BAB III Hal 78 Combined
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
Did You Know?
Did You Know? By *Marjorie Charlot Black presence in the military and in wars can be traced to various periods of the ancient world and across cultures. Jugurtha was a North African patriot who initiated the Jugurthine War (112–105 B.C.). His guerrilla warfare would inflict embarrassing defeat upon the Roman legions. Authors Brunson and Rashidi quote Graham Webster when he wrote, “The wars of Jugurtha demonstrated the value of the nimble Moorish horsemen who Trajan later found so useful against the Dacians.”1 Black Conquistadors Juan Bardales was a free black slave who participated in the conquests of Honduras and Panama. For the part he played in the conquest of Honduras, he received an award consisting of an annual subsidy of 50 pesos.2 Nuflo de Olano was a slave conquistador and explorer. He was part of the Vasco Núñez de Balboa expedition, along with 30 other Africans, 190 Spaniards, and 1,000 Native Americans when they went through the jungle to cross the Isthmus of Panama. De Olano in 1513 was with Balboa when they first saw the Pacific Ocean.3 Antonio Pérez was a free North African who was a cavalryman and one of Diego de Losada’s most valued captains in 1568. Pérez took part in the conquest of Venezuela.4 He was described as “an old soldier of African wars who had been with the emperor at the storming of Tunis.”5 Juan Portugués was either black African or black Portuguese. He was involved in the conquest of Venezuela.6 Miguel Ruíz was a free Spanish mulatto who was a conquistador in Peru and one of two blacks in Francisco Pizarro’s company at Cajamarca. -
Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright 0 I989 by MicroProse Software, inc. This bk may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On the -
Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi
Featured Exhibition,The Hosokawa CollectionⅠ Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi Mitsuhide in Kumamoto- Hosokawa Tadatoshi, lord of Kumamoto Castle, and Miyake Tobei, a warrior of Karatsu Domain who died in Amakusa by rebel forces during the Shimabara-Amakusa Rebellion, were both in fact the grandsons of the samurai general Akechi Mitsuhide, famous for defeating the warlord Oda Nobunaga! Learn about these two figures connected to Mitsuhide who ended up in Kumamoto. List of Works Saturday,May 16-Sunday,July 5,2020 The Hosokawa Collection-Eiseibunko Gallery in Kumamoto,Kumamoto Prefectural Museum of Art № Title of Work Artist’s Name, etc. Year of Production Owner Prologue : Members of the Akechi Family Portrait of Akechi Mitsuhide 1 Inscribed in 1613 Hontokuji Temple, Osaka (*photo panel) From Akechi Hidemitsu to Taiyo Collection, Taigan Kawakami Kamonno- August 13, ca.1580-81 2 Letter Historical Museum, Tokyo suke Daughter of Akechi Mitsuhide, Shinsen Kumamoto Prefectural Museum 3 Utagawa Toyonobu 1883 Taikoki of Art Eisei Bunko Museum,Tokyo From Hosokawa Sansai to August 23,1629 (Entrusted to Kumamoto 4 Letter Hosokawa Tadatoshi Prefectural Museum of Art) Part1 : Mitsuhide's Grandsons Tadataka and Okiaki who couldn't Succeed the Hosokawa Family From Tokugawa Hidetada to September 24,1600 Eisei Bunko Museum,Tokyo 5 Letter Hosokawa Tadataka Eisei Bunko Museum,Tokyo 6 Battle of Sekigahara(*photo panel) Late Edo period,19th century (Entrusted to Kumamoto University Library) Matsui Bunko Museum From Hosokawa Tdataka -
Shitenno.Pdf
Honshu island, Japan, end of 16th century. 1 gameboard representing Japan’s 8 Provinces and The Warring state period (Sengoku) is coming to including the favor points track an end. After more than a century of chaos, in a background of constant war tainted with treason, fratricidal rivalry, and reversal of alliance, one man, Tokugawa Ieyasu, heir of a small insignificant clan, is about to unify Japan for the first time in history, allowing it to enter the Edo period - a period of peace which lasted two and a half centuries. First shogun of the Tokugawa dynasty, he rose to power thanks to the unfailing support of his four samurai generals, the Shitennōs (literally ‘‘Four heavenly kings’’): 4 Shitennō cards & 4 Score Kamons Honda Tadakatsu Ii Naomasa Sakakibara Yasumasa Sakai Tadatsugu 48 control Kamons – 12 for each one of the 4 generals Simple Face Golden Face The Kamons are the “coat of arms of samurai clans” 24 Bonus Tiles Bonus Face Each player plays the role of one of these four generals and Troop Face tries, by controlling different Provinces, to become shogun Tokugawa’s favorite. 4 big Title Tiles and 4 corresponding Hierarchy Tiles The game flow is based on the ‘‘sankin-kōtai’’ system, in which the daimyōs had to spend one year out of two in Edo (old Tōkyō), and to leave their wives and children there when they went back to the Provinces. A game is therefore made of several turns, each turn corresponding to two years: During even years, the generals, present in Edo with the Shogun, share Titles, Troops made available by the Shogun, and Kokus (income from a fief). -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province. -
