Etching Supplies

Total Page:16

File Type:pdf, Size:1020Kb

Etching Supplies Etching Supplies Sand Etch Glass Etching System A palm-sized sandblaster powered by a can of replaceable aerosol propellant. Create Sand Etch Techniques beautiful, permanent etched decorations on 34 pg. detailed instruction and pattern idea bevels, glassware, mirrors, ceramic tile and book for using the new portable Sand Etch most non-porous surfaces. No expensive Sandblaster. Learn to create custom stencils compressor or additional equipment is needed. and special effects, plus techniques for etching Includes the etching gun and propellant can, 8 on glass, Plexiglass, tile, stone, and more. oz. reusable abrasive grit, practice stencil and #7770-A full color instructions. #9001 Etching System #9110 Replacement Abrasive (12 oz.) #9101 Replacement Propellant Inflate ‘A’ Booth #9109 Replacement Nozzles (5 pc.) The world’s first air-inflatable, portable Sand Etching Booth. Its lightweight design, quality Sand Etch Propellant construction, and completely visible work Refill can for the Sand Etch Glass Etching System (#9001). area make the Inflate ‘A’ Booth the perfect #9101 choice for keeping your work area clean and neat while making it simple to Sand Etch your Sand Etch Abrasive project and easy to recycle your Sand Etch Refill abrasive for the Sand Etch Glass Etching abrasive grit. System (#9001). #9007 #9110 Glass Etching Kit Glass Engraving Course A complete etching course in a box! A complete course, with over 100 patterns, that Decorate glass stemware, vases, windows, will teach you how to create beautiful glass cabinet doors — any glass object! Contains engravings using hand engravers. Armour etching cream, glass cleaner, 75 #7175-F pc. stencil assortment, brush, stencil knife, masking vinyl, rubber gloves, practice glass, and complete illustrated instruction booklet. #550 Hardwood Jewelry Box Large box measuring 8” x 11” x 3” will Armour Glass Etching Cream hold jewelry, cigars, etc. Completely 10 oz. bottle of fast-acting glass etching compound that creates assembled, just add your 6” x 9” a permanent frosted etch on windows, mirrors, glassware and stained glass, fused glass or etched glass beads. This etching cream lets you personalize and panel to the hinged box lid and you’re done. decorate glassware, windows and mirror in minutes! Create your own custom stencils using etching resist. #8611H #551 Diamond Tip Pen Used for writing, etching and engraving Complete Glass Engraving Kit decorative designs on glass. Start engraving glass immediately with #DE100 this feather weight tool. Spins at 20,000 rpm, yet weighs only 4 ounces! Kit includes 12 volt transformer, 2 diamond engraving bits, 2 silicon carbide bits, trial Stencil Knife glass, instructions and patterns packed in a Sharp, precision knife for durable storage case. Made in Germany with cutting patterns and sandblast two year warranty. resist tape. #38635 #675 #675R Blades (5 pk) Engraving Bits - 4 Pcs. Etching Resist Set of 4 small bits for engraving glass, metal, stone, shell 12 mil. thick, white vinyl film with release and other hard materials. 2 diamond balls for engraving, liner, for cutting stencils to sandblast or and 2 silicon carbide cones for shading and frosting. chemical etch on glass. Cuts easily and Shafts are .09” (2.35mm) and fit the Glass Engraver above releases cleanly from your glass. and other Dremel style tools. #636 12” wide x 3 ft. #28920 #660 12” wide x 18 yds..
Recommended publications
  • Memoirs Faculty of Engineering
    ISSN 0078-6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60(2019) 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs.
    [Show full text]
  • Water Etching... a Well Kept Secret
    Water-Etching : A Well-Kept Secret. This was the original draft of a submission to “Pottery Making Illustrated” sometime in 2007, eventually published under the title “Adding by Subtracting”. Some of the included photographs were omitted in the printed version for reasons of space, but they’re still included here to help make the explanations clearer. Roger Graham Pottery at Old Toolijooa School Some time last year, on a visit interstate, I bought a delightful porcelain pot with a delicate raised pattern on the outside. Carved with infinite patience, or so I thought. Not at all, the potter told me. It’s water-etching... and I was given a one-sentence outline of how it’s done. Use wax emulsion to paint a design on the unfired pot, then spray with water. Back home in the workshop, I’ve had time to follow up this idea, and it has opened up a whole new field of possibilities. Nothing found on the internet. Nothing known by various other experienced potters of my acquaintance. How could this wonderful technique have remained a secret for so long? So, what do you do? This photo shows what you can expect, once you know the secret, and it’s so simple really. • Throw a suitable pot, using a smooth fine- grained clay. Let it dry. • Use wax emulsion and a fine brush, to paint a design on the pot. Food dye in the wax makes it easier to see where you’ve been. • Invert the pot and suspend it on some kind of pedestal, then apply a fine spray of water.
