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Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo by Flora Thomas Ward A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Flora Thomas Ward 2014 Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo Flora Thomas Ward Doctor of Philosophy Department of Art University of Toronto 2014 Abstract My dissertation examines the Cámara Santa of the Cathedral of Oviedo as both a medieval and modern monument, shaped by twelfth-century bishops and twentieth-century restorers. I consider the space as a multi-media ensemble, containing manuscripts, metalwork, and sculpture, arguing that we must view it as a composite—if fragmented—whole. My analysis focuses on the twelfth century, a crucial period during which the structure, decoration, and contents of the Cámara Santa were reworked. A key figure in this story is Bishop Pelayo of Oviedo (d. 1153), who sought to enhance the antiquity and authority of the see of Oviedo by means of the cult of its most important reliquary: the Arca Santa. I argue that this reliquary shapes the form and function of the twelfth-century Cámara Santa, considering the use of the space in the context of liturgy and pilgrimage. Finally, I consider the sculpture that lines the walls of the space, arguing that it animates and embodies the relics contained within the Arca Santa, interacting with the pilgrims and canons who used the space. Thus, this sculpture represents the culmination of the long twelfth-century transformation of the Cámara Santa into a space of pilgrimage focused around the Arca Santa and the memory of the early medieval patrons of the Cathedral of Oviedo, a memory which abides to this day. -
Download References File
TECNOLOGÍA NAVARRA DE NANOPRODUCTOS S.L. (TECNAN) THINK BIG, ACT NANO! REFERENCES RESTORATION AND CONSERVATION OF HERITAGE BUILDINGS TECNADIS PRODUCTS - REMARKABLE WORKS Metropolitan Cathedral Seville Cathedral Oviedo Cathedral (Panama City) (Sevilla - Spain) (Asturias - Spain) Mosque-Cathedral of Cordoba La Almudena Cathedral Tui Cathedral Santander Cathedral (Córdoba - Spain) (Madrid - Spain) (Pontevedra - Spain) (Cantabria - Spain) Tarazona Cathedral Burgo de Osma Cathedral Pamplona Cathedral Segovia Cathedral (Zaragoza - Spain) (Soria - Spain) (Navarra - Spain) (Segovia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Cologne Cathedral Pisa Cathedral Saint Bavon Cathedral Saint Esteban Cathedral (Italy) (Germany) (Ghent - Belgium) (Wien - Austria) (Bélgica) São João National Theatre Santo Domingo de la Calzada Cathedral Casa Milá – La Pedrera Viana Do Castelo Cathedral (Porto-Portugal) (La Rioja - Spain) (Barcelona - Spain) (Portugal) Buen Pastor Cathedral The Real Alcazar Casa Batlló Valencia Cathedral Museum (San Sebastián - Spain) (Sevilla - Spain) (Barcelona - Spain) (Valencia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Bank of Spain Headquarters Santander Bank Headquarters National Library Parador of Leon (Madrid-Spain) (Santander - Spain) (Madrid - Spain) (León - Spain) ) Bank of Spain Building Spain Square Canalejas Complex Prado Museum (Málaga - Spain) (Sevilla - Spain) (Madrid - Spain) (Madrid - Spain) Royal Pavilion - Mª Luisa Park The old Seville Artillery Factory Astorga Episcopal Palace Catalunya Caixa Bank Headquarters -
Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral
Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral Abstract The Mediterranean city of Tarragona was a capital city in Roman times. Nowadays, the remains of the ancient constructions coexist with many subsequent buildings. This is the case of the Gothic Cathedral cloister, whose walls partially take advantage of the remains of the temenos’s wall. This paper focuses on the assessment of that unique overlapping of construction phases. The investigation is performed through an unprecedented topographical survey by means of massive data capture techniques. This information is the basis for the mechanical assessment of the equilibrium conditions of the northern corner of the gallery, which is