Things That Linger
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ALL MY SONS a Play in Three Acts by Arthur Miller Characters: Joe Keller
ALL MY SONS a play in three acts by Arthur Miller Characters: Joe Keller (Keller) Kate Keller (Mother) Chris Keller Ann Deever George Deever Dr. Jim Bayliss (Jim) Sue Bayliss Frank Lubey Lydia Lubey Bert Act One The back yard of the Keller home in the outskirts of an American town. August of our era. The stage is hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere. Upstage is filled with the back of the house and its open, unroofed porch which extends into the yard some six feet. The house is two stories high and has seven rooms. It would have cost perhaps fifteen thousand in the early twenties when it was built. Now it is nicely painted, looks tight and comfortable, and the yard is green with sod, here and there plants whose season is gone. At the right, beside the house, the entrance of the driveway can be seen, but the poplars cut off view of its continuation downstage. In the left corner, downstage, stands the four‐foot‐high stump of a slender apple tree whose upper trunk and branches lie toppled beside it, fruit still clinging to its branches. Downstage right is a small, trellised arbor, shaped like a sea shell, with a decorative bulb hanging from its forward‐curving roof. Carden chairs and a table are scattered about. A garbage pail on the ground next to the porch steps, a wire leaf‐burner near it. On the rise: It is early Sunday morning. Joe Keller is sitting in the sun reading the want ads of the Sunday paper, the other sections of which lie neatly on the ground beside him. -
Download YAM011
yetanothermagazine filmtvmusic aug2010 lima film festival 2010 highlights blockbuster season from around the world in this yam we review // aftershocks, inception, toy story 3, the ghost writer, taeyang, se7en, boa, shinee, bibi zhou, jing chang, the derek trucks band, time of eve and more // yam exclusive interview with songwriter diane warren film We keep working on that, but there’s toy story 3 pg4 the ghost writer pg5 so much territory to cover, and so You know the address: aftershocks pg6 very little of us. This is why we need [email protected] inception pg7 lima film festival// yam contributors. We know our highlights pg9 readers are primarily located in the amywong // cover// US, but I’m hoping to get people yam exclusive from other countries to review their p.s.: I actually spoke to Diane interview with diane warren pg12 local releases. The more the merrier, Warren. She's like the soundtrack music people. of our lives, to anyone of my the derek trucks band - roadsongs pg16 generation anyway. Check it out. se7en - digital bounce pg16 shinee - lucifer pg17 Yup, we’re grovelling for taeyang - solar pg17 contributors. I’m particularly eminem - recovery pg18 macy gray - the sellout pg18 interested in someone who is jing chang - the opposite me pg18 located in New York, since we’ve bibi zhou - i.fish.light.mirror pg18 nick chou - first album pg19 received a couple of screening boa - hurricane venus pg19 invites, but we got no one there. tv Interested? Hit me up. bad guy pg20 time of eve pg20 books uso. -
"So Help Me God" and Kissing the Book in the Presidential Oath of Office
William & Mary Bill of Rights Journal Volume 20 (2011-2012) Issue 3 Article 5 March 2012 Kiss the Book...You're President...: "So Help Me God" and Kissing the Book in the Presidential Oath of Office Frederick B. Jonassen Follow this and additional works at: https://scholarship.law.wm.edu/wmborj Part of the Constitutional Law Commons Repository Citation Frederick B. Jonassen, Kiss the Book...You're President...: "So Help Me God" and Kissing the Book in the Presidential Oath of Office, 20 Wm. & Mary Bill Rts. J. 853 (2012), https://scholarship.law.wm.edu/wmborj/vol20/iss3/5 Copyright c 2012 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmborj KISS THE BOOK . YOU’RE PRESIDENT . : “SO HELP ME GOD” AND KISSING THE BOOK IN THE PRESIDENTIAL OATH OF OFFICE Frederick B. Jonassen* INTRODUCTION .................................................854 I. THE LEGAL SIGNIFICANCE OF “SO HELP ME GOD” AS HISTORICAL PRECEDENT IN THE PRESIDENT’S INAUGURATION ...................859 