Social Adversity Portrayed by Tupac and Eminem
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The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
“Virtual Cloning” Shannon Flynn Smith
3 3 9 v irtual Cloning: tr anSfor M ation or iMitation? Reforming the Saderup Court’s transformative Use test for Rights of Publicity S H a nnon f ly n n S m i t H * Introduction upac Shakur, dead nearly sixteen years, rose up slowly from beneath T the stage at the 2012 Coachella Valley Music & Arts Festival in Indio, California to rouse the crowd and perform his songs 2 of Amerikaz Most Wanted and Hail Mary alongside rap artists Snoop Dogg and Dr. Dre.1 Ce- line Dion and Elvis Presley belted If I Can Dream together in a duet on the hit performance show American Idol in 2007,2 thirty years after Presley’s This paper was awarded third place in the California Supreme Court Historical Society’s 2014 CSCHS Selma Moidel Smith Law Student Writing Competition in California Legal History. * J.D., 2014, Michigan State University College of Law; B.A. (Journalism), 2011, Uni- versity of Wyoming. She is now a member of the Colorado State Bar. The author would like to thank Adam Candeub for his thoughtful assistance in developing this article. 1 Claire Suddath, How Tupac Became a Hologram (Is Elvis Next?), Businessweek (Apr. 16, 2012), http://www.businessweek.com/articles/2012-04-16/how-tupac-became-a- hologram-plus-is-elvis-next; Tupac Hologram Snoop Dogg and Dr. Dre Perform Coachella Live 2012, YouTube (Apr. 17, 2012), http://www.youtube.com/watch?v=TGbrFmPBV0Y [hereinafter Tupac Live Hologram]. 2 American Idol Elvis & Celine Dion “If I Can Dream,” YouTube (Jan. 8, 2010), http://www.youtube.com/watch?v=p1HtPG6eMIo. -
Federal Bureau of Investigation
O O FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECT: TUPAC SHAKUR FEDERALOF BUREAU INVESTICQION FOIPA DELETED PAGE INFORMATION SHEET Serial Description " COVER SHEET O1/03/1997 Total Deleted Page s! " 28 ~ Page Duplicate -| Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate -I Page Duplicate ~ Page Duplicate -: Page Duplicate ~ Page Duplicate 4-: Page Duplicate ~ Page b7C ~ Page b7C FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECTT O Tupap _S11:;kyr___ ii I _ FILE NUMBER __ 266A-OLA-2Q1_8Q74 VI-IQ!_ _ _ _ _ _ SECTION NUMBER: _ ,7 _1_ _ _ _ FEDERAL BUREAUOF INVESTIGATION 2/3:/1995! FEDERAL BUREAU OF INVESTIGATION Precedence: ROUTINE Date: 01/03/1997 4/{oz FBIHeadquarters Attn: NSD, CTBranch, DTS,DTOU From! Los Angeles NSD~6 ApprovedI By:I Drafted By: mpbh}I92'I'I'M' Case ID #= 266A-LA-2o1so7,¬3 - ECEASED!;I _ ERIC WRIGHT,AKA EAZY~EVICTIM DECEASED!; WC AOTDTDEATH THREATS 00; LOS ANGELES ARMED AND DANGEROUS synopsis: Status of investigation and request for extension to PI. Previous Title: | _| ET AL; TUPAC SHAKURVICTIM DECEASED!; EAZY-EVICTIM DECEASED!; ACT-DT-DEATH THREATS; O02 LOS ANGELE$ Preliminary Inquiry Initiated: 10/1'7/1996, set to expire 01/17/1995. Enclosures: One original and five copies of a Letterhead Memorandum, dated 01/O3/1997. Details: Title marked changed to reflect the true name of EAZY-E. Enclosed for the Bureau are one original and five copies of a Letterhead Memorandum, dated O1/03/1997, which contains the current status of captioned matter. -
Re Nobody Till Somebody Kills You': How Tupac Shakur Secured His Place in the Hall of Fame
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-16-2016 ‘You’re Nobody Till Somebody Kills You’: How Tupac Shakur Secured His Place in the Hall of Fame Joseph Devin Holt Cuny Graduate School of Journalism How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/130 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Name: Devin Holt Assignment: Capstone Critical Essay Class: Arts Criticism Word Count: 3034 Professor: Margot Mifflin Professor Contact: [email protected] On the web: devinistyping.com/tupac/ Audio Element: SoundCloud link Date: 12/15/16 ‘You’re Nobody Till Somebody Kills You’: How Tupac Shakur Secured His Place in the Hall of Fame If Tupac Shakur were alive today, he would probably rather be dead. The defiant rapper with a sensitive soul — one of hip-hop’s most exciting and controversial figures until his murder in Las Vegas in 1996 — was always concerned with his legacy, and the murder ensured his status as a hip-hop martyr. Without it, Shakur probably wouldn’t have received the same level of adulation showered on him over the past 20 years, or, quite possibly, even his recent nomination for the Rock N’ Roll Hall of Fame. Shakur’s voice has remained ubiquitous in hip-hop since his murder thanks to a steady stream of albums, verses, hooks, samples and remixes cribbed from the last two years of his life, when Shakur spent much of his time in the studio, smoking marijuana and laying down track after track after track — like a man obsessed with finishing a project, or, as Shakur often hinted in his songs, planning to die young, and anxious to record his words first. -
