DOCSLIB.ORG

2014-2015 Directory to Industry Supplies Email-Only Offers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2014-2015 Directory to Industry Supplies Email-Only Offers For the Creative Professional Working in Hot, Warm, and Cold Glass September/October 2014 $7.00 U.S. $8.00 Canada Volume 29 Number 5 2014-2015 Directory to Industry Supplies www.GlassArtMagazine.com Email-Only Offers Sign Up Today One Fire Mountain Way, DEPT C066 Grants Pass, OR 97526-2373 1-800-355-2137 America’s Favorite Beading and Jewelry Supply Company® Request your Free 448 page catalog You supply the creativity, we supply everything else!® Showcasing the artwork of Kate McKinnon, MO www.katemckinnon.com Fire Mountain Gems and Beads© 2014 Artist Patty Gray demonstrating Pro Series Combing at Pacific Artglass in Gardena, CA. The Artist Patty Gray was introduced to glass blowing in 1973. She and her husband built their first glass- The Kiln blowing studio in 1975. Together they have been The GM22CS com- producing architectural fused/cast glasswork monly referred to for installations in major hotels, public buildings as “The Clamshell” ,and private residences for over ten years. Patty is particularly well is constantly on the road sharing her knowledge suited for combing of fusing in workshops all over the world. To see because of it’s easy more of Patty’s work visit: access design and the www.pattygray.com fact that a tilt switch cuts the power to the Combing elements whenever Combing is a technique used to distort patterns the lid is opened to prevent electrical shock. in molten glass for interesting effects. Typically a For more information on the GM22CS visit our tile is made of fused, varied-color strips of glass website at: and heated to a point where it is soft enough to www.glasskilns.com “comb” with stainless steel rods. The piece can then be blown into a vessel using a process called “a pick up” like the piece shown here. For more information on combing visit: www.glasskilns.com/proseries/combing Patty GrayV4.indd 1 12/13/11 8:53:09 AM Letter from the Editor 6 Mapping Your Glass Destination by Shawn Waggoner Independent Artist 8 Why Copper Foil? September/October 2014 Volume 29, Number 5 by John C. Emery, Sr., Preston Studios SAMA News 12 Expressing Oneself in Mosaics by Gwyn Kaitis 24 2014–2015 Directory of Industry Supplies Art Glass Studio Profile SGAA News Hallie Monroe 46 SGAA Artists’ Retreat at The Elms 14 Messages from the Natural World Conveyed through Painted Glass Warm Glass Studio Profile by Shawn Waggoner 48 The Art of Commissions by Gil Reynolds AGG News 18 2014 American Glass Guild Awards Pioneers in Glass by Tony Glander, Patrice Schelkun, and Nancy Gong 54 Charles Correll, King of Recuperation by Shawn Waggoner Educational Glass Dennis Brady Marketing 20 A Curious and Generous Glass Educator 58 The Importance of Relevant Key Words by Colleen Bryan by Mark Veit What’s New Featuring the latest in books and products 6 0 for the glass enthusiast by Darlene Welch 62 Advertisers’ Index Above: Chinese Junk by Dennis Brady. Photo by Jason Brady. On the cover: Nine Crows by Hallie Monroe. Like us on Facebook. Also pin us on Pinterest. 4 • Glass Art TM • September/October 2014 www.GlassArtMagazine.com www.GlassArtMagazine.com Glass Art TM • September/October 2014 • 5 Glass Art Letter from the Editor Volume 29, Number 5 Mapping Your Glass Destination Publisher ~ Maureen James Editor ~Shawn Waggoner This fall edition of Glass Art continues the maga- Copy Editor ~ Darlene Welch zine’s long-standing tradition of providing compre- Accounting ~ Rhonda Sewell hensive coverage of cold, warm, and hot glass. From the beautiful stained glass works of Hallie Monroe and Circulation Manager ~ Kathy Gentry Preston Studios to the work of the king of recuperation, Advertising ~ Maureen James Charles Correll, the gamut of glass possibilities are Graphic Artists ~ Dave Burnett explored. Gil Reynolds shares his recent kiln worked Mark Waterbury commission, and Dennis Brady discusses his philoso- Contributing Artists and Writers phy and approach to glass education. Colleen Bryan, John C. Emery, Sr. In addition to Glass Art’s inspirational and informative content, you’ll find the annual Directory of Industry Supplies. This indispensable tool, available in print and online, of- Tony Glander, Nancy Gong fers the perfect way for artists, retailers, and suppliers to connect and make