DOCSLIB.ORG

DSP: Road to Home

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DSP: Road to Home Michigan’s oldest college newspaper Vol. 137, Issue 19 - 6 March 2014 www.hillsdalecollegian.com Frats, dean develop alcohol policies Hannah Leitner standards of the chapter. Assistant Editor Petersen said that the main dif- ference between residence halls and fraternity houses is the frater- Hillsdale College’s Delta Sig- nities’ privilege to establish their ma Phi fraternity may get its house own rules within the boundaries of back this fall. If they do, the house the school and national fraternity will be dry. policies. “Now, we are just trying to “It really is an experiment in make sure that we are comply- self-government,” Petersen said. ing with the national and Hills- Through these students, the dale standards when it comes to dean, and local news reports, the the drinking policy,” DSP chapter national fraternity is able to keep president senior Joe Snyder said. tabs on the campus chapters. Pe- “Having a house will just make riodically, a representative will every aspect of the fraternity bet- come to check in on the fraternity. ter.” Petersen said that if a singular DSP is one of four fraternities issue of alcohol violation arises, on campus that abides by differ- the school and the local alumni ent regulations regarding alcohol board typically come up with the use. Each fraternity operates under (Caleb Whitmer/Collegian) punishment. However, if the issue its own individual alcohol policy, is reoccurring, the national frater- which depends on factors such as nity may step in. academic merit and national fra- “It is supposed to be left to the ternity policy. fraternities to self-govern,” Snyder DSP: Road to home Each policy, however, resides said, “but obviously, if there is a under the umbrella of the dean’s problem, then the college is sup- Evan Brune with them is to improve the heart satisfied one of our requirements “I’m moving forward with office campus-wide alcohol pol- News Editor of their chapter. We want them for accreditation,” Wendt said. them returning to the chapter posed to come in.” icy, as listed in the student hand- Consequences from the dean to continue being serious about “We got 20 guys down there in house, and I am presuming a book. fraternity, and making a strong contact with our national head- strong accreditation score,” Pe- can range anywhere from tem- Delta Sigma Phi fraternity lost In DSP’s case, dry houses are a porary renunciations of alcohol positive influence on this campus quarters, and before, we hadn’t tersen said. “There will be 10 nationwide policy for the fraterni- its house more than two years and in the community.” really had much contact with the to 15 guys that I’ll move into privileges to the loss of the house. ago due to a range of violations, ty, which was instituted in the past If the national fraternity chooses to In the past three years, DSP national fraternity.” the house. There are going to be several years. including possession of alcohol. has gone from an accreditation Wendt said the conference fo- some restrictions and expecta- act, consequences can include the Now, the men of DSP are on their Of the three current college fra- revocation of the chapter from the score of zero to a 72, accord- cused on recruitment tactics and tions, and we’re going to work ternity houses, only Sigma Chi has way to reclaiming their home. ing to junior Paul Wendt, future philanthropy ideas, as well as a together on those details.” campus. An agreement between Dean house-alcohol privileges, although After its rechartering in 2009 chapter president. number of team building exer- Snyder said his work with Pe- no liquor is allowed in their house. of Men Aaron Petersen and the “We have made a lot of im- cises. Petersen and Associate tersen was productive. and moving into a house in 2013, chapter states that an accredita- The other two fraternities, Alpha Delta Tau Delta fraternity is a dry provements over the last two Dean of Men Jeffery Rogers also “The focus was on getting the Tau Omega and Delta Tau Delta, tion score of 80 or higher will al- years,” Wendt said. attended the conference. house back and setting a good fraternity but Chapter President low the college to move forward once had wet houses but no longer junior Rossteen Salehzadeh said Fraternal accreditation is de- “Dean Pete kept the ship run- score,” he said. “After the meet- do for disciplinary reasons. with a plan to return the house to termined by a number of factors, ning and let the national frater- ing, all the officers sat down, and the fraternity is looking into peti- the fraternity. The accreditation Dean of Men Aaron Petersen tioning the dean in order to have including participation in philan- nity do their job,” Wendt said. we all made a plan, and, as long said the alcohol policy in fraterni- is done by the national fraternity. thropy projects, alumni events, Upon their return to cam- as we accomplish that, then we’ll alcohol at requested events. “We want to see a strong ac- ties depends on four factors: the “The actions from the past have and national conferences. pus, a conversation began about get the house back.” behavior of the members of the creditation score from them,” Part of those improvements how fraternity members could Snyder said aspects of that definitely help shaped our attitudes Petersen said. “We need to see fraternity, the college policy, the in the house now as to what we can included attending a conference return to their house. Petersen