Motivi U Staroegipatskoj Umjetnosti Preddinastijskog I Ranodinastijskog Razdoblja

Total Page:16

File Type:pdf, Size:1020Kb

Motivi U Staroegipatskoj Umjetnosti Preddinastijskog I Ranodinastijskog Razdoblja Motivi u staroegipatskoj umjetnosti preddinastijskog i ranodinastijskog razdoblja Kiš, Tomislav Master's thesis / Diplomski rad 2021 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:110501 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences SVEUČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET Odsjek za povijest umjetnosti Diplomski rad Motivi u staroegipatskoj umjetnosti preddinastijskog i ranodinastijskog razdoblja Tomislav Kiš Mentor: dr. sc. Tin Turković, doc. Zagreb, 2021. ZAHVALE Profesoru i mentoru Tinu Turkoviću najiskrenije se zahvaljujem na svim konstruktivnim kritikama i savjetima pri izradi diplomskog rada te na prijateljstvu i razgovorima o starome Egiptu, antici i svim ostalim temama kojih smo se dotakli u zadnjih pet godina. Profesorici Nikolini Maraković također sam dužan posebnu zahvalu na svim lijepim riječima i dobronamjernim sugestijama kroz cijelo trajanje studija. Prijateljici i kolegici Josipi Šurkalović zahvaljujem na lekturi engleskog sažetka diplomskog rada. Naposljetku, najveće hvala roditeljima, bratu i djevojci Luki na svoj podršci i neizmjernom strpljenju za mene i „moj“ stari Egipat prije, tijekom i nakon pisanja ovog rada. Temeljna dokumentacijska kartica Sveučilište u Zagrebu Diplomski rad Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij MOTIVI U STAROEGIPATSKOJ UMJETNOSTI PREDDINASTIJSKOG I RANODINASTIJSKOG RAZDOBLJA Motifs in Ancient Egyptian Art of the Predynastic and Early Dynastic Periods Tomislav Kiš U radu su, na temelju obrade najznačajnijih dekorativnih i simboličkih motiva preddinastijskog i ranodinastijskog razdoblja, predstavljeni neki od najvažnijih razvojnih i ikonografskih aspekata te stilskih karakteristika najranije staroegipatske umjetnosti. Poznavanje likovnosti navedenih razdoblja potrebno je radi boljeg razumijevanja cjelokupnog korpusa kasnije staroegipatske umjetnosti te, posljedično, značajnog dijela umjetnosti zapadne civilizacije. Predstojeći tekst stoga, u svrhu boljeg razumijevanja društvenih, religioznih, geografskih, klimatskih, kronoloških i tehnoloških okvira unutar kojih nastaju najranija umjetnička djela doline Nila i njezine okolice, prvo donosi kraći pregled razvoja umjetničke produkcije preddinastijskog i ranodinastijskog razdoblja. Tek je potom dana detaljnija analiza i kontekstualizacija najrelevantnijih antropomorfnih, zoomorfnih, vegetabilnih i ostalih motiva navedenih perioda, koja počiva na najrecentnijim dostupnim podatcima. Cilj rada je istražiti koji se točno dekorativni i simbolički motivi javljaju u naslovnim razdobljima, na kakvim se predmetima i djelima nalaze, koje je njihovo značenje, kako se mijenjaju kroz vrijeme i jesu li prisutni na kasnijim umjetničkim djelima. Obradi svakoga od navedenih motiva pristupljeno je na način koji je smatran najboljim za dobivanje odgovora na postavljena pitanja te bolje poznavanje pojedinih, najreprezentativnijih umjetničkih djela na kojima ih je moguće pronaći. Rad je pohranjen u: knjižnici Filozofskog fakulteta Sveučilišta u Zagrebu. Rad sadrži: 137 stranica, 103 reprodukcije. Izvornik je na hrvatskom jeziku. Ključne riječi: ikonografija, motivi, staroegipatska umjetnost, preddinastijsko razdoblje, ranodinastijsko razdoblje Mentor: dr. sc. Tin Turković, doc., Filozofski fakultet sveučilišta u Zagrebu Ocjenjivači: dr. sc. Nikolina Maraković, izv. prof., Filozofski fakultet Sveučilišta u Zagrebu; dr. sc. Dino Milinović, red. prof., Filozofski fakultet Sveučilišta u Zagrebu; dr. sc. Inga Inga Vilogorac Brčić, doc., Filozofski fakultet Sveučilišta u Zagrebu Datum prijave rada: 13.1.2021. Datum predaje rada: 19.5.2021. Datum obrane rada: 27.5.2021. Ocjena: 5 (odličan) Izjava o autorstvu Ja, Tomislav Kiš, diplomant na istraživačkom smjeru „Umjetnost antike i srednjeg vijeka“ diplomskoga studija povijesti umjetnosti na Odsjeku za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, izjavljujem da je diplomski rad pod nazivom „Motivi u staroegipatskoj umjetnosti preddinastijskog i ranodinastijskog razdoblja“ rezultat mog istraživanja i u potpunosti samostalno napisan. Također, izjavljujem da nijedan dio diplomskoga rada nije izravno preuzet iz nenavedene literature ili napisan na nedozvoljen način, te da se tekst u potpunosti temelji na literaturi kako je navedeno u bilješkama, uz poštivanje etičkih standarda u citiranju i korištenju izvora. U Zagrebu, 18. Svibnja 2021. Tomislav Kiš Sadržaj 1. Uvod ................................................................................................................................................. 