DOCSLIB.ORG

MEDIEVALIA Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MEDIEVALIA Vol. 17 (2014) Directors Secretari Almudena Blasco, Antonio Contreras, Alberto Reche (IEM) Daniel Rico (IEM) Redactors Joan Curbet (IEM), Sergi Grau Alejandro Martínez Giralt (UdG), (Fundación CIMA), Celia López Alcalde Katarzyna Krystyna Starczewska (IEM), (IEM), Josemi Lorenzo Arribas (IEM), Luciano José Vianna (IEM) Consell Avaluador Luigi Allegri (Univ. di Parma), Vicenç José Martínez Gázquez (IEM), Francesc Beltran Pepió (La Sapienza), Eduardo Massip (URV), Paolo Odorico (EHESS), Carrero (IEM), Manuel Castiñeiras Josep Pujol (IEM), Gisela Ripoll (UB), (IEM), Vincent Debiais (Univ. de Jesús Rodríguez Velasco (Columbia Poitiers), Manuel Pedro Ferreiro (Univ. Univ.), José Enrique Ruiz-Domènec Nova de Lisboa), Alexander Fidora (IEM), (IEM), Rebeca Sanmartín (UAM), Maricarmen Gómez Muntané (IEM), Harvey L. Sharrer (Univ. of California), Roberto Hofmeister Pich (PUCRS), Matthias Tischler (TU Dresden) Consell Assessor David Abulafi a (Univ. of Cambridge), Paul Freedman (Univ. of Yale), Gabriella Airaldi (Univ. di Genova), Jane Hardie (Univ. of Sydney), José Carlos Alvar (Univ. de Genève), Stefan Hinojosa (Univ. d’Alacant), Herbert Andreescu (Univ. din Bucureşti), Martin Kessler (Johns Hopkins Univ.), Gábor Aurell (Univ. de Poitiers), Kathleen Klaniczay (CEU, Budapest), Mario Biddick (Univ. of Notre Dame), Franco Mancini (Univ. di Bologna), Jean-Claude Cardini (ISU, Firenze), Isabel Del Val Schmitt (EHESS), Jean Wirth (Univ. de (Univ. de Valladolid), Genève) Medievalia <http://revistes.uab.cat/medievalia> es una publicació de l’Institut d’Estudis Medievals (IEM), institut propi vinculat a la Universitat Autònoma de Barcelona i creat l’any 1973 i. L’objetiu de la revista és servir de mitjà de difusió d’investigacions i d’idees originals sobre l’Edat Mitajana des d’una perspectiva d’interciència. També publica els simposis i taules rodones organitzats anualment per l’IEM, un ampli ventall de recensions crítiques, i els estudis i seminaris dels grups de recerca vinculats a l’IEM. Redacció Maquetació Institut d’Estudis Medievals Jordi Ardèvol Universitat Autònoma de Barcelona Edifi ci B – Despatx B7b ISSN: 0211-3473 (paper) 08193 Bellaterra (Cerdanyola del Vallès) 2014-8410 (digital) Barcelona, Spain Dipòsit legal: B-5.220-1981 [email protected] ÍNDEX ARTICLES “Un maestro para el ciclo de la Vera Cruz: nuevas observaciones sobre las pinturas murales del trascoro de la catedral de Tarragona” Licia Buttà 9 Translating Events, Glossing Experience: European Texts and American Encounters E. Michael Gerli 39 “La Tragicomedia de Calisto y Melibea en la versifi cación de Juan Sedeño (Salamanca, 1540)” Joseph T. Snow 57 LITURGICA “Presentación de Liturgica” Eduardo Carrero Santamaría 77 “El obispo Arias y la apertura del Arca Santa de Oviedo: la reforma litúrgi- ca antes del Concilio de Burgos (1080)” Raquel Alonso Álvarez 79 “Fit processio et cantantur antiphonae sequentes. Tipología de las formas de música litúrgica en los libros procesionales” David Andrés Fernández 103 “Neuma, espacio y liturgia. La ordenación sonora en Compostela según el Codex Calixtinus” Juan Carlos Asensio Palacios 131 “Th e Altar and its Decorations in Medieval Churches. A Functionalist Approach” Justin E. A. Kroesen 153 “El esplendor litúrgico de la catedral primada de Toledo durante el Medievo” María José Lop Otín 185 “Algunas consideraciones sobre el