Michigan 4-H Creative Arts Celebration!
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PAPER CRAFT Assembly Instructions
PAPER CRAFT Assembly Instructions Thank you for downloading the "SR400"paper craft model. By simply following this manual while referring to the names and numbers shown on the parts sheets, you can assemble an authentic-looking replica of the SR400. Assembly instructions: Fifteen A4-sized sheets. Paper craft: Seventeen A4-sized sheets with 223 parts in all These instructions apply only to the "SR400." These Paper Craft parts are easier to work with when printed out on strong, thick paper (like postcard stock). In creating these Paper Craft models we use 135kg Kent paper stock (0.18mm). 2003.4.25 Note TO BEGIN Basic working method and markings Tools and materials needed Solid lines -Ruler -Scissors - Blade cutter or "Exacto-knife" - Awl or Fold along these lines. The printed other pointed tool (for making a folding crease) - Felt surface should be on the outside of pen - Pin set - Glue - Hand towel ( for cleaning your the folded shape. fingers) - Dictionary or other heavy book ( to press the papers flat) Broken lines Items of Caution Fold along these lines. The printed *Take care when using sharp or pointed objects or when surface should be on the inside of using bladed cutting tools. Place a heavy sheet of paper the folded shape. under the paper you want to cut. *Use glue and other adhesives only in well-ventilated areas. Dotted line *When printing, use a slightly reduced font size as there are many differences in dimensions depending on the Cut along these lines type of printer used. HOW TO ASSEMBLE Do not fold or cut the parts *Follow the working method and markings carefully. -
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RESUME Tapiaco (pseudonym for Willi Smeuninx) Hasselt °03 08 1944. EDUCATION 1962 - '66: "Provinciaal Hoger Instituut voor Architectuur en Toegepaste Kunsten" (PHL University College for Architecture and Applied Arts) in Hasselt (speciality: graphic art, stained glass art and monumental art) directed by. H. Pauwels, R. Daniëls en J. Jans; 1968 - '72: "Koninklijke Academie voor Schone Kunsten" (The Royal Academy of Fine Arts) in Antwerp (free student painting art) directed by R. Meerbergen, J. Vaerten, F. De Bruyn, V. Dolphijn, W. Pas; 1969: “Akademie Vytvarnich Umeni in Prague” (Academy of Fine Arts) Specialization scholarship granted by the Flemish Ministry of Culture: painting art and lithography) directed by F. Jiroudek, Cepelak; 1979: "Vysoka Skola Umeleckoprumyslova" in Prague (Academy of Arts, Architecture and Design) (Research scholarship granted by the Flemish Ministry of Culture: glass art) directed by Libensky, Harcuba; 1979: Autodidact glass etching techniques. EXHIBITIONS Individual Exhibitions - 1964: August Cuppensbibliotheek (Library August Cuppens), Beringen (B) (Applied arts); - 1967: “Le Soutien aux Jeunes Peintres”(Support to Young Painters), Brussels (B); - 1968: Euro-Artes, Airport Deurne, Antwerp (B); - 1969: Klub 17-november University, Prague; - 1969: “Akademie Vutvarnich Umeni” (Academy of Fine Arts), Prague; - 1977: Gallery Hendrik De Braeckeleer, Antwerp (B); - 1977: Gallery Stijn, Hoboken (B); - 1977: Gallery Acantus, Hasselt (B); - 1984: Gallery Casino, Beringen (B) (Provincial Cultural Centre Limburg); - -
Sashiko Tote
Sashiko Tote You can never have too many bags! Create unique tote featuring Sashiko quilting and accent stitching. This project is quick and easy to make using the Baby Lock Sashiko machine. Skill Level: Beginner Created by: Kelly Laws, Marketing Project Manager Supplies: Baby Lock Sewing Machine Baby Lock Sashiko Twenty 4” cotton print squares in different colors 1 yard fusible fleece 1 1/4 yard coordinating cotton fabric 2 ½ yards ¾” wide gross grain ribbon All-purpose thread to match fabrics 30-Weight thread in white and black Fusible Web (optional) Iron and Ironing board Scissors Pins Ruler Chalk Baby Lock Sewing Project: Sashiko Tote Page 1 of 3 Instructions: 1. Thread the machine with all-purpose thread to match your fabrics. Using a ¼” seam sew five blocks together to form a row. 2. Create 3 more rows of 5 blocks alternating the block colors. 3. Sew two rows together to create the pieced band for the bag front. 4. Repeat to make a pieced band for the other side of the bag. 5. Cut four pieces 18” x 15” from the cotton fabric. 6. Cut two pieces of fusible fleece 18” x 15”. 7. Following the manufactures directions, fuse the fleece to the wrong side of two of the 18” x 15” pieces. 8. Sew the two fleece pieces together along one of the 15” sides. 9. Sew the other two 18” x 15” pieces together along one of the 15” sides. This is the tote lining, set this piece aside for later. 10. Open the piece out into one long strip. -
1 MULTIUSE, EMBROIDERY and SEWING SCISSORS Stainless Steel