1 1.1. Ciljevi rada ................................................................................................................................ 3 2. Umjetnička produkcija preddinastijskog i ranodinastijskog razdoblja ............................................ 3 2.1. Preddinastijsko razdoblje .......................................................................................................... 3 2.1.1. Kulture Donjeg Egipta ....................................................................................................... 5 2.1.2. Kulture Gornjeg Egipta ...................................................................................................... 6 2.2. Ranodinastijsko razdoblje ......................................................................................................... 9 3. Antropomorfni motivi .................................................................................................................... 11 3.1. Lovac ....................................................................................................................................... 11 3.2. Pastir ........................................................................................................................................ 12 3.3. „Gospodar životinja“ ............................................................................................................... 13 3.4. Motivi vladara ......................................................................................................................... 15 3.4.1. Motiv vladara koji toljagom ubija neprijatelje ................................................................. 15 3.4.2. Posjednuti kralj u Heb-sed ogrtaču .................................................................................. 17 3.4.3. Ostali motivi faraona ........................................................................................................ 19 3.5. Neprijatelji, zarobljenici i žrtve rata ........................................................................................ 20 3.6. Sluge ........................................................................................................................................ 22 3.7. Veslači ..................................................................................................................................... 24 3.8. Ljudski likovi s podignutim rukama ....................................................................................... 25 3.9. Pokojnik/ca ispred žrtvenog stola ........................................................................................... 27 3.10. Antropomorfna božanstva ..................................................................................................... 27 4. Zoomorfni motivi ........................................................................................................................... 30 4.1. Nilotičke i pustinjske životinje ................................................................................................ 30 4.2. Životinje kao personifikacija ................................................................................................... 32 4.3. Kompozitne, mitološke životinje ............................................................................................ 35 4.4. Zoomorfna božanstva .............................................................................................................. 36 5. Vegetabilni motivi .......................................................................................................................... 39 5.1. Flora ........................................................................................................................................ 39 5.2. Biljke kao simboli ................................................................................................................... 42 6. Ostali motivi ................................................................................................................................... 44 6.1. Geometrijski motivi i uzorci ................................................................................................... 44 6.2. Brodovi .................................................................................................................................... 45 6.3. Motivi arhitektonskih elemenata i zdanja ............................................................................... 49 6.4. Palace façade i serekh ............................................................................................................. 52 6.5. Kraljevske regalije ..................................................................................................................
