DAN PERRINO (APRIL 15, 1921–AUGUST 17, 2012) from the Dean
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Works by John Cage, Lou Harrison, Christopher Rouse, Eugene Kurtz, Irwin Bazelon, J.Verplanck New World 80382-2 by Eric Salzman
Works by John Cage, Lou Harrison, Christopher Rouse, Eugene Kurtz, Irwin Bazelon, J.Verplanck New World 80382-2 by Eric Salzman Rhythm is the starting point. Along with the sound of the human voice, the music of rhythm is as old as music itself. The sound of a woodpecker is a drum tattoo.The great apes drum, as well as vocalize. The human infant is cradled by the mother's heartbeat even before birth. Drums and percussion have always been an essential part of music and life throughout the world, except in Western art music of the past few centuries. Only in recent years has the percussion ensemble taken its rightful place along with the more familiar string, wind, and brass ensembles in Western music. The new percussion music has roots in three fairly distinct places: non-Western music, mostly Asian; jazz and related Afro-Latin forms; and the experimental music movements, both pre- and post- World War II. All of these influences are represented on this album. In the 1930s and again in the 1970s, the American avant-garde turned its attention from pure experimentation to more accessible forms of music-making and, at the same time, opened itself to non-Western—especially Eastern—influence. Led by the Californian Henry Cowell and his West Coast disciples John Cage and Lou Harrison, this underground, orientalizing avantgarde of the Thirties and Forties has long-term links with the minimalists and post-modernists of more recent vintage. John Cage was born in Los Angeles in 1912 and studied with Cowell, Arnold Schoenberg, and Adolph Weiss; Edgard Varèse was also a major influence, particularly in the area of percussion music. -
THE SHEPHERD SCHOOL PERCUSSION ENSEMBLE Richard Brown, Director
... THE SHEPHERD SCHOOL PERCUSSION ENSEMBLE Richard Brown, Director PERCUSSIVE ARTS SOCIETY INTERNATIONAL CONVENTION 1989 Nashville, Tennessee Thursday, November 9,1989 2:00p.m. Nashville Convention Center .. RICE UNIVERSITY '.t I I PROGRAM 't Fourscon * (1985) Irwin Bazelon CombiniiZioni (1974) Robert Hall Lewis Boru Meal (1983) J. (Billy) Verplanck • Third Construction * (1943) John Cage Ionisation (1931) Edgar Var~se ~ SHEPHERD SCHOOL PERCUSSION ENSEMBLE Laura Bess J. Riely Francis Chistopher Rose Hugh Brock Sharon Hickox Richard Skains Christian Dionne Usa McCaffery Daniel Smith Gabriel Dionne Andrea Moore Thomas Winckler David Murray *Performed by the CONI'INUUM PERCUSSION QUARTET: Gabriel Dionne Christopher Rose J. Riely Francis Richard Skains ACKNOWLEDGEMENTS The Shepherd School Percussion Ensemble is grateful to the follow ing for the use ofthe instruments: Pear/Drums Sabian Cymbals Latin Percussion Zildjian Cymbals DeMo"ow Marimbas Ludwig Drums Kori Marimbas YamtJha Music Corporation Musser Marimbas Steve Weiss Music Ross 111St1'111Mnts Terry Applebaum, Klungkung Gongs Northwestern University RICHARD BROWN, a native ofPhiladelphia, earned his Bachelor of Music degree from Temple University, Philadelphia, and his Master of Music degree from Catholic University, Washington, D.C. He started his career in 1968 with the Chamber Symphony ofPhiladelphia. He was in the United States Army Band in Washington, D.C., and then moved to Houston to play with the Houston Symphony, apositionhe held for eight years. While in Houston, he established the Percussion Department at The Shepherd School ofMusic. Richard Brown left the Houston Symphony to establish a free-lance career in New York City. He worked in the studios recording film scores, records, and radio and TV jingles, played several Broadway shows, and worked with the Metropolitan Opera, the Orchestra ofSt. -
Proceedings, the 50Th Annual Meeting, 1974
