Archeologia, Storia Dell'arte, Del

Total Page:16

File Type:pdf, Size:1020Kb

Archeologia, Storia Dell'arte, Del Sede Amministrativa: Università degli Studi di Padova Dipartimento dei Beni Culturali: Archeologia, Storia dell’Arte, del Cinema e della Musica ___________________________________________________________________ SCUOLA DI DOTTORATO DI RICERCA IN : Studio e Conservazione dei Beni Archeologici e Architettonici CICLO: XVII “ L’Università di Padova in Egitto. Analisi e ricostruzione dello scavo a Tebtynis attraverso la documentazione inedita ” Direttore della Scuola : Ch.mo Prof. Giuseppe Salemi Supervisore : Ch.mo Prof. Paola Zanovello Dottorando : Giulia Deotto 1. Indice 1 Indice 1. Indice pag. 3 2. Finalità della ricerca pag. 9 3. Carlo Anti e l’Egitto: studio dell’attività scientifica del professore 3.1. Carlo Anti prima della Missione Archeologica in Egitto: spunti per una ricerca sullo studio dell’Egitto Antico nell’ambito delle discipline classiche pag. 10 3.1.1 Brevi cenni biografici pag. 10 3.1.2 Elenco delle opere e degli scritti di Carlo Anti pag. 15 3.2. La Missione Archeologica Italiana in Egitto (1928-1930) pag. 22 3.2.1 L’archeologia italiana in Egitto prima di Anti: dal Museo Greco- Romano di Alessandria alla Missione di Schiaparelli e alla Società Italiana per la Ricerca dei papiri. pag. 22 3.2.2 La Missione Archeologica Italiana in Egitto con Carlo Anti: gli esordi pag. 26 3.2.3 Primi passi nella terra del Nilo: Anti e gli altri studiosi italiani presenti in Egitto pag. 42 3.2.4 I fondi della Missione all’inizio della ricerca pag. 45 3.2.5 Il resoconto finanziario della campagna 1928-1929 pag. 51 3.2.6 La missione a Menshiah attraverso le fotografie pag. 65 3.2.7 Carlo Anti e la Valle delle Regine (Bab el-Harim) nel 1929 pag. 75 3.3. Lo scavo a Tebtynis e la Missione Archeologica (1930 – 1936) pag. 85 3.3.1 Il sito pag. 85 3.3.2 La storia degli studi del sito archeologico prima dell’arrivo di Carlo Anti pag. 87 3.3.3. Carlo Anti e Tebtynis: le motivazioni di uno scavo pag. 88 3 1. Indice 3.3.4. Carlo Anti e Tebtynis: cenni di storia delle indagini pag. 96 3.3.5 Breve inquadramento di Tebtynis alla luce delle ultime indagini pag. 98 3.3.5.1 L’abitato pag. 100 3.3.5.2 Il tempio pag. 102 3.3.5.3 Il dromos pag. 103 3.3.5.4 Le necropoli pag. 103 4. L’archivio 4.1 Materiali, storia e vicende dell’archivio di un professore pag. 104 4.1.1. La storia dell’archivio pag. 104 4.1.1.1. Il momento formativo pag. 104 4.1.1.2. La fase di deposito pag. 105 4.1.1.3. La fase di analisi storica pag. 105 4.1.2. Il momento formativo dell’archivio pag. 105 4.1.3 La revisione dell’intero archivio Anti nel Secondo Dopoguerra pag. 107 4.1.4 La fase di deposito. Luigi Polacco e l’archivio pag. 108 4.2. I luoghi dell’archivio e il censimento delle evidenze: la fase di analisi storica pag. 110 4.2.1. L’Istituto Veneto di Scienze Lettere ed Arti pag. 110 4.2.1.1 La sede e il fondo Anti Polacco pag. 110 4.2.1.2 Ipotesi di ricostruzione del fondo Anti presso l’Archivio dell’Istituto Veneto pag. 113 4.2.2. Il Museo di Scienze Archeologiche e d’Arte dell’Università pag. 115 4.2.2.1 La sede e il fondo Anti pag. 115 4.2.2.2 Ipotesi di ricostruzione del fondo Anti presso il Museo pag. 117 4.3. Metodologia di indagine per la ricostruzione dell’ordinamento