Recommended publications
  • Neil Macgregor, a History of the World in 100 Objects
    TERMINUS tom 15 (2013), z. 2 (27), s. 275–282 doi:10.4467/20843844TE.13.016.1573 www.ejournals.eu/Terminus NCEIL MA GREGOR, A HISTORY OF THE WORLD IN 100 OBJECTS, FIRST PUBLISHED IN PRINT IN OCTOBER 2010 BY ALLEN LANE IMPRINT OF PENGUIN BOOKS, PP. 640 Edition used for the review: Kindle Edition, 6 October 2011, Penguin KAJA SZYMAńSKA Uniwersytet Jagielloński, Kraków Only stable, rich and powerful states can commission great art and architectu- re that, unlike text or language, can be instantly understood by anyone – a gre- at advantage in multilingual empires. Neil MacGregor1 The book A History of the World in 100 Objects is a result of a multi-plat- form BBC and British Museum joint enterprise released in 2010. It of- fered an innovative look at history and the role of a museum, and was a great success in popularising knowledge, and history in particular. The whole project involved 550 heritage partners and comprised several me- dia outlets: a six-month long series of daily broadcasts by BBC Radio 4, a website through which individual users and other institutions could also contribute, uploading objects of their own choice, and finally, the book to which this review specifically relates. The radio programme drew 4 million listeners and podcast downloads amounted to over 10 million during the 1 N. MacGregor, loc. 3542/9008. Publikacja objęta jest prawem autorskim. Wszelkie prawa zastrzeżone. Kopiowanie i rozpowszechnianie zabronione. Publikacja przeznaczona jedynie dla klientów indywidualnych. Zakaz rozpowszechniania i udostępniania w serwisach bibliotecznych 276 Kaja Szymańska following year (only just over 5.7 million from the UK).
    [Show full text]
  • From Small States to Universalism in the Pre-Islamic Near East
    REVOLUTIONIZING REVOLUTIONIZING Mark Altaweel and Andrea Squitieri and Andrea Mark Altaweel From Small States to Universalism in the Pre-Islamic Near East This book investigates the long-term continuity of large-scale states and empires, and its effect on the Near East’s social fabric, including the fundamental changes that occurred to major social institutions. Its geographical coverage spans, from east to west, modern- day Libya and Egypt to Central Asia, and from north to south, Anatolia to southern Arabia, incorporating modern-day Oman and Yemen. Its temporal coverage spans from the late eighth century BCE to the seventh century CE during the rise of Islam and collapse of the Sasanian Empire. The authors argue that the persistence of large states and empires starting in the eighth/ seventh centuries BCE, which continued for many centuries, led to new socio-political structures and institutions emerging in the Near East. The primary processes that enabled this emergence were large-scale and long-distance movements, or population migrations. These patterns of social developments are analysed under different aspects: settlement patterns, urban structure, material culture, trade, governance, language spread and religion, all pointing at population movement as the main catalyst for social change. This book’s argument Mark Altaweel is framed within a larger theoretical framework termed as ‘universalism’, a theory that explains WORLD A many of the social transformations that happened to societies in the Near East, starting from Andrea Squitieri the Neo-Assyrian period and continuing for centuries. Among other infl uences, the effects of these transformations are today manifested in modern languages, concepts of government, universal religions and monetized and globalized economies.
    [Show full text]
  • A History of the World in 100 Objects Free
    FREE A HISTORY OF THE WORLD IN 100 OBJECTS PDF Neil MacGregor | 640 pages | 01 Dec 2012 | Penguin Books Ltd | 9780241951774 | English | London, United Kingdom A History Of The World In Objects pdf Free Download - We use cookies to make our website work more efficiently, to provide you with more personalised services or advertising to you, and to analyse traffic on our website. For more information on how we use cookies and how to manage cookies, please follow the 'Read more' link, otherwise select 'Accept and close'. Please note only certain galleries on the Lower and Ground floors A History of the World in 100 Objects open to visitors. Our trails will take you on fascinating tours, highlighting the most popular objects on display and covering a variety of themes. Skip to main content Please enable JavaScript in your web browser to get the best experience. Read more about our cookie policy Accept and close the cookie policy. Object trails. The Royal Game of Ur on Collection online. You are in the Visit section Home Visit Object trails. Share the page Share on Facebook Share on Twitter. Visiting information Plan your visit. View the Museum map. Choose from a selection of object trails around the Museum. One hour at the Museum This trail will take you on a whirlwind tour of the history of the world. Collecting and empire trail Learn how colonial relationships shaped the British Museum's collection. Twelve objects to see with children From ancient armour to mummies, travel back in time on this captivating trail. Three hours at the A History of the World in 100 Objects This three-hour trail showcases the most popular objects on display.
