DOCSLIB.ORG

The Routledge Companion to Feminism and Postfeminism

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Routledge Companion to Feminism and Postfeminism THE ROUTLEDGE COMPANION TO FEMINISM AND POSTFEMINISM Feminism has had a radical impact on today’s world. But now the very future of feminism is under attack. The ideas of the feminists of the 1960s and 1970s are being questioned and redefined by a younger generation of ‘postfeminists’. The Routledge Companion to Feminism and Postfeminism is the perfect guidebook for finding one’s way around what has become an increasingly complex subject. Over a dozen in-depth background chapters, written by leading authorities on the subject, provide a broad-ranging and up-to-date overview. This is followed by a comprehensive A–Z reference section, which provides all the essential information on everything from the Spice Girls to Julia Kristeva. Topics covered include: • Simone de Beauvoir • bisexuality • Princess Diana • cosmetic surgery • the ‘new man’ • Courtney Love • prostitution • Andrea Dworkin • abortion • ‘slasher’ films Ideal for general readers as well as for students at all levels, this is an invaluable guide for anyone with a serious interest in feminism, its history and its future. Sarah Gamble is Senior Lecturer in English Studies at the University of Sunderland. Routledge Companions Routledge Companions are the perfect reference guides, providing everything the student or general reader needs to know. Authoritative and accessible, they combine the in-depth expertise of leading specialists with straightforward, jargon-free writing. In each book you’ll find what you’re looking for, clearly presented—whether through an extended article or an A–Z entry—in ways which the beginner can understand and even the expert will appreciate. Routledge Companion to Global Economics Edited by Robert Beynon Routledge Companion to Feminism and Postfeminism Edited by Sarah Gamble Routledge Companion to The New Cosmology Edited by Peter Coles Routledge Companion to Postmodernism Edited by Stuart Sim Routledge Companion to Semiotics and Linguistics Edited by Paul Cobley THE ROUTLEDGE COMPANION TO FEMINISM AND POSTFEMINISM Edited by Sarah Gamble LONDON AND NEW YORK First published in the United Kingdom in 1998 by Icon Books Ltd as The Icon Critical Dictionary of Feminism and Postfeminism First published in the United States of America in 1999 by Routledge as The Routledge Critical Dictionary of Feminism and Postfeminism This edition first published 2006 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2006. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/. Text Copyright © 1998, 2001 Sarah Gamble All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalog record for this book has been requested ISBN 0-203-01101-5 Master e-book ISBN ISBN 0-415-24309-2 (Hbk) ISBN 0-415-24310-6 (Print Edition) (Pbk) CONTENTS Editor’s Introduction vii Contributors xi 1 Part I Feminism: its History and Cultural Context 1 Early Feminism 3 Stephanie Hodgson-Wright 2 First Wave Feminism 15 Valerie Sanders 3 Second Wave Feminism 25 Sue Thornham 4 Postfeminism 36 Sarah Gamble 5 Feminism and Gender 46 Sophia Phoca 6 Feminism and the Developing World 54 Alka Kurian 7 Women and New Technologies 65 Liza Tsaliki 8 Feminism and Film 75 Sue Thornham 9 Feminism and Popular Culture 84 Natalie Fenton 10 Feminism and the Body 94 Fiona Carson 11 Feminism and Literature 103 Jill LeBihan 12 Feminism and Language 111 Mary M.Talbot 13 Feminism and Philosophy 117 Pamela Sue Anderson 14 Feminism and Religion 125 Alison Jasper 15 Feminism and Psychoanalysis 133 Danielle Ramsey Select Bibliography 141 145 Part II A–Z of Key Themes and Major Figures 147 A–Z Entries Index 331 EDITOR’S INTRODUCTION THE CONTROVERSIES OF FEMINISM It would not be overstating the case to say that feminism has been one of the most far- reaching movements this century, whose influence has been felt in every area of social, political and cultural life worldwide. Indeed, feminism has achieved the dubious distinction of becoming an utterly familiar part of our cultural landscape. We all know, or think we know, what feminism means, and we all, to a greater or lesser extent, pay it lip- service. Yet for most people, it appears, feminism remains something ‘out there’ rather than an internalised, actualised belief; a view promoted by a number of recent highly publicised surveys, which appear to show that few women are now willing to explicitly identify themselves as feminist. However, that is not to say that all the goals feminism has set itself have been achieved, since the changes it has set in motion may be as much defensive as accommodating, with male institutions