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6.1.11 FINAL DRAFT 410. Olentangy Amusement Park & Lost Weekend
Clintonville Art Walk Script – 6.1.11 FINAL DRAFT 410. Olentangy Amusement Park & Lost Weekend Records Stained Glass If you stood at the intersections of Crestview Avenue and High Street in 1893 and looked west you would have see the entrance to Olentangy Amusement Park. First opened as The Villa in 1893, residents at that time classified it as a beer garden. In 1896, the Columbus Street and Railroad Company bought the property and renamed it Olentangy Park. In 1899, the Dussenbury brothers purchased the park. They were responsible for the construction of the theater, dance pavilion and amusement rides such as the loop the loop, shoot the chutes and the whirlwind. Four roller coasters graced the park as well as a pony ride, a train ride and a carousel. The brothers purchased Fair Japan from the St. Louis Exposition. It was a village in and of itself featuring a Japanese garden, wishing bridge and tea house. In 1923, the Park was purchased by the Olentangy Amusement Company and managed by Max Stern. In 1938, L.L. LeVeque redeveloped the property into the Olentangy Village apartments which stand there today. Before you continue on, make sure to look for the blue and purple stained glass windows on the private residence next to Lost Weekend Records at 17 Crestview Avenue. Not original to the building, the glass represents the type of quirky modern embellishments you can find throughout many South Clintonville homes. 411. 1910 Bungalow at 45 East Crestview The home at 45 East Crestview was built in 1910 in the Bungalow style has and looks completely unique from other homes on the street. -
Hold on to Love
Karen Drucker Hold On To Love 1. KEEP THAT PASSION BURNING words & music: Frank Macchia & Karen Drucker 2. ON MY WAY words: Debra Turner & Karen Drucker music: Karen Drucker 3. LISTEN TO THE CHILDREN words: Roberta Rigney & Karen Drucker music: Karen Drucker 4. I BELIEVE IN FIREFLIES words & music: Karen Drucker (inspired by Melanie Anne Teixeira) 5. THERE IS NO SPOT words: Maggie Cole & Karen Drucker music: John Hoy & Karen Drucker 6. I LOST THE RIGHT TO SING THE BLUES words: Rita Abrams & Karen Drucker music: John Hoy & Karen Drucker 7. I FORGIVE YOU words & music: Karen Drucker 8. MAGIC words: Maggie Cole & Karen Drucker music: Karen Drucker. 9. WE LIVE ON BORROWED TIME words & music: David Friedman 10. HOLD ON TO LOVE words & music: Karen Drucker 11. ONE SMALL STEP words & music: Karen Drucker The Musicians The Band: Fireflies Choir: Melanie Anne Teixeria, Keyboards: John R. Burr Marina Gross-Hoy, David Visini, Miles Drums: Curt More Hatfield, Zane Hatfield Guitars: John Hoy Bass: Rich Girard Back-Up Vocals arranged by Annie Stocking Back-Up Vocals: Annie Stocking, Larry Batiste, Sandy Griffith, Sheilah Glover (on “Magic”) Extra Special Thank You’s to: My family: for your love, support and for always being there… Reverend Karyl Huntley: for inspiration and great laughs… My Dream Team: Maggie Cole, Posi Lyon, Katherine Revoir, Jennifer Mann, Janet Ryan, Kate McCarthy – thank you angels for your constant love and support. To all the musicians, singers, co-writers, & engineers: Hearing what you all brought to these songs is such a gift to me. Thank you! Annie Stocking: You are amazing! Thank you once again for the incredible musical magic that only you can do. -
Voelkischer Beobachter Reception of 20Th Century Composers
Loyola University Chicago Loyola eCommons History: Faculty Publications and Other Works Faculty Publications 1-8-2010 War on Modern Music and Music in Modern War: Voelkischer Beobachter Reception of 20th Century Composers David B. Dennis Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/history_facpubs Part of the History Commons Recommended Citation Dennis, David B.. War on Modern Music and Music in Modern War: Voelkischer Beobachter Reception of 20th Century Composers. "Music, War, and Commemoration” Panel of the American Historical Association Conference in San Diego, CA, 2010, , : , 2010. Retrieved from Loyola eCommons, History: Faculty Publications and Other Works, This Conference Proceeding is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in History: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © 2010 David Dennis. WAR ON MODERN MUSIC AND MUSIC IN MODERN WAR: VÖLKISCHER BEOBACHTER RECEPTION OF 20th CENTURY COMPOSERS A paper for the “Music, War, and Commemoration” Panel of the American Historical Association Conference in San Diego, CA January 8, 2009 David B. Dennis Department of History Loyola University Chicago Recent scholarship on Nazi music policy pays little attention to the main party newspaper, the Völkischer Beobachter, or comparable publications for the gen- eral public. Most work concentrates on publications Nazis targeted at expert audiences, in this case music journals. But to think our histories of Nazi music politics are complete without comprehensive analysis of the party daily is prema- ture. -
Appendix Three Poetical Essays by Willem
Appendix Three Poetical Essays by Willem Frederik Hermans: Preamble, Behind the Signposts No Admittance and Unsympathetic Fictional Characters For scholarly reasons of reproducibility and verifiability, the reader can find here three English translations of texts written by Hermans that I used for the article ‘The Modernist Affair with Terrorism: The Curious Case of Willem Frederik Hermans’. The translations were made for scholarly usage within the NWO project ‘The Power of Autonomous Literature: Willem Frederik Hermans’ (2010-2015) and/or as course material within the curriculum of Modern Dutch Literature at Utrecht University. Although one of these texts (‘Preamble’) is a fictional text with a dramatized author and one of them is a very short column originally published in a newspaper (‘Behind the Signposts’), I consider them all very important poetical essays on the greater purpose of Hermans’s literature. Preamble (pp. 38-42) is the translation by Ina Rilke of ‘Preambule’, the introduction of the short story collection Paranoia, first published in Dutch in 1953. It was recently republished as part of the seventh volume of Volledige Werken. Behind the Signposts No Admittance (pp. 43-44) is the translation by Sven Vitse of ‘Achter borden Verboden Toegang’, first published in Het Vrije Volk, 25 January 1956. It was republished in Het sadistische universum (1964), now part of the eleventh volume of Volledige Werken. Unsympathetic Fictional Characters (pp. 45-55) is the translation by Michele Hutchison of ‘Antipathieke romanpersonages’, originally published first in De Vlaamse Gids 44 (1960) and republished in the fifth and extended edition of Het sadistische universum (1967), also part of the eleventh volume of Volledige Werken. -
Nowyes632475.Pdf
Published by PEACHTREE PUBLISHING COMPANY INC. 1700 Chattahoochee Avenue Atlanta, Georgia 30318-2112 www.peachtree-online.com Text © 2021 by Bill Harley Cover and interior illustrations © by Pierre-Emmanuel Lyet All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Edited by Vicky Holifield Cover design by Kate Gartner Interior design and composition by Adela Pons Printed in February 2021 by LSC Communications in Harrisonburg, VA in the United States of America. 10 9 8 7 6 5 4 3 2 1 First Edition ISBN 978-1-68263-247-5 Cataloging-in-Publication Data is available from the Library of Congress. BILL H ARLEY To Debbie Block in all ways, always —B. H. Chapter ONE “The barbecue ones,” Conor says. “I know,” Mari says for the fourth time. “I don’t like the other ones. Especially not the vinegar ones. They’re bad.” Conor is standing sideways to the rows of snacks, facing the aisle that leads away from the meat section. His head is down—he’s not looking at her. He never looks at her. He’s not looking at anything except his fingers, which are opening and closing like they’re on the inside of a puppet and the puppet is talking. But the puppet is silent. It’s the motion of the hand that fascinates him, that has always fascinated him. -
Medeski Martin & Wood Last Chance to Dance Trance