    [Show full text]
  • (Pdf) Download
    RESUME Tapiaco (pseudonym for Willi Smeuninx) Hasselt °03 08 1944. EDUCATION 1962 - '66: "Provinciaal Hoger Instituut voor Architectuur en Toegepaste Kunsten" (PHL University College for Architecture and Applied Arts) in Hasselt (speciality: graphic art, stained glass art and monumental art) directed by. H. Pauwels, R. Daniëls en J. Jans; 1968 - '72: "Koninklijke Academie voor Schone Kunsten" (The Royal Academy of Fine Arts) in Antwerp (free student painting art) directed by R. Meerbergen, J. Vaerten, F. De Bruyn, V. Dolphijn, W. Pas; 1969: “Akademie Vytvarnich Umeni in Prague” (Academy of Fine Arts) Specialization scholarship granted by the Flemish Ministry of Culture: painting art and lithography) directed by F. Jiroudek, Cepelak; 1979: "Vysoka Skola Umeleckoprumyslova" in Prague (Academy of Arts, Architecture and Design) (Research scholarship granted by the Flemish Ministry of Culture: glass art) directed by Libensky, Harcuba; 1979: Autodidact glass etching techniques. EXHIBITIONS Individual Exhibitions - 1964: August Cuppensbibliotheek (Library August Cuppens), Beringen (B) (Applied arts); - 1967: “Le Soutien aux Jeunes Peintres”(Support to Young Painters), Brussels (B); - 1968: Euro-Artes, Airport Deurne, Antwerp (B); - 1969: Klub 17-november University, Prague; - 1969: “Akademie Vutvarnich Umeni” (Academy of Fine Arts), Prague; - 1977: Gallery Hendrik De Braeckeleer, Antwerp (B); - 1977: Gallery Stijn, Hoboken (B); - 1977: Gallery Acantus, Hasselt (B); - 1984: Gallery Casino, Beringen (B) (Provincial Cultural Centre Limburg); -
    [Show full text]
  • Palo Duro Etching
    MEDIA SETTING RECOMMENDATIONS PAPER HANDLING GUIDE Download the Full Handling Guide www.redriverpaper.com/guides ® Palo Duro Etching Using a printer profile? Product Stats Use the instructions that came with the profile for setting recommendations. Recommended Printer Driver Settings Packed Print Side Up Epson - Cold Press Natural or Velvet Fine Art Paper Canon Desktop - Matte Photo Paper Weight: Canon PRO (Prograf) - Heavyweight Fine Art Paper 315gsm Thick Paper Handling Tips Thickness: 21mil Epson Desktop – Activate the thick paper (envelope) setting Epson Pro Models - Paper thickness = 4 and platen gap to wide Media Type: 100% Cotton Rag Canon - Activate “Prevent Paper Abrasion” setting Coating: Print Quality Setting Recommendations Micro-porous Epson Choose Best Photo or 1440dpi quality. Choose Photo if Best Photo is Surface: not available. We recommend avoiding Photo RPM as print quality Matte textured is only marginally better, while slowing your print time significantly. Printable: Canon One-sided Choose the High-Quality setting. On the sliding scale, you will choose 2 or 1 depending on which is the highest available. OBA: No OBAs present HP Print Quality Choose Best in the print quality drop down. Avoid Maximum DPI - Reverse Side: print quality is only marginally better while slowing your print time significantly. Light inkjet coating High Speed Printing We recommend leaving High Speed turned OFF for best possible print quality. Available Sizes: Printer Color Profiles and Color Management See website Red River Paper offers free printer color profiles for our products and many different inkjet printers. Profiles are small data files, used by software like Photoshop, that help you get better and more consistent print quality.