striving to protect cherished areas of privilege and superiority. So although, as the very existence of this dictionary proves, feminism is a theory (or set of theories), something capable of being studied and debated on an academic level, it is simultaneously a movement which retains a commitment to change the real world outside the universities. But what, exactly, is feminism? A general definition might state that it is the belief that women, purely and simply because they are women, are treated inequitably within a society which is organised to prioritise male viewpoints and concerns. Within this patriarchal paradigm, women become everything men are not (or do not want to be seen to be): where men are regarded as strong, women are weak; where men are rational, they are emotional; where men are active, they are passive; and so on. Under this rationale, which aligns them everywhere with negativity, women are denied equal access to the world of public concerns as well as of cultural representation. Put simply, feminism seeks to change this situation. The Routledge Companion to Feminism and Postfeminism cannot lay claim to the distinction of being the first dictionary of feminism to be published. However, it appears at an apposite moment, a period in which ‘feminism’ is becoming an increasingly contested term. This is something this volume is intended to highlight, as indicated by the inclusion of the controversial term ‘postfeminism’ in its title. The introduction of the word ‘postfeminism’ into the popular lexicon has been taken to imply that we have somehow moved beyond the need for feminist activism, hence its linkage to the work of a disparate group of British and American writers, such as Naomi Wolf, Rene Denfeld and Natasha Walter, who argue in support of a change in the feminist agenda. Consequently it has come under extensive attack by feminists who still adhere to the tenets of the second wave as a betrayal of more than a century of feminist activism. Whether or not this is the case, the ‘traditional’ feminist versus the ‘post’ feminist debate is vociferous and ongoing, its fires stoked, no doubt, by a media only too willing to capitalise on the opportunity to portray it as a break in the massed ranks of the ‘sisterhood’. What this dictionary is intended to illustrate, however, is that feminism has always been a dynamic and multifaceted movement. Although, as has already been stated, it can very generally be categorised as the struggle to increase women’s access to equality in a male-dominated culture, there has never been a universally agreed agenda for feminism. Exactly what ‘equality’ for women entails, the means by which it is to be achieved, even the exact nature of the obstacles it faces, are all disputed issues. To read feminism’s history, therefore, is to uncover a record of debates, schisms and differing viewpoints and, approached in this way, the postfeminist debate merely dramatises a situation which has always, in fact, held true for feminism, a movement which thrives on diversity. So, to read postfeminism as indicating that the feminist movement has fragmented beyond the point of no return could be a misinterpretation, since it may constitute nothing more than the latest divergence in the constantly shifting parameters of feminist thought. Additionally, what can be termed ‘postfeminism’ has followed the example set by theoretical second wave feminism in negotiating fruitful relationships with postmodernism, drawing on theories of difference, identity and deconstruction in order to interrogate the ways in which the category ‘woman’ is constructed. STRUCTURE AND SCOPE OF THE VOLUME The Routledge Companion to Feminism and Postfeminism goes beyond the scope of a simple dictionary in its inclusion of essays alongside lists of definitions of names and terms, thus enabling the areas covered by this volume to be elaborated on in greater depth and detail than would ordinarily be the case. These essays form Part I of the book, and they have been collected and arranged with two aims in mind. Firstly, the four essays with which the book opens, when read together, give an overview of the development of feminist thought in Great Britain and America. Although feminism is conventionally dated from the inception of the first wave in the nineteenth century, this study looks further back in order to demonstrate that women were expressing views we would now identify as ‘feminist’ long before the development of a discourse of liberation. The essay on ‘Early Feminism’ is followed by essays on ‘First Wave Feminism’ and ‘Second Wave Feminism’, which introduce the reader to these crucial periods in the formation of the feminism we know today.
