle Talon（J)/Eagle Talon The Countdown（J) 22:00 22:30 SLAYERS （J) 4/28～SLAYERS NEXT（J) 22:30 Eagle Talon（J)/ 23:00 NINKU（J) SLAYERS（J) 23:00 Eagle Talon The Countdown（J) 23:30 Teen Titans 4/30 24：00～ SLAYERS NEXT（J) 23:30 0:00 Regular Show 0:00 0:15 Adventure Time 0:30 0:40 PEANUTS by Schulz 1:00 The Adventures of Pim & Pom The Batman 1:00 1:15 PINGU NINKU（J) 4/8～Teen Titans 1:30 The Pink Panther & Pals 1:30 2:00 Adventure Time 2:00 2:30 The Amazing World of Gumball 2:30 3:00 Uncle Grandpa Clarence 3:00 3:30 Steven Universe Regular Show 3:30 ●（Ｊ）＝Japanese Only ●Programming may change without notice. ●Cartoon Network Special ■1-TALE of THE BRAVE （12：00-13：30） ●Cartoon Network Special ■23-LEGO Scooby Doo Knight Time Terror （11：30-12：00/19：00-19：30） ●Cartoon Network Special ■23-LEGO® Batman: The Movie - DC Super Heroes Unite （12：00-13：30/19：30-21：00） ●Cartoon Network Special ■15、29-Grandpa Danger-Ja!!!（J) / Uncle Grandpa Special （7：00-10：00/19：00-22：00） ●Cartoon Network Special ■30-The Amazing World of Gumball Special （10：00-22：00）.

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Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation
AN ABSTRACT OF THE THESIS OF Adam C. Hughes for the degree of Master of Arts in Applied Ethics presented on July 15, 2013 Title: Abandoning the Girl's Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation Abstract approved: Flora L. Leibowitz In regards to animation created and aimed at them, girls are largely underserved and underrepresented. This underrepresentation leads to decreased socio-cultural capital in adulthood and a feeling of sacrificed childhood. Although there is a common consensus in entertainment toward girls as a potentially deficient audience, philosophy and applied ethics open up routes for an alternative explanation of why cartoons directed at young girls might not succeed. These alternative explanations are fueled by an ethical contract wherein producers and content creators respect and understand their audience in return for the privilege of entertaining. ©Copyright by Adam C. Hughes July 15, 2013 All Rights Reserved Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation by Adam C. Hughes A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented July 15, 2013 Commencement June 2014 Master of Arts thesis of Adam C. Hughes presented on July 15, 2013 APPROVED: Major Professor, representing Applied Ethics Director of the School of History, Philosophy, and Religion Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. My signature below authorizes the release of my thesis to any reader upon request. Adam C. Hughes, Author ACKNOWLEDGEMENTS This author expresses sincere respect for all animators and entertainers who strive to create a better profession for themselves and their audiences.
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Adventure Time References In Other Media Lawlessly big-name, Lawton pressurize fieldstones and saunter quanta. Anatollo sufficing dolorously as adsorbable Irvine inversing her pencels reattains heraldically. Dirk ferments thick-wittedly? Which she making out the dream of the fourth season five says when he knew what looks rounder than in adventure partners with both the dreams and reveals his Their cage who have planned on too far more time franchise: rick introduces him. For this in other references media in adventure time of. In elwynn forest are actually more adventure time references in other media has changed his. Are based around his own. Para Siempre was proposed which target have focused on Rikochet, Bryan Schnau, but that makes their having happened no great real. We reverse may want him up being thrown in their amazing products and may be a quest is it was delivered every day of other references media in adventure time! Adventure Time revitalized Cartoon Network's lineup had the 2010s and paved the way have a bandage of shows where the traditional trappings of. Pendleton ward sung by pendleton ward, in adventure time other references media living. Dark Side of old Moon. The episode is precisely timed out or five seasons one can be just had. Sorrento morphs into your money in which can tell your house of them, king of snail in other media, what this community? The reference people who have you place of! Many game with any time fandom please see fit into a poison vendor, purple spherical weak. References to Movies TV Games and Pop Culture GTA 5.