plan include service projects, fraternity’s national board, and the that they can sustain strong ef- of the national Delta Sigma Phi and Chapter President senior Joe philanthropy events, increased and can’t allow,” Salehzadeh said. fort and performance, which is local alumni association. Alpha Tau Omega Chapter fraternity in Indianapolis, Ind., in Snyder developed a plan that put recruitment, increased fraternity Within each house there are something we’ve talked a lot January. the men of DSP on track to return GPA average, and alumni en- President Dan Vandegriff said he about. What we’ve been after designated officers that are elected “The Indianapolis conference in the fall 2014 semester. See DSP A3 by the fraternity to maintain the See Alcohol A3 Off-campus permission rates Rebirth of Liberty & dropped for men The Freedom Freedom Founders’ Learning Campaign Morgan Delp tion to live off campus, the ad- Fund Quest Campaign Sports Editor ministration notifies the next stu- 1976-1980 dents in line that they are granted 1976-1980 1987-1996 2001-2012 permission. Because of this and Raised: $230 M In an effort to convert Nied- fluctuations in admitting the $32 M $202 M $635 M Goal: $470.2 M feldt Residence back to a male freshman class of 2018, the pro- dormitory for next school year, cess of notification could go on and due to the female-dominated until May. rising junior class, the adminis- Philipp said it has never been tration has allowed fewer men to a problem for seniors to live move off campus and increased off campus. Not all juniors and the girls’ allowance from last sophomores are always allowed year. to leave college housing, even if As of Feb. 28, 51 men and 106 they were granted permission the women were newly permitted to previous year, or one of their po- leave campus housing, joining Campaigning for capital tential housemates was granted the 109 men and 48 women who permission. However, for col- College has raised $1.1 billion in capital campaign fundraisers since 1976 will return to off-campus housing lege-owned houses, she said that this fall. This equals 314 Hills- returning residents may choose Alex Anderson avoid dependence on state and Title IX mandated that no vid that kept Goliath government dale students that are projected to underclassmen to move in with Web Editor federal aid, struck a chord with the person could be excluded from off its back,” Hiner wrote. live off-campus next year. them. national media, dignitaries, and participation, denied benefits, or In March 1976 a letter sent This number could change, “The key to housing is making thousands of individual donors. discriminated based on sex under by Martin Gerry, acting direc- depending on the number of ad- Hillsdale College has raised sure friends can stay with friends. $1.1 billion since it began its 40- Hillsdale’s Goliath: the any educational activity supported tor of the Office for Civil Rights, mitted freshmen in the fall. All residence halls are differ- threat of Title IX by federal assistance. informed Hillsdale College Presi- “The end variable is the admis- year fight against state and federal ent, but as long as we can keep regulations. Three completed cap- In October 1975, the Board of Despite the college’s historic dent George Roche III that stu- sions number,” Dean of Women friends together they seem to be Trustees published a resolution non-discriminatory mission, “to dents enrolled at Hillsdale College Diane Philipp said. “There are ital campaigns, led by Presidents happy,” Philipp said. George Roche III and Larry Arnn, which openly resisted The Higher furnish all persons who wish, irre- were participating in a number of usually slightly more women Niedfeldt Residence was con- Education Amendments of 1972, spective of nation, color, or sex, a government funded programs. than men, by our projections. have successfully endowed the verted from a men’s dorm to a security of Hillsdale’s academic an act signed into law by Presi- literary and scientific education,” Gerry concluded that such partici- We have to house the freshmen, women’s during the 2012-2013 dent Richard Nixon.
Load more

Recommended publications
  • SHDWBOAT Began More Tban 20 Years Ago, F RIDAY JAN
    Page Twelve TH~ ROCKETEER Friday, January 17, 1964 Taxi Drivers Spruce Up In New Uniforms! Neptune Ball Set For For the first time since NOTS SHDWBOAT began more tban 20 years ago, f RIDAY JAN . Station taxi chauffeurs will be Feb. 7 and 8 at Center " SWORD Of LANeElOT" (115 Min .) Cornel Wilde, Jean Wallace all spruced up in new uniforms, 7 p.m. beginning Monday. (Adventur. in Color) The famed Kni ght is in love w ith King Arthur's intended wife. The uniforms are Navy blue, A suspense, v iolent OCT ion and intrigue with Eisenhower-type jackets. spec io l sel in colorful Comelot. (Adults and The drivers will w e a r white Young People). shirts, black ties and eight-point SATURDAY JAN. 18 " FRANCI S IN TH E NA VY" (80 Min.) caps. Donald O'Connor Mrs. F. III. Mullin, the only 1 p .m. SHORT: " Witty KilTy" (7 M in.) woman chauffe ur, will have a " Ma nhunt No. I S" (1 6 Min.) Navy blue ensemble of skirt and - EVENI NG - jacket, white blouse, black bow· " TH E WRO NG ARM OF THE LAW" (91 Min .) type tie and a WAVE-type hat. Peter Sellers, lionel JeffreYI 7 p .m. Men drivers are J. V. Adam· (Comedy) When on outlide gong muscles son, F. L. Bennett, E. E. Blur· in the owner of on exclulive dresa l a lan (who is also an underworld leader) coop. ton, G. III. Brown, G. H. Davis, erotes w ith Scotland Yord to catch the ch i, ­ B.
