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Bahamut - [email protected] Based on the “Touhou Project” series of games by Team Shanghai Alice / ZUN. http://www16.big.or.jp/~zun/ The Touhou Project and its related properties are ©Team Shanghai Alice / ZUN. The Team Shanghai Alice logo is ©Team Shanghai Alice / ZUN. Illustrations © their respective owners. Used without permission. Tale of Phantasmal Land text & gameplay ©2011 Bahamut. This document is provided “as is”. Your possession of this document, either in an altered or unaltered state signifies that you agree to absolve, excuse, or otherwise not hold responsible Team Shanghai Alice / ZUN and/or Bahamut, and/or any other individuals or entities whose works appear herein for any and/or all liabilities, damages, etc. associated with the possession of this document. This document is not associated with, or endorsed by Team Shanghai Alice / ZUN. This is a not-for-profit personal interest work, and is not intended, nor should it be construed, as a challenge to Team Shanghai Alice / ZUN’s ownership of its Touhou Project copyrights and other related properties. License to distribute this work is freely given provided that it remains in an unaltered state and is not used for any commercial purposes whatsoever. All Rights Reserved. Introduction Choosing a Race (Cont.’d) What Is This Game All About? . 1 Magician . .20 Too Long; Didn’t Read Version . 1 Moon Rabbit . .20 Here’s the Situation . 1 Oni . .21 But Wait! There’s More! . 1 Tengu . .21 Crow Tengu . .22 About This Game . 2 White Wolf Tengu . .22 About the Touhou Project . 2 Vampire . .23 About Role-Playing Games . -
Kore-Eda Event Notes
Family Life with Kore-eda Hirokazu Introduction their application in stories about ‘ordinary’ Japanese Kore-eda Hirokazu (born Tokyo, 1962) is currently the families coping with the move from tradition to leading Japanese director in the international film modernity in contemporary Japan that appears to be world. His last few films have seen his popularity rise Kore-eda’s inspiration. in Japan and his films have been increasingly welcomed at major film festivals. In 2018, his latest Kore-eda has also been linked to directors from film Shoplifters won the Palme d’Or, the top prize at Taiwan such as Hou Hsiao-hsien, Edward Yang and, Cannes Film Festival. Like some of his earlier films, it more controversially, Tsai Ming-liang. These directors opened at No 1 at the Japanese box office in June are part of the ‘Taiwanese New Cinema’ which first 2018 and made around $38 million worldwide. appeared in the 1980s, making a link between the 1950s Japanese masters and Kore-eda. Taiwanese Originally a documentarist working in television, Kore- film has maintained some links to Japanese film eda moved into fiction features with Maborosi in 1995 culture, even though the Japanese colonial and has since made a further 12 cinema features as occupation of Formosa/Taiwan ended in 1945. We’ll director and often writer and film editor as well. He look at a short extract from Hou Hsiao-hsien’s Café has also produced films. Although he has made forays Lumière (2003). Kore-eda has also cited Ken Loach as into several different genres, Kore-eda’s films often an influence. -
The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Tokyo Babylon, Vol. 1 by Clamp Book
Tokyo Babylon, Vol. 1 by Clamp book Ebook Tokyo Babylon, Vol. 1 currently available for review only, if you need complete ebook Tokyo Babylon, Vol. 1 please fill out registration form to access in our databases Download here >> Paperback:::: 160 pages+++Publisher:::: TokyoPop (May 11, 2004)+++Language:::: English+++ISBN-10:::: 1591828716+++ISBN-13:::: 978- 1591828716+++Product Dimensions::::5 x 0.5 x 7.5 inches++++++ ISBN10 1591828716 ISBN13 978-1591828 Download here >> Description: Subaru is the 13th head of the Sumeragi clan, and together with his twin sister Hokuto and the mysterious veterinarian Seishirou, they risk life and limb as they hunt down the ghosts that threaten to destroy the city. A tale of good and evil, light and darkness, innocence and corruption, Tokyo Babylon is a powerful drama.Subaru Sumeragi is a deeply compassionate sixteen year old medium/exorcist who uses his gift to aid lost spirits and the possessed. After a hard day or nights work, he comes home to his devoted, vivacious twin sister Hokuto, whose favorite hobby seems to be trying to hook Subaru up with their friend Seishirou - a veterinarian nine years their senior - in spite of reservations due to the fact that he belongs to a family with a reputation of being in the assassination business that they both choose to ignore.The interaction between the three reaches its climax in the final volume, with hints throughout the series about how things might ultimately turn out, but Subarus interaction with the people he tries to help is interesting in itself. The series handles such topics as gang rape, child abuse, treatment of the elderly, and the ethics of organ transplantation - pretty heavy subject matter.Subaru himself is a highly unique hero. -
