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Heart to Heart Bound Together Forever
Volume 7 • Issue 1 February 2002 Heart to Heart Bound Together Forever FAMILIES WITH CHILDREN FROM CHINA – OREGON AND SW WASHINGTON The Gift of Language by Charlie Dolezal id you every have any regrets about your childhood? ber going to the FCC Saturday morning Mandarin classes. D Did you ever wish you had done something Hannah went for several months and never said a word. differently? Well, I do. I regret never having taken a foreign Then, one day in her car seat, she sang one of the songs. language. It wasn’t required. Language arts was not my best She was listening. She took it in. Children are like sponges. subject, so how could I excel at in another language? My We are fortunate here in Portland to have so many parents didn’t push me to take one. My dad always told language immersion programs, both public and private, to the story how his parents made the decision upon immigrating choose from. As FCC members we all have a tie to to America that their kids had to learn English to be a real Mandarin. We have elementary Mandarin programs at Americans and leave the “old” country behind. Thus, they never Woodstock (public school) and The International School taught my dad and his brothers and sisters their native tongue. (private school). In addition, there are immersion pro- When did I regret it? I regretted it on my first trip to Europe grams in French, German, Spanish, and Japanese to avail- with three college friends. We got a 48-hour visa to visit able in our community. -
An In-Depth Look at the Spiritual Lives of People Around the Globe
Faith in Real Life: An In-Depth Look at the Spiritual Lives of People around the Globe September 2011 Pamela Caudill Ovwigho, Ph.D. & Arnie Cole, Ed.D. Table of Contents Buddhists......................................................................................... 4 Faith Practices............................................................................... 5 Spiritual Me ................................................................................... 6 Life & Death .................................................................................. 6 Communicating with God............................................................... 7 Spiritual Growth ............................................................................ 7 Spiritual Needs & Struggles ........................................................... 8 Chinese Traditionalists ..................................................................... 9 Faith Practices............................................................................... 9 Life & Death ................................................................................ 10 Spiritual Me ................................................................................. 11 Communicating with God............................................................. 11 Spiritual Growth .......................................................................... 11 Spiritual Needs & Struggles ......................................................... 11 Hindus .......................................................................................... -
Pimsleur Mandarin Course I Vocabulary 对不起: Dui(4) Bu(4) Qi(3)
Pimsleur Mandarin Course I vocabulary 对不起 : dui(4) bu(4) qi(3) excuse me; beg your pardon 请 : qing(3) please (polite) 问 : wen(4) ask; 你 : ni(3) you; yourself 会 : hui(4) can 说 : shuo(1) speak; talk 英文 : ying(1) wen(2) English(language) 不会 : bu(4) hui(4) be unable; can not 我 : wo(3) I; myself 一点儿 : yi(1) dian(3) er(2) a little bit 美国人 : mei(3) guo(2) ren(2) American(person); American(people) 是 : shi(4) be 你好 ni(2) hao(3) how are you 普通话 : pu(3) tong(1) hua(4) Mandarin (common language) 不好 : bu(4) hao(3) not good 很好 : hen(3) hao(3) very good 谢谢 : xie(4) xie(4) thank you 人 : ren(2) person; 可是 : ke(3) shi(4) but; however 请问 : qing(3) wen(4) one should like to ask 路 : lu(4) road 学院 : xue(2) yuan(4) college; 在 : zai(4) at; exist 哪儿 : na(3) er(2) where 那儿 na(4) er(2) there 街 : jie(1) street 这儿 : zhe(4) er(2) here 明白 : ming(2) bai(2) understand 什么 : shen(2) me what 中国人 : zhong(1) guo(2) ren(2) Chinese(person); Chinese(people) 想 : xiang(3) consider; want to 吃 : chi(1) eat 东西 : dong(1) xi(1) thing; creature 也 : ye(3) also 喝 : he(1) drink 去 : qu(4) go 时候 : shi(2) hou(4) (a point in) time 现在 : xian(4) zai(4) now 一会儿 : yi(1) hui(4) er(2) a little while 不 : bu(4) not; no 咖啡: ka(1) fei(1) coffee 小姐 : xiao(3) jie(3) miss; young lady 王 wang(2) a surname; king 茶 : cha(2) tea 两杯 : liang(3) bei(1) two cups of 要 : yao(4) want; ask for 做 : zuo(4) do; make 午饭 : wu(3) fan(4) lunch 一起 : yi(1) qi(3) together 北京 : bei(3) jing(1) Beijing; Peking 饭店 : fan(4) dian(4) hotel; restaurant 点钟 : dian(3) zhong(1) o'clock 几 : ji(1) how many; several 几点钟? ji(1) dian(3) zhong(1) what time? 八 : ba(1) eight 啤酒 : pi(2) jiu(3) beer 九 : jiu(3) understand 一 : yi(1) one 二 : er(4) two 三 : san(1) three 四 : si(4) four 五 : wu(3) five 六 : liu(4) six 七 : qi(1) seven 八 : ba(1) eight 九 : jiu(3) nine 十 : shi(2) ten 不行: bu(4) xing(2) won't do; be not good 那么 : na(3) me in that way; so 跟...一起 : gen(1)...yi(1) qi(3) with .. -