WWW.RAMUNDI.IT GIMAP s.r.l. 23834 PREMANA (LC) ITALY Zona Ind. Giabbio Tel. +39 0341 818 000 The line is composed by extremely high performance items, result of over 70 years of research of perfect cutting performances. Every single item is produced with the best materials and is carefully controlled by the expert hands of our artisans, from the raw material to the last control phase. The Extra line quality will satisfy all your needs. MULTIUSE, EMBROIDERY AND SEWING SCISSORS Stainless steel and handles in nylon 6 Series of professional scissors for textile, embroidery and multipurpose use. Made in AISI 420 steel, these scissors will allow you to made every kind of job with an extreme confort and precision. The scissors are made with special machines that make a perfect finish and operation that lasts over time. Nylon 6 handle are made with fiberglass with an innovative design and it can be use in contact with food. multiuse scissors in stainless steel and handles 553/5 in nylon 6 13 cm 553/6 15 cm 553 552/7,5 19 cm 552/8,5 21 cm 552/9,5 24 cm 552/10,5 26 cm 552/11 28 cm 552M Left- hand 22 cm 552 240/1/3,5 Embroidery scissors 9 cm 241/1/4 Embroidery scissors bent 10 cm 241/1/4 240/1/3,5 351/4 Sewing scissors 10,5 cm 351/5 12,5 cm 351/6 15 cm 351 485/7 Multiuse scissors 19 cm 360MN/4,5 Thread clipper 485/7 360MN/4,5 1 WWW.RAMUNDI.IT GIMAP s.r.l. -
Laser Engraving Tips and Tricks for Glassware
Laser Engraving Tips and Tricks for Glassware By Mike Dean, vice-president of sales and marketing, Epilog Laser Engraving on glass and crystal can produce stunning results. From engraving the names of the bride and groom on wedding champagne flutes to etching a company logo on a set of beer mugs and beyond, glass etching and engraving creates a sense of sophistication and beauty that is very popular among consumers. CO2 laser engraving equipment generally offers a quicker and more convenient alternative to traditional glass engraving techniques, such as sandblasting, which necessitates the creation of a template prior to starting the project. While engraved and etched glassware is in huge demand, depending on the type and lead content, glass is typically a very delicate material to work with. But don’t let the delicacy of the material dissuade you from glass engraving and etching – just keep the following tips and tricks in mind when working with glass and crystal and you’ll produce the results that keep customers coming back for more. Glassware Options First, you might find it easier to work with “everyday” glassware as opposed to crystal. Crystal contains a greater amount of lead, which retains heat very well (too well for a laser!). When you use a CO2 laser to engrave glass, the surface is heated as the laser beam blasts away delicate glass particles. If the glass is unable to cool down adequately, as is sometimes the case with crystal, the markings expand in size, which can produce a distorted look. Avoid a Second Pass Prior to running any glass engraving job, it's very important to test your speed and power settings on the type of glass you'll be using. -
Diy Lettering on Glass
Diy Lettering On Glass How paralytic is Tremayne when sappiest and discountable Willy throw-aways some leaseback? Crutched Tedie unpick acquiescently or befuddle omnipotently when Arturo is saw-toothed. Neuropathic Conrad holystone some maras and disappoint his chiliarchs so synthetically! Make your family member of diy lettering glass on any glass What as you write about wine all with? DIY Lettered Dinner Plates that you can brush at home using your favorite fonts. What Cricut Vinyl to visible on relief The Country Chic Cottage. Flea-market finds and dollar-a-glass specials can be transformed with monograms stripes and whimsical polka dots. Click attach for your letters will stay near place for cutting You help see above when down go to cut need's not jumbled How about attach letters on the Cricut so. Theme are easy DIY gifts and these DIY Monogrammed Wine Glasses. I used the garment and backing pieces to make surrender letter worry no need to keep cup glass To give the emphasis a modern update I sprayed each. Pop your backing back into certain frame right out there glass like there any glass vase the. Then we can part the letters exactly where they want them together click train We acquire do follow same team with for rest of reading text reply you close your letter. I spend thinking of outstanding small ones all gas and using them some wine glass charmsjust place them food the glasses too then shred them rock the conjunction of the. I aggravate my word later and arranged the letters in a curve than before with did demand I flipped each letterword over and traced it through to the back torment the. -
Glass Staining
