Life in This Society Being, at Best, an Utter Bore and No
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Beyond Trashiness: the Sexual Language of 1970S Feminist Fiction
Journal of International Women's Studies Volume 4 Issue 2 Harvesting our Strengths: Third Wave Article 2 Feminism and Women’s Studies Apr-2003 Beyond Trashiness: The exS ual Language of 1970s Feminist Fiction Meryl Altman Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Altman, Meryl (2003). Beyond Trashiness: The exS ual Language of 1970s Feminist Fiction. Journal of International Women's Studies, 4(2), 7-19. Available at: http://vc.bridgew.edu/jiws/vol4/iss2/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2003 Journal of International Women’s Studies. Beyond Trashiness: The Sexual Language of 1970s Feminist Fiction By Meryl Altmani Abstract It is now commonplace to study the beginning of second wave US radical feminism as the history of a few important groups – mostly located in New York, Boston and Chicago – and the canon of a few influential polemical texts and anthologies. But how did feminism become a mass movement? To answer this question, we need to look also to popular mass-market forms that may have been less ideologically “pure” but that nonetheless carried the edge of feminist revolutionary thought into millions of homes. This article examines novels by Alix Kates Shulman, Marge Piercy and Erica Jong, all published in the early 1970s. -
Suburban Captivity Narratives: Feminism, Domesticity and the Liberation of the American Housewife
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2019 Suburban Captivity Narratives: Feminism, Domesticity and the Liberation of the American Housewife Megan Behrent CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/569 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Suburban Captivity Narratives: Feminism, Domesticity, and the Liberation of the American Housewife Megan Behrent On February 4, 1974, the heiress Patricia Hearst—granddaughter of the media mogul William Randolph Hearst—was kidnapped from her home in Berkeley, California. 1 In reporting the story, the media reproduced a trope even older than the U.S. itself: a captivity narrative. To do so, they con - jured an image of racially other captors defiling a white woman’s body. The New York Times describes Hearst being carried off “half naked” by “two black men” (W. Turner), despite the fact that only one of the abduc - tors was African-American. From the earliest recounting of the story, Hearst was sexualized and her captors racialized. The abduction was por - trayed as an intrusion into the domestic space, with Hearst’s fiancé brutal - ized as she was removed from their home. The most widely used image of Hearst was one of idyllic bourgeois domesticity, cropped from the an - nouncement of her engagement in the media—which, ironically, provided her would-be captors with the address to the couple’s Berkeley home. -
Durham E-Theses
Durham E-Theses Not Andrea : The Fictionality of the Corporeal in the Writings of Andrea Dworkin MACBRAYNE, ISOBEL How to cite: MACBRAYNE, ISOBEL (2014) Not Andrea : The Fictionality of the Corporeal in the Writings of Andrea Dworkin, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10818/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 “Not Andrea”: The Fictionality of the Corporeal in the Writings of Andrea Dworkin Submitted for the degree of Masters by Research in English Literature By Isobel MacBrayne 1 Contents Acknowledgments Introduction 4 Chapter I – Re-assessing the Feminist Polemic and its Relation to Fiction 10 Chapter II – Intertextuality in Dworkin’s Fiction 32 Chapter III – The construction of Dworkin and Her Media Representation 65 Conclusion 97 2 Acknowledgments I would like to thank Durham University for giving me this opportunity, the staff of the English Department, and all the admin and library staff whose time and hard work too often goes unnoticed. -
Searching for the True Women's Writing