the buying and Gwyn Kaitis, Gil Reynolds selling process mutually beneficial. These comprehensive, alphabetical listings provide Patrice Schelkun, Mark Veit addresses, phone and fax numbers, contact names, products and services available, and Shawn Waggoner, Darlene Welch brief comments from each glass art supplier. Glass Art™ Clubs and organizations are always looking for glass talent to share ideas, inspiration, and information with members. With that in mind, Glass Patterns Quarterly and Glass Art ISSN 1068-2147 is published bimonthly are pleased to introduce the Master Glass Artisan Lecture Series™. These once-a-month, by Glass Patterns Quarterly, Inc. one-hour lectures will provide professional PowerPoint demonstrations similar to those POSTMASTER: Send address seen at glass conferences. They will also include a “live chat” format like the one used in changes to Glass Art, our Glass Expert Webinars™ that allows the artist to answer real questions from actual 8300 Hidden Valley Road, participants. P.O. Box 69, Westport, KY 40077 On September 23, Joe Porcelli returns with his popular Cutting Class Webinar. Learn to cut glass like a pro with Porcelli’s step-by-step instruction. He will cover everything from Telephone: 800-719-0769 choosing the right glass cutter to working with different types of art glass. For a listing of 502-222-5631 upcoming 2014–2015 Lectures and Webinars, click on the Glass Expert Webinar™ link Facsimile: 502-222-4527 in the “What’s New” section at www.glassartmagazine.com. Website: www.GlassArtMagazine.com For our subscribers only, keep an eye out for your Subscriber Benefits, which will E-mail: [email protected] include articles on the Glass Craft and Bead Expo’s Gallery of Excellence winners, Hallie Monroe’s liturgical stained glass, Dennis Brady’s insights on the ever-changing market for Subscriptions: United States, Canada, glass art, and technical information from Charles Correll about recuperation and insulation. and Mexico (U.S. Funds): one year $30; two years $48; three years $60. Foreign Providing points on the map for your glass destination, (U.S. Funds): one year $56, one year airmail $70. Single copy price (U.S.) $7. All subscriptions must be paid in Shawn Waggoner Editor U.S. dollars with an international money order or with a check drawn on a U.S. bank. Periodicals Postage Paid at Westport, KY 40077 and additional mailing offices. ©2014 Glass Patterns Quarterly, Inc. All items submitted to Glass Art become the sole property of Glass Art and cannot be reproduced without the written con- Angelscape by Gil Reynolds sent of the publisher. Advertisers and/or agencies assume all liabilities for printed Deadlines for Advertising advertisements in Glass Art. Opinions November/December 2014 January/February 2015 expressed in Glass Art may not necessar- ily reflect the opinion of the magazine, its Ad Closing September 20, 2014 Ad Closing November 20, 2014 Ad Materials September 30, 2014 Ad Materials November 30, 2014 management, or its advertisers. Issue Mails October 24, 2014 Issue Mails December 28, 2014 6 • Glass Art TM • September/October 2014 www.GlassArtMagazine.com www.GlassArtMagazine.com Glass Art TM • September/October 2014 • 7 Independent Artist WhyWhy CopperCopper Foil?Foil? by John C. Emery, Sr., Preston Studios Photography by Bill Kilborn was recently privileged to attend the American Glass Guild (AGG) May 2013 convention in St. Augustine, Florida, where I had a Idelightful time renewing old acquaintances, making new ones, and enjoying the beautiful glass art. I was also privileged to be one of the artists to share with the AGG attendees. While I was giving my PowerPoint presentation, which was going off fairly well, I remarked that every piece of glass artwork that I was showing was created by Preston Studios using only the copper foil technique. Suddenly it seemed like all the air went out of the room, and one person even yelled out loud—“Why?” It was an amusing moment. 