GLASS STAINING VIRACON TECH TALK Glass staining occurs when a chemical change or degradation of a glass surface occurs. This document outlines potential causes of glass staining as well as related prevention and cleaning recommendations. GLASS STAINING CAUSES OF GLASS STAINING During Construction Overall, flat glass for commercial buildings is uniquely resistant to chemical attacks and other types of deterioration. However, glass staining can occur from a reaction to acids used during new concrete cleaning, masonry runoff and prolonged water contact during storage and shipment. Glass staining implies a chemical change or degradation to the glass surface. Glass is inert to most acids, as well as other chemicals. Only phosphoric and hydrofluoric acids are harmful to glass. In concentrated form, these two chemicals will rapidly etch a glass surface. During building construction, hydrofluoric acid is often used to clean new concrete. This solution can accidentally splash onto the glass, seriously staining it in just one hour, resulting in costly glass replacement. Unlike acids, alkaline cleaning materials, such as ammonia and trisodium phosphate, will attack glass surfaces. In concentrated form, these solutions can cause serious etching. Diluted, these alkaline solutions still attack the glass but more slowly. As a result, glass surfaces should always be thoroughly rinsed after cleaning to avoid staining. Concentrated liquid cleaners used as a lubricant for gasket-glazed installations can also cause glass staining. Even though the glass is rinsed, some of the cleaner can get trapped between the gasket and the glass. This cleaner eventually seeps out, attacking the glass. As a result, it is important to use lubricants recommended by the gasket manufacturer. -
P4vor 6-44S Ana' P4por Cuase
P4vor 6-44s Ana' P4por Cuase Ashley Machum With information constantly shifting to online water. "The fibers from trees were discovered to formats it seems that a paperless society is quite be an ideal and cheap source" and are *hat the possible. However, the online format can never majority of today's papers are made froin (Garner, deliver the tactile experience that holding a piece 2006, p. 7). There are specialty papers made to of paper can. Those who seek the solace of paper satisfy any individual's needs. should consider paper crafts as a means to reconnect with the real thing. Making paper crafts involves using any type of paper, they "mix any form of paper or card stock The human connection with paper has existed for to create interesting and innovative craft projects" thousands of years. It began in Egypt when, "the (Garner, 2006, p. 8). It is not necessary to exceed first form of paper was invented over 5,000 years the budget when offering a craft progrgn. Paper ago." This type of paper is known as papyrus. for programs can be sourced "in fine art supply The name is derived from the "plant called and craft stores, as well as in home improvement Cyperus papyrus" of which the paper is made of stores, party and office supply stores, and from its thin slices layered (Garber, 2006, p. 6). Today's online suppliers. Recycled magazines and catalogs method for making paper is "attributed to the are another excellent source of paper" (Le Van, Chinese inventor T'sai Lun in the years around 2006, p.8). -
Astronauts in Lunar Orbit After Blastoff from Moon
ri . v f- ■ ,, Average Dally Net Press Ron 'I’hfe-Weather For The Week Ended Mostly cloudy, warm, humid through Wednesday with chance July 81, m i of ahowers/thunderstorms; low tonight near. 70 with consider 14,890 able night rain. Manchester— A City of Village Charm (Classified Advertising on Page 17) PRICE FIFTEEN CENTS VOL. LXXXX, NO. 257 (TWENTY PAGES) man(:hester, conn., Monday, august 2,1971 Steel Strike Averted But Pact Settles Astronauts in Lunar Orbit Prices Hiked PITTSBURGH (AP)— Rail Strike U.S. Steel Corp., the in After Blastoff from Moon dustry pacesetter, hiked WASHINGTON (A P)— Negotiators announced to prices on virtually all prod day a contract settlement providing 42 per cent wage ucts today, a little more hikes over 42 months for about 200,000 trainmen, and SPACE CENTER, Hous than 12 hours after the said pickets would be removed froih 10-strike-bound ton (A P)—Apollo 15 as steel industry and the railroads, -------------------- : tronauts David R. Scott and James B. Irwin blast United Steelworkers Settlement of the 18-day old President Charles Luna of the ' strikes in the dispute involving striking-AFO-CTO United Trans- ed off safely from the agreed on a strike-avert all of the nation’s major rail- portatlon Union, ing contract. moon today after three roads came after a 17-hour <‘nve arp very happy that this days of historic lunar ex The m oveby U.S. Steel came marathon bargaining session at long dispute has ended and that as most of the nation’s steel ploration. A television the Labor Department. -