Load more

Recommended publications
  • A Virtual Museum by Imogen Wilson Welcome to the Virtual Museum St Peter’S Field 1819
    TheThe extensionextension ofof suffragesuffrage A virtual museum by imogen wilson Welcome to the virtual museum St Peter’s field 1819 August 16th 1819 slaves and female reformers Insert a picture of a person, object, or place, or gathered together as a peaceful crowd of about write a story you would include in your museum. 60,000 at St Peters Field in Manchester, to protest for all men over the age of 21 to be able to vote. Men and women both protested. Even though they were only protesting for men’s rights the women thought that having a household member who could vote could make a big difference on matters such as income, wages, and working conditions. Changes were introduced in 1832 which began to give more people a voice in politics in britain. Around 50 years later in 1884, there was a big step forward as the amount of men that could vote had tripled. Womens suffrage campaigners They wanted education for women and a vote for women too. They wanted the vote because they believed this would help improve the position and lives of women. They used methods like speeches and lectures to help campaigns. They were unsuccessful because even if they did get the vote, only women who owned a certain amount of property could vote. They really emphasised the issue which raised a lot of awareness and stated the fact that women should have the rights to vote. There were many disagreements amongust the different campaigners. There disagreements included whether women should be granted the vote on the same terms as men.
    [Show full text]
  • Lecture Outlines
    CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS Lecture Outlines Lecture 1: Hip-Hop and Techno I. Hip-Hop Breaks Out (1980s–1990s) A. In the mid-1980s, rap moved into the popular mainstream. B. 1986 saw the release of the first two multiplatinum rap albums: 1. Raising Hell by Run-D.M.C. a) Number Three on Billboard’s pop albums chart b) Over three million copies sold 2. Licensed to Ill by the Beastie Boys a) Number One for seven weeks b) Over seven million copies sold 3. Expansion of the audience for hip-hop music was the key to the commercial success of these albums. a) Included millions of young white fans, attracted by the rebelliousness of the genre C. Both Raising Hell and Licensed to Ill were released on a new independent label called Def Jam. CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS 1. Co-founded in 1984 by the hip-hop promoter Russell Simmons and the musician-producer Rick Rubin 2. Cross-promoting a new generation of artists 3. Expanding and diversifying the national audience for hip-hop 4. In 1986, Def Jam became the first rap-oriented independent label to sign a distribution deal with one of the “Big Five” record companies, Columbia Records. D. Run-D.M.C. 1. Trio: a) MCs Run (Joseph Simmons, b. 1964) and D.M.C. (Darryl McDaniels, b. 1964) b) DJ Jam Master Jay (Jason Mizell, b. 1965) 2. Adidas Corporation and Run-D.M.C.
    [Show full text]
  • Revisiting Cyberfeminism
    AUTHOR’S COPY | AUTORENEXEMPLAR Revisiting cyberfeminism SUSANNA PAASONEN E-mail: [email protected] Abstract In the early 1990s, cyberfeminism surfaced as an arena for critical analyses of the inter-connections of gender and new technology Ϫ especially so in the context of the internet, which was then emerging as something of a “mass-medium”. Scholars, activists and artists interested in media technol- ogy and its gendered underpinnings formed networks and groups. Conse- quently, they attached altering sets of meaning to the term cyberfeminism that ranged in their take on, and identifications with feminism. Cyberfemi- nist activities began to fade in the early 2000s and the term has since been used by some as synonymous with feminist studies of new media Ϫ yet much is also lost in such a conflation. This article investigates the histories of cyberfeminism from two interconnecting perspectives. First, it addresses the meanings of the prefix “cyber” in cyberfeminism. Second, it asks what kinds of critical and analytical positions cyberfeminist networks, events, projects and publications have entailed. Through these two perspectives, the article addresses the appeal and attraction of cyberfeminism and poses some tentative explanations for its appeal fading and for cyberfeminist activities being channelled into other networks and practiced under dif- ferent names. Keywords: cyberfeminism, gender, new technology, feminism, networks Introduction Generally speaking, cyberfeminism signifies feminist appropriation of information and computer technology (ICT) on a both practical and theoretical level. Critical analysis and rethinking of gendered power rela- tions related to digital technologies has been a mission of scholars but equally Ϫ and vocally Ϫ that of artists and activists, and those working in-between and across such categorizations.
