'Everything to Everybody' Project Team Ewan Fernie
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CIVIC GOSPELS: NETWORKS for SOCIAL CHANGE Civic Gospels: Networks for Social Change
CIVIC GOSPELS: NETWORKS FOR SOCIAL CHANGE Civic Gospels: Networks for Social Change Contents Civic Gospels: Networks for Social Change Religion and Reform Changing Political Landscapes Twentieth Century Civic Struggles People, Politics and Art Summary of Key Themes Sources from Birmingham Archives and Heritage Collections General Sources Written by Dr Andy Green, 2008. www.connectinghistories.org.uk/birminghamstories.asp Chamberlain Square. [Photo: A.Green] Joseph Chamberlain. [Highbury Collection] Joseph Chamberlain. Image from Banner Archive. [MS 1611/91/134] Image from Banner Archive. Louisa Ann Ryland. [Portaits Collection] [Portaits Ann Ryland. Louisa Civic Gospels: Networks for Social Change Understanding how social activity has created change Yet behind the famous figurehead of Chamberlain, in the past forms a basis for realising how change can many others became involved in trying to improve take place in the future. History books often focus Birmingham. Louisa Ann Ryland donated the grounds on the lives of ‘great men’, yet social transformations for Cannon Hill Park and funded hospitals; Quaker are also created by changing networks of activists industrialists like the Tangye brothers donated funds and workers. In the late 19th century, work began in for the Art Gallery. Soon, Birmingham was being Birmingham to dynamically alter the landscape and described as ‘the best governed city in the world’. provide better living conditions for inhabitants. The Yet behind this statement lay many struggles and term ‘civic gospel’ became used to express the idea of conflicts. In the 20th century, new social networks a new relationship between the town and its people. were needed to combat deeply rooted problems in This learning guide will explore the civic gospel and housing, education and everyday working life. -
Shakespeare for Freedom Ewan Fernie Index More Information
Cambridge University Press 978-1-107-13085-2 — Shakespeare for Freedom Ewan Fernie Index More Information Index Actresses’ Franchise League, 140 Booth, John Wilkes, 51, 220, 224–7, 272 Adorno, Theodor, 52, 244, 255, 258, 264, 272 Booth, Junius Brutus, 224 AFL. See Actresses’ Franchise League Bordieu, Pierre, 166 Akenside, Mark, 152 Boswell, James, 47, 143–6, 274 Alexander Shakespeare. See Robben Island Boyce, Frank Cottrell, 17 Shakespeare Boyle, Danny, 16 alter ego, as a term, 4, 86 Bradlaugh, Charles, 139 Althusser, Louis, 165 Bradley, A. C., 52, 66, 167, 173, 177, 184, 185–6, Archenholz, Johann Wilhelm von, 148, 195 193, 204 arts, 8–10 Bradley, F. H., 167 Astor Place, 51, 220, 222, 223, 227, 241 Bradshaw, Graham, 205 Austria Bramwich, John, 131 Habsburgs, 27–8, 159 Branagh, Kenneth, 10–11, 180 Brandes, Georg, 203, 234, 235, 237, 239 Banks, George Linnaeus, 137 Bridges, Robert, 221 bardolatry, 48, 127, 160, 218, 239, 271 Brixton Barker, Francis, 168 race riots, 12, 13 Barker, Harley Granville, 140 Brooke, Arthur, 81, 93 Barker, Howard, 78–9, 173, 178, 185 Brown, John Russell, 51 Bate, Jonathan, 1, 17–19, 20, 40, 74, 221, 231, Brunel, Isambard Kingdom, 10–11 260, 261 Buber, Martin, 207 Bates, Jennifer Ann, 193, 194 Buchanan, George, 127 Belinsky, Vissarion, 158 Budapest, 24, 45, 46, 161 Belsey, Catherine, 168, 174 National Széchényi Library, 24, 29 Benjamin, Walter, 49–50 Burkhardt, Jacob, 167 Berlioz, Hector, 157 Burney, Fanny Beutler, Ernst, 151 Evelina, 114–15 Birmingham Butler, Judith, 169 Birmingham Freethinkers, 139 Edgbaston, 28 -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
Birmingham Exceptionalism, Joseph Chamberlain and the 1906 General Election