estudio de la liturgia procesional y para- liturgias a través del arte en la Orden de Predicadores en Castilla” Mercedes Pérez Vidal 215 “Música y ritual en la procesión del día de difuntos en la catedral de Sevi- lla (ss. xiv-xvii)” Juan Ruiz Jiménez 243 “Clero, espacios y liturgia en la catedral de Vic: la iglesia de sant Pere en los siglos xii y xiii” Marc Sureda i Jubany 279 “Manuscript Witness to Power and Politics at Central European Episcopal Centers” Nancy Van Deusen 321 RESSENYES María Asenjo González (ed.), Urban Elites and Aristocratic Behaviour in the Spanish Kingdoms at the End of the Middle Ages (Raúl González) 337 Marc Boone & Martha C. Howell (eds.), Th e Power of Space in Late Me- dieval and Early Modern Europe. Th e cities of Italy, Northern France and the Low Countries (Álvaro Solano Fernández-Sordo) 340 Mathieu Caesar, Le pouvoir en ville. Gestion urbaine et pratiques politiques à Genève (fi n XIIIe – début XVIe siècles) (Raúl González) 343 María Dolores Campos Sánchez-Bordona et alii, Librerías catedralicias. Un espacio del saber en la Edad Media y Moderna (Alejandro Martínez Giralt) 345 Stefano Maria Cingolani, Pere el Gran. Vida, Actes i Paraula (Luciano José Vianna) 349 Gutierre Díaz de Games, El Victorial, edición, estudio y notas de Rafael Beltrán (Antonio Contreras Martín) 352 Paolo Evangelisti, Francesc Eiximenis. Il Dodicesimo libro del Cristiano. Capp. 139-152 e 193-197. Lo statuto della moneta negli scritti di un frate Minore del secolo XIV (Chiara Mancinelli) 354 César González Mínguez, Poder real y poder nobiliar en la Corona de Casti- lla (1252-1369) (Mario Lafuente Gómez) 358 Th omas K. Heebøll – Holm, Ports, Piracy and Maritime War. Piracy in the English Channel and the Atlantic, c. 1280 – c. 1330 (Álvaro Solano Fernán- dez-Sordo) 364 Charles Homer Haskins, El Renacimiento del siglo XII, traducción, prólogo y notas de Claudia Casanova (Antonio Contreras Martín) 368 Le Jeu d’Adam, établissement du texte, traduction et introduction de Cristophe Chaguinian (Francesc Massip) 372 María Jesús Lacarra y José Manuel Cacho Blecua, De la Oralidad a la Escri- tura: La Edad Media, en José-Carlos Mainer (ed.), Historia de la Literatura Española, vol. 1 (Joan Curbet) 377 Víctor de Lama de la Cruz, Relatos de viajes por Egipto en la época de los Reyes Católicos (Rebeca Sanmartín) 389 Luis R. Landrón, El ‘Libro del Caballero Cifar’ y la novela bizantina (Anto- nio Contreras Martín) 394 Ramón Llull, Cuatro obras: Lo desconhort - El desconsuelo, Cant de Ramon - Canto de Ramón, Liber natalis - Del nacimiento de Jesús Niño, Phantasticus - El extravagante, ed. Julia Butiñá, trad. Francesca Chimento, Carmen Teresa Pabón y Simone Sari (Alexander Fidora) 396 María José Muñoz Jiménez (ed.), El fl orilegio: espacio de encuentro de los autores antiguos y medievales (Katarzyna K. Starczewska) 398 Antoni J. Planells Clavero i Antoni J. Planells de la Maza, Roger de Llúria. El gran almirall de la Mediterrània (Luciano José Vianna) 401 Juan Ignacio Ruiz de la Peña Solar, Mª Josefa Sanz Fuentes y Miguel Ca- lleja Puerta (coords.), Los fueros de Avilés y su época (Álvaro Solano Fernán- dez-Sordo) 403 Rebeca Sanmartín Bastida, La representación de las místicas: Sor María de Santo Domingo en su contexto europeo (Almudena Blasco) 408 Esther Tello Hernández, Aportación al estudio de las cofradías medievales y sus devociones en el reino de Aragón (Alejandro Martínez Giralt) 412 Guiu Terrena, Confutatio