performed on the well-known theoretical framework of limit analysis by means of thrust lines. The study allowed to enhance the understanding about the equilibrium conditions and the deformation processes of the gallery masonry elements, where the mechanical relation between the Roman and Gothic walls is essential. Keywords 3D model, Structural assessment, Graphic documentation techniques Mª Amparo Núñez-Andrés 1), Felipe Buill 2), Agusti Costa 3), Josep Maria Puche 4) 1) Department of Geotechnical Engineering and Geo-Sciences (ETCG). Universitat Politècnica de Catalunya. [email protected] 2) Department of Geotechnical Engineering and Geo-Sciences (ETCG). Universitat Politècnica de [email protected] 3) Universitat Rovira i Virgili. ETSA Reus, Campus Bellissens. [email protected] 4) ICAC, Institut Català d’Arqueologia Clàssica [email protected] 1 Introduction The city of Tarragona is located at the Mediterranean coast of Catalunya (Spain). Known as Tarraco, it was a capital city in Roman times and until eighth century. -
The North Way
PORTADAS en INGLES.qxp:30X21 26/08/09 12:51 Página 6 The North Way The Pilgrims’ Ways to Santiago in Galicia NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:19 Página 2 NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:20 Página 3 The North Way The origins of the pilgrimage way to Santiago which runs along the northern coasts of Galicia and Asturias date back to the period immediately following the discovery of the tomb of the Apostle Saint James the Greater around 820. The routes from the old Kingdom of Asturias were the first to take the pilgrims to Santiago. The coastal route was as busy as the other, older pilgrims’ ways long before the Spanish monarchs proclaimed the French Way to be the ideal route, and provided a link for the Christian kingdoms in the North of the Iberian Peninsula. This endorsement of the French Way did not, however, bring about the decline of the Asturian and Galician pilgrimage routes, as the stretch of the route from León to Oviedo enjoyed even greater popularity from the late 11th century onwards. The Northern Route is not a local coastal road for the sole use of the Asturians living along the Alfonso II the Chaste. shoreline. This medieval route gave rise to an Liber Testamenctorum (s. XII). internationally renowned current, directing Oviedo Cathedral archives pilgrims towards the sanctuaries of Oviedo and Santiago de Compostela, perhaps not as well- travelled as the the French Way, but certainly bustling with activity until the 18th century. -
Tecla, Pablo Y El Frontal Del Altar De La Catedral De Tarragona En El Contexto Creativo Del Tardorrománico Hispano: Propuesta De Datación E Interpretación*
ANUARIO DE ESTUDIOS MEDIEVALES 49/2, julio-diciembre de 2019, pp. 645-682 ISSN 0066-5061 https://doi.org/10.3989/aem.2019.49.2.10 TECLA, PABLO Y EL FRONTAL DEL ALTAR DE LA CATEDRAL DE TARRAGONA EN EL CONTEXTO CREATIVO DEL TARDORROMÁNICO HISPANO: PROPUESTA DE DATACIÓN E INTERPRETACIÓN* THECLA, PAUL AND THE ALTAR FRONTAL OF THE CATHEDRAL OF TARRAGONA IN THE CREATIVE CONTEXT OF LATE SPANISH ROMANESQUE ART: A PROPOSED DATE AND INTERPRETATION ESTHER LOZANO LÓPEZ UNED https//orcid.org/ 0000-0003-0513-4748 CÉSAR GARCÍA DE CASTRO VALDÉS Museo Arqueológico de Asturias https://orcid.org/ 0000-0003-3253-7796 Resumen: El imponente frontal de mármol que ornamenta el altar de la catedral de Tarragona permite ahondar en el dilatado proceso histórico de la restauración de la sede metropolitana. Los confl ictos eclesiásticos generados a partir del proceso de segregación jurisdiccional respecto a la metrópolis de Narbona, la rivalidad con Toledo a propósito de la primacía hispánica y la voluntad de subrayar la fundación apostólica de la sede explican la dedicación a santa Tecla (discípula de Pablo, isoapóstolos y protomártir) y el extraordinario programa iconográfi co que plasma una versión de los Acta Pauli et Teclae. El prestigio de la caput ecclesiarum totius Citerioris Hispaniae (en palabras del arzobispo Oleguer) se refl eja en la creación de una obra de calidad excepcional que se inserta en las innovadoras corrientes escultóricas del tardorrománico hispano. El objetivo principal de este trabajo es ofrecer una datación más temprana y una nueva lectura iconográfi ca para este altar. Palabras clave: frontal de altar; románico; primacía metropolitana; Tecla; exaltación paulina; trans- fi guración; catedral de Tarragona. -