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository Birmingham Exceptionalism, Joseph Chamberlain and the 1906 General Election by Andrew Edward Reekes A thesis submitted to the University of Birmingham for the degree of Master of Research School of History and Cultures University of Birmingham March 2014 1 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The 1906 General Election marked the end of a prolonged period of Unionist government. The Liberal Party inflicted the heaviest defeat on its opponents in a century. Explanations for, and the implications of, these national results have been exhaustively debated. One area stood apart, Birmingham and its hinterland, for here the Unionists preserved their monopoly of power. This thesis seeks to explain that extraordinary immunity from a country-wide Unionist malaise. It assesses the elements which for long had set Birmingham apart, and goes on to examine the contribution of its most famous son, Joseph Chamberlain; it seeks to establish the nature of the symbiotic relationship between them, and to understand how a unique local electoral bastion came to be built in this part of the West Midlands, a fortress of a durability and impregnability without parallel in modern British political history. -
Beautiful Birmingham: Art and Welfare. By
BEAUTIFUL BIRMINGHAM: ART AND WELFARE Professor Ewan Fernie, ‘Everything to Everybody’ Project Director, introduces the fifth project theme ‘The time has come to give everything to everybody,’ said the founder of the world’s first great people’s Shakespeare Library, George Dawson. Dawson transfused the passion and mission of religion into contemporary civic life, providing a new model for municipal government, one which was ‘soon to be copied’, according to Tristram Hunt, ‘in London, Glasgow, and Manchester’. He always insisted that culture was key to welfare. ‘Not by bread alone’ was his scriptural rubric: ‘a city must have its parks as well as its prisons, its art gallery as well as its asylum, its books and its libraries as well as its baths and washhouses, its schools as well as its sewers,’ as a contemporary writer declared; ‘it must think of beauty and of dignity no less than of order and of health’. Dawson’s address at the opening of the opening of the Birmingham Reference Library in 1866 is the most famous statement of his ‘Civic Gospel’. Dawson insisted that Birmingham’s commitment to culture proved ‘that a great town is a solemn organism through which should flow, and in which should be shaped, all the highest, loftiest, and truest ends of man's intellectual and moral nature’. On the occasion of the opening of the new Children’s Hospital on Steelhouse Lane in 1862, Dawson said ‘he was delighted’ to applaud a building which bore witness to the fact ‘that a little beauty cost a little money, but gave great joy’. -
37Th Annual Meeting in Washington, D.C., 2009
SHAKESPEARE ASSOCIATION OF AMERICA PROGRAM OF THE 37TH ANNUAL MEETING 9-11 APRIL 2009 THE RENAISSANCE HOTEL WASHINGTON, D.C. 55957_SAA_PrgmBk.indd 1 4/1/09 10:12:26 AM The 37th President Annual COPPÉLIA KAHN Brown University Meeting of the Shakespeare Vice-President PAUL YACHNIN Association of McGill University America Immediate Past President PETER HOLLAND Executive Director University of Notre Dame LENA COWEN ORLIN Georgetown University Trustees Memberships Manager REBECCA BUSHNELL DONNA EVEN-KESEF University of Pennsylvania Georgetown University KENT CARTWRIGHT Publications Manager University of Maryland JANICE F. DELANEY Georgetown University LARS ENGLE University of Tulsa Publications Assistant DIANA E. HENDERSON MIMI WIGGINS PERREAULT Massachusetts Institute of Technology Georgetown University HEATHER JAMES University of Southern California VALERIE WAYNE University of Hawai’i 55957_SAA_PrgmBk.indd 2 4/1/09 10:12:27 AM Program Planning