The Pioneer Chinese of Utah
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1976 The Pioneer Chinese of Utah Don C. Conley Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Chinese Studies Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Conley, Don C., "The Pioneer Chinese of Utah" (1976). Theses and Dissertations. 4616. https://scholarsarchive.byu.edu/etd/4616 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. THE PIONEER CHINESE OF UTAH A Thesis Presented to the Department of Asian Studies Brigham Young University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Don C. Conley April 1976 This thesis, by Don C. Conley, is accepted in its present form by the Department of Asian Studies of Brigham Young University as satisfying the thesis requirement for the degree of Master of Arts. Russell N. Hdriuchi, Department Chairman Typed by Sharon Bird ii ACKNOWLEDGMENTS The author gratefully acknowledges the encourage ment, suggestions, and criticisms of Dr. Paul V. Hyer and Dr. Eugene E. Campbell. A special thanks is extended to the staffs of the American West Center at the University of Utah and the Utah Historical Society. Most of all, the writer thanks Angela, Jared and Joshua, whose sacrifice for this study have been at least equal to his own. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iii INTRODUCTION 1 Chapter 1. -
Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Molecular Characterization of TRPA Subfamily Genes and Function in Temperature Preference in Tuta Absoluta (Meyrick) (Lepidoptera: Gelechiidae)
International Journal of Molecular Sciences Article Molecular Characterization of TRPA Subfamily Genes and Function in Temperature Preference in Tuta absoluta (Meyrick) (Lepidoptera: Gelechiidae) Xiao-Di Wang 1, Ze-Kai Lin 1 , Shun-Xia Ji 1, Si-Yan Bi 1, Wan-Xue Liu 1, Gui-Fen Zhang 1, Fang-Hao Wan 1,2 and Zhi-Chuang Lü 1,* 1 State Key Laboratory for Biology of Plant Diseases and Insect Pests, Institute of Plant Protection, Chinese Academy of Agricultural Sciences, Beijing 100193, China; [email protected] (X.-D.W.); [email protected] (Z.-K.L.); [email protected] (S.-X.J.); [email protected] (S.-Y.B.); [email protected] (W.-X.L.); [email protected] (G.-F.Z.); [email protected] (F.-H.W.) 2 Agricultural Genome Institute at Shenzhen, Chinese Academy of Agricultural Sciences, Shenzhen 518120, China * Correspondence: [email protected]; Tel.: +86-10-8210-9572 Abstract: To reveal the mechanism of temperature preference in Tuta absoluta, one of the top 20 plant pests in the world, we cloned and identified TaTRPA1, TaPain, and TaPyx genes by RACE and bioinformatic analysis, and clarified their expression profiles during different development stages using real-time PCR, and revealed their function in preference temperature by RNAi. The full-length cDNA of TaPain was 3136 bp, with a 2865-bp open reading frame encoding a 259.89-kDa Citation: Wang, X.-D.; Lin, Z.-K.; Ji, protein; and the partial length cDNA of TaPyx was 2326-bp, with a 2025-bp open reading frame S.-X.; Bi, S.-Y.; Liu, W.-X.; Zhang, G.-F.; encoding a 193.16-kDa protein. -
I Want to Be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition
Volume 6 Issue 1 2020 “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i1.2020.4398 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan The years leading up to the political handover of Hong Kong to Mainland China surfaced issues regarding national identification and intergroup relations. These issues manifested in Hong Kong films of the time in the form of film characters’ language ideologies. An analysis of six films reveals three themes: (1) the assumption of mutual intelligibility between Cantonese and Putonghua, (2) the importance of English towards one’s Hong Kong identity, and (3) the expectation that Mainland immigrants use Cantonese as their primary language of communication in Hong Kong. The recurrence of these findings indicates their prevalence amongst native Hongkongers, even in a post-handover context. 1 Introduction The handover of Hong Kong to the People’s Republic of China (PRC) in 1997 marked the end of 155 years of British colonial rule. Within this socio-political landscape came questions of identification and intergroup relations, both amongst native Hongkongers and Mainland Chinese (Tong et al. 1999, Brewer 1999). These manifest in the attitudes and ideologies that native Hongkongers have towards the three most widely used languages in Hong Kong: Cantonese, English, and Putonghua (a standard variety of Mandarin promoted in Mainland China by the Government). -
Tissue-Restricted Genome Editing in Vivo Specified by Microrna-Repressible Anti-CRISPR Proteins