    [Show full text]
  • Eine Geschichte Der Welt in 100 Objekten
    EineNeil MacGregor Geschichte der Welt in 100 Objekten 2 3 Aus dem Englischen von Waltraud Götting, CD 4 Laufzeit ca. 71 Minuten CD 7 Laufzeit ca. 67 Minuten Andreas Wirthensohn und Annabel Zettel 1 Die Anfänge von Wissenschaft 1 Reichsgründer (300 v. Chr.–10 n. Chr.) Gelesen von Hanns Zischler, Rahel Comtesse, und Literatur (2000–700 v. Chr.) 2 Münze mit dem Kopf des Alexander Detlef Kügow und Nico Holonics 2 Die Sintflut-Tafel 3 Ashoka-Säule Redaktion und Regie: Antonio Pellegrino 3 Rhind-Papyrus zur Mathematik 4 Der Stein von Rosette Regieassistenz: Kirsten Böttcher 4 Minoischer Stierspringer 5 Lackierte chinesische Tasse Sound-Design: Dagmar Petrus und Christoph Brandner 5 Der goldene Schulterkragen aus Mold aus der Han-Zeit Studioaufnahmen, Schnitt, Sound-Mix: Ruth-Maria Ostermann 6 Statue von Ramses II. 6 Kopf des Augustus Produktion: Bayerischer Rundfunk/Der Hörverlag 2012 CD 5 Laufzeit ca. 59 Minuten CD 8 Laufzeit ca. 65 Minuten 1 Alte Welt, neue Mächte 1 Antike Freuden, modernes Gewürz (1100–300 v. Chr.) (1–500 n. Chr.) 2 Das Lachisch-Relief 2 Warren Cup CD 1 Laufzeit ca. 60 Minuten 3 Die Liebenden von Ain Sakhri 3 Die Sphinx des Taharqa 3 Nordamerikanische Otterpfeife 1 Wie wir Menschen wurden 4 Ägyptisches Tonmodell von Rindern 4 Chinesisches Ritualgefäß 4 Gürtel für ein rituelles Ballspiel (2 000 000–9000 v. Chr.) 5 Maya-Statue des Maisgottes aus der Zhou-Zeit 5 Ermahnungs-Bildrolle 2 Die Mumie des Hornedjitef 6 Topf der J mon-Kultur 5 Textil der Paracas-Kultur 6 Pfefferstreuer von Hoxne 3 Steinernes Schneidewerkzeug der 6 Die Goldmünze des Krösus Oldowan-Kultur CD 3 Laufzeit ca.
    [Show full text]
  • Chicago, Illinois
    The 62nd Annual Meeting of the American Research Center in Egypt April 1-3, 2011 Chicago Marriott Downtown Chicago, Illinois Cairo Midan Simon Bolivar February 2011 PAPERS ON ARCHAEOLOGY OF THE LEIDEN MUSEUM OF ANTIQUITIES Cary J. Martin Demotic Papyri from the Memphite Necropolis In the Collections of the National Museum of Antiquities in Leiden, the British Museum and the Hermitage Museum 2 vols., 263 p., 66 b/w ills., 220 x 280 mm, 2009, PALMA 5, PB, ISBN 978-2-503-53353-7, $115.00 e Demotic texts published in this volume come from the Archives of the funerary-workers of the Memphite Necropolis. Full photographs of each papyrus are provided and detailed indexes complete the publication. Maarten J. Raven, Vincent Verschoor, Marije Vugts, René van Walsem e Memphite Tomb of Horemheb Commander-in-Chief of Tutankhamun,V: e Forecourt and the Area South of the Tomb with Some Notes on the Tomb of Tia 403 p., 220 x 280 mm, 2011, PALMA 6, PB, ISBN 978-2-503-53110-6, $123.00 is book is the rst in a series dealing with the excavations in the New Kingdom cemetery of Saqqara. e tomb of the general Horemheb is the most important monument of this cemetery. Please add 6% CT Sales Tax, $5.00 shipping for the rst book, and $2.50 for each add’l [email protected] • www.brepols.net DAVID BROWN BOOK COMPANY (orders North America) PO Box 511 (28 Main Street) • Oakville, CT 06779 (USA) T: 800 791 9354 (toll-free); 860 945 9329 • F: 860 945 9468 [email protected] • www.oxbowbooks.com ARCE Chapter Council 2011 Fundraiser in support of the EgyptBest Student in Chicago!Paper Contest The Legacy of Ancient Egypt in Chicago’s Architecture by Michael Berger Saturday, April 2, 2011 12:15pm – 1:00pm Clark, 4th Floor, Marriott Hotel $15.00 per person, tickets must be purchased in advance Museums, Monuments, and Archives: Fellowship Opportunities with ARCE Saturday April 2, 4:15 - 5:15pm Belmont Room, 4th Floor Join former ARCE fellows and the ARCE Academic Coordinator to hear first hand accounts about conducting research in Egypt as pre and post doctoral scholars.