Committee Sponsors of the 37th DIANA E. HESONN D R , Chair Annual Meeting Massachusetts Institute of Technology Georgetown University EMILY BARTS E L Rutgers University The Folger Shakespeare Library ELIZAE B T H HANSON Queen’s University University of Maryland IAN MUNRO George Washington University University of California, Irvine University of Virginia Local Hosts George Mason University DEISN E ALN B A E S E George Mason University American University KET N CARTWRIG H T University of Maryland University of Maryland Baltimore County RAP H A E L FAL C O University of Maryland Baltimore County University of Delaware JONATN H A GIL HARRIS George Washington University KATEIN H R E MAUS University of Virginia MAHVID A MEONN American University GAIL KEN R PAST E R Folger Shakespeare Library LOIS POTT E R University of Delaware JASON ROSATTE N B L Georgetown University PEN N SZITTYA Georgetown University 1 55957_SAA_PrgmBk.indd 1 4/1/09 10:12:27 AM 2009 Program Guide Thursday, 9 April 10:00 a.m. -
Meanings CONTINUING PROFESSIONAL DEVELOPMENT
meanings CONTINUING PROFESSIONAL DEVELOPMENT The UQ Node, ARC Centre of Excellence for the History of Emotions, Europe 1100 - 1800 presents an event for Secondary School Teachers in Humanities “ROMEO AND JULIET & SHAKESPEARE AND CREATIVITY” EWAN FERNIE PETER HOLBROOK Shakespeare Institute, University of Birmingham UQ Node, Centre for the History of Emotions Date: Monday, 27 April, 2015 Time: 4:30 pm Location: Room 275, Global Change Institute (Bldg 20), UQ St Lucia campus RSVP: [email protected] (07) 3365-4913 Please register by Friday 20 April Free, All Welcome In an attempt to cast fresh light on Romeo and Juliet, Ewan Fernie will ap- proach this familiar masterpiece from some almost wilfully oblique angles. Why does Shakespeare turn ‘Freetown’ from the mere, meaningless name of a posh villa into a real place and prospect where justice will be done? Who are the male Valentines that are slated to come with Mercutio and Tybalt to Capulet’s momentous ball, and where do they disappear to? How does Mercutio’s furious negativity relate to Romeo and Juliet’s more posi- tive passion? One of the most notable features of Shakespeare’s writing is its sheer va- riety – it has been well said of Shakespeare that his is an “art of contrast”. Following on from Professor Fernie’s presentation, Peter Holbrook will lead a discussion about the range of poetic styles employed in Romeo and Juliet. What is the purpose and effect of such contrast? Does it somehow add up to a distinctive vision of the nature of reality – a “philosophy”, in other words? And how might variety in Shakespeare connect to the description of him offered by the German writer Heinrich Heine (1797- Image: Francesco Hayez, L’ultimo bacio dato a Giulietta da Romeo (1823) 1856): that Shakespeare was “the great heathen”? In the second part of the workshop, Peter Holbrook and Ewan Fernie will PETER HOLBROOK is Director of the UQ Node of the ARC talk about the new Masters program in Shakespeare and Creativity – Centre of Excellence for the History of Emotions. -
WILLIAM DYKE WILKINSON the Man Who Bought Moseley
WILLIAM DYKE WILKINSON The Man who bought Moseley William Dyke Wilkinson, always known as Dyke (his mother‘s maiden name), was born into a poor family in Lower Brearley Street, Summer Lane, Birmingham. His father was an educated man, but he made no attempt to get any schooling for his son. Dyke attended a dame-school, but claim he learnt nothing. He could go only when his mother could Afford the twopence a week. His date of birth was around 1835, and his earliest memories are of being taken to see the first train into Birmingham at Curzon Street in 1838, of Chartist Meetings in Snow Hill, and of celebrations for the wedding of Victoria and Albert. He claimed that he learnt