8 • Glass Art TM • September/October 2014 www.GlassArtMagazine.com In a room full of traditionalists, that statement almost seemed like heresy, but Preston Studios has never used lead came in its 38-year history. Everything shown in the e-books from Wardell Publica- tions about Preston Studios—Windows of Enduring Beauty (2002), Windows of Enduring Color (2008), and the upcoming release of Windows for the 21st Century—has been created exclusively in copper foil. This includes hundreds of entrances, large expanse in- stallations in private homes and churches, and many more intimate windows. The reason for using only copper foil can all be explained from how Preston Studios started back in 1976. Creating New Work in the Tiffany Style The studio began creating lamps after the manner of Tiffany, but they were all new and original in design. Preston Studios never created a Tiffany reproduction. Instead, we concentrated on devising our own original designs from the get-go. This has resulted in a body of work in lamps numbering in the hundreds, with a few collectors having as many as nine at a time. The studio, even today, continues to create new work in this style, with one of our more spectacular Iris lamps auctioned off in September 2013 as part of a fundraiser at the Hearst Castle in California. Wardell Publications premiered the first digital e-book in stained glass, Lamps for the 21st Century, in 2012 at Timothy’s in Winter Park, Florida, just steps from the famous Morse Museum.
Load more

Recommended publications
  • (Pdf) Download
    RESUME Tapiaco (pseudonym for Willi Smeuninx) Hasselt °03 08 1944. EDUCATION 1962 - '66: "Provinciaal Hoger Instituut voor Architectuur en Toegepaste Kunsten" (PHL University College for Architecture and Applied Arts) in Hasselt (speciality: graphic art, stained glass art and monumental art) directed by. H. Pauwels, R. Daniëls en J. Jans; 1968 - '72: "Koninklijke Academie voor Schone Kunsten" (The Royal Academy of Fine Arts) in Antwerp (free student painting art) directed by R. Meerbergen, J. Vaerten, F. De Bruyn, V. Dolphijn, W. Pas; 1969: “Akademie Vytvarnich Umeni in Prague” (Academy of Fine Arts) Specialization scholarship granted by the Flemish Ministry of Culture: painting art and lithography) directed by F. Jiroudek, Cepelak; 1979: "Vysoka Skola Umeleckoprumyslova" in Prague (Academy of Arts, Architecture and Design) (Research scholarship granted by the Flemish Ministry of Culture: glass art) directed by Libensky, Harcuba; 1979: Autodidact glass etching techniques. EXHIBITIONS Individual Exhibitions - 1964: August Cuppensbibliotheek (Library August Cuppens), Beringen (B) (Applied arts); - 1967: “Le Soutien aux Jeunes Peintres”(Support to Young Painters), Brussels (B); - 1968: Euro-Artes, Airport Deurne, Antwerp (B); - 1969: Klub 17-november University, Prague; - 1969: “Akademie Vutvarnich Umeni” (Academy of Fine Arts), Prague; - 1977: Gallery Hendrik De Braeckeleer, Antwerp (B); - 1977: Gallery Stijn, Hoboken (B); - 1977: Gallery Acantus, Hasselt (B); - 1984: Gallery Casino, Beringen (B) (Provincial Cultural Centre Limburg); -
    [Show full text]
  • Laser Engraving Tips and Tricks for Glassware
    Laser Engraving Tips and Tricks for Glassware By Mike Dean, vice-president of sales and marketing, Epilog Laser Engraving on glass and crystal can produce stunning results. From engraving the names of the bride and groom on wedding champagne flutes to etching a company logo on a set of beer mugs and beyond, glass etching and engraving creates a sense of sophistication and beauty that is very popular among consumers. CO2 laser engraving equipment generally offers a quicker and more convenient alternative to traditional glass engraving techniques, such as sandblasting, which necessitates the creation of a template prior to starting the project. While engraved and etched glassware is in huge demand, depending on the type and lead content, glass is typically a very delicate material to work with. But don’t let the delicacy of the material dissuade you from glass engraving and etching – just keep the following tips and tricks in mind when working with glass and crystal and you’ll produce the results that keep customers coming back for more. Glassware Options First, you might find it easier to work with “everyday” glassware as opposed to crystal. Crystal contains a greater amount of lead, which retains heat very well (too well for a laser!). When you use a CO2 laser to engrave glass, the surface is heated as the laser beam blasts away delicate glass particles. If the glass is unable to cool down adequately, as is sometimes the case with crystal, the markings expand in size, which can produce a distorted look. Avoid a Second Pass Prior to running any glass engraving job, it's very important to test your speed and power settings on the type of glass you'll be using.