dell’archivio pag. 119 4.4. Ipotesi di ricostruzione della metodologia di archiviazione pag. 120 4.4.1. I resoconti amministrativi pag. 120 4.1.2 Attività di Studio pag. 121 4.1.3 Corrispondenza pag. 122 4.1.4 Il materiale didattico: le diapositive e il loro confronto con appunti 4 1. Indice di lezioni e conferenze pag. 122 4.5. Gli archivi correlati pag. 123 4.6 Il confronto con un archivio correlato: l’archivio Bagnani in Canada pag. 125 5. Il catalogo dei documenti: realizzazione del database 5.1. Catalogazione di un archivio di scavo: alcune riflessioni preliminari e il benchmarking delle ricerche pag. 127 5.2. La schedatura: normative e repertori vigenti pag. 128 5.3 Il modello della scheda approntato pag. 130 5.4 Progettazione e realizzazione del database di uno scavo in Egitto pag. 139 5.5 Gli altri software utilizzati per l’elaborazione dei documenti presenti nel database pag. 140 6. Strumenti e tecniche per la digitalizzazione dell’archivio Anti per Tebtynis 6.1. L’acquisizione delle riprese fotografiche e delle diapositive pag. 141 6.1.1 La digitalizzazione delle fotografie pag. 141 6.1.2 Gli strumenti impiegati da Carlo da Anti nella storia della fotografia pag. 143 6.1.3 Le fotografie acquisite: tipologie riscontrate in archivio pag. 149 6.1.4. La fotografia nell’ambito del lavoro svolto: metodi per ricostruire la ricerca attraverso il dato archivistico pag. 154 6.1.4.1 Il contesto, le strutture, i reperti: il metodo Anti pag. 154 6.1.4.2 Analisi dell’oggetto e del contesto archivistico per la ricostruzione dell’indagine pag. 156 6.1.4.3 Ricostruzione della sequenza fotografica: le fotografie nel proseguo dei lavori di scavo pag. 157 6.2. La rilevazione di planimetrie, rilievi e piante di Tebtynis pag. 159 6.2.1. Il materiale rintracciato: prima acquisizione pag. 159 6.2.2. Brevi cenni sui rilievi di Tebtynis: materiali, équipe, metodologie di lavoro pag. 161 6.2.3. Metodologia impiegata per la digitalizzazione pag. 168 5 1. Indice 6.2.4. Analisi compiute sulle piante e sui rilievi pag. 171 6.3 L’acquisizione e digitalizzazione dei carteggi dell’archivio pag. 171 6.3.1 Brevi cenni sui documenti: tecniche, strumenti, prassi pag. 173 6.3.2 Un caso di studio per la ricostruzione delle attività: i diari di scavo dal 1930 al 1932 pag. 177 6.3.3 Ridar voce allo scavo attraverso i carteggi: casi di studio scelti e confronti affrontati pag. 177 6.4 Il filmato pag. 179 6.4.1. Le tecnologie impiegate pag. 180 6.4.2. Analisi dei contenuti attraverso i software pag. 181 6.4.3 Considerazioni conclusive sul filmato: il metodo Anti pag. 183 6.5 Il confronto con i reperti pag. 184 6.5.1 Metodologie e analisi dei materiali pag. 190 6.5.2 Lo studio delle provenienze pag. 192 6.5.3 Lo studio delle provenienze: il confronto tra i documenti d’archivio e i reperti archeologici per il flauto di Pan dell’Università pag. 193 7. Analisi e studio dei documenti: la ricostruzione dello scavo attraverso la documentazione d’archivio pag. 196 7.1 La campagna del 1930 pag. 197 7.1.1. Prima del viaggio pag. 197 7.1.2. Il Cairo: visite ufficiali e monumenti pag. 199 7.1.3. Tebtynis e le prime indagini nel sito: inquadramento dello scavo del 1930 pag. 204 7.1.4 Le case Breccia pag. 215 7.1.5. Lo Scavo Nuovo pag. 219 7.1.6 I rilievi delle case a Tebtynis pag. 249 7. 