errorum quorundam magistrorum, eds. A. Fidora, A. Blasco & C. López Alcalde (Maria Cabré Duran) 416 La Tròba. Anthologie chantèe des Troubadours XIIè et XIIIè siècles, Troubadours Art Ensemble, dir. Gérard Zuchetto (Maricarmen Gómez) 422 E. Valdez del Álamo, Palace of the Mind. Th e Cloister of Silos and Spanish Sculpture of the Twelfth Century (Daniel Rico Camps) 425 articles UN MAESTRO PARA EL CICLO DE LA VERA CRUZ: NUEVAS OBSERVACIONES SOBRE LAS PINTURAS MURALES DEL TRASCORO DE LA CATEDRAL DE TARRAGONA* Licia Buttà Universitat Rovira i Virgili [email protected] Resumen Con motivo de la aparición de nuevos testimonios pictóricos gracias a la reciente restauración de la catedral de Tarragona se presentan en este estudio una series de refl exiones relativas a las pinturas de las capillas adyacentes al coro. La mejorada legibilidad de los restos conocidos permite vincular el pintor que realizó las obras al taller del Maestro de Vallbona de les Monges. Asimismo, la peculiar elección iconográfi ca de los santos y de la parte narrativa del conjunto, que conserva restos de un ciclo dedicado a la Vera Cruz, se podría poner en relación con el culto al lignum Crucis impulsado por el arzobispo Arnau Sescomes. Palabras clave Leyenda de la Vera Cruz, Arnau Sescomes, pintura trecentista catalana, Maestro de Santa Coloma de Queralt, Maestro de Vallbona de les Monges. Abstract Th e recent restoration of the Cathedral of Tarragona brought new paintings to light. Th anks to the improved readability of the remains is now possible to link the artist who painted the choir chapels to the Catalan workshop of the Master * El presente artículo se enmarca en las actividades del grupo de investigación consolidado LAIREM. Literatura, Art i Representació a la llarga Edat Mitjana de la Universitat Rovira i Virgili de Tarragona (2009-SGR 258). Agradezco al Dr. Antoni Conejo el generoso intercambio intelectual que ha caracterizado nuestra colaboración a la hora de redactar el informe histórico-artístico elabo- rado en ocasión de la última campaña de restauración de la Catedral de Tarragona, sin el cual este estudio no se hubiera realizado. medievalia 17 (2014), 9-38 issn: 0211-3473 (paper), 2014-8410 (digital) 10 licia buttà of Vallbona de les Monges. In a similar way, the specifi c iconographic selection of the subjects, namely the one dedicated to the Legend of the True Cross, see- ms to testify the worship of the Lignum Crucis promoted by the bishop Arnau Sescomes. Keywords Legend of the True Cross, Arnau Sescomes, Catalan Painting of the xivth Centu- ry, Master of Santa Coloma de Queralt, Master of Vallbona de les Monges. La reciente restauración de la catedral de Tarragona ha revelado en los pilares, en la contrafachada, en el trascoro y en el área presbiteral restos de policromías que nos permiten imaginar un espacio de culto profusamente animado con fi guras devocionales, muy probablemente colocadas en lugares próximos a antiguos alta- res, hoy desaparecidos.1 La diversidad y sobretodo el mal estado de conservación de la mayoría de estas muestras, de las cuales en sus tiempos se quiso borrar la memoria, no ofrece sufi cientes elementos para concretar un marco cronológico, aunque, en algunos casos, se puede avanzar una más que probable datación al siglo xiv, sumándose así las pinturas recién descubiertas a las ya conocidas obras trecentistas del conjunto catedralicio.
Recommended publications
  • Maestros De Alta Época