Partial Modification of the Prior Instance Judgment References
Patent Date September 11, 2019 Court Intellectual Property Right Case number 2018 (Ne) 10006 High Court, Third 2018 (Ne) 10022 Division - A case in which, with regard to the patent infringement lawsuit related to Patent A of the invention titled "system operating method" and Patent B of the invention titled "game device and control method thereof", the judgment in prior instance in which the Appellee's defense of invalidity was approved and the Appellant's claim was partially dismissed by stating that Patent A has an invalidation reason of lack of inventive step with the publicly known invention or publicly worked invention as the main cited example was modified, and the defense of invalidity was not approved for Patent A. - A case in which the amount of damages was calculated for the net sales price of the infringement product by multiplying a rate which should be received for the working under Article 102, paragraph (3) of the Patent Act. Case type: Injunction, etc. Result: Partial modification of the prior instance judgment References: Article 29, paragraph (2), and Article 102, paragraph (3) of the Patent Act, Article 709 of the Civil Code Number of related rights, etc.: Patent No. 3350773, No. 3295771 Summary of the Judgment 1. This case is a case in which Appellant who had Patent Right A related to the invention related to a system operating method targeted to an information processor such as a consumer game machine and Patent Right B related to the invention related to a game device configured to physically transmit vibration to a player in accordance with an advance state of a game in the game machine and the control method thereof claimed payment of damages from Appellee on the ground of tort by alleging that the game software manufactured and sold by Appellee (Product A and Product B) belongs to the technical scope of the inventions according to each of the aforementioned patent rights, and the manufacture and sales thereof are applicable to infringement of each of the aforementioned patent rights. -
The Deer Scroll by Kōetsu and Sōtatsu
The Deer Scroll by Kōetsu and Sōtatsu Reappraised Golden Week Lecture Series— Four Masterpieces of Japanese Painting: A Symposium Miyeko Murase, Former Consultant for Japanese Art, Metropolitan Museum of Art and the Takeo and Itsuko Atsumi Professor Emerita, Columbia University Poem Scroll with Deer (part), Hon’ami Kōestu and Tawaraya Sōtatsu, early 17th century, handscroll, ink, gold and silver on paper, 13 3/8 x 372 in., Gift of Mrs. E. Frederick, 51.127 It has been quite some years since I last spoke here at this museum, so many in fact that I have lost count. It is really wonderful to be back, and I want to thank director Mimi Gates and curator Yukiko Shirahara, who invited me to speak today on the world-famous Deer Scroll by Sōtatsu and Kōetsu. This proud possession of the Seattle Art Museum is one of the most beautiful paintings ever created by Japanese artists.1 The scroll just came back from Japan after extensive restorative work. Although the handscroll itself does not bear any title, it is generally known as the Deer Scroll because the entire scroll is filled with images of deer, which are shown either singly, in couples, or in large herds. The animals are painted only in gold and/or silver ink, as is the very simple setting of sky, mist, and ground. As you may have noticed, these beautiful pictures of deer are really a background for the equally exquisite writings of waka poems in black ink. Here we have a symphony of three arts - poetry, painting, and calligraphy - as a testimonial to the ancient credo of Asia that these three arts occupy an equally important place in life and culture. -
From Ieyasu to Yoshinao
