Birmingham's Shakespeare Memorial Library
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Birmingham Museums Supplement
BIRMINGHAM: ITS PEOPLE, ITS HISTORY Birmingham MUSEUMS Published by History West Midlands www.historywm.com fter six years of REVEALING BIRMINGHAM’S HIDDEN HERITAGE development and a total investment of BIRMINGHAM: ITS PEOPLE, ITS HISTORY A £8.9 million, The new ‘Birmingham: its people, its history’ galleries at Birmingham Museum & Art ‘Birmingham: its people, its Gallery, officially opened in October 2012 by the Birmingham poet Benjamin history’ is Birmingham Museum Zephaniah, are a fascinating destination for anyone interested in history. They offer an & Art Gallery’s biggest and most insight into the development of Birmingham from its origin as a medieval market town ambitious development project in through to its establishment as the workshop of the world. But the personal stories, recent decades. It has seen the development of industry and campaigns for human rights represented in the displays restoration of large parts of the have a significance and resonance far beyond the local; they highlight the pivotal role Museum’s Grade II* listed the city played in shaping our modern world. From medieval metalwork to parts for building, and the creation of a the Hadron Collider, these galleries provide access to hundreds of artefacts, many of major permanent exhibition which have never been on public display before. They are well worth a visit whether about the history of Birmingham from its origins to the present day. you are from Birmingham or not. ‘Birmingham: its people, its The permanent exhibition in the galleries contains five distinct display areas: history’ draws upon the city’s rich l ‘Origins’ (up to 1700) – see page 1 and nationally important l ‘A Stranger’s Guide’ (1700 to 1830) – see page 2 collections to bring Birmingham’s l ‘Forward’ (1830 to 1909) – see page 3 history to life. -
CIVIC GOSPELS: NETWORKS for SOCIAL CHANGE Civic Gospels: Networks for Social Change
CIVIC GOSPELS: NETWORKS FOR SOCIAL CHANGE Civic Gospels: Networks for Social Change Contents Civic Gospels: Networks for Social Change Religion and Reform Changing Political Landscapes Twentieth Century Civic Struggles People, Politics and Art Summary of Key Themes Sources from Birmingham Archives and Heritage Collections General Sources Written by Dr Andy Green, 2008. www.connectinghistories.org.uk/birminghamstories.asp Chamberlain Square. [Photo: A.Green] Joseph Chamberlain. [Highbury Collection] Joseph Chamberlain. Image from Banner Archive. [MS 1611/91/134] Image from Banner Archive. Louisa Ann Ryland. [Portaits Collection] [Portaits Ann Ryland. Louisa Civic Gospels: Networks for Social Change Understanding how social activity has created change Yet behind the famous figurehead of Chamberlain, in the past forms a basis for realising how change can many others became involved in trying to improve take place in the future. History books often focus Birmingham. Louisa Ann Ryland donated the grounds on the lives of ‘great men’, yet social transformations for Cannon Hill Park and funded hospitals; Quaker are also created by changing networks of activists industrialists like the Tangye brothers donated funds and workers. In the late 19th century, work began in for the Art Gallery. Soon, Birmingham was being Birmingham to dynamically alter the landscape and described as ‘the best governed city in the world’. provide better living conditions for inhabitants. The Yet behind this statement lay many struggles and term ‘civic gospel’ became used to express the idea of conflicts. In the 20th century, new social networks a new relationship between the town and its people. were needed to combat deeply rooted problems in This learning guide will explore the civic gospel and housing, education and everyday working life. -
DCDC19 Conference at a Glance
#DCDC19 DCDC19 Conference at a glance Tuesday 12 November (Day 1) Thursday 14 November (Day 3) Pre-conference workshops The National 08:30 - Registration Archives’ breakfast Speaking of Shakespeare – and the 09:15 briefng modern city 14:00 - Welcome to new and returning DCDC19 Removing the barriers: open access at 16:00 delegates by David Prosser, Executive Birmingham Museums Trust Director, RLUK 09:15 - Museum of the Jewellery Quarter tour 10:15 Keynote 18:00 - DCDC19 welcome social - Lae’l Hughes-Watkins, University of 20:00 Ikon Gallery Maryland 10:15 - Wednesday 13 November (Day 2) Morning break 10:45 08:30 - Registration P7. Digital engagement 09:15 P8. Digital transformation: Introduction to DCDC19 by Jef James, 10:45 - organisations and practices Chief Executive & Keeper, The National 12:15 09:15 - Archives W3. Transcription in the age of 10:15 machines: a workshop Opening keynote 12:15 - Lunch // Professional Fellows // Manage Tonya Nelson, Arts Council England 13:15 Your Collections drop-in clinic 10:15 - Morning break 13:15 - Closing keynote 10:45 14:00 David De Roure, University of Oxford 14:00 - P1. Developing digital platforms Room changeover 10:45 - 14:15 12:15 P2. Digital inclusion P9. A sustainable future: is digital the Funders Marketplace solution? 14:15 - 12:15 - P10. Changing formats, evolving Lunch // Funders 1:1 sessions 15:45 13:15 practice 13:15 - Keynote P11. Enabling digital scholarship 14:00 Liz Jolly, The British Library 15:45 - Afternoon break 16:15 14:00 - Room changeover 14:15 P12. Digital collections: measuring impact P3. The digital workforce: navigating the 16:15 - skills shift 17:45 P13. -