    [Show full text]
  • A HISTORY of the WORLD in 100 OBJECTS Neil Macgregor
    A HISTORY OF THE WORLD IN 100 OBJECTS Neil MacGregor THE EBB RADI a BRITISH ° MUSEUM 92-95 FM ALLEN LANE an imprint of PENGUIN BOOKS Contents Preface: Mission Impossible xiii Introduction: Signals from the Past xv PART ONE Making us Human 2,000,000-9000 BC 1. Mummy of Hornedj itef 2 2. Olduvai Stone Chopping Tool 9 3. Olduvai Handaxe 15 4. Swimming Reindeer 19 5. Clovis Spear Point 26 PART TWO After the Ice Age: Food and Sex 9000-3500 BC 6. Bird-shaped Pestle 32 7. Ain Sakhri Lovers Figurine 37 8. Egyptian Clay Model of Cattle 43 9. Maya Maize God Statue 49 10. JomonPot 55 PART THREE The First Cities and States 4OOO-2OOO BC 11. King Den's Sandal Label 62 12. Standard of Ur 68 i). Indus Seal 78 14. Jade Axe 84 ij\ Early Writing Tablet 90 Vll CONTENTS PART FOUR The Beginnings of Science and Literature 2000-700 BC 16. Flood Tablet 96 iy. Rhind Mathematical Papyrus 102 18. Minoan Bull-leaper 111 19. Mold Gold Cape 117 20. Statue of Ramesses II 124 PART FIVE Old World, New Powers IIOO-3OO BC 21. Lachish Reliefs 132 22. Sphinx of Taharqo 140 23. Chinese Zhou Ritual Vessel 146 24. ParacasTextile 153 25. Gold Coin of Croesus 158 PART six The World in the Age of Confucius 500-300 BC 2.6. Oxus Chariot Model 164 27. Parthenon Sculpture: Centaur and Lapith 171 28. Basse-Yutz Flagons 177 29. Olmec Stone Mask 183 30. Chinese Bronze Bell 190 PART SEVEN Empire Builders 300 BC-AD 10 31.
