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The Printed Book Leaflet UvA-DARE (Digital Academic Repository) The printed book: a visual history: chronological order: NL+EN: 08.02- 13.05.2012, Bijzondere Collecties Lommen, M.; van der Hoek, K. Publication date 2012 Document Version Final published version Link to publication Citation for published version (APA): Lommen, M., & van der Hoek, K. (2012). The printed book: a visual history: chronological order: NL+EN: 08.02-13.05.2012, Bijzondere Collecties. Universiteit van Amsterdam, Bijzondere Collecties. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. 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UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 THE A PR INT ED VISUAL BOOK HI STORY CHRONO LOGI CAL ORDER: NL+ EN 08. 02–13. 05.2012 Het gedrukte boek: een visuele geschiedenis The printed book: a visual history The printed book: a visual history Het gedrukte boek: een visuele geschiedenis — — Het gedrukte boek The printed book — — Als een canon van de westerse boekvormgeving laat deze As a canon of Western book design, this exhibition celebrates tentoonstelling het gedrukte boek in al zijn verschijningsvormen the printed book in all its manifestations: as prestige book and zien: als prestigeboek en wegwerppocket, als ‘machine à lire’ paperback, as ‘machine à lire’ and image book, and as reference en beeldboek, en als naslagwerk en kunstwerk. Het gedrukte book and work of art. The printed book seems to be increasingly boek lijkt nu meer en meer een statement tegenover het becoming a statement against the e-book. e-book te worden. Covering a period from14 71 to date, the exhibition features Er zijn beroemde werken uit de periode van14 71 tot nu. Van famous works from printers from the era of the hand-press drukkers uit de handpersperiode en van grafisch ontwerpers period as well as graphic designers and artists from the 20th en kunstenaars uit de twintigste en eenentwintigste eeuw. and 21st century. Printers’ manuals illustrate how the production Drukkershandboeken illustreren hoe het productieproces door process has evolved over time, and calligraphy manuals and de tijd heen verandert, en kalligrafieboeken en letterproeven type specimens give a varied picture of the development of geven een gevarieerd beeld van de ontwikkeling van de letter. lettering and type. This exhibition is compiled exclusively on Voor deze tentoonstelling kon geheel worden geput uit de the basis of our own collections. eigen collecties. In the Experimental Jetset’s exhibition design, the traditional, In het tentoonstellingsontwerp van Experimental Jetset komt chronological system of organising books in the fixed display de traditionele chronologische ordening – in de vaste vitrines – cases conflicts with the more or less systematic system in botsing met een min of meer systematische ordening, that is loosely based on the Dewey Decimal System. This losjes gebaseerd op het Dewey Decimale Systeem. Dit classification was developed for libraries in1876. The books on rubriceringsysteem werd in1876 voor bibliotheken ontwikkeld. the three long tables that occupy the three rooms are organised Deze ‘Deweyaanse’ opstelling is te zien op de drie lange tafels, according to the ‘Deweyan’ system. These books have been die uitwaaieren over de drie ruimtes. De boeken op deze tafels taken out of the wall display cases, where they have been zijn ‘geroofd’ uit de wandvitrines en daar vervangen door replaced by empty storage boxes. lege opbergdozen. The selection of books is supplemented by a video and De boekenselectie is aangevuld met een video en fotografie. In photographs. In the video of Aurélien Froment, a camera tracks de video van Aurélien Froment volgt een camera de bewegingen the movements of an historic paper machine, while a narrator van een historische papiermachine terwijl een verteller reflecteert reflects on the invention and history of paper. The photographs over de uitvinding en geschiedenis van papier. De foto’s van by Johannes Schwartz were commissioned especially for Johannes Schwartz werden speciaal voor deze tentoonstelling this exhibition and explore the way in which, throughout the gemaakt, en hebben als onderwerp de manier waarop menselijke selected books, human figures are being represented (often figuren in de geselecteerde boeken worden gerepresenteerd by way of typographic materia l). In the exhibition, these human (niet zelden door middel van