2021 Summer Special Exhibition From Ieyasu to Yoshinao The Transition to a Powerful Pre-Modern State July 17 (Sat.) - September 12 (Sun.), 2021 INTRODUCTION Striving through the sengoku (Warring States) period, Tokugawa Ieyasu (1543-1616) finally achieved the unification of the whole country. Yoshinao (1601-1650), the ninth son of Ieyasu, was assigned to govern the Owari domain during the era of peace. The two were father and son, yet they lived in contrasting times. Yoshinao, who inherited a large fortune of assets and texts from Ieyasu, established the foundations of the Owari domain and led Nagoya to prosperity. Focusing on the principles of their rule, passed down from Ieyasu to Yoshinao, this exhibition traces their lives, their administration, and Yoshinao’s feelings towards Ieyasu, as observed in historical documents and inherited objects. Part 1 Tokugawa Ieyasu, Toyotomi Family, and Tokugawa Yoshinao [ Exhibits Number: 1-42 ] Exhibition Rooms at Hosa Library [Section 1] Ieyasu during the Age of the Warring States: the Eve of Yoshinao’s Birth This section deals with the dramatic changes that occurred in the latter part of Ieyasu’s life, spanning the battle of Nagakute in 1584—in which Ieyasu and Nobukatsu (the second son of Nobunaga) fought Hideyoshi after Nobunaga’s death in 1582, Ieyasu’s subsequent vassalage to Hideyoshi, and the battle of Sekigahara in 1600. [Section 2] Yoshinao during the Age of the Warring States After the death of Toyotomi Hideyoshi on the 18th of the 8th month of 1598, Ieyasu increasingly came into conflict with Hideyoshi’s heir, Hideyori, and his vassals of western Japan, led by Ishida Mitsunari. -
Art of the Samurai: Japanese Arms and Armor, 11561156---18681868
News Release The Metropolitan Museum of Art Communications Department 1000 Fifth Avenue, New York, NY 10028-0198 tel (212) 570-3951 fax (212) 472-2764 [email protected] For Immediate Release Elyse Topalian Naomi Takafuchi Art of the Samurai: Japanese Arms and Armor, 11561156---18681868 Exhibition dates: October 21, 20092009---JanuaryJanuary 10, 2010 Location: The Tisch GalleriesGalleries,, second floor Press Preview: Monday, October 19, 10 a.m. - noon The Metropolitan Museum of Art will present the most extraordinary and comprehensive exhibition of Japanese arms and armor ever to take place in the United States, beginning October 21. Bringing together some 215 masterpieces, including 34 National Treasures (more than double the number of National Treasures ever before allowed to leave Japan for a single loan exhibition), 61 Important Cultural Properties, and six Important Art Objects, Art of the Samurai: Japanese Arms and Armor, 11561156---18681868 will explore the greatest achievements of this unique facet of Japanese art. Drawn exclusively from public and private collections in Japan, the exhibition will showcase the finest examples of armor, swords, sword fittings and mountings, archery and equestrian equipments, banners, surcoats, and related accessories of rank such as fans and batons, as well as painted screens and scrolls depicting samurai warriors. The exhibition is made possible by The Yomiuri Shimbun. Additional support is provided by the Jessica E. Smith and Kevin R. Brine Charitable Trust, Japanese Chamber of Commerce and Industry of New York, Inc., and Oceanic Heritage Foundation. (more) Art of the Samurai Page 2 The exhibition was organized by The Metropolitan Museum of Art, New York, the Agency for Cultural Affairs of the Government of Japan, and the Tokyo National Museum. -
Tokyo Takarazuka Theater(TOKYO) Aug.5‒Sep.4 2016
Tokyo Takarazuka Theater(TOKYO) Aug.5‒Sep.4 2016 Postal Life Insurance 100th Anniversary ‒ Kanpo Dream Theater Rock Musical "Nobunaga: The Will to Power" Written and directed by Takuji Ono Postal Life Insurance 100th Anniversary ‒ Kanpo Dream Theater Shining Show "Forever LOVE!!" Written and directed by Daisuke Fujii On sale from: July 3, 2016, at 10:00 AM(JST) ‒ Price SS Seat : 12,000 / S Seat : 8,800 / A Seat : 5,500 / B Seat : 3,500 Unit: Japanese Yen (tax included) Story ‒‒‒ "Nobunaga: The Will to Power" Japan is at war with itself. At Okehazama, Oda Nobunaga (Masaki Ryu) of Owari, rumored to be a fool, spectacularly defeated Imagawa Yoshimoto of Mikawa as he was leading a much larger host than Nobunaga's toward the capital city, Miyako (modern‒day Kyoto). Nobunaga has decided to take Yoshimoto's place and lead his own forces to Miyako, so he is compelled to ally with the Azai clan in order to suppress Mino, a province lying between Owari and Miyako, by having his younger sister Oichi (Mitsuki Umino) wed Nagamasa, the Azai clan's successor. However, Mino is also the birthplace of Nobunaga's wife, Kicho (Reika Manaki). Her former retainers and people are in Mino, and Kicho is vehemently opposed to the province's destruction, even if it is now in the hands of an enemy who overthrew her father, Saito Dosan. But Nobunaga, who has embarked upon his path to conquest, holds to his course. Ten years later, Nobunaga has conquered Mino and marched into Miyako. He has become war incarnate and continues to slaughter his enemies, instilling terror in the populace, who call him a king of demons.