Kyoto Confidential
japan // asia K YOTO CONFIDENTIAL From the charming hot spring town of Kinosaki Onsen where visitors dress up to strip down, to a heritage fishing village unchanged in 300 years on the Sea of Japan… Rhonda Bannister veers off the tourist trail to discover the captivating treasures of Kyoto Prefecture 94 holidaysforcouples.travel 95 japan // asia Chilling in a hot spring Delving deeper into the Kyoto Prefecture (an administration area that’s a little like a state or territory), our next stop was around 100 kilometres north, on the Sea of Japan. Kinosaki Onsen is defined by its seven public bathhouses, dozens of ryokans (a traditional Japanese inn) with private hot spring baths, and a warm welcome wherever you wander. The town is adorable at first sight. The further we roamed the streets and laneways, criss-crossing the willow-lined Otani River on little stone bridges, the more enamoured we became – especially in the evening when lanterns bathe the river and trees in their seductive glow. The mystical history of Kinosaki Onsen fter the tourists have left and reaches back 1300 years when a Buddhist priest the streets are quiet, the ancient received a vision from an oracle telling him to area of Gion in Kyoto appears pray for a thousand days for the health of the straight from the pages of Memoirs people. Legend says that in addition to prayer, of a Geisha. This is one of Kyoto’s he fasted the entire time and on the last day, best-preservedA historical areas, and Japan’s most a hot spring shot up from the ground. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Free Cardcaptor Sakura Omnibus: Volume 3 Pdf
FREE CARDCAPTOR SAKURA OMNIBUS: VOLUME 3 PDF Clamp | 600 pages | 07 Feb 2012 | Dark Horse Comics,U.S. | 9781595828088 | English | Milwaukie, United States Cardcaptor Sakura, Book 3 by CLAMP Now that Sakura has proven herself as a magician, she finds that there are other unnatural forces threatening her town. Li and Sakura may be friends now instead of rivals, but if there's a rival for Cardcaptor Sakura Omnibus: Volume 3 affections, is he going back to Hong Kong. Now is the time for people to admit the feelings for other people they've held secret. What are the true desires of Eriol, the powerful young boy who is the reincarnation of Clow Reed. Sakura opens an old book and learns that it Cardcaptor Sakura Omnibus: Volume 3 made by a magician named Clow Reed to hold the powerful, living Cardcaptor Sakura Omnibus: Volume 3 cards, but the cards have escaped and she must recapture them before they use their abilities to do evil. Fourth grader Sakura Kinomoto finds a strange book in her father's library -- a book made by the wizard Clow to store dangerous spirits sealed within a set of magical cards. But when Sakura opens it up, there is nothing left inside but Kero-chan, the book's cute little guardian beast. But, as always, the struggle to capture the Clow cards is woven together with the mysterious—and complicated—threads of love and affection between Sakura and all the people in her life. Will her heart be strong enough as she faces the one who will judge her worthiness to Cardcaptor Sakura Omnibus: Volume 3 the cards at last? Now, it's -
Customer Order Form
#355 | APR18 PREVIEWS world.com ORDERS DUE APR 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Apr18 Cover ROF and COF.indd 1 3/8/2018 3:51:03 PM You'll for PREVIEWS!PREVIEWS! STARTING THIS MONTH Toys & Merchandise sections start with the Back Cover! Page M-1 Dynamite Entertainment added to our Premier Comics! Page 251 BOOM! Studios added to our Premier Comics! Page 279 New Manga section! Page 471 Updated Look & Design! Apr18 Previews Flip Ad.indd 1 3/8/2018 9:55:59 AM BUFFY THE VAMPIRE SWORD SLAYER SEASON 12: DAUGHTER #1 THE RECKONING #1 DARK HORSE COMICS DARK HORSE COMICS THE MAN OF JUSTICE LEAGUE #1 THE LEAGUE OF STEEL #1 DC ENTERTAINMENT EXTRAORDINARY DC ENTERTAINMENT GENTLEMEN: THE TEMPEST #1 IDW ENTERTAINMENT THE MAGIC ORDER #1 IMAGE COMICS THE WEATHERMAN #1 IMAGE COMICS CHARLIE’S ANT-MAN & ANGELS #1 BY NIGHT #1 THE WASP #1 DYNAMITE BOOM! STUDIOS MARVEL COMICS ENTERTAINMENT Apr18 Gem Page ROF COF.indd 1 3/8/2018 3:39:16 PM FEATURED ITEMS COMIC BOOKS · GRAPHIC NOVELS · PRINT InSexts Year One HC l AFTERSHOCK COMICS Lost City Explorers #1 l AFTERSHOCK COMICS Carson of Venus: Fear on Four Worlds #1 l AMERICAN MYTHOLOGY PRODUCTIONS Archie’s Super Teens vs. Crusaders #1 l ARCHIE COMIC PUBLICATIONS Solo: A Star Wars Story: The Official Guide HC l DK PUBLISHING CO The Overstreet Comic Book Price Guide Volume 48 SC/HC l GEMSTONE PUBLISHING Mae Volume 1 TP l LION FORGE 1 A Tale of a Thousand and One Nights: Hasib & The Queen of Serpents HC l NBM Shadow Roads #1 l ONI PRESS INC. -