    [Show full text]
  • Beyond Trashiness: the Sexual Language of 1970S Feminist Fiction
    Journal of International Women's Studies Volume 4 Issue 2 Harvesting our Strengths: Third Wave Article 2 Feminism and Women’s Studies Apr-2003 Beyond Trashiness: The exS ual Language of 1970s Feminist Fiction Meryl Altman Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Altman, Meryl (2003). Beyond Trashiness: The exS ual Language of 1970s Feminist Fiction. Journal of International Women's Studies, 4(2), 7-19. Available at: http://vc.bridgew.edu/jiws/vol4/iss2/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2003 Journal of International Women’s Studies. Beyond Trashiness: The Sexual Language of 1970s Feminist Fiction By Meryl Altmani Abstract It is now commonplace to study the beginning of second wave US radical feminism as the history of a few important groups – mostly located in New York, Boston and Chicago – and the canon of a few influential polemical texts and anthologies. But how did feminism become a mass movement? To answer this question, we need to look also to popular mass-market forms that may have been less ideologically “pure” but that nonetheless carried the edge of feminist revolutionary thought into millions of homes. This article examines novels by Alix Kates Shulman, Marge Piercy and Erica Jong, all published in the early 1970s.
    [Show full text]
  • Cyberfeminism : Encyclopedia of New Media
    Cyberfeminism Cyberfeminism is a term coined in 1994 by Sadie Plant, director of the Cybernetic Culture Research Unit at the University of Warwick in Britain, to describe the work of feminists interested in theorizing, critiquing, and exploiting the Internet, cyberspace, and new-media technologies in general. The term and movement grew out of “third-wave” feminism, the contemporary feminist movement that follows the “second-wave” feminism of the 1970s, which focused on equal rights for women, and which itself followed the “first-wave” feminism of the early 20th century, which concentrated on woman suffrage. Cyberfeminism has tended to include mostly younger, technologically savvy women, and those from Western, white, middle-class backgrounds. The ranks of cyberfeminists are growing, however, and along with this increase is a growing divergence of ideas about what constitutes cyberfeminist thought and action. Prior to the advent of cyberfeminism, feminist study of technology tended to examine technological developments as socially and culturally constructed. One major argument was that technology has been positioned as part of masculine culture—something that men are interested in, good at, and therefore engage in more than women. Even though women throughout history have been active in developing new technologies, feminists have argued that technology has still been looked upon as a masculine creation. For example, although women had been involved in the creation and development of the computer, their contributions were largely marginalized, and their participation often ignored or written out of history. Therefore, feminists such as Judy Wacjman, a professor of sociology at the Australian National University in Canberra, and Cynthia Cockburn, an independent scholar and activist in London, argued that technology needed to be continually interrogated and re-conceptualized, and that women needed to become more active in technological areas as well.