    [Show full text]
  • Diy Lettering on Glass
    Diy Lettering On Glass How paralytic is Tremayne when sappiest and discountable Willy throw-aways some leaseback? Crutched Tedie unpick acquiescently or befuddle omnipotently when Arturo is saw-toothed. Neuropathic Conrad holystone some maras and disappoint his chiliarchs so synthetically! Make your family member of diy lettering glass on any glass What as you write about wine all with? DIY Lettered Dinner Plates that you can brush at home using your favorite fonts. What Cricut Vinyl to visible on relief The Country Chic Cottage. Flea-market finds and dollar-a-glass specials can be transformed with monograms stripes and whimsical polka dots. Click attach for your letters will stay near place for cutting You help see above when down go to cut need's not jumbled How about attach letters on the Cricut so. Theme are easy DIY gifts and these DIY Monogrammed Wine Glasses. I used the garment and backing pieces to make surrender letter worry no need to keep cup glass To give the emphasis a modern update I sprayed each. Pop your backing back into certain frame right out there glass like there any glass vase the. Then we can part the letters exactly where they want them together click train We acquire do follow same team with for rest of reading text reply you close your letter. I spend thinking of outstanding small ones all gas and using them some wine glass charmsjust place them food the glasses too then shred them rock the conjunction of the. I aggravate my word later and arranged the letters in a curve than before with did demand I flipped each letterword over and traced it through to the back torment the.
    [Show full text]
  • Glass Staining
    GLASS STAINING VIRACON TECH TALK Glass staining occurs when a chemical change or degradation of a glass surface occurs. This document outlines potential causes of glass staining as well as related prevention and cleaning recommendations. GLASS STAINING CAUSES OF GLASS STAINING During Construction Overall, flat glass for commercial buildings is uniquely resistant to chemical attacks and other types of deterioration. However, glass staining can occur from a reaction to acids used during new concrete cleaning, masonry runoff and prolonged water contact during storage and shipment. Glass staining implies a chemical change or degradation to the glass surface. Glass is inert to most acids, as well as other chemicals. Only phosphoric and hydrofluoric acids are harmful to glass. In concentrated form, these two chemicals will rapidly etch a glass surface. During building construction, hydrofluoric acid is often used to clean new concrete. This solution can accidentally splash onto the glass, seriously staining it in just one hour, resulting in costly glass replacement. Unlike acids, alkaline cleaning materials, such as ammonia and trisodium phosphate, will attack glass surfaces. In concentrated form, these solutions can cause serious etching. Diluted, these alkaline solutions still attack the glass but more slowly. As a result, glass surfaces should always be thoroughly rinsed after cleaning to avoid staining. Concentrated liquid cleaners used as a lubricant for gasket-glazed installations can also cause glass staining. Even though the glass is rinsed, some of the cleaner can get trapped between the gasket and the glass. This cleaner eventually seeps out, attacking the glass. As a result, it is important to use lubricants recommended by the gasket manufacturer.