proceedings of tl^e ai^i^iVepsapy EQeetiiig national association of schools of music NUMBER 63 MARCH 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC PROCEEDINGS OF THE 50 th ANNIVERSARY MEETING HOUSTON, TEXAS 1974 Published by the National Association of Schools of Music 11250 Roger Bacon Drive, No. 5 Reston, Virginia 22090 LIBRARY OF CONGRESS CATALOGUE NUMBER 58-38291 COPYRIGHT ® 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC 11250 ROGER BACON DRIVE, NO. 5, RESTON, VA. 22090 All rights reserved including the right to reproduce this book or parts thereof in any form. CONTENTS Officers of the Association 1975 iv Commissions 1 National Office 1 Photographs 2-8 Minutes of the Plenary Sessions 9-18 Report of the Community/Junior College Commission Nelson Adams 18 Report of the Commission on Undergraduate Studies J. Dayton Smith 19-20 Report of the Commission on Graduate Studies Himie Voxman 21 Composite List of Institutions Approved November 1974 .... 22 Report of the Library Committee Michael Winesanker 23-24 Report of the Vice President Warner Imig 25-29 Report of the President Everett Timm 30-32 Regional Meeting Reports 32-36 Addresses to the General Session Welcoming Address Vance Brand 37-41 "Some Free Advice to Students and Teachers" Paul Hume 42-46 "Teaching in Hard Times" Kenneth Eble 47-56 "The Arts and the Campus" WillardL. Boyd 57-62 Papers Presented at Regional Meetings "Esthetic Education: Dialogue about the Musical Experience" Robert M. Trotter 63-65 "Aflfirmative Action Today" Norma F. Schneider 66-71 "Affirmative Action" Kenneth -
7'Tie;T;E ~;&H ~ T,#T1tmftllsieotog
7'tie;T;e ~;&H ~ t,#t1tMftllSieotOg, UCLA VOLUME 3 1986 EDITORIAL BOARD Mark E. Forry Anne Rasmussen Daniel Atesh Sonneborn Jane Sugarman Elizabeth Tolbert The Pacific Review of Ethnomusicology is an annual publication of the UCLA Ethnomusicology Students Association and is funded in part by the UCLA Graduate Student Association. Single issues are available for $6.00 (individuals) or $8.00 (institutions). Please address correspondence to: Pacific Review of Ethnomusicology Department of Music Schoenberg Hall University of California Los Angeles, CA 90024 USA Standing orders and agencies receive a 20% discount. Subscribers residing outside the U.S.A., Canada, and Mexico, please add $2.00 per order. Orders are payable in US dollars. Copyright © 1986 by the Regents of the University of California VOLUME 3 1986 CONTENTS Articles Ethnomusicologists Vis-a-Vis the Fallacies of Contemporary Musical Life ........................................ Stephen Blum 1 Responses to Blum................. ....................................... 20 The Construction, Technique, and Image of the Central Javanese Rebab in Relation to its Role in the Gamelan ... ................... Colin Quigley 42 Research Models in Ethnomusicology Applied to the RadifPhenomenon in Iranian Classical Music........................ Hafez Modir 63 New Theory for Traditional Music in Banyumas, West Central Java ......... R. Anderson Sutton 79 An Ethnomusicological Index to The New Grove Dictionary of Music and Musicians, Part Two ............ Kenneth Culley 102 Review Irene V. Jackson. More Than Drumming: Essays on African and Afro-Latin American Music and Musicians ....................... Norman Weinstein 126 Briefly Noted Echology ..................................................................... 129 Contributors to this Issue From the Editors The third issue of the Pacific Review of Ethnomusicology continues the tradition of representing the diversity inherent in our field. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
T 2021-2022 Season