1.7 Altri edifici indagati : la casa popolare (o casa del Pescatore) pag. 260 7.1.8. Il peristilio pag.270 7.1.9. I reperti rinvenuti nelle operazioni di scavo pag. 272 6 1. Indice 7.1.10. Le necropoli pag. 276 7.2 La campagna del 1931 pag. 288 7.2.1 Prima dello scavo: l’arrivo in Egitto pag. 288 7.2.2. Lo scavo a Tebtynis pag. 291 7.2.3 Lo scavo prima della scoperta del vestibolo pag. 294 7.2.4 Lo scavo del tempio di Soknebtynis pag. 330 7.2.5 Il vestibolo pag. 331 7.2.6 Il temenos e l’interno del tempio pag. 341 7.2.7 La basilica del 1931 pag. 362 7.2.8 I reperti del 1931 pag. 363 7.3 La campagna del 1932 pag. 404 7.3.1 L’arrivo in Egitto nel 1932 pag. 404 7.3.2 L’inizio dello scavo pag. 407 7.3.3 Il tempio pag. 408 7.3.4 L’altare pag. 417 7.3.5 La vasca del coccodrillo sacro pag. 419 7.3.6 Il boschetto sacro pag. 422 7.3.7 Il secondo portale pag. 423 7.3.8 La fornace da calce pag. 424 7.3.9 I sondaggi nelle aree già scavate: deipneterion interno, celle, piloni e la revisione dello scavo pag. 425 7.3.10 I reperti del 1932 pag. 432 7.3.11 Le escursioni nel territorio pag. 435 7.4 Gli anni successivi a Tebtynis dall’Italia pag. 438 8. Linee conclusive 8.1. L’èquipe pag. 446 8.2. Il reperimento dei fondi e i registri contabili pag. 452 8.3. Il rapporto con le autorità egiziane pag. 454 8.4 Metodologia di scavo pag. 455 7 1. Indice 8.5. Lo svolgimento delle indagini: dati ottenuti e interpretazioni fornite pag. 462 8.6. Lo stoccaggio e lo studio dei reperti pag. 471 8.7. Il caso dei papiri di Tebtynis pag. 473 8.8. Storia di uno scavo prima, durante e dopo la Guerra. pag. 477 9. Bibliografia pag. 478 10. Apparati pag. 491 8 2. Finalità della ricerca 2 Finalità della ricerca Il primo obiettivo della presente ricerca è stato quello di individuare l’attuale collocazione dei documenti che facevano parte dell’archivio Anti, per poterli poi digitalizzare, catalogare e studiare. Le attività di indagine miravano infatti a ricostruire lo scavo svolto da Carlo Anti e dalla sua équipe presso il sito di Tebtynis, l’attuale Umm el-Breigat in Egitto.
Recommended publications
  • On the Orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna
    On the orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna To cite this version: Amelia Carolina Sparavigna. On the orientation of the Avenue of Sphinxes in Luxor. Philica, Philica, 2018. hal-01700520 HAL Id: hal-01700520 https://hal.archives-ouvertes.fr/hal-01700520 Submitted on 4 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. On the orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna (Department of Applied Science and Technology, Politecnico di Torino) Abstract The Avenue of Sphinxes is a 2.8 kilometres long Avenue linking Luxor and Karnak temples. This avenue was the processional road of the Opet Festival from the Karnak temple to the Luxor temple and the Nile. For this Avenue, some astronomical orientations had been proposed. After the examination of them, we consider also an orientation according to a geometrical planning of the site, where the Avenue is the diagonal of a square, a sort of best-fit straight line in a landscape constrained by the presence of temples, precincts and other processional avenues. The direction of the rising of Vega was probably used as reference direction for the surveying.