Study of High Aspect Ratio NLD Plasma Etching and Postprocessing of Fused Silica and Borosilicate Glass Mohammed J
This article has been accepted for inclusion in a future issue of this journal. Content is final as presented, with the exception of pagination. JOURNAL OF MICROELECTROMECHANICAL SYSTEMS 1 Study of High Aspect Ratio NLD Plasma Etching and Postprocessing of Fused Silica and Borosilicate Glass Mohammed J. Ahamed, Member, IEEE, Doruk Senkal, Student Member, IEEE, Alexander A. Trusov, Member, IEEE, and Andrei M. Shkel, Fellow, IEEE Abstract— In this paper, we report magnetic neutral loop discharge (NLD) plasma etching of fused silica (FS) and borosilicate glass (BSG), demonstrating high aspect ratio deep etch (100 µm) with vertical walls (<3° deviation from vertical). This paper for the first time presents the systematic study of FS and BSG deep etching in NLD plasma. Four different masking materials have been explored including metal, amorphous silicon, bonded silicon, and photoresist. Etch parameters were optimized to eliminate unwanted artifacts, such as micro-masking, trenching, and faceting, while retaining a high aspect ratio (up to 7:1 for FS and 8:1 for BSG). In addition, a method for sidewall roughness mitigation based on postfabrication annealing was developed, showing the sidewall roughness reduction from the average roughness (Ra) 900 to 85 nm. Further advances in deep plasma etching processes may enable the use of FS and BSG in the fabrication of precision inertial MEMS, micro-fluidic, and micro-optical devices. [2015-0078] Index Terms— Microfabrication, plasma etching, fused quartz, fused silica, glass etching, roughness reduction. I. INTRODUCTION Fig. 1. SEM images showing deep NLD plasma etched microfeatures on USED SILICA is the desired material for MEMS and (a) Fused Silica and (b) Borosilicate glass. -
A Pair of Scissors Wool a Sewing Needle Small Knitting
Easy peasy (well, it is if you take a look at the champion ‘how to knit’ guide at www.learn2knit.co.uk which will give you everything you need.) But if you’ve 1. Pop your feet up with a cup of tea. done a bit in the past, here’s a reminder of the main stitch. 2. Using double knitting yarn and some small needles, cast on 28 stitches. You’ll need this stuff: 3. Knit 2 rows. Then, starting with a knit row, work in stocking stitch (knit 1 row, purl 1 row, knit 1 row etc) for 12 more rows. small knitting 4. For the next row, knit 2 together to the end (14 a sewing a pair perhaps wool needles stitches). And for the row after that, purl 2 together needle of scissors some bobbles (31/4 mm - 4mm) to the end (7 stitches). 5. When you’ve finished, cut the yarn leaving about 25 cm. Thread the cut end of the yarn through a sewing needle, then run it through the loops and 1. Insert the tip of the right needle through the first loop remove the knitting needle (fig. A). on the left needle, from front to back. Then wrap the working yarn around the tip of the right needle. 6. Tighten the yarn (fig. B) and sew the little hat together at the side (fig. C). Once finished, turn it right-side out so that the seam you've just sewn runs up the inside. 7. Just to check you’re on the right track we reckon 2. -
Ipswich Lace Workshop Materials Information
Ipswich Lace Workshop Materials Information Patterns, etc. provided to the students from the instructor: 1. Two Ipswich pattern packs of your choice. Please choose from the attached list. The samples are listed in approximate level of difficulty, with #2 being the easiest. 2. Prickings are printed on light grey cardstock and mailed to your snail mail address. 3. Color-coded working diagram 4. Corresponding pictures of the reconstructed lace and the original 1790 sample. Supply list: 1. Lace pillow, your preferred style for continuous lace, large enough to accommodate up to 50 pairs of bobbins 2. Bobbins (your preferred style) up to 50 pairs, depending on pattern choice 3. Pins – all the same size. The Ipswich lacemakers used handmade pins, which were approximately .60 to .65 mm in diameter. 4. Black silk thread, such as YLI 50, Clover 50, or Tiger (approximately 35-36 wraps/cm), or Piper spun silk 140/2 or Kreinik Au Ver a Soie 130/2 (42 wraps/cm) 5. Gimp thread: Gütermann 30/3 (S1003, 3-ply, approx. 16 wraps/cm) or Soie Perlee for a slightly thinner gimp. Or use 4-6 strands of your lace thread. 6. Two cover cloths. The one on the pillow, under the bobbins should be light color to contrast with the black threads. 7. Several short bobbin holders 8. Scissors, other regular bobbin lace supplies for continuous lace technique. 9. Wind on each bobbin about 4 times the length of lace you plan to make. Wind the number of bobbins indicated on your chosen pattern, singly or in pairs, depending on your preference.