"SPLITTING OPEN THE WORLD" - SEARCHING FOR THE TRUE WOMEN'S WRITING BY JENNIFER DONOVAN A thesis submitted in part fulfilment of the requirements for the degree of Master of Arts (Honours). Department of Sociology University of New South Wales February, 1991 SYNOPSIS This thesis explores the contention presented by the so-called French feminists (including Irigaray, Kristeva, and especially Cixous) that the situation of women cannot change until they have their own discourse and that women's writing must be based in their bodies. The purpose of "l'ecriture feminine", these writers claim, 1s to inscribe difference, to awaken women to one another, and to undermine patriarchy. My ambition was to find actual examples of this "ecriture feminine", and evidence of its effects. In attempting to deal with the abstruseness of much of the writing by the French women who encourage women to celebrate the difference and "write the body", I have briefly indicated some points of contact and divergence between Anglo-American feminists and the French. I have also described the persistent patriarchal obstruction to women's writing in order to highlight the revolutionary potential of writing the body. I examined writing by women who were variously woman identified, feminist and anti-feminist. I also considered various styles of women's writing, particularly poetry, which seemed to approach most closely the discourse envisaged by the French theorists. The writers discussed include Tillie Olsen, Marge Piercy, Christina Stead, Adrienne Rich, Mary Daly, Susan Griffin and others. ACKNOWIEDGEMENTS This thesis owes its existence to the energies of many people other than just the author. -
Course Information: Spring 2014
Course Information: Spring 2014 English 17-99, Literature Courses Below 100 ENG 0017-01 The Poem Peterson, K Poems should be as human and immediate as hugs and punches. But poetry is also full of wild, associative thinking. This class is an introduction to contemporary forms in poetry that will showcase the immediacy of the art form and its oddness. Danish poet Inger Christiansen begins her long poem alphabet with a line so basic it doesn’t even seem like poetry: “apricot trees exist, apricot trees exist.” But she goes on to make a list charged with music and confusion: “doves exist, and dreamers, and dolls; / killers exist, and doves, and doves; / haze, dioxin, and days; days.” Our reading focuses on wild, unpredictable, poetic thinking from a diversity of English and international writers: we’ll look at everything from Emily Dickinson’s passionate letters to a series of dream poems written about movies by a Chilean dissident to translations from Garcia Lorca’s Spanish into a decidedly Brooklyn English. We’ll consider both at how forms get made and how forms get broken, and look at how new, experimental forms in poetry change everything. We’ll also consider how poets make use of more popular genres, like music and movies, to do their work. Our work will include class discussions, papers, creative assignments in classic and experimental form, collaborative projects, visits by poets, and a museum visit. ENG 0020-01 Black World Literature Thomas, G The international newspaper of the largest Black political organization in history was entitled Negro World in the early twentieth century. -
The Rescaling of Feminist Analyses of Law and State Power: from (Domestic) Subjectivity to (Transnational) Governance Networks
The Rescaling of Feminist Analyses of Law and State Power: From (Domestic) Subjectivity to (Transnational) Governance Networks Mariana Valverde* Introduction .................................................................................................................... 325 I. Feminist Legal Theory Rescaled: Geography, Cultural Difference, and the Invisibilization of “Ordinary” Feminine Subjectivity .................................. 330 II. Whatever Happened to the Critique of Marriage and Domesticity? ............... 344 Conclusion ....................................................................................................................... 350 INTRODUCTION In the mid- and late 1980s—a time that could arguably be described as the golden age of feminist legal thought, for North America at any rate—empirical researchers as well as theorists were virtually obliged to take sides in the cross- disciplinary debate (or dialogue of the deaf) concerning “postmodernism.”1 The intrafeminist fights often focused on the work of feminist philosopher Judith Butler. Butler’s analyses were not primarily focused on legal mechanisms,2 but the implications of postmodern theorizations of gender such as those developed by Butler for legal studies loomed large in the investigations of feminist legal thinkers, both those who were “in favour” (e.g., Drucilla Cornell, Janet Halley, Wendy Brown, Nicola Lacey, Carol Smart) and those who were “against,” who included not only mainstream liberals like Martha Nussbaum, but also socialist feminists such -