    [Show full text]
  • Nr. 31/1, 2011
    31/1 31. 31. J UNI 2 0 1 1 ÅRGANG PAPYRUS Æ GYPTOLOGISK T IDSSKRIFT Indhold PAPYRUS 31. årgang nr. 1 2011 ENGLISH ABSTRACTS The triads of Mycerinos Johnny Barth Everyone interested in ancient Egypt is familiar with at least one of the triads of Mycerinos. Superb works of art, some in mint condition – but questions about them remain to be asked, in particular as to their original number and significance. The author assesses the evidence. Late 18th dynasty harems Lise Manniche The Amarna correspondence reveals exciting aspects of the rhetoric among sovereigns in the Near East in the late 18th dynasty, and it also provides a unique insight into human resources in the institution of an Egyptian harem. Pictorial and other evidence, however disjointed, adds to our understanding of its significance which was not solely aimed at the sexual gratification of the king of Upper and Lower Egypt. Mummy bandages in Danish Collections Thomas Christiansen A much neglected source of copies of chapters of the Book of the Dead is to be found on mummy bandages from the very end of the pharaonic period to the first Haremsbeboer: kvinde ved navn Tia, “amme” for prinsesse Ankhesenpaaten. century AD. For technical and other reasons their artistic qualities do not compete with those on papyrus, Blok fra Aten-templet i Amarna, nu i Metropolitan Museum of Art, New but they are nevertheless of interest as a niche medium York (foto LM). for conveying a message important to Egyptians at the time. The author presents examples from the Ny Carlsberg Glyptotek, the National Museum and the Carlsberg Papyrus Collection in Copenhagen.
    [Show full text]
  • E-Newsl 2021 L 15 Two New Egyptian Galleries in The
    e-News l 2021 l 15 Editorial and overall general communication. All Paris this year. Even though many places of this has been discussed at our CIPEG are slowly returning to more normal — Tine Bagh board meetings and we have begun circumstances, we anticipate that it will The CIPEG Winter/Spring 2020-21 implementing various improvements. still take some time till we can again The more detailed report of the results travel as we would like and intermingle ince the last CIPEG e-News we have of the survey will be posted on the at conferences. The CIPEG Annual S twice asked for your help. First was CIPEG webpage. Thank you all for your Meeting 2021 will therefore again our membership survey, sent out after participation. take place online, via Zoom, on 5-7 our Annual Meeting in November 2020 November 2021. The Sudan exhibition to members as well as to non-members. The second was in February this year, as at the Louvre has been postponed to The purpose of this survey was to help part of the wider ICOM survey, when all 2022, but we want to keep the Sudan improve our services and offerings, be ICOM Committees, Regional Alliances theme in anticipation of its opening. more responsive to the needs of current and Affiliated Organizations were The theme will accordingly be ‘Egypt, members and develop new ways to asked to participate in the preparations Sudan and abroad’, and there will be grow our membership. We received 152 for the work on the new museum a panel discussion within the meeting responses from some 23 countries (62% definition.
    [Show full text]
  • House of Eternity: Tomb of Nefertari
    20 HOUSE OF ETERNITY beyond the broad and the thermal stress of hot days and swath of cultivation cold nights. Such forces of nature broke down the rock still more into scree that between the river now rings the bases of the cliffs. In this and the Libyan plateau. desolate region lie the world-famous ceme­ The plateau is a vast desert region teries of western Thebes: the Valley of that extends westward from the Nile more the Kings, the Tombs of the Nobles, and than a thousand miles. Made of fossil-rich the Valiey of the Queens. limestone laid down by incursions of Placing their cemeteries to the west Previous page: ancient seas, it stretches from magnificent was instinctive for the ancient Egyptians, A view across the cliffs formed over millennia by the mean­ who localized the netherworld in the land river Nile toward derings of the river. Innumerable bays and of the setting sun. This association took western Thebes. canyons have been etched by wind, sand, on particular meaning in Thebes because Kadesh The main wadi in the • Valley of the Queens ME DITER R ANEAN SEA showing some of the tombs of queens and royal children. Nefertari's tomb is indicated. Photo: A. Siliotti. LOW E R E GYPT u P PER E GYPT VALLEY OF THE QUEENS ( Aswan High Dam THE VALLEY OF THE QUEENS Thebes - in the work­ a benchmark ever since. men's village at Deir el­ Schiaparelli and his Medineh and in the assistant Francesco Valley of the Queens. Ballerini assigned num­ of the great western peak of Qurna, by far 1906, ERNESTO SCHIAPARELLI In while work­ bers to all the tombs in the most prominent landmark around.