typografisch materiaa l). In de figures are blown up life-size. The works of art by Froment and tentoonstelling worden deze figuren levensgroot opgeblazen. Schwartz bring to the fore the physical side of printed matter. De kunstwerken van Froment en Schwartz onderstrepen het fysieke aspect van drukwerk. — — Het gedrukte boek: bijschriften Chronologische lijs t, van opmerkingen voorzien Het gedrukte boek: bijschriften Chronologische lijs t, van opmerkingen voorzien The printed book: captions Chronological index, annotated The printed book: captions Chronological index, annotated — — — — 147 1–1500 1516 Johann Froben Onmiskenbaar is de invloed van Italiaanse en Franse drukken — — Novum instrumentum; ed. Desiderius Erasmus uit de Renaissance / The unmistakable influence of Italian and 1471 Nicolas Jenson Jensons drukletter diende als voorbeeld voor vele romeinen Baze l/ Basel: Johann Froben,1516 French Renaissance books is evident. Lorenzo Valla, Elegantiae linguae Latinae … die erna kwamen / Jenson’s printing type served as an example — — Veneti ë/ Venice: Nicolas Jenson,1471 for many roman types that followed. 1519 Theuerdank Vanwege de lettervarianten kon men zich lange tijd niet — — Maximilian I, Die geuerlichkeiten und eins teils der voorstellen dat de tekst met losse loden letters was gezet / 1480 Gheraert Leeu Geproduceerd door de succesvolle Leeu dankt dit boek zijn geschichten des loblichen ... Ritters Tewrdannckhs Due to the variants of the individual letters, people for a long Dialogus creaturarum moralisatus bekendheid aan de houtsneden van onbekende hand / Augsburg: Johann Schönsperger der Älter e/ the Elder, time had trouble believing that the text was made using Gouda: Gheraert Leeu,1480 Produced by the successful Leeu, this book owes its fame 1519 movable type. to the woodcuts which were made by an anonymous master. — — — — 1521 Vitruvius Een bewerking in het Italiaans van Cesare Cesariano, schilder 1482 Erhard Ratdolt Ratdolts boeken waren zorgvuldig geredigeerd en vormgegeven, Marcus Vitruvius Pollio, De architectura libri dece en architect / Adapted into Italian by painter and architect Euclide s/ Euclid, Elementa geometriae zoals ook deze ambitieuze Euclidesuitgave / Ratdolt’s books, Como: Gottardo da Ponte,1521 Cesare Cesariano (147 6/ 8– 154 3). Veneti ë/ Venice: Erhard Ratdolt,1482 including this ambitious Euclidean edition, were carefully edited — — and designed. 1524 Ludovico degli Arrighi Het eerste gedrukte schrijfboekje dat de cursief cancelleresca — — Ludovico degli Arrighi, La operina laat zien / The first published writing manual to illustrate the 1483 Bonino de Boninis De afbeeldingen in dit boek over de kunst van het oorlog voeren, Rome: Arrighi,152 3/4 formal chancery hand. Robertus Valturius, De re militari worden toegeschreven aan Matteo de’ Pasti / The illustrations — — Verona: Bonino de Boninis,1483 in this book on the art of war are attributed to Matteo de’ Pasti. 1525 Albrecht Dürer Dürers belangrijkste werk als auteur, met veel aandacht voor — — Albrecht Dürer, Underweysung der messung geconstrueerde belettering / Dürer’s most important work as 1485 Jacob Bellaert Met houtsneden van de anonieme ‘Meester van Bellaert’ / With Neurenber g/ Nuremberg: Hieronymus Andreae an author, with a strong focus on constructed letterforms. Bartholomaeu s/ Bartholomew Anglicus, Van den woodcuts by the anonymous ‘Master of Bellaert’. Formschneider,1525 proprieteyten der dinghen — — Haarlem: Jacob Bellaert,1485 1529 Geoffroy To ry Behandelt de proporties van de Romeinse kapitalen en brengt — — Geoffroy Tory, Champ fleu ry die in verband met de proporties van het menselijk lichaam / 1493 Kroniek van Neurenberg / Nuremberg Chronicle Het rijkst geïllustreerde boek uit de incunabelperiode / The most Parij s/ Paris: Tory & De Gourmont,1529 Explains and illustrates the theory governing the designs of Hartmann Schedel, Liber chronicarum richly illustrated book from the incunable period. Roman capitals based upon the proportions of the human body. Nürnber g/ Nuremberg: Sebald Schreyer & Sebastian — — Kammermaister,1493 1532 Marco Fabio Calvo Bevat schematische (deels geïdealiseerd e) reconstructies van — — Marco Fabio Calvo, Antiquae urbis Romae cum Rome ten tijde van Romulus, Servius Tullius, Augustus en Plinius 1495 Johannes & Gregorius de Gregoriis Een bundeling medische traktaten met illustraties vermoedelijk regionibus simulachrum
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