to read by studying tradesmen's signs. Before the age of eight, Dyke was sent to work at a button-makers, Hammond Turner of Snow Hill, at ls/6d a week 7½ new pence), and a little later at Pemberton‘s brass- foundry at two shillings. His father at about this time came into a legacy of £200, and bought the Dog and Pheasant Public House, but the improvement in the family fortunes does not seem to have done Dyke any good from an educational point of view. At the age of 12½ years, he was apprenticed for 8½ years (until he was 21) to Routledge, rule-makers, of St Paul's Square. "I shiver now" Dyke writes "when I recall how I suffered during that damnable apprenticeship. There were twenty apprentices and very few men, no one to control us or show us a way to good of any sort.“ He and two other apprentices decided to run away to London and go to sea. -
WSC 2021 Programme
11th World Shakespeare Congress, Singapore: Shakespeare Circuits 18 – 24 July 2021 Supported by Held in Members of the Local Organising Committee for the World Shakespeare Congress 2021 Local Committee Co-Chair: YONG Li Lan (National University of Singapore, Singapore) Co-Chair: Bi-qi Beatrice LEI (National Taiwan University, Taiwan) Executive Director: Eleine NG-GAGNEUX (National University of Singapore, Singapore) Festival Director: LEE Hyon-u (Soonchunhyang University, South Korea) Deputy Festival Director: Alvin Eng Hui LIM (National University of Singapore, Singapore) Michael DOBSON (Shakespeare Institute, UK) Mika EGLINTON (Kobe City University of Foreign Studies, Japan) Emily SOON (Singapore Management University, Singapore) Programme Committee Chair: Lena Cowen ORLIN (Georgetown University, USA) Tom BISHOP (University of Auckland, New Zealand) Ton HOENSELAARS (Universiteit Utrecht, Netherlands) Bi-qi Beatrice LEI (National Taiwan University, Taiwan) YONG Li Lan (National University of Singapore, Singapore) Secretariat Roweena YIP (National University of Singapore, Singapore) Jennifer HO Hui Lin (National University of Singapore, Singapore) Karen LAM Xue Ling (National University of Singapore, Singapore) Design JIANG Liheng (FreeWave Media Pte Ltd, Singapore) 11th World Shakespeare Congress, Singapore: Shakespeare 4 1 Welcome When I think back over the previous WSCs I have attended, I recall great experiences and wonderful programmes – but never a Congress quite as ambitious as this one. Thanks to the extraordinary work of our Local Organising Committee, Singapore is bringing the Congress to the world, ensuring that this is a global event for scholarship and theatre on an unprecedented scale in its entirely virtual format, not least in the extraordinary riches of the Digital Asian Shakespeare Festival. Across the many sessions of the 2021 WSC we will share our thoughts and discoveries, our research and creativity, our achievements past and our future plans. -
Unitarian Hymn-Writers, to Meet the Require- Ments of the Student of Hymnody
BY H. W. STEPHENSON, M.A. PREFACE 1 HAVE not attempted, in these brief notices of Unitarian hymn-writers, to meet the require- ments of the student of Hymnody. My aim has been to interest the general reader in what has interested me. The text, therefore, is not bur- First +ublishbd, Dec. 1931 dened with footnotes and references. The chief sources of information, so far as they are known to me, are indicated in the Bibliography at the end of the book. In many cases, however, I have failed to find any memoir adequate to my purpose, and have had to make use of " appreciations " such as have appeared in this journal or that, scanty obituary notices, and scattered references in other biographies, memoirs, and reminiscences. Complete acknowledgment of sources is hardly possible, and may be regarded as unnecessary. Primarily, the Bibliography is given in order that any interested reader may not be entirely without guidance if there is the desire to know more than could be included in these pages. Though en- PRINTED IN GREAT BRITAIN BY RICHARD CLAY & SONS, LTD. tirely responsible for what is here presented, I Bungay, Suffolk gladly acknowledge my indebtedness to the Rev. v , PREFACE Valentine D. Davis for reading most of the copy in MS. and the whole of the proofs. For his long-continued and careful work on Unitarian Hymnody Mr. Davis has earned the gratitude of us all. CONTENTS PAGE I. JOHNJOHNS (1801-1847) . 