Cities and Sites Photograph Collection, Circa 1850-Circa 1949
http://oac.cdlib.org/findaid/ark:/13030/c8fr00x7 No online items Finding Aid for the Cities and Sites Photograph Collection, circa 1850-circa 1949 Beth Guynn Finding Aid for the Cities and 96.R.34 1 Sites Photograph Collection, circa 1850-circa 1949 Descriptive Summary Title: Cities and Sites Photograph Collection Date (inclusive): circa 1850-circa 1949 Number: 96.R.34 Creator/Collector: Getty Research Institute Physical Description: 557 Photographic Prints Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: An assembled collection of photographs of cities, sites, and monuments from around the world. Many views are by early photographers such as Robert Macpherson, James Anderson, Carlo Naya, and Giorgio Sommer. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English, Italian, Spanish; Castilian, and French, with some German Biographical/Historical Note Collection assembled by the repository. Access Open for use by qualified researchers. Publication Rights Contact Library Rights and Reproductions . Preferred Citation Cities and sites collection, circa 1850-circa 1949, Getty Research Institute, Los Angeles, Accession no. 96.R.34 http://hdl.handle.net/10020/cifa96r34 Acquisition Information Collection assembled by repository in 1997 from photographs selected from the repository's Photo Study Collection. Processing History The collection was processed by Beth Ann Guynn in 1997 and further processed by Holly Larson in 2010. The finding aid encoded by Holly Larson from Guynn's inventory, with grant funding from the Council on Library and Information Resources (CLIR). -
New Discoveries on the Sudarium of Oviedo
New Discoveries on the Sudarium of Oviedo César Barta (1) , Rodrigo Álvarez (1)(2) , Almudena Ordóñez (1)(2) , Alfonso Sánchez (1) and Jesús García (1)(2) (1) Research Team of Spanish Center of Sindonology (EDICES), Spain (2) University of Oviedo. Spain Abstract — The Sudarium of Oviedo and the Shroud of Turin are two relics attributed to Jesus Christ that show a series of II. amazing coincidences announced in the past. They lead to Previous coincidences confirm the use of both cloths on the same person. In this between Shroud and Sudarium contribution, we describe the X-ray fluorescence analysis carried out on the Sudarium. Among the chemical elements detected, the A series of definitive coincidences between the Sudarium most reliable was calcium. Being associated to soil dust, it shows of Oviedo and the Shroud of Turin have been discovered in a statistically significant higher presence in the areas with bloody various specialties of the scientific research [5][6][7][8]. Both stains. This fact allows correlating its distribution with the cloths have been used for a bearded man with moustache and anatomical features of the corpse. A large excess of calcium is longhair arranged behind in a ponytail. The Shroud shows a observed close to the tip of the nose. It is atypical to find soil dirt crucified man and the corpse of the Sudarium died in an in this zone of the anatomy, but it is just the same zone where a upright position. Moreover, in both cases, the executed man particular presence of dust was found in the Shroud. -
Tarragona Spain Travel Guide City Routes