A. Washington’s “So Help Me God” in the Supreme Court ..........861 B. Newdow v. Roberts.......................................864 II. THE CASE AGAINST “SO HELP ME GOD”..........................870 A. The Washington Irving Recollection ..........................872 B. The Freeman Source ......................................874 C. Two Conjectural Arguments for “So Help Me God” Discredited ...879 D. One More Conjecture .....................................881 III. THE EVIDENCE THAT WASHINGTON KISSED THE BIBLE ..............885 A. First-Hand Accounts of the Biblical Kiss ......................885 B. The Subsequent Tradition ..................................890 1. Andrew Johnson......................................892 2. Ulysses S. Grant......................................892 3. Rutherford B. Hayes...................................893 4. James A. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
THE FABULOUS BAKER BOYS" an Original Screenplay by Steve Kloves
"THE FABULOUS BAKER BOYS" An Original Screenplay by Steve Kloves WARNER BROS.INC. 4000 Warner Boulevard Burbank, California 91522 April, 1985 (C) 1985 WARNER BROS. INC. All Rights Reserved "THE FABULOUS BAKER BOYS" FADE IN: JACK BAKER is standing before a dirty window, looking out at a dirty city street. He is wearing a tuxedo. VOICE (O.S.) Hey. WIDEN ANGLE It's the GIRL from this afternoon. JACK Hey. Jack looks at the Girl, sleepy and warm under the bedcovers, then at the rest of the apartment. Not good. GIRL Whatcha doin' over there? JACK Gotta go. GIRL How come? JACK Job. The Girl glances at the bedside clock. GIRL Funny hours. JACK Funny job. GIRL Will I see you again? Jack looks out at the dirty street again. JACK No. The Girl doesn't appear terribly unnerved by this. GIRL (at the tux) You weren't wearing that, were you? Earlier. Jack shakes his head, taps a brown paper bag on the sill. JACK Brought it. GIRL Shit, thank God. You look like a creep. JACK Thanks. GIRL I mean, I'd hate to think I'd pick up someone who wore that shit. Jack smiles, grabs the paper bag, and moves to the door. GIRL (continuing) Hey. (as he stops) You got great hands. EXT. STREET - JACK Jack ain't exactly Cary Grant, but any guy wearing a tux on these streets doesn't exactly mesh with the milieu. Pausing for a flask of whiskey at an all-night liquor store, he breaks the seal before he hits the sidewalk and moves on, drinking as he goes. -
Stories of the Fallen Willow
Stories of the Fallen Willow by Jessica Noel Casimir Senior Honors Thesis Department of English and Comparative Literature April 2020 1 dedication To my parents who sacrifice without hesitation to support my ambitions, To my professors who invested their time and shared their wisdom, And to my fellow-writer friends made along the way. Thank you for the unconditional support and words of encouragement. 2 table of contents Preface…………………………………………………………………………….4 Sellout……………………………………………………………………………..9 Papercuts…………………………………………………………………………24 Static……………………………………………………………………………...27 Dinosaur Bones………………………………………………………………..…32 How to Prepare for a Beach Trip in 4 Easy Steps………………………………..37 A Giver…………………………………………………………………………...39 Hereditary………………………………………………………………………...42 Tomato Soup…………………………………………………………………...…46 A Fair Trade………………………………………………………………………53 Fifth Base…………………………………………………………………………55 Remembering Bennett………………………………………………………….…60 Yellow Puddles……………………………………………………………………69 Head First…………………………………………………………………...…….71 3 preface This introduction is meant to be a moment of honesty. So, I’ll be candid in saying that this is my eighth attempt at writing it. I’ve started and stopped, deleted and retyped, closed my laptop and reopened it. Never in my life have I found it this difficult to write, never in my life has my body physically ached at the thought of sitting down and spending time in my own headspace. Right now, my headspace is the last place on earth I want to be. I’ve decided that this will be my last attempt at writing, and whatever comes out now will remain on the page. I am currently sitting on my couch under a pile of blankets, reclined back as far as my seat will allow me to go. My Amazon Alexa is belting music from an oldies playlist, and my dad is sitting at the kitchen table singing along to “December, 1963” by The Four Seasons as he works. -