    [Show full text]
  • Process Paper and Bibliography
    ANNOTATED BIBLIOGRAPHY Primary Sources Books Kenney, Annie. Memories of a Militant. London: Edward Arnold & Co, 1924. Autobiography of Annie Kenney. Lytton, Constance, and Jane Warton. Prisons & Prisoners. London: William Heinemann, 1914. Personal experiences of Lady Constance Lytton. Pankhurst, Christabel. Unshackled. London: Hutchinson and Co (Publishers) Ltd, 1959. Autobiography of Christabel Pankhurst. Pankhurst, Emmeline. My Own Story. London: Hearst’s International Library Co, 1914. Autobiography of Emmeline Pankhurst. Newspaper Articles "Amazing Scenes in London." Western Daily Mercury (Plymouth), March 5, 1912. Window breaking in March 1912, leading to trials of Mrs. Pankhurst and Mr. & Mrs. Pethick- Lawrence. "The Argument of the Broken Pane." Votes for Women (London), February 23, 1912. The argument of the stone: speech delivered by Mrs Pankhurst on Feb 16, 1912 honoring released prisoners who had served two or three months for window-breaking demonstration in November 1911. "Attempt to Burn Theatre Royal." The Scotsman (Edinburgh), July 19, 1912. PM Asquith's visit hailed by Irish Nationalists, protested by Suffragettes; hatchet thrown into Mr. Asquith's carriage, attempt to burn Theatre Royal. "By the Vanload." Lancashire Daily Post (Preston), February 15, 1907. "Twenty shillings or fourteen days." The women's raid on Parliament on Feb 13, 1907: Christabel Pankhurst gets fourteen days and Sylvia Pankhurst gets 3 weeks in prison. "Coal That Cooks." The Suffragette (London), July 18, 1913. Thirst strikes. Attempts to escape from "Cat and Mouse" encounters. "Churchill Gives Explanation." Dundee Courier (Dundee), July 15, 1910. Winston Churchill's position on the Conciliation Bill. "The Ejection." Morning Post (London), October 24, 1906. 1 The day after the October 23rd Parliament session during which Premier Henry Campbell- Bannerman cold-shouldered WSPU, leading to protest led by Mrs Pankhurst that led to eleven arrests, including that of Mrs Pethick-Lawrence and gave impetus to the movement.
    [Show full text]
  • Women's Reactions to Men's Patriarchal Oppressions in Selected
    European Scientific Journal December 2018 edition Vol.14, No.35 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Women’s Reactions to Men’s Patriarchal Oppressions in Selected Ghanaian Male and Female Novels Theophile Houndjo, (PhD) Akinola Monday Allagbe, (PhD Candidate) University of Abomey-Calavi (UAC), Republic of Benin Doi:10.19044/esj.2018.v14n35p18 URL:http://dx.doi.org/10.19044/esj.2018.v14n35p18 Abstract Social imbalances between men and women are the bedrock of injustices women encounter in the world, particularly in African societies. Patriarchy is identified by womanist and feminist scholars as one of the social practices that give men more privilege and maintain women in peripheral roles. This article examines how female characters in African patriarchal settings of two Ghanaian male and female novels, Asare Adei’s A Beautiful Daughter (2012) and Amma Darko’s The Housemaid (1998) have been able to face/cope with men’s oppressions through womanist and radical feminist theories. The findings have revealed that majority of the female characters are empowered economically and socially in the male and female fictional texts, and this has enabled them to combat men’s patriarchal oppressions. The female characters’ reactions vary from one another. Some of them made use of pacific ways such as dialogue, feminine solidarity or sisterhood in their attempts to address men’s patriarchal oppressions, while others have made use of violence against men and children in their quest for justice and equality. Keywords: Patriarchy, injustice, womanism, radical feminism, women’s reaction Introduction Patriarchy is identified by womanist and feminist scholars as one of the social practices that oppress women.