    [Show full text]
  • Nonhuman Voices in Anglo-​Saxon Literature and Material Culture
    i NONHUMAN VOICES IN ANGLO- SAXON LITERATURE AND MATERIAL CULTURE ii Series editors: Anke Bernau and David Matthews Series founded by: J. J. Anderson and Gail Ashton Advisory board: Ruth Evans, Nicola McDonald, Andrew James Johnston, Sarah Salih, Larry Scanlon and Stephanie Trigg The Manchester Medieval Literature and Culture series publishes new research, informed by current critical methodologies, on the literary cultures of medieval Britain (including Anglo- Norman, Anglo- Latin and Celtic writings), including post- medieval engagements with and representations of the Middle Ages (medievalism). ‘Literature’ is viewed in a broad and inclusive sense, embracing imaginative, historical, political, scientific, dramatic and religious writings. The series offers monographs and essay collections, as well as editions and translations of texts. Titles Available in the Series The Parlement of Foulys (by Geoffrey Chaucer) D. S. Brewer (ed.) Language and imagination in the Gawain- poems J. J. Anderson Water and fire:The myth of the Flood in Anglo- Saxon England Daniel Anlezark Greenery: Ecocritical readings of late medieval English literature Gillian Rudd Sanctity and pornography in medieval culture:On the verge Bill Burgwinkle and Cary Howie In strange countries: Middle English literature and its afterlife: Essays in Memory of J. J. Anderson David Matthews (ed.) A knight’s legacy: Mandeville and Mandevillian lore in early modern England Ladan Niayesh (ed.) Rethinking the South English legendaries Heather Blurton and Jocelyn Wogan- Browne (eds)
    [Show full text]
  • Attic Inscriptions in UK Collections Ashmolean Museum Oxford Christopher De Lisle
    Attic Inscriptions in UK Collections Ashmolean Museum Oxford Christopher de Lisle AIUK VOLUME ASHMOLEAN 11 MUSEUM 2020 AIUK Volume 11 Published 2020 AIUK is an AIO Papers series ISSN 2054-6769 (Print) ISSN 2054-6777 (Online) Attic Inscriptions in UK Collections is an open access AIUK publication, which means that all content is available without Attic Inscriptions charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the in UK Collections full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n a This paper is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Licence. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. This paper is part of a systematic publication of all the Attic inscriptions in UK collections by Attic Inscriptions Online as part of a research project supported by the Arts and Humanities Research Council (AHRC): AH/P015069/1. PRINCIPAL PROJECT AIO ADVISORY INVESTIGATOR TEAM BOARD Stephen Lambert Peter Liddel Josine Blok Polly Low Peter Liddel Robert Pitt Polly Low Finlay McCourt Angelos P. Matthaiou Irene Vagionakis S. Douglas Olson P.J. Rhodes For further information see atticinscriptions.com Contents CONTENTS Contents i Preface ii Abbreviations iv 1. The Collection of Attic Inscriptions in the Ashmolean Museum xiii 2. The Inscriptions: A Decree, a Calendar of Sacrifices, and a Dedication 9 1. Proxeny Decree for Straton, King of the Sidonians 9 2.
    [Show full text]
  • Chapter 8 Living On: Ancestors and the Soul Alexandra Sanmark
    UHI Research Database pdf download summary Living on: ancestors and the soul Sanmark, Alexandra Published in: Signals of Belief in Early England Publication date: 2010 The Document Version you have downloaded here is: Publisher's PDF, also known as Version of record Link to author version on UHI Research Database Citation for published version (APA): Sanmark, A. (2010). Living on: ancestors and the soul. In M. Carver, A. Sanmark, & S. Semple (Eds.), Signals of Belief in Early England: Anglo-Saxon Paganism Revisited (pp. 162). Oxbow. General rights Copyright and moral rights for the publications made accessible in the UHI Research Database are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights: 1) Users may download and print one copy of any publication from the UHI Research Database for the purpose of private study or research. 2) You may not further distribute the material or use it for any profit-making activity or commercial gain 3) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 Chapter 8 Living on: ancestors and the soul Alexandra Sanmark Introduction The written evidence for pre-Christian belief among the Anglo-Saxons is extremely sparse (Wilson 1992, chapter 2) and its character remains elusive.
    [Show full text]
  • Thesis-Reclaiming the Past- How a Legacy Of
    ABSTRACT Title of Thesis: RECLAIMING THE PAST: HOW A LEGACY OF PATERNALISM AFFECTS MODERN EFFORTS OF ARTIFACT REPATRIATION Michael Guy, Master of Arts, Museum Studies and Historical Preservation, December 2019 Thesis Chair: David Terry, Ph. D Department of History, Geography, Museum Studies The twenty first century has seen a push towards the righting of past wrongs, as social awareness has been on the rise. One such wrong that has currently caught the public’s attention is the repatriation of artifacts. Museums throughout the West are filled with objects that have been acquired through a variety of means, some, if looked at through a twenty first century lens would come across as immoral or even illegal. Museums in the West have been hesitant to hand over ownership of these objects back to the cultures that produced them. Though many of the reasons given for the reluctance to return the objects are legitimate, the notion of Western paternalism still looms large. My thesis will examine the link between repatriation and paternalism by primarily examining Nigeria’s efforts in seeking the repatriation of the Benin Bronzes from the British Museums. I will also look into repatriation claims to a lesser extent, including the Elgin Marbles and the repatriation of indigenous human remains in the US and Australia. Through the examination of historical newspapers, academic journals, monographs, I will argue that the hesitance in granting repatriation by Western Museum is directly linked to generations of paternalism from the West, towards these societies seeking repatriation. Furthermore, I will argue that this paternalism was fostered by the museums that hold these objects.
