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MEDIEVALIA Vol MEDIEVALIA Vol. 17 (2014) Directors Secretari Almudena Blasco, Antonio Contreras, Alberto Reche (IEM) Daniel Rico (IEM) Redactors Joan Curbet (IEM), Sergi Grau Alejandro Martínez Giralt (UdG), (Fundación CIMA), Celia López Alcalde Katarzyna Krystyna Starczewska (IEM), (IEM), Josemi Lorenzo Arribas (IEM), Luciano José Vianna (IEM) Consell Avaluador Luigi Allegri (Univ. di Parma), Vicenç José Martínez Gázquez (IEM), Francesc Beltran Pepió (La Sapienza), Eduardo Massip (URV), Paolo Odorico (EHESS), Carrero (IEM), Manuel Castiñeiras Josep Pujol (IEM), Gisela Ripoll (UB), (IEM), Vincent Debiais (Univ. de Jesús Rodríguez Velasco (Columbia Poitiers), Manuel Pedro Ferreiro (Univ. Univ.), José Enrique Ruiz-Domènec Nova de Lisboa), Alexander Fidora (IEM), (IEM), Rebeca Sanmartín (UAM), Maricarmen Gómez Muntané (IEM), Harvey L. Sharrer (Univ. of California), Roberto Hofmeister Pich (PUCRS), Matthias Tischler (TU Dresden) Consell Assessor David Abulafi a (Univ. of Cambridge), Paul Freedman (Univ. of Yale), Gabriella Airaldi (Univ. di Genova), Jane Hardie (Univ. of Sydney), José Carlos Alvar (Univ. de Genève), Stefan Hinojosa (Univ. d’Alacant), Herbert Andreescu (Univ. din Bucureşti), Martin Kessler (Johns Hopkins Univ.), Gábor Aurell (Univ. de Poitiers), Kathleen Klaniczay (CEU, Budapest), Mario Biddick (Univ. of Notre Dame), Franco Mancini (Univ. di Bologna), Jean-Claude Cardini (ISU, Firenze), Isabel Del Val Schmitt (EHESS), Jean Wirth (Univ. de (Univ. de Valladolid), Genève) Medievalia <http://revistes.uab.cat/medievalia> es una publicació de l’Institut d’Estudis Medievals (IEM), institut propi vinculat a la Universitat Autònoma de Barcelona i creat l’any 1973 i. L’objetiu de la revista és servir de mitjà de difusió d’investigacions i d’idees originals sobre l’Edat Mitajana des d’una perspectiva d’interciència. També publica els simposis i taules rodones organitzats anualment per l’IEM, un ampli ventall de recensions crítiques, i els estudis i seminaris dels grups de recerca vinculats a l’IEM. Redacció Maquetació Institut d’Estudis Medievals Jordi Ardèvol Universitat Autònoma de Barcelona Edifi ci B – Despatx B7b ISSN: 0211-3473 (paper) 08193 Bellaterra (Cerdanyola del Vallès) 2014-8410 (digital) Barcelona, Spain Dipòsit legal: B-5.220-1981 [email protected] ÍNDEX ARTICLES “Un maestro para el ciclo de la Vera Cruz: nuevas observaciones sobre las pinturas murales del trascoro de la catedral de Tarragona” Licia Buttà 9 Translating Events, Glossing Experience: European Texts and American Encounters E. Michael Gerli 39 “La Tragicomedia de Calisto y Melibea en la versifi cación de Juan Sedeño (Salamanca, 1540)” Joseph T. Snow 57 LITURGICA “Presentación de Liturgica” Eduardo Carrero Santamaría 77 “El obispo Arias y la apertura del Arca Santa de Oviedo: la reforma litúrgi- ca antes del Concilio de Burgos (1080)” Raquel Alonso Álvarez 79 “Fit processio et cantantur antiphonae sequentes. Tipología de las formas de música litúrgica en los libros procesionales” David Andrés Fernández 103 “Neuma, espacio y liturgia. La ordenación sonora en Compostela según el Codex Calixtinus” Juan Carlos Asensio Palacios 131 “Th e Altar and its Decorations in Medieval Churches. A Functionalist Approach” Justin E. A. Kroesen 153 “El esplendor litúrgico de la catedral primada de Toledo durante el Medievo” María José Lop Otín 185 “Algunas consideraciones sobre el estudio