    [Show full text]
  • Post-Postfeminism?: New Feminist Visibilities in Postfeminist Times
    FEMINIST MEDIA STUDIES, 2016 VOL. 16, NO. 4, 610–630 http://dx.doi.org/10.1080/14680777.2016.1193293 Post-postfeminism?: new feminist visibilities in postfeminist times Rosalind Gill Department of Sociology, City University, London, UK ABSTRACT KEYWORDS This article contributes to debates about the value and utility Postfeminism; neoliberalism; of the notion of postfeminism for a seemingly “new” moment feminism; media magazines marked by a resurgence of interest in feminism in the media and among young women. The paper reviews current understandings of postfeminism and criticisms of the term’s failure to speak to or connect with contemporary feminism. It offers a defence of the continued importance of a critical notion of postfeminism, used as an analytical category to capture a distinctive contradictory-but- patterned sensibility intimately connected to neoliberalism. The paper raises questions about the meaning of the apparent new visibility of feminism and highlights the multiplicity of different feminisms currently circulating in mainstream media culture—which exist in tension with each other. I argue for the importance of being able to “think together” the rise of popular feminism alongside and in tandem with intensified misogyny. I further show how a postfeminist sensibility informs even those media productions that ostensibly celebrate the new feminism. Ultimately, the paper argues that claims that we have moved “beyond” postfeminism are (sadly) premature, and the notion still has much to offer feminist cultural critics. Introduction: feminism, postfeminism and generation On October 2, 2015 the London Evening Standard (ES) published its first glossy magazine of the new academic year. With a striking red, white, and black cover design it showed model Neelam Gill in a bright red coat, upon which the words “NEW (GEN) FEM” were superimposed in bold.
    [Show full text]
  • Christina Hoff Sommers
    A Conversation with CHRISTINA HOFF SOMMERS A resident scholar at the American Enterprise Institute and former philosophy professor, Christina Hoff Sommers is a thoughtful analyst and trenchant critic of radical feminism. In this conversation, Sommers and Kristol discuss how American feminism, once focused on practical questions such as equal opportunity in employment for women, instead became a radical ideology that questioned the reality of sex differences. Narrating her own experiences as a speaker on college campuses, Sommers explains how the radical feminism of today's universities stifles debate. Finally, Sommers explains a recent controversy in the video game community, which she defends from charges of sexism in a widely-publicized episode known as "GamerGate." On claims of a “rape epidemic” on campus, Sommers says: It’s the result of advocacy research. You can get very alarming findings if you’re willing to interview a non-representative sample of people and if you’re willing to include a lot of behavior most of us don’t think of as assault. If you just play with those, you can get an epidemic. Rape, like all crimes, is way down. It’s at I think a 41- year low. [Rape on campus] is not 1 in 4, or 1 in 5 women, but something like 1 in 50. Still too much. But not [an epidemic]. On the feminist denial of sex differences, Sommers says: Femininity and masculinity are real. Women tend to be more nurturing and risk-averse and have usually a richer emotional vocabulary. Men tend to be a little less explicit about their emotions.
    [Show full text]
  • Lai CV April 24 2018 Ucalg For
    THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’
    [Show full text]
  • A Content Analysis of the Women Against Feminism Tumblr Page Lyndsey S
    Lehigh University Lehigh Preserve Theses and Dissertations 2015 A Content Analysis of the Women Against Feminism Tumblr Page Lyndsey S . Collins Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Part of the Sociology Commons Recommended Citation Collins, Lyndsey S ., "A Content Analysis of the Women Against Feminism Tumblr Page" (2015). Theses and Dissertations. 2559. http://preserve.lehigh.edu/etd/2559 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. A Content Analysis of the Women Against Feminism Tumblr by Lyndsey S. Collins A Thesis Presented to the Graduate and Research Committee of Lehigh University in Candidacy for the Degree of Master of Arts in Sociology Lehigh University May 18, 2015 © 2015 Copyright (Lyndsey S. Collins) ii Thesis is accepted and approved in partial fulfillment of the requirements for the Master of Arts in Sociology. A Content Analysis of the Women Against Feminism Tumblr Page Lyndsey Collins ____________________ Date Approved Dr. Jacqueline Krasas Dr. Yuping Zhang Dr. Nicola Tannenbaum iii ACKNOWLEDGMENTS I would like to express my deepest gratitude to my thesis advisor, Dr. Jacqueline Krasas, who has provided me with invaluable insights, support, and encouragement throughout the entirety of this process. In addition, I would like to thank my committee members, Dr. Nicola Tannenbaum
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]