    [Show full text]
  • Laser Engraving Tips and Tricks for Glassware
    Laser Engraving Tips and Tricks for Glassware By Mike Dean, vice-president of sales and marketing, Epilog Laser Engraving on glass and crystal can produce stunning results. From engraving the names of the bride and groom on wedding champagne flutes to etching a company logo on a set of beer mugs and beyond, glass etching and engraving creates a sense of sophistication and beauty that is very popular among consumers. CO2 laser engraving equipment generally offers a quicker and more convenient alternative to traditional glass engraving techniques, such as sandblasting, which necessitates the creation of a template prior to starting the project. While engraved and etched glassware is in huge demand, depending on the type and lead content, glass is typically a very delicate material to work with. But don’t let the delicacy of the material dissuade you from glass engraving and etching – just keep the following tips and tricks in mind when working with glass and crystal and you’ll produce the results that keep customers coming back for more. Glassware Options First, you might find it easier to work with “everyday” glassware as opposed to crystal. Crystal contains a greater amount of lead, which retains heat very well (too well for a laser!). When you use a CO2 laser to engrave glass, the surface is heated as the laser beam blasts away delicate glass particles. If the glass is unable to cool down adequately, as is sometimes the case with crystal, the markings expand in size, which can produce a distorted look. Avoid a Second Pass Prior to running any glass engraving job, it's very important to test your speed and power settings on the type of glass you'll be using.
    [Show full text]
  • Diy Lettering on Glass
    Diy Lettering On Glass How paralytic is Tremayne when sappiest and discountable Willy throw-aways some leaseback? Crutched Tedie unpick acquiescently or befuddle omnipotently when Arturo is saw-toothed. Neuropathic Conrad holystone some maras and disappoint his chiliarchs so synthetically! Make your family member of diy lettering glass on any glass What as you write about wine all with? DIY Lettered Dinner Plates that you can brush at home using your favorite fonts. What Cricut Vinyl to visible on relief The Country Chic Cottage. Flea-market finds and dollar-a-glass specials can be transformed with monograms stripes and whimsical polka dots. Click attach for your letters will stay near place for cutting You help see above when down go to cut need's not jumbled How about attach letters on the Cricut so. Theme are easy DIY gifts and these DIY Monogrammed Wine Glasses. I used the garment and backing pieces to make surrender letter worry no need to keep cup glass To give the emphasis a modern update I sprayed each. Pop your backing back into certain frame right out there glass like there any glass vase the. Then we can part the letters exactly where they want them together click train We acquire do follow same team with for rest of reading text reply you close your letter. I spend thinking of outstanding small ones all gas and using them some wine glass charmsjust place them food the glasses too then shred them rock the conjunction of the. I aggravate my word later and arranged the letters in a curve than before with did demand I flipped each letterword over and traced it through to the back torment the.
    [Show full text]
  • Paycheck Protection Program Loans
    Paycheck Protection Program Loans Loan Amount Business Name Headquarters City a $5-10 million ABO LEASING CORPORATION PLYMOUTH a $5-10 million ACMS GROUP INC CROWN POINT a $5-10 million ALBANESE CONFECTIONERY GROUP, INC. MERRILLVILLE a $5-10 million AMERICAN LICORICE COMPANY LA PORTE a $5-10 million AMERICAN STRUCTUREPOINT, INC. INDIANAPOLIS a $5-10 million ASH BROKERAGE, LLC FORT WAYNE a $5-10 million ASHLEY INDUSTRIAL MOLDING, INC. ASHLEY a $5-10 million BEST CHAIRS INCORPARATED FERDINAND a $5-10 million BIOANALYTICAL SYSTEMS, INC. WEST LAFAYETTE a $5-10 million BLUE & CO LLC CARMEL a $5-10 million BLUE HORSESHOE SOLUTIONS INC. CARMEL a $5-10 million BRAVOTAMPA, LLC MISHAWAKA a $5-10 million BRC RUBBER & PLASTICS INC FORT WAYNE a $5-10 million BTD MANUFACTURING INC BATESVILLE a $5-10 million BUCKINGHAM MANAGEMENT, L.L.C. INDIANAPOLIS a $5-10 million BYRIDER SALES OF INDIANA S LLC CARMEL a $5-10 million C.A. ADVANCED INC WAKARUSA a $5-10 million CFA INC. BATESVILLE a $5-10 million CINTEMP INC. BATESVILLE a $5-10 million CONSOLIDATED FABRICATION AND CONSTRUCTORS INC GARY a $5-10 million COUNTRYMARK REFINING & LOGISTICS LLC MOUNT VERNON a $5-10 million CROWN CORR, INC. GARY a $5-10 million CUNNINGHAM RESTAURANT GROUP LLC INDIANAPOLIS a $5-10 million DECATUR COUNTY MEMORIAL HOSPITAL GREENSBURG a $5-10 million DIVERSE STAFFING SERVICES, INC. INDIANAPOLIS a $5-10 million DRAPER, INC. SPICELAND a $5-10 million DUCHARME, MCMILLEN & ASSOCIATES, INC. FORT WAYNE a $5-10 million ELECTRIC PLUS, INC AVON a $5-10 million ENVIGO RMS, LLC INDIANAPOLIS a $5-10 million ENVISTA, LLC CARMEL a $5-10 million FLANDERS ELECTRIC MOTOR SERVICE INC EVANSVILLE a $5-10 million FOX CONTRACTORS CORP FORT WAYNE a $5-10 million FUSION ALLIANCE, LLC CARMEL a $5-10 million G.W.