Romeo and Juliet William Shakespeare
Romeo and Juliet William Shakespeare Online Information For the online version of BookRags' Romeo and Juliet Premium Study Guide, including complete copyright information, please visit: http://www.bookrags.com/studyguide-romeojuliet/ Copyright Information ©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. -
KAKEHASHI Project (United States of America) Inbound Program for Japanese Americans the 1St Slot Program Report
KAKEHASHI Project (United States of America) Inbound program for Japanese Americans the 1st Slot Program Report 1. Program Overview Under the “KAKEHASHI Project” of Japan’s Friendship Ties Program, 100 Japanese Americans and supervisors from the U.S. visited Japan from December 13 to December 20, 2018 to participate in the program aimed at promoting their understanding of Japan with regard to Japanese politics, economy, society, culture, history, and foreign policy. Through the lectures, observations and interactions with Japanese people etc., the participants enjoyed a wide range of opportunities to improve their understanding of Japan and shared their individual interests and experiences on social media. Based on their findings and learning in Japan, each group of participants made a presentation in the final session and reported on the action plans to be taken after returning to the U.S. [Participating Countries and Numbers of Participants] United States of America: 100 participants, [Prefectures Visited] Tokyo (All), Nagano (Group A/B, 50 Participants), Wakayama (Group C/D, 50 Participants) 2. Program Schedule Group A/B Group C/D Dec. 13 [Arrival] (Thu) [Orientation] Dec. 14 (Fri) [School Exchange] University of [Observation] Asakusa,Nakamise-Dori Tokyo, Hongo Campus [Observation]Japanese Overseas Migration Museum Dec. 15 (Sat) Move to Nagano from Tokyo Move to Wakayama from Tokyo [Cultural Experience] Washi Making [Observation] Kumano-Nachi-Taisha Dec. 16 [Observation]Iiyama City Museum [Observation] Mihamacho, America-mura (Sun) of Traditional Industry, Folk [Meeting with Host Family] Museum [Homestay] [Meeting with Host Family] 1 [Farewell party with Host Family] [Observation]Kishu Yuasa Dec. 17 [Homestay] [Observation]The Fire of Rice Sheaves (Mon) [Cultural Experience]Japan(lacquer) "Makie" [Observation] Kotonoura OnzanShoen [Farewell Party with Host Family] [School Exchange]Wakayama University Dec. -
Aura-Koga-Maryuin-Last-Battle V5.Pdf
AURA Koga Maryuin’s Last Battle Written by Tanaka Romeo Illustrated by mebae 1 On the rooftop of a building, drenched black by the rain that had carried through from the evening, two men stood opposed without so much as an umbrella. A man in black, a man in white. The one in black was a tall, firmly built young man. He hung his black overcoat directly over his bare skin. Age-wise, he looked to be in his early twenties. The long hair that grew to his hips had reached a glistening damp, yet his broad shoulders that would never have him mistaken as a woman exuded a peculiar sensuality. An intrepid beauty in his visage that would turn the head of anyone he walked passed was now clad in a sharp, cold murderous intent. In contrast, the white adorned a man built like a rock. While he was not tall by traditional convention, not an inch of his body was spared from his muscles that swelled to an armor-esque degree. Through the ferocious fighting spirit dwelling within, that brought to mind a large, carnivorous beast, his brawny body pushing up through his clothing must have been one tempered through real combat. With a few meters open between the two sides, neither showed the slightest twitch. For more than the past few minutes, they had stood frozen like this. The petty yells of street thugs resonated from the night shopping district below. Those threatening complaints to intimidate another, when heard from a roof shrouded in true bloodlust, failed to reach the level of a child’s quarrel.