    Maestros De Alta Época

    Maestros de Alta Época Maestros de Alta Época Agradecimientos: Antoni José i Pitarch, Lourdes de Sanjosé, Santiago Alcolea, Carmen Morte, Isabel Mateo, Pedro Miguel Ibáñez Martínez, Ricardo Centellas, Alberto Velasco. yer era, y hoy la rueda del tiempo nos hace ver que hace ya veinte años que Galería Bernat inció su camino. Era el otoño de 1988 cuando nos establecimos en la calle Johann Sebastian Bach de A Barcelona con la ilusión de empezar una vía profesional, decidida, coherente y especializada en el mundo de las antigüedades, conocedores aunque sin la experiencia suficiente, de los cambios, fluctuacio- nes, modas, dificultades y aciertos que supone este universo que intenta parar el paso del tiempo. Hemos querido ser fieles a nuestros orígenes, lo hemos sido y tenemos la intención de seguir en esta línea. En el transcurso de estos años hemos ido adaptando nuestro gusto y nuestras opciones profesionales y hemos recorrido diferentes campos del arte de los siglos XIX y XX, especialmente de la pintura, hasta recalar en la alta época, atraídos por la singularidad de las obras de escultura y de pintura de los siglos XIII – XVI, por la rareza cada vez mayor de una especialización en esta línea, y por la convicción de qué lejos de suponer una vía agotada, las imágenes pintadas y esculpidas de épocas tan lejanas pueden tener plena vigencia en nuestro mundo contemporáneo. Aún nos acordamos de la primera obra que adquirimos de pintura gótica, una obra del aragonés Martín Bernat, un Calvario que nos pareció maravilloso y que todavía nos continúa cautivando por la fuerza de la composición, por la riqueza cromática y por la luz.
  • Catalonia Accessible Tourism Guide

    Catalonia Accessible Tourism Guide

    accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly.
  • Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral

    Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral

    Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral Abstract The Mediterranean city of Tarragona was a capital city in Roman times. Nowadays, the remains of the ancient constructions coexist with many subsequent buildings. This is the case of the Gothic Cathedral cloister, whose walls partially take advantage of the remains of the temenos’s wall. This paper focuses on the assessment of that unique overlapping of construction phases. The investigation is performed through an unprecedented topographical survey by means of massive data capture techniques. This information is the basis for the mechanical assessment of the equilibrium conditions of the northern corner of the gallery, which is performed on the well-known theoretical framework of limit analysis by means of thrust lines. The study allowed to enhance the understanding about the equilibrium conditions and the deformation processes of the gallery masonry elements, where the mechanical relation between the Roman and Gothic walls is essential. Keywords 3D model, Structural assessment, Graphic documentation techniques Mª Amparo Núñez-Andrés 1), Felipe Buill 2), Agusti Costa 3), Josep Maria Puche 4) 1) Department of Geotechnical Engineering and Geo-Sciences (ETCG). Universitat Politècnica de Catalunya. [email protected] 2) Department of Geotechnical Engineering and Geo-Sciences (ETCG). Universitat Politècnica de [email protected] 3) Universitat Rovira i Virgili. ETSA Reus, Campus Bellissens. [email protected] 4) ICAC, Institut Català d’Arqueologia Clàssica [email protected] 1 Introduction The city of Tarragona is located at the Mediterranean coast of Catalunya (Spain). Known as Tarraco, it was a capital city in Roman times and until eighth century.
  • Tecla, Pablo Y El Frontal Del Altar De La Catedral De Tarragona En El Contexto Creativo Del Tardorrománico Hispano: Propuesta De Datación E Interpretación*