Medeski Martin & Wood Last Chance To Dance Trance (Perhaps) Best Of (1991-1996) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Last Chance To Dance Trance (Perhaps) Best Of (1991-1996) Country: Canada Released: 1999 Style: Breakbeat, Jazz-Rock, Future Jazz, Drum n Bass MP3 version RAR size: 1859 mb FLAC version RAR size: 1238 mb WMA version RAR size: 1713 mb Rating: 4.1 Votes: 516 Other Formats: AA MP3 DMF MP2 WAV APE MP1 Tracklist Hide Credits Chubb Sub Edited By – Bob WardEdited By [With] – Bob WardMastered By – Dr. Toby 1 5:21 Mountain*Producer – David Baker, Jim Payne, MMW*Recorded By – David BakerWritten-By – Medeski Martin & Wood Bubblehouse Engineer [Assistant] – Carl Green, Mark KindermanEngineer [Recording] – David 2 4:28 BakerExecutive Producer – Hans WendlMastered By – Dr. Toby Mountain*Mixed By [With] – David Baker, Katsu NaitoProducer – db*, MMW*Written-By – MMW* Last Chance To Dance Trance (Perhaps) 3 Edited By – Bob WardMastered By – Dr. Toby Mountain*Producer – David Baker, Jim 7:38 Payne, MMW*Recorded By – David BakerWritten-By – Medeski Martin & Wood Hermeto's Daydream Edited By – Bob WardMastered By – Bob AppelMixed By – David Baker, John SiketRecorded 4 7:11 By [Baby Monster] – David BakerRecorded By [Water Music] – Roger TeltzmanWritten-By – Billy Martin, John Medeski Is There Anybody Here That Love My Jesus Arranged By – MMW*Edited By [With] – Bob WardEngineer [Assistant] – Carl Green, Mark 5 KindermanEngineer [Recording] – David BakerExecutive Producer – Hans WendlMastered 4:26 By – Dr. Toby Mountain*Mixed By [With] – David Baker, Katsu NaitoProducer – db*, MMW*Written-By – Traditional The Lover 6 Edited By – Bob WardMastered By – Dr. -
MAY BE ONE MORE. Clubs
TRADEMARKS!) BY THE SPORTINO LIFE PtTB. CO. ENTERED AT PHILA. P. O. AS SECOND CLASS MATTER VOLUME 26, NO. 7. PHILADELPHIA, NOVEMBER 9, 1895. PRICE, TEN CENTS. TRANSFERRING BALL PLAYERS. A REGULAR BILL NYE. Minor League Men Put Into the Big Such Appears to be Scrappy Joyce MAY BE ONE MORE. Clubs. of the Washingtons. Washington, D. C., Nov. 3. Nick E. As a base ball player, Billy Joyce, the A NEW CALIFORNIA LEAGUE FOR Young, president and secretary of the Senator's third baseman, does not need an BALL LEAGUE BEING National Base Ball League, is engaged in introduction, but unless, the "Washington ANOTHER negotiating the transfer of a number of Post" has given credit where it is not due. NEXT SEASON. minor league players to the clubs of the Scrappy is a regular Bill Nye. He is sup FIGURED ON. National League, under the rules per posed to have written the following gem; mitting this to be done upon the payment "I am back in St. Louis again. Some one in of $500 to the minor club as soon as the player Washington sent me the "Post," which says Six Cities, With San Francisco as a signs a League cor tract. The list of men thus I am looking for a political job. I am looking A New Tri-State Organization With far drafted for the season of 1896 include tbt for it, but 1 guess I will be cross-eyed before I following: find it. Alderman Cronin says he can get me a Central Point, Will Compose the Hulen, of Minneapolis, with Philadelphia: Yor- job on the police force, but I decline. -
Gregory Collins - Poems
Poetry Series gregory collins - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive gregory collins(fall '72) see anyone and everyone in the back left-hand corner of heaven......... www.PoemHunter.com - The World's Poetry Archive 1 1968 'we have the opportunity to make America a better nation' Doctor Martin Luther King Jr. 'there are those who look at the way things are asking why. I dream of things that never were, and ask why not' Robert Kennedy The whole frame was swaying as if to scratch gropingly and fault-ridden. Even gold hearted friends were turning into falling firebirds, and they stay forever in a dream like when a peacock dozes. But the clean mirror of us all was sobbing speechless in the skies about a distant shore as lonely as death. Even the size of the stars beat their heads against the town bell. Because there was my father on a rock's edge of the soul. Kneeling in his bedroom, crying with his empty M-1 rifle holding up his strength. He had joined the National Guard in the summer of '63, and was not praying mistakenly as if drunk swallows the flame of fire. But the race riots had begun in New Haven and Hartford, and he had some semblance of duty: that eight phases of Buddha feeling. The smearing of blood unable to hear it's own voice. The vast heavens like wings that leave bruises in the heart. They are timeless and not yet done. and my mother stood outside the room like an immaculate petal, yesterday, today, and tomorrow still. -
The Ultimate Listening-Retrospect
PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby. -
The Nazi War on Modern Music