Tickets & Season-Ticket Packages gathering again Tickets are available at the door, payable with cash, February 23, 2020. check, or credit card: $30 general, $25 senior (age 60+). That was the date of our final, in-person performance You can also visit www.early-music.org for season- before the “long intermission.” That was the last time ticket packages, single concert tickets, or donations. we were able to gather—performers, audience, and Season-ticket packages can also be purchased using the crew—all in the same space. Since then, we have order form on this brochure, payable by cash, check, or had many hours (~180) of recording, one or two credit card. Discounted tickets for students with ID are people at a time, in an effort to keep each other as safe available for purchase at the concert door for $5. as possible. Those mini gatherings were joyful celebrations, providing a fleeting but necessary sense Special Services for Season-Ticket Holders of normalcy. When we are next able to fully assemble Bring a Guest: Each season-ticket holder will receive our company again with you, our audience, it will have been more than 19 months since the last time! one free ticket for ONE guest at ONE concert of choice, An Early Christmas excluded. However, you must Gathering again will help us all regain a feeling of contact us at least 5 days in advance of the concert to rediscovery of a missing treasure, our friends, and our reserve a seat for your friend guest. Call 512-377-6961 TEMP community. -
Proceedings, the 39Th Annual Meeting, 1963
FEBRU ARY 1964 •yu ] ATIONAL ASSOC lATION OF SCHOOLS OF MUSIC / \ Bulletin NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC PROCEEDINGS OF THE THIRTY-NINTH ANNUAL MEETING NOVEMBER 1963 CHICAGO NUMBER 52 FEBRUARY 1964 Bulletin of the NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC CARL M. NEUMEYER Editor Published by the National Association of Schools of Music Office of Secretary, Thomas W. Williams Knox College, Galesburg, Illinois CONTENTS Officers of the Association, 1964 v Commission Members, 1964 v Committees, 1964 vi President's Report, C. B. Hunt, fr 9 The Commission on the Humanities: A Progress Report, Gustave A. Arlt 15 Music in the University, Leigh Gerdine, Panel Chairman 27 Music in General Education, LdVahn Maesch 33 Relationship of Undergraduate to Graduate Studies, Scott Goldthwaite 38 General Education in Music, Robert Trotter. 43 Report of the Commission on Curricula 47 Report of the Graduate Commission 50 Report of the Commission on Ethics 58 Report of the Secretary 58 Report of the Treasurer 60 Report on Regional Meetings 60 Report of the Development Council 6l Report of the Nominating Committee 63 Report of the Publicity Committee. 64 Meetings of Standing Committees 64 By-Law Revisions - 65 Citation to Colonel Samuel Rosenbaum. 66 Thirty-Ninth Annual Meeting 66 In Honor of Howard Hanson 67 OFFICERS OF THE ASSOCIATION FOR 1964 President: C. B. Hunt, Jr., George Peabody College First Vice-President: Duane Branigan, University of Illinois Second Vice-President: LaVahn Maesch, Lawrence College Secretary: Thomas W. Williams, Knox College Treasurer: Carl M. Neumeyer, Illinois Wesleyan University Regional Chairmen: Region 1. J. Russell Bodley, University of the Pacific Region 2. -
General Catalog 2019–2020 / Edition 19 Academic Calendar 2019–2020
BERKELEY GENERAL CATALOG 2019–2020 / EDITION 19 ACADEMIC CALENDAR 2019–2020 Spring Semester 2019 Auditions for Spring 2019 By Appointment Academic and Administrative Holiday Jan 21 First Day of Spring Instruction Jan 22 Last Day to Add / Drop a Class Feb 5 Academic and Administrative Holiday Feb 18 Spring Recess Mar 25 – 31 Last Day of Instruction May 10 Final Examinations and Juries May 13 – 17 Commencement May 19 Fall Enrollment Deposit Due on or before June 1 Fall Registration Jul 29 – Aug 2 Fall Semester 2019 Auditions for Fall 2019 By May 15 New Student Orientation Aug 15 First Day of Fall Instruction Aug 19 Last Day to Add/Drop a Class Sep 1 Academic and Administrative Holiday Sep 2 