TARRAGONA SPAIN City Routes Photo credit: Plaça de la Font © Manel Antolí (RV Edipress) courtesy of Tarragona Tourism BY JACKIE DE BURCA TARRAGONA SPAIN City Routes - Travel Inspires Table Of Contents Roman Route: Tàrraco – UNESCO World Heritage 2 Site Since 2000 Tarragona Medieval Route 5 Tarragona Modernist Route 8 Welcome to Travel Inspires Unique Family Travel 12 Guides SIGN UP FOR NEW GUIDES 12 Tarragona City Routes - Travel Inspires TARRAGONA SPAIN City Routes - Travel Inspires Maqueta de la Tàrraco Romana – Model of Roman Route: Tàrraco – UNESCO Roman Tarraco – Antiga Audiencia, Plaça del World Heritage Site Since 2000 Pallol, 3 – This is a detailed model of what Tarraco was like at its peak. Tàrraco was founded in 218 BC, and this was the capital of the Roman Empire in Hispania Citerior. This was the Romans logistical base Muralles – Walls – Avenida Catalunya, Phone: here, and covered an impressive space of 60 977 245 796 to 70 hectares, which included its own circus, a Roman amphitheatre, the provincial forum, amongst many other elements. In 2000 this was declared a UNESCO World Heritage Site, and below is a breakdown of the Tarragona Roman Route. The Walls (Archaeological Promenade) © Manel Antolí (RV Edipress) 3500 metres of walls were built in the 2nd century BC, of which around 1100 metres remain today. The Passeig Arqueològic is the highlight of the remaining wall, which Plaça del Fòrum (Forum Square) © Alberich borders with the old quarter of Tarragona. Fotògrafs Unusual megalithic foundations are revealed in these very well preserved sections. Please note: In Tarragona city, on Mondays all monuments are closed except for the Model Temple – Temple – Pla de la Seu of Roman Tarraco, the Cathedral and Diocesan Museum The construction of the Roman circus and provincial forum had gained the city Follow in the footsteps of the Romans, and monumental status in the second half of the nd out about life during the Roman Era. -
Three-Dimensional Interpretation of Sculptural Heritage with Digital and Tangible 3D Printed Replicas
TOJET: The Turkish Online Journal of Educational Technology – October 2017, volume 16 issue 4 Three-Dimensional Interpretation of Sculptural Heritage with Digital and Tangible 3D Printed Replicas José Luis SAORIN Universidad de la Laguna, Spain [email protected] Carlos CARBONELL-CARRERA Universidad de la Laguna, Spain [email protected] Jorge de la Torre CANTERO Universidad de la Laguna, Spain [email protected] Cecile MEIER Universidad de la Laguna, Spain [email protected] Drago Diaz ALEMAN Universidad de la Laguna, Spain [email protected] ABSTRACT Spatial interpretation features as a skill to acquire in the educational curricula. The visualization and interpretation of three-dimensional objects in tactile devices and the possibility of digital manufacturing with 3D printers, offers an opportunity to include replicas of sculptures in teaching and, thus, facilitate the 3D interpretation of the sculptural heritage. In this research, an open access 3D educational resource is created for teaching in the aim of Art and drawing subjects. In Santa Cruz de Tenerife, Spain, fifteen students of High School, worked in a traditional 2D environment and in a 3D environment with sculptural heritage replicas in digital and tangible versions. The three-dimensional interpretation of the sculptures is evaluated with a 3D viewing test created for this experiment, to verify whether the material used does indeed facilitate the 3D interpretation. The results show a greater difference using 3D representations compared with the 2D versions in the three ambits analysed. In modularity, the percentage of correct answers in the 3D viewing test are 84% with 3D technologies, versus 40% with 2D representations, in volumetry, 90,7% versus 72%, but in orthogonal views is where the biggest difference is with a 76,7% of correct answers in the 3D viewing test using 3D technologies versus 0% using 2D versions. -
National Geographic