Loyola University Chicago Loyola eCommons History: Faculty Publications and Other Works Faculty Publications 3-25-2011 The Nazi War on Modern Music David B. Dennis Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/history_facpubs Part of the History Commons Author Manuscript This is a pre-publication author manuscript of the final, published article. Recommended Citation Dennis, David B.. The Nazi War on Modern Music. Cultural Studies Association (CSA) Conference, Columbia College, Chicago, , : , 2011. Retrieved from Loyola eCommons, History: Faculty Publications and Other Works, This Conference Proceeding is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in History: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David B. Dennis 2011 WAR ON MODERN MUSIC AND MUSIC IN MODERN WAR: VÖLKISCHER BEOBACHTER RECEPTION OF CENTURY COMPOSERS A paper for the ” Music Cultures” Panel of the Cultural Studies Association Conference in Chicago, IL March 25, 2011 David B. Dennis Department of History Loyola University Chicago Recent scholarship on Nazi music policy pays little attention to the main party newspaper, the Völkischer Beobachter, or comparable publications for the general public. Most work concentrates on publications Nazis targeted at expert audi- ences, in this case music journals. But to think our histories of Nazi music politics are complete without comprehensive analysis of the party daily is premature. -
XENIA and Other Classics
XENIA and other classics by CAROLINE HENLEY M.S. in Applied Analytics, Columbia University, 2018 B.A. in American History and Classical Studies, University of Pennsylvania, 2007 A CREATIVE THESIS submitted to Southern New Hampshire University in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing School of Liberal Arts October 17, 2020 This thesis has been examined and approved. _____________________________________ Faculty name Thesis Director ______________________________________ Second reader Faculty name 2 XENIA and other classics Spring Breakers … 3 Middle School Adventure A … 18 Dog Taxi … 35 Country Club … 53 Last Day … 67 Josie, the Wrath of God … 73 Who Else Is Coming to the House? … 93 That’s Halifax … 111 Xenia … 123 3 SPRING BREAKERS Allison stooped with her knee to the ground, studying the earliest coins displayed, silver and bulky at three inches wide. The relief of a gorgon stared back from behind the glass, tongue out, teeth bared, the circular edges of the coin stretched so much like Play-Doh she imagined the Greeks entrusting its minting to a child. She stood back up and was startled by a tall red-haired young man hovering over her. She knew his face from the opposite end of a scratched-up wooden table on the ground floor of Logan Hall. He apologized, but lingered as if they were already in the midst of a conversation. He explained that drachmae were made of electrum, an alloy of silver and gold, but only made with a wee bit of gold once circulated under the Roman Empire. -
DROP ME in the WATER a Thesis Presented to the Graduate Faculty
DROP ME IN THE WATER A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Tara Kaloz May, 2011 DROP ME IN THE WATER Tara Kaloz Thesis Approved: Accepted: _________________________ _________________________ Advisor Dean of the College Imad Rahman Dr. Chand Midha _________________________ _________________________ Committee Member Dean of the Graduate School Eric Wasserman Dr. George R. Newkome _________________________ _________________________ Committee Member Date Robert Pope ii TABLE OF CONTENTS Page CHAPTER PROLOGUE. CARRIE ANNE (AFTERLIFE) . iv I. OLSON . 1 II. GEORGE . 20 III. CARRIE ANNE . 43 IV. TOMMY . .64 V. OLSON . 82 VI. DANI . 102 VII. JOE . 116 VIII. OLSON . .. .135 iii PROLOGUE CARRIE ANNE (AFTERLIFE) The water takes me in like breath and I resonate with the saturated inhale-exhale, exist as a hiccup that chokes out the lungs, drowns them. Foam lines the banks of the river, laps at the root systems of trees like the spittle that lines the mouths of newborns and the lips of seizure victims. I am the fragment that gets stuck in the throat, but the whole process lacks the constriction. Instead, I am snuffed, deprived of oxygen until the ability to glow gets extinguished. Then there's just the wick. The charred-up stick figure remains of what was once a viable vessel. I'm naked. Leaves press themselves slick against my skin. They stick close to my humilities, yet never provide sufficient enough cover. Fact is, I don't care. I don't question how I came to be clothes-less, who did the undressing.