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Jack in the Box Corporate
June 28, 2002 Powerpuff Girls Soar into Jack's Crime-fighting cuties team up with Jack in the Box® restaurants on exclusive promotional tie-in for �The Powerpuff Girls Movie� SAN DIEGO - When they're not learning their ABC's at Pokey Oaks Kindergarten or ridding the streets of Townsville of vile villains, America's favorite pint-sized superheroes, The Powerpuff Girls, can be found at Jack in the Box® restaurants. Beginning Monday, July 1, Jack in the Box restaurants will launch an exclusive promotional tie-in with "The Powerpuff Girls Movie," which punches its way into theaters on Wednesday, July 3. The promotion will include six action-packed toys that feature Townsville's own 5-year-old superkiddies and Mojo Jojo, the tots' evil monkey nemesis with a Mensa membership and a taste for mayhem. The toys include: Punching Buttercup Mojo Jojo's Volcano Viewer Kung-Fu Bubbles Bulging Brains Mojo Jojo Karate Kick Blossom Skyscraper Mo Mojo Jojo Jack in the Box will offer one Powerpuff Girls toy with each purchase of a Jack's Kid's Meal®, which includes a hamburger, cheeseburger or chicken pieces with french fries and a 16-oz. beverage. "Jack is a big fan of The Powerpuff Girls and we're thrilled to be part of the girls' leap to the big screen," said Jody Sawyer, product manager for Jack in the Box. "Due to the cartoon's broad appeal to both girls and boys, we expect the promotion to be a blockbuster with our younger guests." The Emmy Award-winning "The Powerpuff Girls," an original Cartoon Cartoon series from Cartoon Network, currently ranks among the network's top five highest-rated programs across households as well as a variety of kids demographics: kids 2-11, boys 2-11 and girls 6-11, to name a few.
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Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism.
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CARTOON NETWORK February 2021 MON. -FRI. SAT. SUN. 4:00 Grizzy and the Lemmings We Bare Bears 4:00 4:30 The Powerpuff Girls BEN 10 4:30 5:00 Uncle Grandpa The Amazing World of Gumball 5:00 5:30 Sylvester & Tweety Mysteries Oggy & the Cockroaches (season 5) 5:30 6:00 Thomas and Friends 6:00 The Happos Family Season 2 6:30 6:30 Sergeant Keroro（J) Pingu in the City 6:40 7:00 7:00 Uncle Grandpa 7:30 Uncle Grandpa 7:30 8:00 Unikitty! Tom & Jerry series 8:00 8:30 Baby Looney Tunes 9:00 Tom & Jerry series The Amazing World of Gumball 9:00 9:30 Grizzy and the Lemmings 10:00 Thomas and Friends Mao Mao: Heroes of Pure Heart 10:00 10:30 The Happos Family Season 2 DC SUPER HERO GIRLS(Seson6) 10:30 10:40 Pingu in the City 11:00 Oggy & the Cockroaches (season 5) TEEN TiTANS GO! 11:00 11:30 Unikitty! Uncle Grandpa 11:30 12:00 Thomas and Friends 12:00 12:30 The Happos Family Season 2 Grizzy and the Lemmings 12:30 12:40 Pingu in the City 13:00 Dorothy and the Wizard of Oz 13:00 SHIZUKU (J) 13:30 Oggy & the Cockroaches (season 5) 13:30 14:00 Eagle Talon series （J) 14:00 SHIZUKU (J) 14:30 The Powerpuff Girls 14:30 15:00 Buck & Buddy Uncle Grandpa 15:00 15:15 Uncle Grandpa 15:30 The New Looney Tunes Show 15:30 16:00 16:00 Sergeant Keroro（J) Tom & Jerry series 16:30 16:30 17:00 17:00 Adventure Time The Amazing World of Gumball 17:30 17:30 18:00 18:00 The Amazing World of Gumball TEEN TiTANS GO! 18:30 18:30 19:00 Victor and Valentino 19:00 Tom & Jerry series 19:30 We Bare Bears 19:30 20:00 The New Looney Tunes Show 20:00 Sergeant Keroro（J) 20:30 OK KO: Let's Be Heroes! 20:30 21:00 Taffy 21:00 The Amazing World of Gumball 21:30 Oggy & the Cockroaches (season 5) 21:30 22:00 A Destructive God Sits Next to Adventure Time 22:00 Eagle Talon series（J) 22:30 Me（J) Bravest Warriors 22:30 23:00 23:00 23:30 Tom & Jerry series / The Bugs Bunny Show / MGM Cartoons 23:30 0:00 0:00 Samurai Jack remaster ver.