    [Show full text]
  • Newsletter Egypt and Sudan
    Newsletter Egypt and Sudan Issue 5, 2018 Introduction Neal Spencer Keeper, Department of Ancient Egypt and Sudan In 1972, fifty years after the tomb of Tutankhamun was discovered, fifty objects from the king’s burial were displayed at the British Museum in a special exhibition, attracting 1.7 million visitors over nine months. Such visitor numbers remain unheard of today, though a new record has just been set for a touring British Museum exhibition. The Hong Kong Science Museum welcomed over 850,000 visitors to Egyptian mummies: exploring ancient lives last summer. Such exhibitions take years of planning, and the last weeks have seen us send the latest group of Egyptian mummies to a London hospital for dual-energy CT-scanning. While the scanning will reveal new insights into the ancient individuals, some will undoubtedly become the stars of future exhibitions, whether in Bloomsbury or beyond. Back at the British Museum, the Roxie Walker Galleries of Egyptian Funerary Archaeology (Rooms 62–63) were updated with new displays to reflect the fast-changing world of bioarchaeological research, while nearby a rare queen’s diadem was put on display, a three-year loan from the al-Sabah collection. Other contributions in this newsletter highlight collections research and conservation, fieldwork and training programmes. As 2017 drew to a close, the British Museum was awarded two major grants. The Cultural Protection Fund will support a project entitled Circulating Artefacts: a cross-platform alliance against the looting of pharaonic antiquities, working with colleagues in Egypt and Sudan to track objects circulating on the art market and in private collections – this will also be a fantastic research resource.
    [Show full text]
  • Southampton Ancient Egypt Society
    The newsletter of The HOTEP Southampton Issue 16: February 2017 Ancient Egypt 2017 Society Review of the January meeting All our speakers are made well aware On Saturday 21 January we welcomed of the length of our meetings at the time of Alan Reiblein, from Manchester, to talk booking and are asked to prepare a 90- about Egyptian Wall Painting. He started minute presentation. From his website it by explaining how there was a wealth of out- appeared that Alan was an experienced of-copyright material available free of charge speaker but his talk was of barely one hour’s from the American Library of Congress which duration and not as well illustrated as it could had provided him with many translations of have been. When it finished at 3.30 I tried to ancient and Classical texts. Alan used extracts extend the afternoon by means of questions from these to give us an overview of how and some input of my own but I suspect that Egyptian art was viewed by the Greeks and some members of the audience, which how Classical appreciation of non-Greek art included several visitors who had been drawn influenced the way modern scholars have to the Society by the appeal of the subject, interpreted Egyptian styles, especially the will have gone away disappointed. If you have conventions regarding the portrayal of the had a good, or bad, experience with a talk we human figure. He compared the similar would be glad to know because personal conventions of representing three-dimensional recommendation is the best guarantee of objects in two dimensions adopted by other finding the best speakers and avoiding the contemporaneous societies.
    [Show full text]
  • Queen Nefertari's Tomb
    This exhibition celebrates the role of women—goddesses, queens, and artisans—in Egypt’s New Kingdom period (c. 1539–1075 BCE), when Egyptian civilization was at its height. These women, including great royal wives, sisters, daughters, and mothers of pharaohs, are brought to life through refined statues, exquisite jewelry and personal objects, votive steles, stone sarcophagi, and painted coffins, as well as items of daily life from the artisan village of Deir el-Medina, home to the craftsmen who built the royal tombs. Drawn from the Museo Egizio in Turin, Italy, one of the most important and extensive collections of ancient Egyptian works in the world, these treasures showcase the legacy of these amazing women—whose status often verged on divine—and also trace the journey of discovery made by the Italian archaeologist Ernesto Schiaparelli on the banks of the ancient Nile. Nefertari, whose name means “beautiful companion,” was one of the most celebrated queens of ancient Egypt and the favorite wife of pharaoh Ramesses II (reigned 1279 –1213 BCE). Until the early 1900s, Nefertari was known only through a few sculptures, tomb paintings, and hieroglyphs related to Ramesses II. In 1904, Schiaparelli, then director of the Museo Egizio, discovered her tomb—the most richly decorated in the Valley of the Queens—establishing Nefertari’s revered status. Although the contents had been looted in ancient times, the brilliant murals decorating the tomb depict the perilous journey Nefertari had to make on her path to immortality. Schiaparelli made other significant discoveries in the village of Deir el-Medina that reveal what daily life would have been like for the artisans who constructed Nefertari’s magnificent tomb.