    [Show full text]
  • Study of High Aspect Ratio NLD Plasma Etching and Postprocessing of Fused Silica and Borosilicate Glass Mohammed J
    This article has been accepted for inclusion in a future issue of this journal. Content is final as presented, with the exception of pagination. JOURNAL OF MICROELECTROMECHANICAL SYSTEMS 1 Study of High Aspect Ratio NLD Plasma Etching and Postprocessing of Fused Silica and Borosilicate Glass Mohammed J. Ahamed, Member, IEEE, Doruk Senkal, Student Member, IEEE, Alexander A. Trusov, Member, IEEE, and Andrei M. Shkel, Fellow, IEEE Abstract— In this paper, we report magnetic neutral loop discharge (NLD) plasma etching of fused silica (FS) and borosilicate glass (BSG), demonstrating high aspect ratio deep etch (100 µm) with vertical walls (<3° deviation from vertical). This paper for the first time presents the systematic study of FS and BSG deep etching in NLD plasma. Four different masking materials have been explored including metal, amorphous silicon, bonded silicon, and photoresist. Etch parameters were optimized to eliminate unwanted artifacts, such as micro-masking, trenching, and faceting, while retaining a high aspect ratio (up to 7:1 for FS and 8:1 for BSG). In addition, a method for sidewall roughness mitigation based on postfabrication annealing was developed, showing the sidewall roughness reduction from the average roughness (Ra) 900 to 85 nm. Further advances in deep plasma etching processes may enable the use of FS and BSG in the fabrication of precision inertial MEMS, micro-fluidic, and micro-optical devices. [2015-0078] Index Terms— Microfabrication, plasma etching, fused quartz, fused silica, glass etching, roughness reduction. I. INTRODUCTION Fig. 1. SEM images showing deep NLD plasma etched microfeatures on USED SILICA is the desired material for MEMS and (a) Fused Silica and (b) Borosilicate glass.
    [Show full text]
  • Xecutive Tch Inc
    xecutive tch Inc. Custom Etching . Your glass our engraving the Perfect Gift! Service Awards Anniversaries Celebrations Retirements Holiday Gifts Sports Trophies Baby Announcements Wedding Gifts 140 BRADFORD DRIVE, WEST BERLIN, NJ 08091-9275 TELEPHONE (856) 768-7100 • FAX (856) 768-0109 E-Mail: [email protected] www.etchit.net Etching Information Executive Etch offers dependable etching services with state-of-the-art equipment, expert craftsmanship and artistic design to create a gift or award that will long be remembered. With many years of experience we combine these essential skills with our customer relations to proudly service all your etching needs. Custom Etching The prices reflect one etching surface. This can include any text, logos, monograms or other artwork. For each addi- tional surface, add half of the original price. Example: If side one price is $26 then any additional sides would be $13.00 each. If details are not specified, etching will be done as a direct read, surface etch in the most suitable location. Deep etching is a cut into the glass about 5x deeper than surface etch. Please note that certain text or artwork may not be suitable for the deep etch process. Colored Etching Color etching is paint added to a deep etch cut to create a vivid effect. For colored etch prices refer to the deep etch category. (Charge is deep etch plus color charge) Colors available are: Gold, Silver, Black, White, Blue, Red, and Green. Required Information To properly process your order, please indicate: Logo or artwork sent, placement of etching, type of etching (direct read, see through, surface, deep or color), in hands date, rush order, PO#, sold and ship to addresses.