    [Show full text]
  • Motivi U Staroegipatskoj Umjetnosti Preddinastijskog I Ranodinastijskog Razdoblja
    Motivi u staroegipatskoj umjetnosti preddinastijskog i ranodinastijskog razdoblja Kiš, Tomislav Master's thesis / Diplomski rad 2021 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:110501 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-24 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences SVEUČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET Odsjek za povijest umjetnosti Diplomski rad Motivi u staroegipatskoj umjetnosti preddinastijskog i ranodinastijskog razdoblja Tomislav Kiš Mentor: dr. sc. Tin Turković, doc. Zagreb, 2021. ZAHVALE Profesoru i mentoru Tinu Turkoviću najiskrenije se zahvaljujem na svim konstruktivnim kritikama i savjetima pri izradi diplomskog rada te na prijateljstvu i razgovorima o starome Egiptu, antici i svim ostalim temama kojih smo se dotakli u zadnjih pet godina. Profesorici Nikolini Maraković također sam dužan posebnu zahvalu na svim lijepim riječima i dobronamjernim sugestijama kroz cijelo trajanje studija. Prijateljici i kolegici Josipi Šurkalović zahvaljujem na lekturi engleskog sažetka diplomskog rada. Naposljetku, najveće hvala roditeljima, bratu i djevojci Luki na svoj podršci i neizmjernom strpljenju za mene i „moj“ stari Egipat prije, tijekom i nakon pisanja ovog rada. Temeljna dokumentacijska kartica Sveučilište u Zagrebu Diplomski rad Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij MOTIVI U STAROEGIPATSKOJ UMJETNOSTI PREDDINASTIJSKOG I RANODINASTIJSKOG RAZDOBLJA Motifs in Ancient Egyptian Art of the Predynastic and Early Dynastic Periods Tomislav Kiš U radu su, na temelju obrade najznačajnijih dekorativnih i simboličkih motiva preddinastijskog i ranodinastijskog razdoblja, predstavljeni neki od najvažnijih razvojnih i ikonografskih aspekata te stilskih karakteristika najranije staroegipatske umjetnosti.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    UNIVERSAL MUSEUMS: THEIR HISTORY, CHALLENGES AND NEED FOR A RENEWED ―UNIVERSAL‖ PERSPECTIVE By DUSHANTHI INOKA JAYAWARDENA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2010 1 © 2010 Dushanthi Inoka Jayawardena 2 To my parents 3 ACKNOWLEDGMENTS I would first like to thank my thesis chair, Dr. Glenn Willumson, for his guidance, invaluable advice, and patience throughout the development of my thesis research. His mentorship and knowledge of the study of museums have helped me far beyond the scope of this thesis. I would also like to thank my other thesis committee members, Dean Kathleen Price and Dr. Steven Brandt, for their generosity in providing me with valuable knowledge and keen insight. I would like to thank my friends Tracy Pfaff, Shawna Pies, Sarah Smith, Lanka Thabrew and Elizabeth Bemis, for their motivation and friendship which truly helped me move forward. I would also like to thank my boyfriend, Janitha Jayasinghe, for his positive words of advice, encouragement, and unwavering support. Finally, I would like to extend my deepest gratitude to my family for their unconditional love and support. I would like to thank my parents for having the confidence and patience in letting me choose a career path that was unfamiliar to them, and for understanding my love of archaeology, museums and cultural heritage. To my siblings, Tilanthi and Rajiv, thank you for your wise judgment and unbelievably valuable advice in every important decision that I make. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................
    [Show full text]