Academic and Administrative Holiday Nov 25 – Dec 1 Spring 2020 Enrollment Deposit Dec 2 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 9 – 13 Winter Recess Dec 16 – Jan 21, 2020 Spring Registration Jan 6 – 10, 2020 Spring Semester 2020 Auditions for Spring 2020 By Oct 15 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 17 Spring Recess Mar 23 – 27 Last Day of Instruction May 8 Final Examinations and Juries May 11 – 15 Commencement May 17 Fall 2020 Enrollment Deposit Due on or before June 1 Fall 2020 Registration July 27 – 31 Please note: Edition 19 of the CJC 2019 – 2020 General Catalog covers the time period of July 1, 2019 – June 30, 2020. B 1 CONTENTS ACADEMIC CALENDAR ............... Inside Front Cover The Bachelor of Music Degree in Jazz Studies Juries .............................................................. -
Who Is Paule Maurice?? Her Relative Anonymity and Its Consequences
WHO IS PAULE MAURICE? HER RELATIVE ANONYMITY AND ITS CONSEQUENCES by Anthony Jon Moore A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2009 Copyright © Anthony Jon Moore 2009 ii ACKNOWLEDGEMENTS I would like to express my sincere and deep appreciation to the many people who fielded my incessant queries and one-track mind conversations for the last two years, especially Dr. Kenneth Keaton, Dr. Laura Joella, Dr. Stuart Glazer, and my translator, Elsa Cantor. The unbelievable support that materialized from individuals I never knew existed is testimony to the legacy left behind by the subject of this thesis. I want to extend my heartfelt appreciation to Jean-Marie Londeix for responding to my many emails; Sophie Levy, Archivist of the Conservatoire National Supérieur de Musique de Paris for providing me with invaluable information; Marshall Taylor for donating his letter from Paule Maurice and his experiences studying Tableaux de Provence with Marcel Mule; Claude Delangle for Under the Sign of the Sun; James Umble for his book, Jean-Marie Londeix: Master of the Modern Saxophone; and Theodore Kerkezos for his videos of Tableaux de Provence. I want to thank Dr. Eugene Rousseau, Professor Emeritus Jack Beeson, Sarah Field, the Clarinet and Saxophone Society of Great Britain, Dr. Julia Nolan, Dr. Pamela Youngdahl Dees, Dr. Carolyn Bryan, and Dr. William Street, for generously taking a call from a stranger in search of Paule Maurice. -
Music of the Burgundians
2015-2016 he Sounds of Time Music of the Burgundians TENET Jolle Greenleaf soprano Virginia Warnken Kelsey alto Jason McStoots tenor Andrew Padgett bass Robert Mealy vielle Dongmyung Ahn vielle Priscilla Herreid winds Jolle Greenleaf artistic director Robert Mealy guest music director 7pm on Friday, May 20, 2016 Saint Peter’s Church 619 Lexington Avenue New York City Music of the Burgundians (In memory of Richard Steinman) Donnés l’assault Guillaume Du Fay (1397–1474) De plus en plus se renouvelle Gilles Binchois (c. 1400–1460) La Danse de Clèves Anonymous, from Bruxelles MS 9085 Margarite, fleur de valeur Du Fay Je veuil chanter Du Fay Je ne vis oncques Binchois/Du Fay Je me recommande humblement Binchois Basse danse La Franchoise nouvelle Anonymous Mon cuer me fait dis penser Du Fay Plains de ploure Binchois Je me complains Du Fay Malhereux cueur Du Fay Dueil angoisseus Binchois Je demande ma bienvenue Johannes Haucourt (fl. c. 1390–c. 1416) Je ne puis vivre Antoine Busnoys (c. 1430–1492) De tous bien playne Hayne van Ghizeghem (c1445–1477) Josquin des Prez (c.1450–1521) Vostre beauté / vous marches Busnoys 3 Rabbit hunting with ferrets, Franco-Flemish, 1460 4 TEXT AND TRANSLATIONS Donnés l’assault a la fortresse Assault the fortress De ma gratieuse maistresse, of my gracious mistress, Hault dieu d’amors, je vous supplye; High god of Love, I beg of you. Boutés hors m’adverse partie Throw forth my enemy Qui languir me fait en destresse. who makes me languish in distress. C’est d’Anuy, qui par sa rudesse It is that of Spite, who, in his harshness De moy grever point ne se cesse never ceases to torment me my sweet and re- Envers ma dame gente et lye. -