Official Thesis (Work)
MONSTERS IN THE EAST ! An Undergraduate Research Scholars Thesis by MASON LYLE MORGAN ! Submitted to Honors and Undergraduate Research Texas A&M University in partial fulfillment of the requirements for the designation as an ! UNDERGRADUATE RESEARCH SCHOLAR ! Approved by Research Advisor: Dr. Nathan Bracher ! May 2014 ! Major: English ! ! ! TABLE OF CONTENTS Page ABSTRACT………………………………………………………………………………… 1 CHAPTER I INTRODUCTION…………………………………………………………. 2 II LITERATURE REVIEW………………………………………………….. 5 III MONSTERS IN THE EAST………………………………………………. 10 IV CONCLUSION……………………………………………………………. 50 REFERENCES…………………………………………………………………………… 52 ! ! ! ! ! ! ! ABSTRACT Monsters In The East. (May 2014) Mason Lyle Morgan Department of English Texas A&M University ! Research Advisor: Dr. Nathan Bracher Department of International Studies ! This research is an attempt to implement various artistic aesthetics inspired by the world wars into a fictional narrative focused an artist’s struggle in wartime. Works by Tristan Tzara, William Burroughs, Andre Breton, Hugo Ball, and Jack Kerouac were read to provide aesthetic and structural inspiration. The goal of the project was, by analyzing and replicating the styles and subject matter of these artists, to put the reader into the mindset of an artist experiencing traumatic events and thus understand how war affects art. ! ! ! ! ! ! "1 INTRODUCTION Art is difficult to define. An obvious definition is an object that demands admiration, such as a painting or a sculpture, while art can also define great workmanship, such as the ‘art’ of carpentry. Some may even define science itself as an art. Given the word’s multiple applications, people often believe it is easier to define what isn’t art, but this is an equally unfriendly approach. By nature, art is subjective; what some find beautiful may repulse others. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
William Parker African and African American Studies Department Fordham University
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 2018 William Parker African and African American Studies Department Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Fordham University, African and African American Studies Department, "William Parker" (2018). Oral Histories. 311. https://fordham.bepress.com/baahp_oralhist/311 This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: William Parker Interviewers: Lisa Betty, Mark Naison, Sarah Cavanagh, Third Interviewer (?) Session 1, 12/08/2017 Transcriber: Bailey Barnett Dr. Mark Naison (MN): Welcome, William Parker, to the Bronx African American History Project. William Parker is a legendary and innovative jazz bassist [turning to William Parker] and we’re very glad to have you here. So, we begin our oral interviews by asking: tell us a little bit about your family and how they ended up in the Bronx. William Parker (WP): Okay. My mother, Mary Louise Jefferson, was born in Hardenberg, South Carolina, and my father, Thomas Parker, Deutsch Parker, was born in Goldsboro, North Carolina. I believe they met up here in New York, at the Savoy Manor or the Audubon Ballroom, I think it was the Savoy Manor, listening to music, jazz. MN: Right. WP: And they were married, and eventually [they] got an apartment at 1351 Washington Avenue, Bronx, between, it’s like, 169th Street and 168th Street. -
Border Crossing Brothas: a Study of Black Bermudian Masculinity, Success, and the Role of Community-Based Pedagogical Spaces
DOUGLAS, TY-RON MICHAEL O’SHEA, Ph.D. Border Crossing Brothas: A Study of Black Bermudian Masculinity, Success, and the Role of Community-based Pedagogical Spaces. (2012) Directed by Dr. Camille M. Wilson. 