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Signature Date
2285 Lincoln Highway East, Lancaster, PA 17602 717-740-2777 I TOLL FREE 1-833-TOONHTL Sales Department: 717-925-7834 I Fax: 717-740-2776 CartoonNetworkHotel.com All fields are required. Date of Event* Guest Count (MAX 8 will fit into dream cube)* Proposed time of celebration* Contact Name* Birthday boy or girl name(s) Contact number* Contact email* Address* Entrée Selection Side Selection Beverage Selection Additional Requests (please list any dietary restrictions for your guests): Terms & Conditions: Your event must be paid in full 10 days prior. A cancellation policy applies; cancellations must be made 72 hours prior to your event. Please note: The maximum capacity in the Dream Cubes is 8 people. Although Dream Cubes are private “cube” seating, they are located in the Cartoon Kitchen, which is open to the public. Due to limited seating in the Dream Cube area, we may not be able to accommodate add-ons the day of the party. Reservations for parties must be made 14 days in advance. No outside food or beverage may be brought into the hotel. We can accommodate dietary restrictions with advance notice; please list restrictions in “additional requests” section above. Your signature indicates your agreement with the above terms & conditions: _______________________________________ _______________________ Signature Date TM & © 2019 Cartoon Network 2285 Lincoln Highway East, Lancaster, PA 17602 717-740-2777 I TOLL FREE 1-833-TOONHTL Sales Department: 717-925-7834 I Fax: 717-740-2776 CartoonNetworkHotel.com Ever Celebrate Your Birthday… In A Cartoon? Celebrate a Toon-Tastic birthday in the most unique way by celebrating in a unique “dream cube” themed to your favorite characters! Your first step towards animated fun is just a few steps away! Dream Cube Celebration: $230 $15 per additional guest Package Includes: • Dream Cube Rental • Meal (8) • Party Favor (8) • $5 Omnicade Arcade Cards (8) • Cupcakes (8) *Due to popularity of our dream cubes, dream cubes may not be available for desired date.
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University of South Carolina Scholar Commons Faculty Publications Communication Department 11-2010 Perfect Little eF minists? Young Girls in the US Interpret Gender, Violence, and Friendship in Cartoons Spring-Serenity Duvall University of South Carolina - Aiken, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/ aiken_communications_facpub Part of the Communication Commons Publication Info Postprint version. Published in Journal of Children and Media, Volume 4, Issue 4, 2010, pages 402-417. Duvall, S. (2010). Perfect little feminists? Young girls in the US interpret gender, violence, and friendship in cartoons. Journal of Children and Media, 4(4), 402-417. © Journal of Children and Media, 2010, Taylor and Francis. This is an Author's Accepted Manuscript of an article published in The Journal of Children and Media, 2010, © Taylor & Francis, available online at: http://www.tandfonline.com/10.1080/17482798.2010.510007 DOI:10.1080/17482798.2010.510007 This Article is brought to you by the Communication Department at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Perfect little feminists?: Young girls interpret gender, violence, and friendship in cartoons 1 Perfect little feminists?: Young girls in the U.S. interpret gender, violence, and friendship in cartoons Abstract Girls’ studies has emerged as a dynamic area of scholarship that examines the cultural construction of girlhood, the role that girls play in society, their identity formation, and their representation in media. This paper extends previous research by interviewing young girls about their interactions with each other as they view and interpret animated cartoons.
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Sa Turda Y Schedule
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Gender, Politics and Manga in Current Chilean Art
gaston j. muñoz j. Gender, Politics and Manga in Current Chilean Art Keywords: Contemporary painting, manga, gender, race, Chilean post-transition era Figure 1. Marco Arias 2000, from the El estado soy yo [I Am the State] series, acrylic, enamel, oil and fotocopy on canvas, 210 x 260 cm, 2015. Chilean painter Marco Arias created the work 2000 (fig. 1) not during the year its title signals, but in 2015 as part of a larger series called El estado soy yo (I Am the State). At first glance, we are taken by the many color- ful characters that are disposed over the canvas in a somewhat disshev- 115 elled, almost aleatory composition. We recognize many cartoon charac- ters with their schematic outlines, but also more realistic characters, and even a mix between both modes of representation. They vary in shape, color and size, and almost seem to be distributed according to an uniden- tified value scale. However, a closer inspection of the painting will lead us to appreciate a certain layering and box-like grid arrangement that ren- ders this particular piece of transcultural art a nostalgic one at its core. Arias was born in 1988, the same year that Augusto Pinochet’s dicta- torship was voted to a close over a national plebiscite. He was only two years old when Chile returned to democracy, and twelve years old at the turn of the century. This means that, growing up in the 1990s, the artist was introduced to a wide variety of media content through the television screen: current events, toy commercials, political news, and Japanese ani- me.
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