DISCOVER EUROPE’S Explore Palaces and Gardens Discover the Hidden Underground WORLD HERITAGE SITES Experience Romantic Views Celebrate Ancient Wonders EXPERIENCE EUROPEAN HISTORY AND CULTURE AND EXPLORE ITS CROWN JEWELS AND HIDDEN GEMS THROUGH WORLD HERITAGE JOURNEYS OF THE EUROPEAN UNION. Travel Differently... Travel Deeper World Heritage Europe is packed with history JOURNEYS and culture and overflows with stories and legends... so much that it’s hard to know where to start your European journey or how best to experience and understand its rich heritage. WORLD HERITAGE JOURNEYS OF EUROPE JOURNEYS HERITAGE WORLD To help, National Geographic EUROPE and UNESCO, with the support Explore European History and Culture of the EU, have created a new online guide to help you plan an epic European holiday... beyond bucket lists and selfie shots VisitWorldHeritage.com features rich profiles of iconic and less-known World Heritage sites, including their history and significance and insider tips on the best things to see and do to truly experience these places of outstanding universal value. SPECIAL PUBLICATION The National Palace of Pena in the Cultural Landscape of Sintra NIO M O UN M D RI T IA A L • P • W L near Lisbon, Portugal O A VISITEUWORLDHERITAGE @ I VISITEUWORLDHERITAGE R D L D N H O E M R I E T IN AG O E • PATRIM VISITEUWORLDHERITAGE @ VISITEUHERITAGE United Nations World Educational, Scientific and Heritage Cultural Organization Convention Co-funded by the EUROPEAN UNION © 2019 National Geographic Partners, LLC and UNESCO World Heritage JOURNEYS EUROPE The high altar made of gilded CONTENTS bronze is the work of Corneille Van Clève and is one of the trea- sures of the Palace of Versailles. -
Journal of Medieval Art and Architecture
Peregrinations: Journal of Medieval Art and Architecture Volume 4 Issue 3 2014 Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 3) Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation . "Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 3)." Peregrinations: Journal of Medieval Art and Architecture 4, 3 (2014). https://digital.kenyon.edu/perejournal/vol4/iss3/15 This Full Issue is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. et al. Welcome Welcome to the Spring 2014 issue of Peregrinations: Journal of Medieval Art & Architecture. It is with great Current Issue pleasure that we present an issue that goes back to our Photobank roots with a focus on pilgrimage and pilgrimage art. Roger E. Reynolds presents “A Precious Ancient Submission Souvenir Given to the First Pilgrim to Santiago de Guidelines Compostela” which examines Bishop Godescalc’s visit and how it impacted the manuscripts at Albelda in a very Organizations personal way. John K. Moore, Jr. also brings new critical attention to the imposing sculpture of St. James as a Exhibitions pilgrim in “Santiago’s -
TARRAGONA SPAIN Travel Guide
TARRAGONA SPAIN Travel Guide BY JACKIE DE BURCA & COLLABORATORS TARRAGONA TRAVEL GUIDE 1. Introducing Tarragona Introducing Tarragona By Jackie De Burca, author of Salvador Dalí at Home, who has lived in Spain since 2003 – with contributions from travel bloggers and locals. As a huge fan of Barcelona, I can understand why so many visitors gravitate to this wonderful city and live in blissful ignorance of the fascinating city of Tarragona. I can only strongly encourage you to think again, and visit Tarragona, it’s a gorgeous city. Tarragona UNESCO Heritage Walking around the area where you can see the Arrabassada Beach © Alberich Fotògrafs amphitheatre, the views are absolutely amazing, as the amphitheatre is right by the sea. There’s Tarragona is an hour from Barcelona by train or car, something both odd and awesome about seeing it. and only a few minutes away from Reus Airport Behind you are parts of Tarraco, which is one of (10 km), and was once the capital of the Roman Catalonia’s 9 wonders of UNESCO sites and Empire here in Spain. Today Tarragona is a place heritage, but there’s just so much more besides in where history and culture are crowned with the city, as you’ll discover in this Tarragona Spain Mediterranean blue skies, blessed with beautiful Travel Guide. beaches and adorned by an abundance of ne wine and cuisine. Tarragona Spain Travel Guide - Travel Inspires Page 1 1 TARRAGONA TRAVEL GUIDE 1. Introducing Tarragona Tarraco is an impressive sight from many places, as Filled With Festivities (All dates below are for are the views from the Mediterranean Balcony 2018 but they can be used as rough (Balcó del Mediterrani).