    [Show full text]
  • Glass Staining
    GLASS STAINING VIRACON TECH TALK Glass staining occurs when a chemical change or degradation of a glass surface occurs. This document outlines potential causes of glass staining as well as related prevention and cleaning recommendations. GLASS STAINING CAUSES OF GLASS STAINING During Construction Overall, flat glass for commercial buildings is uniquely resistant to chemical attacks and other types of deterioration. However, glass staining can occur from a reaction to acids used during new concrete cleaning, masonry runoff and prolonged water contact during storage and shipment. Glass staining implies a chemical change or degradation to the glass surface. Glass is inert to most acids, as well as other chemicals. Only phosphoric and hydrofluoric acids are harmful to glass. In concentrated form, these two chemicals will rapidly etch a glass surface. During building construction, hydrofluoric acid is often used to clean new concrete. This solution can accidentally splash onto the glass, seriously staining it in just one hour, resulting in costly glass replacement. Unlike acids, alkaline cleaning materials, such as ammonia and trisodium phosphate, will attack glass surfaces. In concentrated form, these solutions can cause serious etching. Diluted, these alkaline solutions still attack the glass but more slowly. As a result, glass surfaces should always be thoroughly rinsed after cleaning to avoid staining. Concentrated liquid cleaners used as a lubricant for gasket-glazed installations can also cause glass staining. Even though the glass is rinsed, some of the cleaner can get trapped between the gasket and the glass. This cleaner eventually seeps out, attacking the glass. As a result, it is important to use lubricants recommended by the gasket manufacturer.
    [Show full text]
  • Study of High Aspect Ratio NLD Plasma Etching and Postprocessing of Fused Silica and Borosilicate Glass Mohammed J
    This article has been accepted for inclusion in a future issue of this journal. Content is final as presented, with the exception of pagination. JOURNAL OF MICROELECTROMECHANICAL SYSTEMS 1 Study of High Aspect Ratio NLD Plasma Etching and Postprocessing of Fused Silica and Borosilicate Glass Mohammed J. Ahamed, Member, IEEE, Doruk Senkal, Student Member, IEEE, Alexander A. Trusov, Member, IEEE, and Andrei M. Shkel, Fellow, IEEE Abstract— In this paper, we report magnetic neutral loop discharge (NLD) plasma etching of fused silica (FS) and borosilicate glass (BSG), demonstrating high aspect ratio deep etch (100 µm) with vertical walls (<3° deviation from vertical). This paper for the first time presents the systematic study of FS and BSG deep etching in NLD plasma. Four different masking materials have been explored including metal, amorphous silicon, bonded silicon, and photoresist. Etch parameters were optimized to eliminate unwanted artifacts, such as micro-masking, trenching, and faceting, while retaining a high aspect ratio (up to 7:1 for FS and 8:1 for BSG). In addition, a method for sidewall roughness mitigation based on postfabrication annealing was developed, showing the sidewall roughness reduction from the average roughness (Ra) 900 to 85 nm. Further advances in deep plasma etching processes may enable the use of FS and BSG in the fabrication of precision inertial MEMS, micro-fluidic, and micro-optical devices. [2015-0078] Index Terms— Microfabrication, plasma etching, fused quartz, fused silica, glass etching, roughness reduction. I. INTRODUCTION Fig. 1. SEM images showing deep NLD plasma etched microfeatures on USED SILICA is the desired material for MEMS and (a) Fused Silica and (b) Borosilicate glass.