289 pp. Using qualitative research methods and an amalgamation of border crossing theory and postcolonial theory within the context of race, this dissertation study examined how Black Bermudian males form identities, define success, and utilize community-based pedagogical spaces (i.e. barbershops, churches, sports/social clubs, neighborhoods) to cross literal and figurative borders. Drawing on data from 12 Bermudian Black males who were active participants in community spaces, this study challenges educators to consider how the disturbing statistics on Black male failure and the perceived achievement gap between White students and students of color may be influenced by tensions between dominant ideologies of success, the under appreciation of community-based pedagogical spaces by educational stakeholders, and competing conceptualizations of identity, success, and masculinity for Black males. BORDER CROSSING BROTHAS: A STUDY OF BLACK BERMUDIAN MASCULINITY, SUCCESS, AND THE ROLE OF COMMUNITY-BASED PEDAGOGICAL SPACES by Ty-Ron Michael O’Shea Douglas A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2012 Approved by Committee Chair © 2012 Ty-Ron Michael O’Shea Douglas To the memories of Ivy “Ma” Richardson, “Granny Mary” Wilkinson, Henry “Papa” Thomas, Louise “Nana Louise” Jackson, Bernard “Uncle Jack” Jackson, Mandell “Hillside” Hill, Mother Burruss, and Ronald Burruss—men and women whose lives, legacies, and love inspired me to be a border crosser and bridge across time and space. -
Mabel John He's a Fine Young-Uh A-Healthy Man My Every Wish Is His
Who Wouldn’t Love a Man Like That – Mabel John He's a fine young-uh a-healthy man My every wish is his command Well, he's sweet as he can be He looks at no other woman but me Now tell me who-who-who, who wouldn't Who wouldn't love a man like that He gives me faith, a-hope and happiness He never says good night without a kiss He makes me smile when I'm blue Now, he's no doctor but he knows what to do Now tell me who-who-who, who wouldn't Who wouldn't love a man like that (Aa-aa-aa) He gives me money, says "Go have real fun Just come back to me when you are done" "Baby baby, don't you lift a hand I don't even want you to open a can" He's the kind who don't fuss and fight I may be wrong but to him I'm right Heee, he likes to see me in dress He buys me nothing but the very very best Now tell me who-who-who, who wouldn't Who wouldn't love a man like that (Aa-aa-aa) He gives me money, says "Go have real fun Just come back to me when you are done" "Baby baby, don't you lift a hand I don't even want you to open a can" He's the kind who don't fuss and fight I may be wrong but to him I'm right Yeeah, he likes to see me in dress He buys me nothing but the very very best Now tell me who-who-who, who wouldn't Who wouldn't love a man like that I do I really love a man like that I really love a man like that You know I really love a man like that I really love a man like that Money (That's What I Want) - Barrett Strong The best things in life are free But you can give then to the birds and bees I need money (that's what I want) That's what I want (that's -
Chipotle Coming Soon to Forbes Brian Trimboli Other Students Are More News Editor Ambivalent
SCITECH SPORTS PILLBOX Prepare for the upcoming BOC and TOC • B Section Using big data for brain research • A4 Women’s soccer team excels • A10 Boyhood captures coming of age • C6 thetartan.org @thetartan September 8, 2014 Volume 109, Issue 3 Carnegie Mellon’s student newspaper since 1906 CMU launches global brain initiative Chipotle coming soon to Forbes BRIAN TRIMBOLI Other students are more News Editor ambivalent. “There’s already a Chipot- Although many students le 30 seconds from my house, grieved at the loss of the Pan- so it doesn’t really matter ther Hollow Inn, a local bar, for me,” said Brian Lee, a ju- over the summer, they may nior economics and statistics now have something else to major. look forward to: Winthorpe Vira Shao, a junior Chi- Valentine, LP, which bought nese studies and psychology 4611 Forbes Ave. after it was double major, had her doubts sold last year, has filed plans about the upcoming Chipo- with the Department of City tle. “I’m happy I don’t have Planning to put a Chipotle to walk all the way down to Mexican Grill in the former Chipotle, but I’m pretty am- bar’s location. bivalent,” Shao said. “Here’s Chipotle Mexican Grill, one thing: I think that from a which last year celebrated its business standpoint, they’re 25-year anniversary, serves a making a very poor choice. variety of Mexican-inspired Because yes, that Chipotle foods, including tacos and will recoup a lot of money re- burritos. ally, really quickly, but alco- It was announced in May hol sells more.