    [Show full text]
  • Colloquium Abstracts Asyut Through Time: Conflict and Culture in Middle
    Colloquium abstracts Asyut through time: conflict and culture in Middle Egypt The Annual Egyptological Colloquium Thursday 20 July and Friday 21 July 2017 BP Lecture Theatre, British Museum Asyut, rural shrines, and the rise of anthropological context rarely preserved in the the Coptic Church Egyptian Nile valley: a middle-sized provincial Phillip Booth, University of Oxford town combined with its hinterland in a continuous Starting from an unpublished text attributed to historical setting accessible for research. Constantine, Bishop of Asyut (c. AD 600) – the Our presentation will report on the first three field First Encomium on Saint John of Heraclea – this seasons, focusing on the documentation of Shutb’s paper explores the connection between rural ancient heritage in relation to the surrounding saints' shrines within the region of Asyut and the landscape. ascendant anti-Chalcedonian ('Coptic') episcopate founded in the late 570s, of which Constantine was Objects in context: the Turin Museum a prominent member. It first of all highlights the excavations in Asyut (1906–1913) extensive production of texts which Constantine Paolo Del Vesco, Museo Egizio and his episcopal colleagues within the region Ernesto Schiaparelli and his Missione produced in this period, and the pressing need to Archeologica Italiana (MAI) carried out seven edit their neglected Arabic corpora. But it also fieldwork seasons in Asyut between 1906 and argues that these same bishops were promoting 1913 and brought back to Italy more than 3,000 the region's rural shrines in competition with their objects, including human remains. All the artefacts Chalcedonian rivals, who still dominated the cities. are still awaiting complete assessment, study and In this, these bishops attempted to mark out the publication.
    [Show full text]
  • Bothmer, Bernard V. Egypt 1950. My First Visit. Edited by Emma Swan
    01 BVB frontmatter FINAL Page i Saturday, November 15, 2003 10:56 PM M Y FIRST VISIT EGYPT 1950 MY FIRST VISIT i 01 BVB frontmatter FINAL Page ii Saturday, November 15, 2003 10:56 PM E GYPT 1950 Bernard V. Bothmer at age 38 (1912–1993) ii 01 BVB frontmatter FINAL Page iii Saturday, November 15, 2003 10:56 PM M Y FIRST VISIT Egypt 1950 My First Visit BY BERNARD V. BOTHMER Edited by Emma Swan Hall Oxbow Books 2003 iii 01 BVB frontmatter FINAL Page iv Saturday, November 15, 2003 10:56 PM E GYPT 1950 A CIP record for this book is available from the British Library This book is available direct from Oxbow Books, Park End Place, Oxford OX1 1HN (Tel: 01865-241249; Fax: 01865-794449) www.oxbowbooks.com and The David Brown Book Company PO Box 511 Oakville CT 06779 (Tel: 860-945-9329; Fax: 860-945-9468) www.davidbrownbookco.com Typeset in Centaur Typeset, designed, and produced by Peter Der Manuelian ISBN 1-842170131-3 © 2003 Emma Swan Hall All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or mechanical, including photocopy, without prior permission in writing from the publisher Printed in the United States of America by Sawyer Printers, Charlestown, Massachusetts Bound by Acme Bookbinding, Charlestown, Massachusetts iv 01 BVB frontmatter FINAL Page v Saturday, November 15, 2003 10:56 PM M Y FIRST VISIT CONTENTS List of Photographs . vii Foreword . xiii Preface . xv Titles of Egyptian Officials .