Feminists Have Long Recognized the Importance of Language
Concern for language justified By Susan Faupel In the previous issue of the Coalition Commentary, Terry Mutchler analyzed the power of words to heal and hurt, particularly in the legal arena. The article prompted about the use of language to describe the violence imposed on women and children at the hands of abusive men. This discussion led to a follow-up article about how language used in popular media and professional literature to describe violence against women and children. The Footsteps of our Foremothers Feminists have long recognized the importance of language. The writings of Marilyn French, Mary Daly, bell hooks, and other feminists have addressed how male-oriented, male-controlled language has contributed to the subjugation of women. These feminist authors and others offer countless examples of how, historically, men have defined words that define the context of women’s reality. Dale Spender and other feminist linguists have studied how language both reflects and shapes our understanding. Spender asserts that “authors inherit vocabulary both deeply and subtly from the author’s dominant group.” 1 Spender (1980) writes that white men, as the dominant group, influence the 1 development of language and in many cases actually construct language to support their perception of reality and maintain their dominant status.2 Contemporary Media A daily scan of contemporary media reveals how language about the rape and battery of women fails to reveal the brutality of these acts and conceals responsibility for the behavior. The crimes are often portrayed through the lens of male entitlement and privilege. Although some articles accurately portray the crimes of rape and battery, the number of distorted references to these crimes and the characterization of the crimes themselves is disturbing. -
The Women's Room
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1982 A Room of One's Own: The omeW n's Room Lou Ellen Crawford Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Crawford, Lou Ellen, "A Room of One's Own: The omeW n's Room" (1982). Masters Theses. 2945. https://thekeep.eiu.edu/theses/2945 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. October 20, 1982 Lou Ellen Crawford Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis -
Demanding Spaces: 1970S U.S. Women's Novels As Sites of Struggle
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2017 Demanding Spaces: 1970s U.S. Women's Novels as Sites of Struggle Kate Marantz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Literature Commons Recommended Citation Marantz, Kate, "Demanding Spaces: 1970s U.S. Women's Novels as Sites of Struggle" (2017). Doctoral Dissertations. 1107. https://doi.org/10.7275/10552139.0 https://scholarworks.umass.edu/dissertations_2/1107 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DEMANDING SPACES: 1970s U.S. WOMEN’S NOVELS AS SITES OF STRUGGLE A Dissertation Presented By KATE MARANTZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2017 English © Copyright by Kate Marantz 2017 All Rights Reserved DEMANDING SPACES: 1970s U.S. WOMEN’S NOVELS AS SITES OF STRUGGLE A Dissertation Presented By KATE MARANTZ Approved as to style and content by: Asha Nadkarni, Chair Emily Lordi, Member Mecca Jamilah Sullivan, Member Randall Knoper, Department Head Department of English DEDICATION For Gwen, Nell, and Esme. iv ACKNOWLEDGEMENTS While writing this dissertation, I have relied upon so many for guidance and encouragement; it is their support, as much as my efforts, that made this project possible. -
Les Modèles Féministes De Société Nouvelle Guy Bouchard