Gladstone and the Great Irish Famine
GLADSTONE AND thE GREAT IriSH FAMINE William Ewart Gladstone’s Irish policy as Prime Minister has received a great deal of historical attention, but aspects of his earlier engagement with Ireland remain less well known. In particular, Gladstone’s response to the defining social and economic crisis of modern Irish history – the Great Famine of 1845–52 – has attracted only cursory attention. In this article, Douglas Kanter explores Gladstone’s reaction to the Great Famine, some two decades before his first premiership. 8 Journal of Liberal History 81 Winter 2013–14 GLADSTONE AND thE GREAT IriSH FAMINE f, as George Boyce remarked months during his involuntary metropolis helped to ensure that, not long ago, the words ‘Glad- absence from the House of Com- by his own account, he remained stone and Ireland’ resonate mons, Gladstone made no signifi- unaware of the magnitude of the I 1 2 to this day, the same cannot be cant impact on relief policy in these approaching catastrophe. Perhaps said for the phrase ‘Gladstone and critical years, when deaths from as a result, Gladstone was at first the Great Irish Famine’. William starvation and disease mounted more preoccupied by the political Gladstone’s response to the defin- and the basic structures of govern- implications of the crisis than by ing social and economic crisis of ment assistance were established. its potential human cost. Initially modern Irish history, in fact, has His contribution to policy for- anticipating no more than a ‘tem- attracted only cursory attention. mulation remained slight -
Birmingham's Evangelical Free Churches and The
BIRMINGHAM’S EVANGELICAL FREE CHURCHES AND THE FIRST WORLD WAR by ANDY VAIL A Thesis Submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY School of History & Cultures College of Arts and Law The University of Birmingham 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis demonstrates that the First World War did not have a major long-term impact on the evangelical free churches of Birmingham. Whilst many members were killed in the conflict, and local church auxiliaries were disrupted, once the participants – civil and military – returned, the work and mission of the churches mostly continued as they had before the conflict, the exception being the Adult School movement, which had been in decline prior to the conflict. It reveals impacts on local church life, including new opportunities for women amongst the Baptist and Congregational churches where they began to serve as deacons. The advent of conscription forced church members to personally face the issue as to whether as Christians they could in conscience bear arms. The conflict also speeded ecumenical co-operation nationally, in areas such as recognition of chaplains, and locally, in organising local prayer meetings and commemorations. -
Mundella Papers Scope
University of Sheffield Library. Special Collections and Archives Ref: MS 6 - 9, MS 22 Title: Mundella Papers Scope: The correspondence and other papers of Anthony John Mundella, Liberal M.P. for Sheffield, including other related correspondence, 1861 to 1932. Dates: 1861-1932 (also Leader Family correspondence 1848-1890) Level: Fonds Extent: 23 boxes Name of creator: Anthony John Mundella Administrative / biographical history: The content of the papers is mainly political, and consists largely of the correspondence of Mundella, a prominent Liberal M.P. of the later 19th century who attained Cabinet rank. Also included in the collection are letters, not involving Mundella, of the family of Robert Leader, acquired by Mundella’s daughter Maria Theresa who intended to write a biography of her father, and transcriptions by Maria Theresa of correspondence between Mundella and Robert Leader, John Daniel Leader and another Sheffield Liberal M.P., Henry Joseph Wilson. The collection does not include any of the business archives of Hine and Mundella. Anthony John Mundella (1825-1897) was born in Leicester of an Italian father and an English mother. After education at a National School he entered the hosiery trade, ultimately becoming a partner in the firm of Hine and Mundella of Nottingham. He became active in the political life of Nottingham, and after giving a series of public lectures in Sheffield was invited to contest the seat in the General Election of 1868. Mundella was Liberal M.P. for Sheffield from 1868 to 1885, and for the Brightside division of the Borough from November 1885 to his death in 1897. -