    [Show full text]
  • Ernesto Schiaparelli and the Italian Archaeological Mission (MAI): Predynastic Egypt at Museo Delle Antichità Egizie (Turin, Italy)
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/337276430 Ernesto Schiaparelli and the Italian Archaeological Mission (MAI): Predynastic Egypt at Museo delle Antichità Egizie (Turin, Italy) Chapter · January 2017 CITATIONS READS 0 63 1 author: Federica Ugliano Università di Pisa 12 PUBLICATIONS 24 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: 'Secrets of the Ancient Egyptian embalmers: an archaeological, historical and scientific investigation of the origins and development of mummification'. View project All content following this page was uploaded by Federica Ugliano on 16 August 2021. The user has requested enhancement of the downloaded file. ERNeSTO SCHIAPAReLLI AND THe ITALIAN ARCHAeOLOGICAL MISSION (MAI): PReDYNASTIC EGYPT AT Museo delle ANTICHITà EGIZIE (TURIN, ITALY) FEDERICA UGLIANO Università di Pisa, Italy The focus of this paper is the Predynastic collection gathered by the Italian Egyptolo- gist Ernesto Schiaparelli (1856-1928) through his purchases on the antiquarian market and archeological excavations in Egypt as the leader of the MAI (Italian Archaeologi- cal Mission). The collection is now stored and on display in the Turin Museum – Museo delle Antichità Egizie, Torino, Italy. Schiaparelli never published extensively the results of his excavations in Predynastic sites such as Gebelein and Hemamieh, and most of his fieldwork records are still unedited. After briefly summarising the nature of the Predynastic collection and the work of the MAI in Egypt, the author presents the case study of the so-called “prehistoric village” of Heliopolis. Introduction The Turin Egyptian Museum houses one of the largest collection of Egyptian antiquities in the world; it covers almost all the different aspects and periods of Egyptian history, from the Predynastic to the Graeco-Roman era.
    [Show full text]
  • 'The Egyptian Campaign'
    ‘THE EGYPTIAN CAMPAIGN ’ An Exhibition in Turin Celebrates the Archaeological Adventures of Ernesto Schiaparelli 1903-1920 by Lucy Gordan-Rastelli ntil September 10, 2017, the Egyptian Museum in Turin, Italy, is featuring a multi-media exhibition titled “Missione Egitto 1903-1920: L’avventura archeologica M.A.I. raccon - tata.” The title is a clever play on words. M.A.I. stands for U Missione archeologica italiana , the thirteen archaeological Kmt 64 View of the entrance to the Turin Egyptian Mu - seum galleries with the “Missione Egitto 1903- 1920” exhibition. Photo Museo Egizio 65 Kmt Kmt Graphic Ernesto Schiaparelli 1856-1928 missions in Egypt directed between 1903 and ators Ghattas and Savina; as well as their cor - 1920 by Ernesto Schiaparelli, who also was re spondence and documentation, written, the first director of Turin’s Egyptian Museum; drawn and photographic, much of which is but in Italian the word mai also means never. still unpublished; and, of course, their many Thus the title translates both as “The Egypt - finds. ian Campaign 1903-1920, the Story of M.A.I.’s The exhibition’s curators are Paolo Archeological Adventure” and “The Egyptian Del Vesco and Beppe Moiso. Del Vasco is an Campaign 1903-1920: Italy’s Archeological archaeologist and presently is the vice-direc - Adventure Never Told Before Now.” For this tor of the excavations at Sakkara, a joint mis - is the first time that an exhibition has been de- sion of Turin’s Egyptian Museum and the Na- voted to the M.A.I.: its founding in 1902; its tional Museum of Antiquities in Leiden, the excavations from 1903-1920; its archaeolo - Netherlands.
    [Show full text]
  • Deir El-Medina (Development)
    UCLA UCLA Encyclopedia of Egyptology Title Deir el-Medina (Development) Permalink https://escholarship.org/uc/item/6kt9m29r Journal UCLA Encyclopedia of Egyptology, 1(1) Author Toivari-Viitala, Jaana Publication Date 2011-09-26 Peer reviewed eScholarship.org Powered by the California Digital Library University of California DEIR EL-MEDINA (DEVELOPMENT) دير المدينة (تطور الموقع) Jaana Toivari-Viitala EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Geography University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Toivari-Viitala, 2011, Deir el-Medina (Development). UEE. Full Citation: Toivari-Viitala, Jaana, 2011, Deir el-Medina (Development). In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002b227q 1615 Version 1, September 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002b227q DEIR EL-MEDINA (DEVELOPMENT) دير المدينة (تطور الموقع) Jaana Toivari-Viitala Deir el-Medine, Entwicklung Deir el-Médineh, Développement The site of Deir el-Medina, located in a desert valley on the west bank of Luxor, was conceived as sacred ground. Tombs were built there as early as the Middle Kingdom and a village settlement housing the royal-tomb builders was founded on the site in the early New Kingdom. The workmen’s village gradually became surrounded by chapels and temples. Although the settlement was abandoned by the end of the New Kingdom, the site was still used for burials and for religious devotion. During the Ptolemaic Period a sandstone temple dedicated to the goddess Hathor was built there.
    [Show full text]