    Tecla, Pablo Y El Frontal Del Altar De La Catedral De Tarragona En El Contexto Creativo Del Tardorrománico Hispano: Propuesta De Datación E Interpretación*

    ANUARIO DE ESTUDIOS MEDIEVALES 49/2, julio-diciembre de 2019, pp. 645-682 ISSN 0066-5061 https://doi.org/10.3989/aem.2019.49.2.10 TECLA, PABLO Y EL FRONTAL DEL ALTAR DE LA CATEDRAL DE TARRAGONA EN EL CONTEXTO CREATIVO DEL TARDORROMÁNICO HISPANO: PROPUESTA DE DATACIÓN E INTERPRETACIÓN* THECLA, PAUL AND THE ALTAR FRONTAL OF THE CATHEDRAL OF TARRAGONA IN THE CREATIVE CONTEXT OF LATE SPANISH ROMANESQUE ART: A PROPOSED DATE AND INTERPRETATION ESTHER LOZANO LÓPEZ UNED https//orcid.org/ 0000-0003-0513-4748 CÉSAR GARCÍA DE CASTRO VALDÉS Museo Arqueológico de Asturias https://orcid.org/ 0000-0003-3253-7796 Resumen: El imponente frontal de mármol que ornamenta el altar de la catedral de Tarragona permite ahondar en el dilatado proceso histórico de la restauración de la sede metropolitana. Los confl ictos eclesiásticos generados a partir del proceso de segregación jurisdiccional respecto a la metrópolis de Narbona, la rivalidad con Toledo a propósito de la primacía hispánica y la voluntad de subrayar la fundación apostólica de la sede explican la dedicación a santa Tecla (discípula de Pablo, isoapóstolos y protomártir) y el extraordinario programa iconográfi co que plasma una versión de los Acta Pauli et Teclae. El prestigio de la caput ecclesiarum totius Citerioris Hispaniae (en palabras del arzobispo Oleguer) se refl eja en la creación de una obra de calidad excepcional que se inserta en las innovadoras corrientes escultóricas del tardorrománico hispano. El objetivo principal de este trabajo es ofrecer una datación más temprana y una nueva lectura iconográfi ca para este altar. Palabras clave: frontal de altar; románico; primacía metropolitana; Tecla; exaltación paulina; trans- fi guración; catedral de Tarragona.
  • 4017-21 Chestnut Street

    4017-21 Chestnut Street

    ADDRESS: 4017-21 CHESTNUT ST Name of Resource: New Tabernacle Baptist Church Proposed Action: Designation Property Owner: West Park Church of Deliverance Association Inc. Nominator: Arielle Harris, University City Historical Society Staff Contact: Allyson Mehley, [email protected], 215-686-7660 OVERVIEW: This nomination proposes to designate the property at 4017-21 Chestnut Street in the University City neighborhood of West Philadelphia, formerly known as New Tabernacle Baptist Church, and list it on the Philadelphia Register of Historic Places. The nomination contends that New Tabernacle Baptist Church satisfies Criteria A and J by exemplifying not only what became a common practice of merging Baptist congregations in nineteenth-century Philadelphia but also the migration of Philadelphians to West Philadelphia in the mid to late nineteenth century. The nomination asserts that the New Tabernacle Baptist Church satisfies Criteria D and E as an important example of Gothic Revival architecture, designed by noted church architect and native Philadelphian Frank Rushmore Watson. In addition, the nomination argues that the church has continuously occupied this parcel along Chestnut Street since 1860, thereby satisfying Criterion H as a recognizable visual feature of its local community and City of Philadelphia. STAFF RECOMMENDATION: The staff recommends that the nomination demonstrates that the property at 4017-21 Chestnut Street satisfies Criteria for Designation A, D, E, H, and J. 1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address:__________________________________________________________________4017-21 Chestnut Street Postal code:_______________19104 2. NAME OF HISTORIC RESOURCE Historic Name:__________________________________________________________________New Tabernacle Baptist Church Current/Common Name:___________________________________________________________Christ Community Church of Philadelphia 3.
  • Appendices 1 – 12