    [Show full text]
  • Preparation and Microstructural Analysis of High-Performance Ceramics
    © 2004 ASM International. All Rights Reserved. www.asminternational.org ASM Handbook Volume 9: Metallography and Microstructures (#06044G) Preparation and Microstructural Analysis of High-Performance Ceramics Ulrike Ta¨ffner, Veronika Carle, and Ute Scha¨fer, Max-Planck-Institut fu¨r Metallforschung, Stuttgart, Germany Michael J. Hoffmann, Institut fu¨r Keramik im Maschinenbau, Universita¨t Karlsruhe, Germany IN CONTRAST TO METALS, high-perfor- and impurities. These microstructural variables cubic ZrO2 lattice). Cubic stabilized zirconia is mance ceramics have higher hardness, lower have a strong influence on the method selected also used in as k-sensors for automobile catalytic ductility, and a basically brittle nature. Other for preparation. An example for two different converters and for p(O2) measurement in liquid general properties to note are: excellent high- ZrO2 ceramic materials is illustrated in Fig. 1 and metals. temperature performance, good wear resistance 2. Figure 1 shows the microstructure of tetrag- Because of these differences in mechanical and thermal insulation (low thermal conductiv- onal ZrO2 (TZP, or tetragonal zirconia polycrys- properties and microstructure, the ceramo- ity), as well as high resistance to corrosion and tals). This is a high-strength structural ceramic graphic preparation of TZP and CSZ is quite dif- oxidation. However, the full advantage that these used for room-temperature applications (e.g., ferent. The tough, fine-grained TZP requires materials can provide is strongly dependent on knives and scissors). Tetragonal zirconia poly- longer polishing times for the fine-polishing step composition and microstructure. crystals have a grain size less than 1 lm, an ex- with 1 and 0.25 lm diamond, while CSZ needs Most high-performance ceramics are based on tremely high bending strength ranging from 800 longer polishing times for the coarser polishing high-purity oxides, nitrides, carbides, and bo- to 2400 MPa (115 to 350 ksi), and fracture with 6 and 3 lm diamond compounds.
    [Show full text]
  • Xecutive Tch Inc
    xecutive tch Inc. Custom Etching . Your glass our engraving the Perfect Gift! Service Awards Anniversaries Celebrations Retirements Holiday Gifts Sports Trophies Baby Announcements Wedding Gifts 140 BRADFORD DRIVE, WEST BERLIN, NJ 08091-9275 TELEPHONE (856) 768-7100 • FAX (856) 768-0109 E-Mail: [email protected] www.etchit.net Etching Information Executive Etch offers dependable etching services with state-of-the-art equipment, expert craftsmanship and artistic design to create a gift or award that will long be remembered. With many years of experience we combine these essential skills with our customer relations to proudly service all your etching needs. Custom Etching The prices reflect one etching surface. This can include any text, logos, monograms or other artwork. For each addi- tional surface, add half of the original price. Example: If side one price is $26 then any additional sides would be $13.00 each. If details are not specified, etching will be done as a direct read, surface etch in the most suitable location. Deep etching is a cut into the glass about 5x deeper than surface etch. Please note that certain text or artwork may not be suitable for the deep etch process. Colored Etching Color etching is paint added to a deep etch cut to create a vivid effect. For colored etch prices refer to the deep etch category. (Charge is deep etch plus color charge) Colors available are: Gold, Silver, Black, White, Blue, Red, and Green. Required Information To properly process your order, please indicate: Logo or artwork sent, placement of etching, type of etching (direct read, see through, surface, deep or color), in hands date, rush order, PO#, sold and ship to addresses.
    [Show full text]
  • Glass Shards • Page 2
    GlassNEWSLETTER OF THE NATIONAL Shards AMERICAN GLASS CLUB www.glassclub.org Founded 1933 A Non-Profit Organization Autumn 2019 New Bedford Museum of Glass on the Move! After 3 months of heroic effort last Mt. Washington Glass Company, will relocation possible: Aaron Barr, Mary spring by a team of dedicated volun­ provide a perfect home for the muse­ Jo Baryza, Jeff Costa, David DeMello, teers, the New Bedford Museum of um, and we expect to open our new Brian Gunnison, Peggy Hooper, Maria Glass is happy to report that it has fully glass galleries there later this year. Martell, Luis Marquez, Charlie Moss, vacated its former premises and is now Heart-felt thanks to the following Andrea Natsios, Betsy Nelson, Eric making steady progress toward set­ volunteers (many NAGC members Nelson, Ross Nelson, Karen Petraglia, ting up its new gallery, library, office, among them!) who helped make our and Clint Sowle. and shop spaces in downtown New Bedford’s magnificent James Arnold Mansion! Literally thousands of ex­ amples of beautiful glass, including art glass, paperweights, early Ameri­ can glass, and studio glass by contem­ porary artists, have been carefully packed and moved to the new location, along with more than 50 massive dis­ play cases, a library of 15,000 glass reference books, and countless fasci­ nating odds and ends that help tell the story of approximately 2,500 years of glassmaking history. The mansion, which served as the residence in the 1870s and ’80s of William J. Rotch, the president of New Bedford’s famous The new home of the New Bedford Glass Museum.
    [Show full text]