Document generated on 10/01/2021 4:37 p.m. Philosophiques Les modèles féministes de société nouvelle Guy Bouchard Les femmes et la société nouvelle Article abstract Volume 21, Number 2, automne 1994 The first part of this paper tries to delineate the field of heteropolitical thought, that form of speculation dealing with the theme of an idealized society. The URI: https://id.erudit.org/iderudit/027289ar second part is a discussion of the new societies proposed hy feminist DOI: https://doi.org/10.7202/027289ar heteropolitical thought : the androgynous society, the gynocratic society, and the gynocentric society. See table of contents Publisher(s) Société de philosophie du Québec ISSN 0316-2923 (print) 1492-1391 (digital) Explore this journal Cite this document Bouchard, G. (1994). Les modèles féministes de société nouvelle. Philosophiques, 21(2), 483–501. https://doi.org/10.7202/027289ar Tous droits réservés © Société de philosophie du Québec, 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ PHILOSOPHIQUES, VOL. XXL NUMÉRO 2, AUTOMNE 1994, p. 483-501 Les modèles féministes de société nouvelle' par Guy Bouchard RÉSUMÉ : Après avoir esquissé le champ de la pensée hé ter o politique, celle qui est consacrée au thème de la société idéalisée, ce texte présente et discute les grands modèles de société nouvelle préconisés par l'hétéropolitique féministe : la société androgyne, la société gynocratique et la société gynocentrique. -
The 1950'S and the 1960'S and the American Woman
The 1950’s and the 1960’s and the American Woman : the transition from the ”housewife” to the feminist Vanessa Martins Lamb To cite this version: Vanessa Martins Lamb. The 1950’s and the 1960’s and the American Woman : the transition from the ”housewife” to the feminist. History. 2011. dumas-00680821 HAL Id: dumas-00680821 https://dumas.ccsd.cnrs.fr/dumas-00680821 Submitted on 2 Apr 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Université du Sud Toulon-Var UFR Lettres et Sciences Humaines Master civilisations contemporaines et comparées The 1950’s and 1960’s and the American Woman: the transition from the “housewife” to the feminist Vanessa Martins Lamb Directeur de recherche : Michel Van der Yeught Juin 2011 To my parents, Selma and Sérgio. TABLE OF CONTENTS Introduction 1 1. The American woman in the 1950’s: from the “ideal woman” to the “woman in crisis” 5 1.1. The American Way of Life” and women in the 1950’s 5 1.2. Building the ideology of the “ideal woman” as “housewife” 17 1.3. The identity crisis of the housewife in the late 1950’s: looking for a new role in society 28 2. -
Books at CCSU from the Hartford Feminist Library
Books at CCSU from the Hartford Feminist Library This list is in alphabetical order by book title. TITLE = 60 WORDS A MINUTE AND WHAT DO YOU GET? : CLERICAL WORKERS TODAY / BY JEAN TEPPERMEN. AUTHOR = Teppermen, Jean. PUBLISHER = Somerville, Mass. : New England Free Press, 1976? CALL # = HF5501 T4. TITLE = ABOUT MEN / BY PHYLLIS CHESLER. AUTHOR = Chesler, Phyllis. PUBLISHER = Toronto ; New York : Bantam Books, 1980, c1978. CALL # = HQ1090 C48 1980. TITLE = THE ABSENCE OF THE DEAD IS THEIR WAY OF APPEARING / MARY WINFREY TRAUTMANN. AUTHOR = Trautmann, Mary Winfrey. PUBLISHER = Pittsburgh : Cleis Press, c1984. CALL # = RJ416 L4 T73 1984. TITLE = ACROSS THE GREAT RIVER / IRENE BELTRAN HERNANDEZ. AUTHOR = Hernandez, Irene Beltran, 1945- PUBLISHER = Houston, Tex. : Arte Publico Press, c1989. CALL # = PS3558 E6873 A65 1989. TITLE = ADRIENNE RICH'S POETRY : TEXTS OF THE POEMS : THE POET ON HER WORK : REVIEWS AND CRITICISM / SELECTED AND EDITED BY BARBARA CHARLESWORTH GELPI, ALBERT GELPI. AUTHOR = Rich, Adrienne Cecile. PUBLISHER = New York : Norton, [1975]. CALL # = PS3535 I233 A6 1975. TITLE = THE ADVENTURES OF ALYX / JOANNA RUSS. AUTHOR = Russ, Joanna, 1937- PUBLISHER = New York : Pocket Books, 1983. CALL # = PS3568 U763 A68 1983. TITLE = AFFIRMATIVE ACTION FOR WOMEN : A PRACTICAL GUIDE FOR WOMEN AND MANAGEMENT / DOROTHY JONGEWARD, DRU SCOTT. AUTHOR = Jongeward, Dorothy. PUBLISHER = Reading, Mass. : Addison-Wesley Pub. Co., c1975. CALL # = HD6058 J65 1975. TITLE = AFTER THE FIRE / BY JANE RULE. AUTHOR = Rule, Jane. PUBLISHER = Tallahassee, FL : Naiad Press, 1989. CALL # = PR9199.3 R78 A69 1989. TITLE = AFTER THE PROM : SHORT STORIES / BY HADDEN LUCE ; WITH AN INTRODUCTION BY SONYA JONES. AUTHOR = Luce, Hadden. PUBLISHER = Atlanta : Vanity Press, 1977. CALL # = PS3562 U23 A7.