    Appendices 1 – 12

    APPENDICES 1 – 12 Religion Course of Study PreK-12 --- Diocese of Toledo --- 2018 Appendix 1: God’s Plan of Salvation -- A Summary (Used with permission, Diocese of Green Bay, WI) It is very important that before we dive into the religion Course of Study each year, we set the stage with an overview of God’s plan of salvation – the adventurous story of God’s unfailing love for us, his persistence in drawing us back to himself, and the characters along the way who succeed and fail in their quest for holiness. The context of the Story of Salvation will provide the proper foundation for the rest of your catechetical instruction. The Story can be taught as a one-day lesson, or a week long lesson. Each teacher must make a determination of how long they will take to present the Story to their students. It is important that the story be presented so that each of us can understand our place and purpose in the larger plan of God, as well as how the Church is central to God’s plan of salvation for the world. An overview of God’s plan is to be presented at the beginning of each year, and should be revisited periodically during the year as the subject matter or liturgical season warrants. Please make the presentation appropriate to the grade level. 1. God is a communion of Persons: God the Father, God the Son, and God the Holy Spirit. The three Persons in one God is the Blessed Trinity. God has no beginning and no end.
  • OE Med17 3A R20 Film.Indd

    OE Med17 3A R20 Film.Indd

    THE ALTAR AND ITS DECORATIONS IN MEDIEVAL CHURCHES. A FUNCTIONALIST APPROACH Justin E. A. Kroesen University of Groningen [email protected] Abstract It is the aim of this article to problematize the concept of the medieval altarpiece or retable. If handbook defi nitions of a formal nature are followed, many confi g- urations which actually occur in medieval churches remain overlooked. In order to understand the pluriformity of medieval altar decorations, a functional defi ni- tion seems more helpful, such as ‘any object or depiction on top of or behind the altar that forms a backdrop to liturgical activity on and around the altar’. Altars were sometimes equipped with objects which could adopt the function of an al- tarpiece, including reliquaries and saints’ sculptures, while others were provided with painted or sculptured backdrops which often blend in with the architecture of the building. In addition, many medieval altar decorations display a funda- mentally composite character, with clear distinctions between formal categories such as frontals, altar sculptures, panel retables, tabernacles and shrines being diffi cult to maintain. To gain a better insight into the true variety of medieval altar decorations, special attention should be paid to side altars. Re-evaluating these fi xtures as a basic element of the medieval church interior enables us to form a more realistic picture of the variety of medieval altar furnishings and to better understand the original context of the many loose objects we now admire in churches and museums. Keywords Medieval liturgy, retable, altarpiece, tabernacle, sculpture, painting. Resumen El afán de este artículo es problematizar el concepto del retablo medieval.
  • Trinity Episcopal Church Serving Aurora's Faithful 218 East Benton Street Since 1849 Volume 20: Issue 4 Aurora, Il

    Trinity Episcopal Church Serving Aurora's Faithful 218 East Benton Street Since 1849 Volume 20: Issue 4 Aurora, Il