APPENDIX 2 Full Business Case (FBC) 1. General Information
APPENDIX 2 Full Business Case (FBC) 1. General Information Directorate Economy Portfolio/Committee Leader’s Portfolio Project Title Jewellery Project Code Revenue TA- Quarter 01843-01 Cemeteries Capital – to follow Project Description Aims and Objectives The project aims to reinstate, restore and improve the damaged and vulnerable fabric of Birmingham’s historic Jewellery Quarter cemeteries – Key Hill and Warstone Lane – and make that heritage more accessible to a wider range of people. Their importance is recognised in the Grade II* status of Key Hill Cemetery in the Register of Parks and Gardens of Special Historic Interest, and the Grade II status of Warstone Lane Cemetery. The project is an integral part of the wider heritage of the Jewellery Quarter and complements the other heritage investment taking place here, such as the JQ Townscape Heritage programme and the completion of the Coffin Works (both part-funded by HLF). Heritage is a key part of the Jewellery Quarter with over 200 listed buildings and four other museums (Museum of the Jewellery Quarter, Pen Room, Coffin Works, JW Evans). The funding provides an opportunity to bring much needed investment to conserve and enhance two important listed cemeteries, providing a resource and opportunities for visitors and residents alike to visit, enjoy and get involved with. The project will deliver the following (full details are set out in the Design Specification): Full 10-year management and maintenance plans for both cemeteries Interpretation plan Capital works - Warstone Lane cemetery Reinstatement of the historical boundary railings (removed in the 1950s), stone piers and entrance gates on all road frontages; Resurfacing pathways to improve access; Renovation of the catacomb stonework and installation of a safety balustrade; Creation of a new Garden of Memory and Reflection in the form of a paved seating area reinterpreting the footprint of the former (now demolished) chapel; General tree and vegetation management. -
The Council House, Victoria Square, Birmingham, B1 1BB Listed
Committee Date: 27/06/2013 Application Number: 2013/01613/PA Accepted: 16/04/2013 Application Type: Listed Building Target Date: 11/06/2013 Ward: Ladywood The Council House, Victoria Square, Birmingham, B1 1BB Listed Building Consent for the installation of 4 no. internal recording cameras to Committee Rooms 3 & 4. Applicant: Acivico - Birmingham City Council The Council House, Victoria Square, Birmingham, B1 1BB Agent: Acivico - Development Dept 1 Lancaster Circus, Queensway, Birmingham, B2 2WT Recommendation Refer To The Dclg 1. Proposal 1.1. This application seeks Listed Building Consent for the installation of 4 no. internal recording cameras at The Council House in Victoria Square. 1.2. The cameras would be 0.14m (w) x 0.16m (h) x 0.16m (d) to be installed in each corner of Committee Rooms 3 and 4 used to record meetings. They would be coloured white. 2. Site & Surroundings 2.1. The Birmingham Council House occupies a site between Chamberlain Square, Eden Place, Victoria Square and Chamberlain Square. The present building was designed by Yeoville Thomason and built between 1874 and 1879 on what was once Ann Street. 2.2. The building is three storeys plus basement made of stone with a tile roof. The site forms part of the Colmore Row and Environs Conservation Area designated in October 1971 and extended in March and then July 1985. 2.3. The building provides office accommodation for both employed council officers, Chief Executive and elected council members. There is also a large and ornate banqueting suite complete with minstrels gallery. Committee Rooms 3 & 4 are located on the ground floor fronting onto Victoria Square. -
Travelling to UCE Birmingham Conservatoire
Travelling to UCE Birmingham Conservatoire ROAD From M6 South or North-West Leave the M6 at Junction 6 and follow the A38(M). Follow signs to ‘City centre, Bromsgrove, (A38)’. Do not take any left exit. Go over 1 flyover and through just 1 Queensway tunnel (sign posted ‘Bromsgrove and Queen Elizabeth Hospital’). Leave this tunnel indicating left but stay in the right hand lane of the slip road. UCE Birmingham Conservatoire is located on the Paradise Circus island. Follow directions below for parking and/or loading & unloading. Parking Car parking at the Conservatoire is very limited and we regret we cannot offer parking spaces to visitors. However, there are several NCP car parks located close by, including two located on Cambridge Street. To access these car parks, at the Paradise Circus island, immediately after you pass the exit for the A456 (Broad Street), move into the left lane and take the first left into Cambridge Street. Loading & Unloading To access the Conservatoire’s car park (for loading and unloading only), pass under the bridge and turn right as if to access the Copthorne Hotel, and then right again into the underground road. Follow the road around to the left to gain access to the Conservatoire’s car park, which is at the end of the road. A goods lift is available. From M5 South-West Leave the M5 at Junction 3 and travel towards Birmingham City Centre along the A456 (Hagley Road) for 5 miles to the Five Ways island. This is easily distinguishable as it is surrounded by large office blocks and a Tesco store. -