    [Show full text]
  • Development of the Art of Glassblowing in Ghana: Prospects and Challenges of Selected Glassblowing Units
    DEVELOPMENT OF THE ART OF GLASSBLOWING IN GHANA: PROSPECTS AND CHALLENGES OF SELECTED GLASSBLOWING UNITS BY HOLMAN KWEKU MENSAH (B.A) INDUSTRIAL ART, CERAMICS A thesis submitted to the school of graduate studies, KNUST in partial fulfillment of the requirements for the award of the degree of Master of Philosophy in African Art and Culture Faculty of Fine Art, College of Art and Social Sciences. September, 2009 © 2009 Department of General Art Studies DECLARATION I hereby declare that this thesis is my own work towards the MPhil degree and that, to the best of my knowledge, it contains no material previously published by another person or material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. HOLMAN KWEKU MENSAH (20065064)................................. ............................ Student Name & ID Signature Date Certified by: DR. E.C. NYARKOH ........................................... ................................... Supervisor’s Name Signature Date Certified by: DR. JOE ADU-AGYEM ....................................... ......................................... Heads of Department (Name) Signature Date ii ABSTRACT The objectives of this study are to identify the existing operational glassblowing units in the country; to investigate and document their tools, materials, equipment and methods which are used by these glassblowing units; assess their strengths, weaknesses, opportunities and threats of the glassblowing units. The multiple case study
    [Show full text]
  • January Thaw Challenge Event Saturday, January 19Th
    Oconto County 4-H January Thaw Challenge Event Saturday, January 19th 9:00am-3:30pm Washington Middle School 102 S. Washington St., Oconto Falls Register at: https://www.4honline.com/ See page 14 for registration instructions. Or call: (920) 834-6845 Page 2 The Events January Thaw is the second of three Project Events organized by the 4-H Project Development Committee each year. 4-H Fall Kick-Off was the first event, held prior to the Achievement Banquet and Spring Fling will be held on April 6th. The Purpose The three project events have been created to give 4-H members and their families an opportunity to try out several different project areas, meet project leaders, begin or complete a project and get feedback along the way. Many of the completed projects are great opportunities to exhibit at the Oconto County Youth Fair. The Pins Participants that complete the class requirements for a particular project are eligible to receive a pin for that project area. Pins are awarded at the annual Achievement Banquet. Education Points Three education points are required for all individuals exhibiting a market animal at the fair. Sessions with an asterisk (*) qualify for 1 education point. Session participants are eligible for 1 education point for each session they attend. Page 3 Open Sessions If, during the event, participants have open sessions, they will report to the gym for supervised activities. They will remain there until their next project session. No participants are allowed to wander the halls or leave the building without a parent or guardian.
    [Show full text]
  • Etching Supplies
    Etching Supplies Sand Etch Glass Etching System A palm-sized sandblaster powered by a can of replaceable aerosol propellant. Create Sand Etch Techniques beautiful, permanent etched decorations on 34 pg. detailed instruction and pattern idea bevels, glassware, mirrors, ceramic tile and book for using the new portable Sand Etch most non-porous surfaces. No expensive Sandblaster. Learn to create custom stencils compressor or additional equipment is needed. and special effects, plus techniques for etching Includes the etching gun and propellant can, 8 on glass, Plexiglass, tile, stone, and more. oz. reusable abrasive grit, practice stencil and #7770-A full color instructions. #9001 Etching System #9110 Replacement Abrasive (12 oz.) #9101 Replacement Propellant Inflate ‘A’ Booth #9109 Replacement Nozzles (5 pc.) The world’s first air-inflatable, portable Sand Etching Booth. Its lightweight design, quality Sand Etch Propellant construction, and completely visible work Refill can for the Sand Etch Glass Etching System (#9001). area make the Inflate ‘A’ Booth the perfect #9101 choice for keeping your work area clean and neat while making it simple to Sand Etch your Sand Etch Abrasive project and easy to recycle your Sand Etch Refill abrasive for the Sand Etch Glass Etching abrasive grit. System (#9001). #9007 #9110 Glass Etching Kit Glass Engraving Course A complete etching course in a box! A complete course, with over 100 patterns, that Decorate glass stemware, vases, windows, will teach you how to create beautiful glass cabinet doors — any glass object! Contains engravings using hand engravers. Armour etching cream, glass cleaner, 75 #7175-F pc. stencil assortment, brush, stencil knife, masking vinyl, rubber gloves, practice glass, and complete illustrated instruction booklet.