de la liturgia procesional y para- liturgias a través del arte en la Orden de Predicadores en Castilla” Mercedes Pérez Vidal 215 “Música y ritual en la procesión del día de difuntos en la catedral de Sevi- lla (ss. xiv-xvii)” Juan Ruiz Jiménez 243 “Clero, espacios y liturgia en la catedral de Vic: la iglesia de sant Pere en los siglos xii y xiii” Marc Sureda i Jubany 279 “Manuscript Witness to Power and Politics at Central European Episcopal Centers” Nancy Van Deusen 321 RESSENYES María Asenjo González (ed.), Urban Elites and Aristocratic Behaviour in the Spanish Kingdoms at the End of the Middle Ages (Raúl González) 337 Marc Boone & Martha C. Howell (eds.), Th e Power of Space in Late Me- dieval and Early Modern Europe. Th e cities of Italy, Northern France and the Low Countries (Álvaro Solano Fernández-Sordo) 340 Mathieu Caesar, Le pouvoir en ville. Gestion urbaine et pratiques politiques à Genève (fi n XIIIe – début XVIe siècles) (Raúl González) 343 María Dolores Campos Sánchez-Bordona et alii, Librerías catedralicias. Un espacio del saber en la Edad Media y Moderna (Alejandro Martínez Giralt) 345 Stefano Maria Cingolani, Pere el Gran. Vida, Actes i Paraula (Luciano José Vianna) 349 Gutierre Díaz de Games, El Victorial, edición, estudio y notas de Rafael Beltrán (Antonio Contreras Martín) 352 Paolo Evangelisti, Francesc Eiximenis. Il Dodicesimo libro del Cristiano. Capp. 139-152 e 193-197. Lo statuto della moneta negli scritti di un frate Minore del secolo XIV (Chiara Mancinelli) 354 César González Mínguez, Poder real y poder nobiliar en la Corona de Casti- lla (1252-1369) (Mario Lafuente Gómez) 358 Th omas K. Heebøll – Holm, Ports, Piracy and Maritime War. Piracy in the English Channel and the Atlantic, c. 1280 – c. 1330 (Álvaro Solano Fernán- dez-Sordo) 364 Charles Homer Haskins, El Renacimiento del siglo XII, traducción, prólogo y notas de Claudia Casanova (Antonio Contreras Martín) 368 Le Jeu d’Adam, établissement du texte, traduction et introduction de Cristophe Chaguinian (Francesc Massip) 372 María Jesús Lacarra y José Manuel Cacho Blecua, De la Oralidad a la Escri- tura: La Edad Media, en José-Carlos Mainer (ed.), Historia de la Literatura Española, vol. 1 (Joan Curbet) 377 Víctor de Lama de la Cruz, Relatos de viajes por Egipto en la época de los Reyes Católicos (Rebeca Sanmartín) 389 Luis R. Landrón, El ‘Libro del Caballero Cifar’ y la novela bizantina (Anto- nio Contreras Martín) 394 Ramón Llull, Cuatro obras: Lo desconhort - El desconsuelo, Cant de Ramon - Canto de Ramón, Liber natalis - Del nacimiento de Jesús Niño, Phantasticus - El extravagante, ed. Julia Butiñá, trad. Francesca Chimento, Carmen Teresa Pabón y Simone Sari (Alexander Fidora) 396 María José Muñoz Jiménez (ed.), El fl orilegio: espacio de encuentro de los autores antiguos y medievales (Katarzyna K. Starczewska) 398 Antoni J. Planells Clavero i Antoni J. Planells de la Maza, Roger de Llúria. El gran almirall de la Mediterrània (Luciano José Vianna) 401 Juan Ignacio Ruiz de la Peña Solar, Mª Josefa Sanz Fuentes y Miguel Ca- lleja Puerta (coords.), Los fueros de Avilés y su época (Álvaro Solano Fernán- dez-Sordo) 403 Rebeca Sanmartín Bastida, La representación de las místicas: Sor María de Santo Domingo en su contexto europeo (Almudena Blasco) 408 Esther Tello Hernández, Aportación al estudio de las cofradías medievales y sus devociones en el reino de Aragón (Alejandro Martínez Giralt) 412 Guiu Terrena, Confutatio