The Forge Brochure V7.Pdf
ABOVE AND BEYOND BJD ARE UNIQUE PROPERTY DEVELOPERS, WITH A PASSION FOR AUTHENTICITY. Over the past twelve years, we have specialised in unique renovation projects; extraordinary sites and developments which have allowed us to reinstate classic architecture back to its former glory. Due to our rich and experienced background in traditional craftsmanship, we understand the importance of detail and quality. With our diverse team, we successfully restore, revive and transform beautiful historic properties back to their origins. A number of our projects have been featured in magazines such as ‘Homes & Gardens’ and ‘Bedrooms, Bathrooms & Kitchens’. The Forge - Digbeth is our most recent development, which we have again partnered alongside Cedar Invest. With an extensive portfolio of commercial and residential ventures throughout the UK, Cedar offer over 60 years of combined experience and expertise which have helped turn The Forge from vision into reality. Together as custodians, we reinvent iconic properties preserving their history for generations to come. DELIVERING LUXURY LIFESTYLES THE FORGE IN DIGBETH PROVIDES Just moments away from Birmingham’s thriving PURCHASERS THE OPPORTUNITY TO City Centre and less than 5 Minutes away from Birmingham New Street and Grand Central it is easy ENJOY ALL THAT BIRMINGHAM HAS TO to forget you are so centrally located. The Forge is a OFFER ACROSS A WIDE VARIETY OF HOME stunning development that will deliver 140 luxury CHOICES FROM FIRST TIME BUYERS TO apartments in one and two bedroom residences. ESTABLISHED -
TPWM News: Project Updates
Artists’ News & Opportunities Bulletin Issue 43: 14 June 2012 Click on the headings below to go straight to your preferred section of the bulletin... o Funding o Opportunities o Commissions o Calls for work o Prizes o Residencies o Traineeships o Jobs o Voluntary Positions o Festivals o Courses/ workshops o Graduate Exhibitions o What’s happening o Ongoing exhibitions TPWM News: Project Updates Artist Development In summer 2012 a professional development programme for artists will be launched by TPWM in collaboration with The Art Gallery Walsall and other partners. It will take place across the West Midlands and will be aimed at artists at varying levels of career development. Details will be available soon on www.tpwestmidlands.org.uk New Art West Midlands 2013: Call for Applications from recent Visual Arts Graduates Application forms available from: http://www.tpwestmidlands.org.uk/new-art-west-midlands-2013/ Deadline: 14 September 2012. Residencies Four organisations in the West Midlands will lead on TPWM new artist residency opportunities: The Library of Birmingham, University of Worcester with Movement Gallery and Worcester City Museum, Eastside Projects and The National Trust at Dudmaston. Two of the four residencies will have an open submission application process. More details will be available soon on www.tpwestmidlands.org.uk Writing Bursary TPWM has awarded a writing bursary to Grand Union (in association with Eastside Projects), in order to offer an opportunity for a new or emerging writer to develop skills in critical writing for publication and encourage writing practice within the West Midlands. The writing bursary will be awarded following an open submission. -
Jesse Collings, Agrarian Radical, 1880-1892
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 Jesse Collings, agrarian radical, 1880-1892. David Murray Aronson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Aronson, David Murray, "Jesse Collings, agrarian radical, 1880-1892." (1975). Doctoral Dissertations 1896 - February 2014. 1343. https://scholarworks.umass.edu/dissertations_1/1343 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. JESSE COLLINGS, AGRARIAN RADICAL, 1880-1892 A Dissertation Presented By DAVID MURRAY ARONSON Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY August 1975 History DAVID MURRAY ARONSON 1975 JESSE COLLINGS, AGRARIAN RADICAL, 1880-1892 A Dissertation By DAVID MURRAY AFONSON -Approved ss to style and content by Michael Wolff, Professor of English Franklin B. Wickwire, Professor of History Joyce BerVraan, Professor of History Gerald McFarland, Ch<- History Department August 1975 Jesse Collings, Agrarian Radical, 1880-1892 David M. Aronson, B,A., University of Rochester M.A. , Syracuse University Directed by: Michael Wolff Jesse Collings, although