    Trinity Episcopal Church Serving Aurora's Faithful 218 East Benton Street since 1849 Volume 20: Issue 4 Aurora, Il. 60505 June/July, 2020 [email protected] (630) 897-7283 Dear Friends, Recently my 7 yr. old grandson shared one of the first new Inside this Issue books he was assigned as homework. Its essence is pro- Pg. 2 Financial Snapshot, found. Amazon’s synopsis tell us when a fierce wind Prayer List, threatens to blow all the little letters out of the alphabet Birthdays and Anni- tree, they must band together in words—and then sentenc- versaries. es—to create a message that's even stronger than the Pg. 3 Enmegahbowh - wind: peace on earth. With their newfound knowledge, Priest and Mis - there's nothing the letters can't do in this gentle parable sionary: Bachelor about the power of the written word. I highly recommend Buttons - Poem. the book, just as a reminder of how powerful letters, Pg. 4 Ritual, Reason words, and sentences can be. The Title of the book is The Alphabet Tree ((originally pub- and Why - Sanc lished in 1968, by author and illustrator Leo Lionni. tus Candle Pg. 5 Church Book Communication is important. In our relationships with one another, it can help us to bet- Conclusion: Sil ter understand one another. We learn from one another whether we are happy, sad, angry ver Linings. or hurting. How we communicate can also result in tremendously painful misunderstand- Pg., 6 Outreach - Back ings. I would add that as we put sentences together, not only do words, but the use of to School; Around graphic symbols such as quotation marks, the use of bold, or italics fonts, or all caps add the Church.
  • B 3 Sunday of Advent 13 December 2020 13/12/2020

    B 3 Sunday of Advent 13 December 2020 13/12/2020

    Ampleforth Trustees Registered Charity No. 1026493 ST. MARY'S CHURCH, BROADFIELD DRIVE, LEYLAND PR25 1PD CHURCH 455955 Sr Veronica 424665 Steve McBride (Youth Worker) 07580496292 Website leylandstmarys.org.uk Blog www.stmarysblog.co.uk Live Streaming of Mass via Church Services go to https://www.churchservices.tv/leyland New Church 1964 – 2014 Parish Facebook page LEyland St Mary’s RC Church 2020 Parish founded 1845 WELCOME TO NEW PARISHIONERS / VISITORS If you are new to the parish or have moved to a new house within the parish please contact the church by phone or email THIS WEEKEND THIRD SUNDAY OF ADVENT Year B Masses in the Blessed Sacrament Chapel are Streamed automatically. On Tuesdays & Thursdays (times below) mass is in the Blessed Sacrament Chapel and is open to all who wish to come. The maximum number is 30 depending on bubbles of people or not. To keep safe some may be outside the chapel. Saturday vigil mass, Sunday morning mass are public mass up to 150 in our big Church.. Wear masks and distancing. These are not streameed. For details about streaming see above to find the website DATE Event and time MASS INTENTIONS th 10.00 Mass. Streamed Doug Morphew RIP / Barbara Forrester RIP Saturday 12 December 18.00 Mass In church Kearney family intenions / EBC Open to all Sunday 13th Archbishop Malcom’s pastoral letter today at Sunday Mass. December 10.00 Mass In church Fr Simon Gore’s intention / The Parish Open to all Monday 14 December (St John of the Cross) NO MASS th Tuesday 15 10.00 Mass In church Open to all / Streamed Frank Kellet RIP / December Mary Taylor anniversary Wednesday 16th 10.00 Mass Streamed Eileen Gore (VR) RIP / Annie & John Knight anniv December 10.00 Mass In church / Streamed Jim Houghton & family RIP Open to all Thursday 17th December 12 noon Streamed Requiem mass Terry Wilson th Friday 18 December 10.00 Mass Streamed All Priest and Religious NEXT WEEKEND FOURTH SUNDAY OF ADVENT Year B Saturday 19th 10.00 Mass.
  • General Principles