Arts Ed Collective, CIAG, Civic Art, and OGP
Additional Prospective Panelist Names received by 10/17/2018 - Arts Ed Collective, CIAG, Civic Art, and OGP Arts Ed Colle Civic Name of Nominator Panelist Nomination Title Organization City Discipline(s) ctive CIAG Art OGP Arts Educator / Master of Arts Alma Catalan Alma Catalan in Arts Management Candidate Claremont Graduate University Los Angeles Arts Education x Los Angeles County Department Anna Whalen Anna Whalen Grants Development Manager of Education Los Angeles Arts Education x x x Anthony Carter Anthony Carter Transition Coordinator Compton YouthBuild Los Angeles Community Development, At Risk Youth x Director, Community Relations Los Angeles Literary, Theatre, Community Development, Culturally Specific Aurora Anaya-Cerda Aurora Anaya-Cerda and Outreach Levitt Pavilion Los Angeles (Westlake/MacArthur Park) Services, Education/Literacy, Libraries, Parks/Gardens x x Development & Marketing Brittany A. Gash Brittany A. Gash Manager Invertigo Dance Theatre Los Angeles Presenting, Dance x x Arts Education, Visual Arts, At Risk Youth, Traditional and Folk Dewey Tafoya Dewey Tafoya Artist Self-Help Graphics Boyle Heights, Los Angeles Arts x x Arts Education, Dance, Multidisciplinary, Theatre, Traditional and Folk Art, Visual Arts, At Risk Youth, Civil Rights/Social Justice, Community Development, Culturally Specific Services, Edmundo Rodriguez Edmundo Rodriguez Designer/Producer N/A Los Angeles Education/Literacy, Higher Education x x Arts Education, Arts Service, Dance, Multidisciplinary, Presenting, Elisa Blandford Elisa Blandford -
Shepherd School Symphony Orchestra
SHEPHERD SCHOOL SYMPHONY ORCHESTRA GISELE' BEN-DOR, guest conductor featuring the CONTINUUM PERCUSSION QUARTET Wednesday, April 26, 1989 8:00p.m. in Hamman Hall the RICE UNIVERSITY ~~ Of Music PROGRAM The Sonorous Object, built from Robert McCauley the skin of three dead Love Songs, (b. I958) does not exist .... (I988)(Premiere) Marlene Feser, soprano Paula Blackmon, mezzo-soprano Fourscore + 2 for Percussion Quartet Irwin Bazelon and Orchestra (I988)(Premiere) (b. I922) Solo Percussion Quartet Slow Lively Continuum Percussion Quartet Gabriel Dionne J. Riely Francis Christopher Rose Richard Skains INTERMISSION Concerto for Orchestra Bela Bartok Introduzione -Allegro non troppo (I88I-I945) Giuoco delle coppie - Allegretto scherzando Elegia- Andante, non troppo Intermezzo interrotto - Allegretto Finale - Pesante; Presto In consideration of the performers and members of the audience, those who must leave before the end of the performance are asked to do so during intermission. The taking of photographs and the use of recording equipment are prohibited. SHEPHERD SCHOOL SYMPHONY ORCHESTRA Violin I Double Bass Trumpet Fiona Lofthouse, Sebastien Dube, lana Borchardt concertmaster principal Michael Cox Rodica Oancea Debra Stehr Diane Hilbert Kathleen Powell P. Kellach Waddle Reynaldo Ochoa Stephen Rose Anna Cone Mary Thornton Andre Orvik Tracy Rowell Trombone Erin McGinnis Kurt Johnson Kenneth Clark Patricia Nultemeier John Perez Brent Phillips Mihaela Oancea Rebecca Merritt John Schwartz Tanya Schreiber Flute Virginia Thomas Deirdre Ward Susan Dimenn Tuba I ~ Violin IT Elaine Murphy Philip Burke Mariko Close, Kiran Murty Timpani and principal September Payne Percussion Jennifer Leshnower Nancy White Hugh Brock Renata Arado Piccolo J. Riely Francis Dagny Wenk-Wolff Elaine Murphy Hickox Igor Pandurski Sharon Nancy White McCarthy Erin Furbee Matthew Amy Chang Oboe David Murray Rose Daniel Chang Stephen Champion Christopher Skains Charles Hsu Elizabeth Dodson Richard ~ r Grace Tice Viola Harp ..