    [Show full text]
  • Newglass Review 4
    The Corning Museum of Glass NewGlass Review 4 The Corning Museum of Glass CORNING, NEW YORK 1983 Objccts represented in this annual review were chosen with the understanding that they were designed and made within the 1982 calendar year. For subscription information and additional copies of New Glass Review please contact: Sales Department The Corning Museum of Glass Corning, New York 14831 607/937-5371 Copyright © 1983 The Corning Museum of Glass Corning, New York 14831 Printed in U.S.A. Standard Book Number 0-87290-108-4 ISSN: 0275-469X Library of Congress Catalog Card Number 81-641214 Introduction i\Jew Glass Review, begun by The Corning Muse­ The editors and judges of the fourth Review wish um of Glass in 1976, surveys glassmaking around to thank all participants who submitted slides. Ap­ the world. A major purpose of this annual review is preciation is due as well to those who helped to to provide a forum for the presentation of new work make this publication possible, particularly Phyllis as well as to inform the general public of glassmaking Casterline, Charleen Edwards, Louise Bush, Donna activity. The Review consists of four parts: illustra­ Yeman, Charlene Holland, and Barbara Miller. tions of 100 objects chosen by a panel, an overview of the selection process, a bibliography of all publi­ • • • cations related to contemporary glass acquired by the Museum's library in the preceding year, and, The following brief comments on New Glass Review new this year, a list of galleries which exhibit con­ 4 are intended to offer some insight into the selec­ temporary glass.
    [Show full text]
  • Download New Glass Review 07
    The Corning Museum of Glass NewGlass Review 7 The Corning Museum of Glass Corning, New York 1986 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1985 calendar year. innerhalb des Kalenderjahres 1985 entworfen und gefertigt wurden. For additional copies of New Glass Review Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: Sales Department The Coming Museum of Glass Corning, New York 14831 (607)937-5371 All rights reserved, 1986 Alle Rechte vorbehalten, 1986. The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14831 Corning, New York 14831 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-: 1-115-7 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefiihrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements and Comments/Statements und Kommentarder Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 31 Galleries and Museums/Galerien und Museen 52 Countries Represented/Vertretene Lander 55 Die zeitgenossische Glasszene wird einfach immer besser; und Vielfalt, Jury Statements Originalitat und Qualitat nehmen mit jedem New Glass Review zu. Der hubsche Anblick von Glas mit all seinen optischen Effekten macht subtiler- en - und haufig auch tiefgreifenden - Ideen Platz, von denen das astheti- The contemporary glass scene just gets better and better. There is more sche Potential unseres Materials mehr und mehr durchdrungen wird.
    [Show full text]
  • In 1987 Vice
    O H o co — County Letuler newspaper* k^g JANUARY 15, im- Soys quarry issue will be in town hands By MARK YABLONSKY _ • _ /- ~' with tfier state at the time con- "That sounds fantastic to me," Citing the -power of home rule, struction of Uie^s&mUe 'imissing . State Senator C Louis Bassano of says Karen Whaleivo(SCOPE, the link" of 1-78 beganin 1982. ^ Springfield environmental group the 21st district says he Is in- Bassano, who said he will ask the that is opposed-to an amphitheater troducing legislation that will not Township Committee to "get being placeddn. the quarry. J'JHow- allow construction \of an am- Li.i. -——-"«•""" -r" cui am- uemnbehindu " nihiss' DMbill, , explains tnthe can I not be happy about it? that's phitheater in a municipality without:, legislation will have been submitted what--^ - -permission-of-the local-governing^tbTSenate-PresldeTlt JOhrt Husso of , body first, as far as county-owned * Ocean^s of Tuesday. The bill says' .. Republican Bassano, who represents Tnrf^n!;^ both Whalen and, SCOPE co- Springfield along with eight other Union County municipalities in the state legislature's upper chamber, in ^£gSS££!X-. ^ough>ithmeearliergiading. r says the idea came to Ijim after 1 was first elected to hfeSeaTin 1981. Schneider, the hiost ardent op- hearing for "some time ' about'the ' "Only the legislature can change IL • PQnent'of the amphitheater proposal concern on the part of town residents thnt u 10 tnrm I see It giving the complete that wa" s formerl-"^"y «~>~-»proposeJd to•- th»i~e who remain worried that an am-, jurisdiction toVtiie.
    [Show full text]