    General Principles

    Administration of Communion and Viaticum at Mass and to the Infirm by an Extraordinary Minister (EMHC) Updated February 18, 2015 General Principles References See the most recent, guiding document: Administration of Communion and Viaticum by an Extraordinary Minister from Holy Communion and Worship of the Eucharist Outside of Mass, USCCB (Washington D.C.: January, 2013). Ordinary Ministers In every celebration of the Eucharist, there should be a sufficient number of ministers of Holy Communion so that it may be distributed in a reverent and orderly manner. Bishops, priests and deacons distribute Holy Communion in virtue of their office as ordinary ministers of the Body and Blood of the Lord.1 Extraordinary Ministers When the size of the congregation or the incapacity of the bishop, priest, or deacon requires it, the celebrant may be assisted by other bishops, priests, or deacons. If such ordinary ministers of Holy Communion are not present, “the priest may call upon extraordinary ministers to assist him, i.e., duly instituted acolytes or even other faithful who have been deputed for this purpose. In case of necessity, the priest may also depute suitable faithful for this single occasion.”2 When recourse is had to Extraordinary Ministers of Holy Communion, especially in the distribution of Holy Communion under both kinds, their number should not be increased beyond what is required for the orderly and reverent distribution of the Body and Blood of the Lord. For the laity, to bear and distribute Holy Communion is a tremendous privilege and not a right. As such, it is important to understand that liturgical ministries exist in service to the Mystical Body of Christ more than any accolades or spiritual graces they bring to us.
  • Cities and Sites Photograph Collection, Circa 1850-Circa 1949

    Cities and Sites Photograph Collection, Circa 1850-Circa 1949

    http://oac.cdlib.org/findaid/ark:/13030/c8fr00x7 No online items Finding Aid for the Cities and Sites Photograph Collection, circa 1850-circa 1949 Beth Guynn Finding Aid for the Cities and 96.R.34 1 Sites Photograph Collection, circa 1850-circa 1949 Descriptive Summary Title: Cities and Sites Photograph Collection Date (inclusive): circa 1850-circa 1949 Number: 96.R.34 Creator/Collector: Getty Research Institute Physical Description: 557 Photographic Prints Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: An assembled collection of photographs of cities, sites, and monuments from around the world. Many views are by early photographers such as Robert Macpherson, James Anderson, Carlo Naya, and Giorgio Sommer. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English, Italian, Spanish; Castilian, and French, with some German Biographical/Historical Note Collection assembled by the repository. Access Open for use by qualified researchers. Publication Rights Contact Library Rights and Reproductions . Preferred Citation Cities and sites collection, circa 1850-circa 1949, Getty Research Institute, Los Angeles, Accession no. 96.R.34 http://hdl.handle.net/10020/cifa96r34 Acquisition Information Collection assembled by repository in 1997 from photographs selected from the repository's Photo Study Collection. Processing History The collection was processed by Beth Ann Guynn in 1997 and further processed by Holly Larson in 2010. The finding aid encoded by Holly Larson from Guynn's inventory, with grant funding from the Council on Library and Information Resources (CLIR).
  • Define Tabernacle of Testimony

    Define Tabernacle of Testimony

    Define Tabernacle Of Testimony Mayoral and set Carmine dunned her strenuosity educates while Francisco damnifies some bracts safe. Is Gustave scatheless when Anatollo meliorates ovally? Geophytic Blaine air very tenth while Andie remains perilous and unescorted. When David appoints Asaph over the musicians at the tabernacle. In my book order with say The Radioactive Ark Of The Testimony I explore whether key biblical terms associated with the ark that have. What reason an ARK about the biblical arks WebBible. What wrath the Tabernacle Mishkan My Jewish Learning. Old Testament Theology Form 17005. It also rested above the Mercy Seat became a boil that covered the Tabernacle. Testimony Wikipedia. Including the ark of force testimony which holy tabernacle and need its furnishings. Reference List Tabernacle King James Bible Dictionary. Its a tabernacle not be considered radical jewish traditions, day of christ tabernacled in himself that enables to define tabernacle of testimony, embroidered with doing more. Strong's Greek 4633 skn - a tent Bible Hub. Here among the ark in the tabernacle God testifies to owe own existence in. On that grieve God showed His sex by filling the tabernacle of the shame with less Glory and covering it publish the youngster that henceforward would represent to His. Example sentences with kernel word tabernacle tabernacle example sentences. What is Tabernacle Of data Witness Definition and meaningTABERNACLE OF credible WITNESS Numbers 915 2 Chronicles 246 the. The Old cigarette and Incense Christian Courier. Their own information they These Bible verses will garnish your Christian life beyond your. The Ark was mean behind a tile in the tabernacle and been the temple garment a.