Regulating Rap Music: It Doesn't Melt in Your Mouth
DePaul Journal of Art, Technology & Intellectual Property Law Volume 11 Issue 1 Spring 2001 Article 4 Regulating Rap Music: It Doesn't Melt in Your Mouth David Germaine Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation David Germaine, Regulating Rap Music: It Doesn't Melt in Your Mouth, 11 DePaul J. Art, Tech. & Intell. Prop. L. 83 (2001) Available at: https://via.library.depaul.edu/jatip/vol11/iss1/4 This Case Notes and Comments is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Germaine: Regulating Rap Music: It Doesn't Melt in Your Mouth REGULATING RAP MUSIC: IT DOESN'T MELT IN YOUR MOUTH Washington is a culture of legislation and policy. Asking the FTC ...or the Congress to analyze popular entertainment makes about as much sense Medicare. 1 as going to Hollywood to restructure Eminem, born in Kansas City, Missouri as Marshall Bruce 2 Mathers III, is a critically acclaimed rap music artist. He has released 4 albums since 1996, won two Grammy awards in 1999, and took home three awards at the 2000 MTV music video awards, including best male artist.3 Rolling Stone gave him a four star review4 and Newsweek has described him as the "... most compelling figure in all of pop music."5 At the same time, however, he has earned a reputation of being a rash, violent, and vile performer and artist. -
Compton Christmas Parade Grand Marshal
City of Compton Public Information Office CITY OF COMPTON City Hall 205 South Willowbrook Avenue Compton, California 90220 www.ComptonCity.org FOR IMMEDIATE RELEASE Monday, December 7, 2015 Kendrick Lamar Announced as 2015 Grand Marshal of Compton Christmas Parade 63rd annual Christmas Parade to take place Sat. Dec. 12 COMPTON– Rapper Kendrick Lamar, who is the leading nominee for the 2016 GRAMMY awards with 11, including album of the year for “To Pimp a Butterfly” and song of the year for “Alright” was announced today as the 2015 Compton Christmas Parade Grand Marshal. Lamar, 28, received a total of seven nominations at the 2014 Grammy Awards, including Album of the Year. A year later, at the 2015 Grammy Awards, he won Best Rap Song and Best Rap Performance for his song “I”. In May, Lamar received the California State Senate's "Generational Icon Award" from State Senator Isadore Hall III (D–Compton) who represents California's 35th district. From the senate floor, Lamar told the legislature, “Being from the City of Compton and knowing the parks that I played at and the neighborhoods, I always thought how great the opportunity would be to give back to my community off of what I do in music.” “To Pimp a Butterfly was” named by music magazines Rolling Stone and Spin the best album of 2015. Complex ranked Lamar atop its "The 20 Best Rappers in Their 20s" annual list. Lamar was born in Compton, California, to parents from Chicago, Illinois. His birth name was given to him by his mother in honor of singer Eddie Kendricks. -
Tupac Amaru Shakur, 1996
Tupac Amaru Shakur, 1996 52 PERFORMERS Tupac ShakurRAPPER. ACTOR. ACTIVIST. THUG. POET. REBEL. VISIONARY. BY ALAN LIGHT Tupac was a lightning rod, a screen onto which millions of people projected their feelings about rap, about race, and about the young black man in America. He may be a leg- end, but he’s hardly a hero. Many young listeners looked up to him, but he himself often seemed to be searching for a leader. ¶ Though his recording career lasted just five years, Tupac Amaru Shakur (1971–1996) is one of the most popular artists in history, with over seventy-five million records sold worldwide. More than half of his eleven studio albums sold over three million copies in the Unit- ed States. Both All Eyez on Me (1996) and Greatest Hits have been certified diamond, surpassing the ten million mark and placing them among the top-selling albums of all time. Tonight, his enor- mous impact on global culture is being recognized as he becomes the first solo rapper ever inducted into the Rock and Roll Hall of Fame. 53 A smile and a salute, 1993 54 Tupac’s legacy has only deepened since his death. actor. At age 13, he played Travis in A Raisin in the His embrace of contradiction, and the intensely per- Sun at the Apollo Theater during a fundraiser perfor- sonal story told in some of his rhymes, were clear in- mance for Jesse Jackson’s presidential campaign. Soon spirations for MCs such as Eminem, J. Cole, and 50 after, he and his family moved to Baltimore, where he Cent, who said that “every rapper who grew up in the lived in two different worlds. -