Downloaded from rnajournal.cshlp.org on September 29, 2021 - Published by Cold Spring Harbor Laboratory Press REPORT Tissue-restricted genome editing in vivo specified by microRNA-repressible anti-CRISPR proteins JOOYOUNG LEE,1 HAIWEI MOU,1,4 RAED IBRAHEIM,1 SHUN-QING LIANG,1 PENGPENG LIU,2 WEN XUE,1,3 and ERIK J. SONTHEIMER1,3 1RNA Therapeutics Institute, University of Massachusetts Medical School, Worcester, Massachusetts 01605, USA 2Program in Molecular, Cell and Cancer Biology, University of Massachusetts Medical School, Worcester, Massachusetts 01605, USA 3Program in Molecular Medicine, University of Massachusetts Medical School, Worcester, Massachusetts 01605, USA ABSTRACT CRISPR-Cas systems are bacterial adaptive immune pathways that have revolutionized biotechnology and biomedical ap- plications. Despite the potential for human therapeutic development, there are many hurdles that must be overcome be- fore its use in clinical settings. Some clinical safety concerns arise from editing activity in unintended cell types or tissues upon in vivo delivery (e.g., by adeno-associated virus (AAV) vectors). Although tissue-specific promoters and serotypes with tissue tropisms can be used, suitably compact promoters are not always available for desired cell types, and AAV tis- sue tropism specificities are not absolute. To reinforce tissue-specific editing, we exploited anti-CRISPR proteins (Acrs) that have evolved as natural countermeasures against CRISPR immunity. To inhibit Cas9 in all ancillary tissues without compro- mising editing in the target tissue, we established a flexible platform in which an Acr transgene is repressed by endoge- nous, tissue-specific microRNAs (miRNAs). We demonstrate that miRNAs regulate the expression of an Acr transgene bearing miRNA-binding sites in its 3′′′′′-UTR and control subsequent genome editing outcomes in a cell-type specific manner. -
The Yu of Yi-Mei and Chang-Wan in Kwangtung,S Xin-Hui Xian
Genealogy and History: The Yu of Yi-mei and Chang-wan in Kwangtung,s Xin-hui xian By L . E ve A r m e n t r o u t M a Chinese / Chinese American History Project, El Cerrito CAt USA A number of reasons have been advanced to explain why formal clan and lineage1 organizations first became widespread in China during the Song dynasty. Among these is the suggestion that the “ new ’, men (many of obscure origins), brought into the bureaucracy by the Song emphasis on the しonfucian examination system, desired to strength en the fabric of society. One means they chose was encouraging the revitalization and extension of clan and lineage organizations. They did tms in order to fill the void created by the decline of the aristocratic (“ great”) families (Twitchett 1959: 100-101). If these assumptions are true, one would expect to find a certain amount of the “ ordinary ” in the genealogies kept by these groups. 1 his was, indeed, often the case. A good example is that of the Yu 余 lineage that I will introduce in this essay. These Yus lived in the villages of Yi-mei 乂美 and Chang-wan 長湾 in Kwangtung’s Xin-hui xian 新会縣. As we shall see, they provide an interesting case study of a lineage that had its brief moment of glory, constructed a genealogy that helped to reflect this moment, and then faded into relative obscurity. In light of what we know about the distribution of wealth and power in the southern Chinese countryside, there must have been thousands of lineages similar to this one. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Fashioning the Reclusive Persona: Zeng Jing's Informal Portraits of the Jiangnan Literati Permalink https://escholarship.org/uc/item/2mx8m4wt Author Choi, Seokwon Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context. -
Female-Female Love in Li Yu's Play Lianxiang Ban (怜香伴 the Loving
Female-Female Love in Li Yu’s Play Lianxiang Ban (怜香伴 The Loving Perfume Companion) Master Thesis: Asian Studies Supervisor: Dr Yinghui Wu Name: Anqi Yan Studentnr: 1390244 Date: Dec 7th 2015 Leiden University Email: [email protected] Contents Introduction 2 Chapter One: Li Yu’s Life and His Play Lianxiang Ban 8 Chapter Two: Qing-Yu Value and the Influence of Male-Male Eroticism 14 Chapter Three: Cui and Cao’s Opinions of their Relationship 21 Chapter Four: Supporting Characters’ Opinions of Cui and Cao’s Relationship 29 Conclusion 37 Bibliography 1 Introduction ‘Lianxiang ban Rises from the Dead - A ‘Lesbian’ Kunqu Play Directed by a Gay Male 一出男同志导演的“拉拉昆曲’ appeared as the headline in the newspaper Nanfang zhoumo 南方周末(Southern Weekly)on May 12th, 2010.1 This new adaption of Li Yu’s play filled most of the seats in the famous Poly Theatre in Beijing and received great media attention. Sarah Kile attributes the success of this production of Lianxiang ban by seventeenth century Chinese author Li Yu (1610-1680) to a “conversation among China’s traditional art of Kunqu Opera; contemporary film culture; global queer culture; international fashion; and contemporary abstract set design.”2 Both she and Xu Peng (2010, 230) point out that the lesbian content of the play is emphasised by its marketing, along with its “star studded crew: openly gay director Guan Jingpeng 关锦鹏 (Stanley Kwan), Fashion Designer Guo Pei 郭培, sociologist and marriage equality advocate Li Yinhe 李银河.” Lianxaing ban tells a love story between two beautiful and talented women Cui Jianyun and Cao Yuhua. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.