9 11. SIR JOHNBOWRING (1792-1872) I 6 111. SARAHFLOWER ADAMS (1805-1848) . 25 IV. FREDERICHENRY HEDGE ( ~805-I890) . -
Shakespeare for Freedom Ewan Fernie Frontmatter More Information
Cambridge University Press 978-1-107-13085-2 — Shakespeare for Freedom Ewan Fernie Frontmatter More Information Shakespeare for Freedom g Shakespeare for Freedom presents a powerful, plausible and political argu- ment for Shakespeare’s meaning and value. It ranges across the breadth of the Shakespeare phenomenon, offering a new interpretation not just of the characters and plays, but also of the part they have played in theatre, criticism, civic culture and politics. Its story includes a glimpse of ‘Freetown’ in Romeo and Juliet, which comes to life in the 1769 Stratford Jubilee; the Shakespearean careers of the Leicester Chartist, Cooper, and the Hungarian hero, Kossuth; Hegel’s recognition of Shakespearean freedom as the modern breakthrough; its fatal effects in America; the disgust it inspired in Tolstoy; its rehabilitation by Ted Hughes, and its obscure centrality in the 2012 Olympics. Ultimately, it issues a positive Shakespearean prognosis for freedom as a vital (in both senses), unending struggle. Shakespeare for Freedom shows why Shakespeare has mattered for four hundred years, and why he still matters today. ewan fernie is Professor at the Shakespeare Institute (University of Birmingham) in Stratford-upon-Avon. He is joint editor of the Shakespeare Now! series and his books include Shame in Shakespeare, Spiritual Shakespeares, Reconceiving the Renaissance, Redcrosse: Remaking Religious Poetry for Today’sWorld, The Demonic: Literature and Experience, Thomas Mann and Shakespeare,andthenovelheco-authoredwithSimonPalfrey, Macbeth, Macbeth, which the philosopher Slavoj Žižek called ‘a miracle, an instant classic’.In2011, he co-wrote a civic liturgy for St George’sDaywhich was performed in major cathedrals; and he is currently co-writing a play after Shakespeare’s Pericles about immigration and sexual politics for the Royal ShakespeareCompany.Heisalsoworkingontheforgottenchallengeof progressive culture in nineteenth-century Birmingham. -
Reinventing the Renaissance
Reinventing the Renaissance Also by Sarah Annes Brown A FAMILIAR COMPOUND GHOST: Allusion and the Uncanny DEVOTED SISTERS: Representations of the Sister Relationship in Nineteenth-Century British and American Literature OVID: Myth and Metamorphosis THE METAMORPHOSIS OF OVID: From Chaucer to Ted Hughes TRAGEDY IN TRANSITION Also by Robert I. Lublin COSTUMING THE SHAKESPEAREAN STAGE: Visual Codes of Representation in Early Modern Theatre and Culture Reinventing the Renaissance Shakespeare and his Contemporaries in Adaptation and Performance Edited by Sarah Annes Brown Professor of English Literature, Anglia Ruskin University, UK Robert I. Lublin Chair of Performing Arts, University of Massachusetts, Boston, USA and Lynsey McCulloch Graduate Teaching Assistant, Coventry University, UK Palgrave macmillan Introduction, selection and editorial matter © Sarah Annes Brown, Robert I. Lublin, Lynsey McCulloch 2013 Individual chapters © contributors 2013 Softcover reprint of the hardcover 1st edition 2013 978-0-230-31385-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988.