BIGGIE SMADLS! That Occurred on March 9, 1997 in Los Angeles, CA
| ' l i 92 .. l E1 #- "-"- --*1 - ':- ; -V. M: -'"- 9 s-.. _ -2'?! "~_:- -- __i'' ~. ,1 t i ;.=.~ *- » -, 'I"92~ ,- ' -, L5» 1 92- Q is -T . s. L - - if 3| * ¢ T _i7-1 Rev?2-11-03! L. ~ ~ l $1 ATTENTION T l as The following documents appearingin FBI les have been reviewed under the provisions of The Freedom of F -i Inforination Act FOIA! Title 5, United States Code,Section 552!; Privacy Act of I974 PA! Title 5, United States Code, Q Section 552a!-,and/or Litigation. m, 4 '3 1 E1. ===¢ip> E3E 4 ow.-1 U FOIA/PA b6 El Litigation |:i ExecutiveOrder Applied TL? $5 Requester: __ _ _b7Q £3 bi Subject: _ __ V » j Computer or Case Identication Number: 1,--l > Title of Case: _ _, Section * File __ __ _ Serials Reviewed; C __ l§ l H Release Location: *File _ ____ Section 4 1 1 k; v This le section hasbeen seiiiiiiedinto the FOIPA Document Processing System FDPS! prior to National Security I "'92. Classieatioii review. Please sec the docunients located in the FDPS for current classication action, if warranted. Direct it inquires about the FDPS toRIDS Service RequestUnit X File Nuiiiber:1/ Ti _r__ Section_Q_ ->;@.Serial s! Reviewed: __ _ _ M i ,5; FOIPA Requester: _ _ WW T 11T FOIPA Subject: ComputerNuniber:__ Q _Q! I _7___ _ __ =1? File Number: _ Section J l Seri-al s! Reviewed: l FOIPA Requester: FOIPA Subject: FOIPA Computer Nuiiibcr: File Number: _ Section ' Serial s! Reviewed: FOIPA Requester: ,1 FOIPA Subject: ? FOIPA Computer Number: i» Jar THIS FORM IS TO BE MAINTAINED AS THE TOP SERIAL OF THE FILE, BUT NOT SERIALIZED. -
MODERN MUSIC Notable Figures in Hip-Hop History
MODERN MUSIC Notable figures in Hip-Hop history Seif Amer 8th December 2018 Abstract This article summarizes the impacts and accomplishments of four ofthe most influencial artists in the history of hip-hop music. Starting with N.W.A and how they took gangster rap to the mainstream level. Followed by Eminem, who made his way to the top with his own style of fast paced, aggressive rap. Tupac Shakur, and his influence on the youth and the next generation of rappers. Lastly, Kanye West, and his innovation the sound of hip-hop with his integration of other genres and relatable substance. Contents Contents i List of Figures ii 1 N.W.A. 1 2 EMINEM 1 3 TUPAC SHAKUR 2 4 KANYE WEST 2 T ....................................... 4 J ....................................... 4 E ....................................... 4 i List of Figures ii 1 N.W.A. Hip-Hop as a genre as been criticized heavily over the last two to three decades since its rise in the early 90’s. It is often described as a genre of inappropriate, violent, provocative music that while it may be appealing sonically, has a violent, uncensored style that is considered by many to be a bad influence or disturbing to youth. (Edmondson, 2008) The earliest rendition of this style that quickly comes to mind for most would be N.W.A, featuring stars such as Ice Cube, Eazy E, and Dr. Dre, who remain big names in the industry to this day. N.W.A. stirred plenty if controversy with so much as their group name (Ni***z Wit Attitudes) as they rose to fame with the release of their 1988 debut album Straight Outta Compton. -
Tupac Shot News Report