errorum quorundam magistrorum, eds. A. Fidora, A. Blasco & C. López Alcalde (Maria Cabré Duran) 416 La Tròba. Anthologie chantèe des Troubadours XIIè et XIIIè siècles, Troubadours Art Ensemble, dir. Gérard Zuchetto (Maricarmen Gómez) 422 E. Valdez del Álamo, Palace of the Mind. Th e Cloister of Silos and Spanish Sculpture of the Twelfth Century (Daniel Rico Camps) 425 articles UN MAESTRO PARA EL CICLO DE LA VERA CRUZ: NUEVAS OBSERVACIONES SOBRE LAS PINTURAS MURALES DEL TRASCORO DE LA CATEDRAL DE TARRAGONA* Licia Buttà Universitat Rovira i Virgili [email protected] Resumen Con motivo de la aparición de nuevos testimonios pictóricos gracias a la reciente restauración de la catedral de Tarragona se presentan en este estudio una series de refl exiones relativas a las pinturas de las capillas adyacentes al coro. La mejorada legibilidad de los restos conocidos permite vincular el pintor que realizó las obras al taller del Maestro de Vallbona de les Monges. Asimismo, la peculiar elección iconográfi ca de los santos y de la parte narrativa del conjunto, que conserva restos de un ciclo dedicado a la Vera Cruz, se podría poner en relación con el culto al lignum Crucis impulsado por el arzobispo Arnau Sescomes. Palabras clave Leyenda de la Vera Cruz, Arnau Sescomes, pintura trecentista catalana, Maestro de Santa Coloma de Queralt, Maestro de Vallbona de les Monges. Abstract Th e recent restoration of the Cathedral of Tarragona brought new paintings to light. Th anks to the improved readability of the remains is now possible to link the artist who painted the choir chapels to the Catalan workshop of the Master * El presente artículo se enmarca en las actividades del grupo de investigación consolidado LAIREM. Literatura, Art i Representació a la llarga Edat Mitjana de la Universitat Rovira i Virgili de Tarragona (2009-SGR 258). Agradezco al Dr. Antoni Conejo el generoso intercambio intelectual que ha caracterizado nuestra colaboración a la hora de redactar el informe histórico-artístico elabo- rado en ocasión de la última campaña de restauración de la Catedral de Tarragona, sin el cual este estudio no se hubiera realizado. medievalia 17 (2014), 9-38 issn: 0211-3473 (paper), 2014-8410 (digital) 10 licia buttà of Vallbona de les Monges. In a similar way, the specifi c iconographic selection of the subjects, namely the one dedicated to the Legend of the True Cross, see- ms to testify the worship of the Lignum Crucis promoted by the bishop Arnau Sescomes. Keywords Legend of the True Cross, Arnau Sescomes, Catalan Painting of the xivth Centu- ry, Master of Santa Coloma de Queralt, Master of Vallbona de les Monges. La reciente restauración de la catedral de Tarragona ha revelado en los pilares, en la contrafachada, en el trascoro y en el área presbiteral restos de policromías que nos permiten imaginar un espacio de culto profusamente animado con fi guras devocionales, muy probablemente colocadas en lugares próximos a antiguos alta- res, hoy desaparecidos.1 La diversidad y sobretodo el mal estado de conservación de la mayoría de estas muestras, de las cuales en sus tiempos se quiso borrar la memoria, no ofrece sufi cientes elementos para concretar un marco cronológico, aunque, en algunos casos, se puede avanzar una más que probable datación al siglo xiv, sumándose así las pinturas recién descubiertas a las ya conocidas obras trecentistas del conjunto catedralicio.
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