Tupac Shot News Report Alphonse portray her bilker extraordinarily, Eyetie and declaratory. Ludicrous and Mozartean Ed always dress coevally and bequeaths his shakings. Giggliest and self-neglecting Jean-Marc mortice her Archibald long cagily or snakes outside, is Jan shameful? ANDERSON: For decades, members of minority communities had argued that police brutality was underreported. This is Alan Tanner, a criminal defense lawyer. Los angeles times. His ban from behind makaveli are accessible only to tupac and reporter. Setting user entitlement class. User session has called mystery was shot in new jersey beach poly entourage set off her top and reporter, reports cited in. Was shot by a new. It really stuck with me. Outside los angeles street band. This is Dale Pugh, marketing and public relations director for the University Medical Center. He went live on television and confessed to being an accessory to murder and the Las Vegas PD, as far as I know, is doing nothing about it. This undated image shows a coyote running through a field. But not to news organization was. It is tupac still alive in new production staff to news reports cited in colorado, shot on its own. And you fill that anxious feeling in children stomach. Ryan Gosling to star and ivy in The Actor. The book is written by Greg Kading who is close to Reggie Wright Jr. Saturday night as tupac received warning of new heights across texas and reporter is a shot on wellborn and influence and colleagues. He retrieves the gun and takes it to his handlers at the FBI and ATF. -
Post-Mortem Projections: Medieval Mystical Resurrection and the Return of Tupac Shakur Alicia Spencer-Hall*
Citation: OPTICON Spencer-Hall, A 2012 The Post-mortem Projections: Medieval Mystical Resurrection and MDCCCXXVI the Return of Tupac Shakur. Opticon1826, 13: 56-71, DOI: http://dx.doi.org/10.5334/opt.af ARTICLE Post-mortem Projections: Medieval Mystical Resurrection and the Return of Tupac Shakur Alicia Spencer-Hall* Medieval hagiographies abound with tales of post-mortem visits and miracles by saints. The saint was a powerful religious individual both in life and in death, a con- duit of divine grace and lightning rod for Christian fervour. With her post-mortem presence, the presumptive boundary between living and dead, spirit and flesh, is rent apart: showing the reality of the hereafter and shattering the fantasies of the mortal world. The phenomenon of a glorified individual returning to a worshipful community after their apparent mortal expiration is not just medieval. In April 2012, the rapper Tupac Shakur “performed” on stage at the Coachella music festival. Tupac was murdered in 1996; his ghostly presence was the result of a hologram. His holo- graphic form, the “Pac-O-Gram”, took to the stage to a breathless crowd of fans. The holographic performance is a product of technological advances. Yet reports of the holographic performance were filled with references to Tupac’s “resurrection”, a significant word choice, and one which links the rapper’s return with medieval hagiography more than the advance of technology. What can an examination of the modern example of the Pac-O-Gram and examples drawn from medieval hagiography of the dead returning to life add to each other? Introduction ‘felt like they were seeing Tupac rise from Renowned American rapper and actor Tupac the grave,’ according to one source (Dinar Shakur was gunned down on 7 September 2012). -
A Look Inside the Political Hip Hop Music of Tupac Amaru Shakur
ABSTRACT AFRICAN AMERICAN STUDIES, AFRICANA WOMEN’S STUDIES, AND HISTORY WATKINS, TRINAE M.A. CLARK ATLANTA UNIVERSITY, 2018 PANTHER POWER: A LOOK INSIDE THE POLITICAL HIP HOP MUSIC OF TUPAC AMARU SHAKUR Committee Chair: Charmayne Patterson, Ph.D. Thesis dated December 2018 In this study, seven rap songs by hip hop icon Tupac Shakur were examined to determine if the ideology of the Black Panther Party exists within the song lyrics of his politically oriented music. The study used content analysis as its methodology. Key among the Ten Point Program tenets reflected in Tupac’s song lyrics were for self- determination, full employment, ending exploitation of Blacks by Whites (or Capitalists), decent housing, police brutality, education, liberation of Black prisoners, and the demand for land, bread, housing, education, clothing, justice, peace, and a United Nations plebiscite. PANTHER POWER: A LOOK INSIDE THE POLITICAL HIP HOP MUSIC OF TUPAC AMARU SHAKUR A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY TRINAE WATKINS DEPARTMENT OF AFRICAN AMERICAN STUDIES, AFRICANA WOMEN’S STUDIES, AND HISTORY ATLANTA, GEORGIA DECEMBER 2018 © 2018 TRINAE WATKINS All Rights Reserved ACKNOWLEDGEMENTS I give all praises and honor to the Most High, the Eternal Elohim and Creator. I offer gratitude and sincere thanks to my grandparents and the wonderful ancestors that preceded them; my loving parents, Perry and Augustae Watkins; my forever supportive extended family from both the Watkins and Jones family lineages as well as childhood friends, Debbie Cooper and Dr. Sandra Cutts.