    [Show full text]
  • Mitzi Gaynor
    Omnibus <^£ectuze Series Presents Mitzi Gaynor Tuesday, Oct. 10, 2000 7:30 p.m. IPFW Walb Student Union Ballroom c£Pvofvam Welcome Michael A. Wartell IPFW Chancellor Introduction Larry L. Life Chair, IPFW Department of Theatre Lecture: 'An Evening with Mitzi Gaynor" Mitzi Gaynor Media sponsors: WBNI 89.1 and NewsChannel 15. The Omnibus Lecture Series is funded by a grant from the English, Bonier, Mitchell Foundation. This Omnibus lecture is cosponsored by the IPFW Department of Theatre, Russell Sunday, and Walter McComb. Thanks to InterVarsity for ushering tonight. Mitzi Gaynor itzi Gaynor, star of stage and screen, is best knownsfor her role as Ensign Nellie llilbpfepin the Rodgeb'and Hamrrierstein musical South Pacific. To describe Mitzi Gaynor is to form a picture of the complete entertainer, which she has been since starting her career at the age of 12 in the corps de ballet of the Los Angeles Civic Light Opera. Her vibrant personality and singing, dancing, and acting talents have since found her as a star of motion pictures, television, the theatrical stage, Las Vegas, and concerts. She was recognized by her peers when the theatrical union of entertainers voted her "Singing and Dancing Star of the Year," presented on national video by George Burns. Gaynor was virtually born into the theatre; her mother was a dancer, her father a professional musician. When the family moved from her native Chicago, she was discovered by legendary Los Angeles theatrical producer Edwin Lester, and made her debut as a dancer in Song without Words for the Los Angeles Civic Light Opera.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • The Cinema of Gene Kelly
    THE MUSEUM OF MODERN ART No 100 11 WEST 53 STREET, NEW YORK 19, N. Y. FOR RELEASE: TELEPHONE: CIRCLE s-8900 Thursday, August 30, 19fe The Cinema of Gene Kelly, a series of ten films featuring the actor-dancer-writer- dlrector, will begin at the Museum of Modern Art September 2-5> daily at 3 and 5:30, with Singin1 in the Rain (1952), with Donald O'Connor and Debbie Reynolds. The series will continue September 6-8 with For Me and My Gal (l$k2), with Judy Garland and George Murphy; September 9-12, Cover Girl (19MO with Rita Hayworth, Lee Bowman and Phil Silvers; September 13-15, On the Town (19U9) with Frank Sinatra, Betty Garrett and Jules Munshin; September 16-19, An American in Paris (l95l) with Leslie Caron, Oscar Levant and Nina Foch (3:00 only on September 18); September 20-22, It's Always Fair Weather (1955) with Dan Dailey, Cyd Charisse and Dolores Gray; September 23-26, Invitation to the Dance (1956) with Igor Youskevitch and Tamara Toumanova; September 27-29, Les Girls (1957) with Mitzi Gaynor and Kay Kendall; September 30-0ctober 3, Singin1 in the Rain, repeat; and October k-6, Anchors Aweigh (19^5) with Frank Sinatra. In a monograph published in connection with the series,* Richard Griffith, Cu­ rator of the Museum's Film Library, says that "Kelly, as soon as he had established himself in the movies, worked toward becoming the choreographer and director as well as the stellar actor-dancer of his films. In the planning of his movies, he seemed to work alternately toward two complementary goals: to build the dances into the structure of the film as its central, expressive essence; or, to use dances to change the mood entirely, in counterpoint to the rest of the picture, as if a second self were emerging." *The Cinema of Gene Kellv.
    [Show full text]
  • Bar-Bq Kitchen
    ^ *3fe \i*. « *rta rr t'\ \ Lowell Thomas” “High Adventure,”” “Interlude” deals intimately w;4h Ohio Firrn Wins trolled mosaics, and harbor line the love of an American girl pcr maps for the cities—Ketchikan, Leads Parade ef Week’s Good Movies a famous European symphony Harbor ’nes Bid Sitka, Juneau-Douglas, Anchorage, conductor, Wrangell, Petersburg, Skagway, Lowell Thomas’ “High Adven- Technicolor, stars Crosby, Photronix. Incorporated, of Co- Bing June Allyson plays “the other Haines, Kodiak, Cordova, Valdez, ture" is the offering at Donald Jeanmaire and OVo was the Tuesday O’Connor, and lumbus, apparent Seward, Pelican, Seldovia, Homer, the woman,” Rossano Brazzi the Orpheum Theatre. A pictorial Mitzi Gaynor sing, dance and ro- low of seven bidders for a con- Kotzebue, Auke Bay, musician, already a married man. Dillingham, on Alaska by the famous traveller mance to “I Get a Kick Out of tract for services leading to the and Yakutat. Noted continental performers in- Saxman and adventurer, it is offered as a You,” “It’s De-Lovely,” “You’re establishment- of harbor lines in clude Marianne Cook, and Fran- Aerial photography is slated for benefit performance. Proceeds the Top,” “All Through the 20 Alaska cities. coise as well as American completion August 30, 1959. After will go to the St. Parish Rosay, Mary’s Night,” “Blow, Gabriel, Blow” and Bids are under study by the is and actors and actresses Keith Andes, the photography completed Development Fund. “Anything Goes.” U.S. Army Engineer District, Alas- the Distirct Francis Bergen and Jane Wyatt. the mosaics prepared, For one day only, ka.
    [Show full text]
  • The Lady Eve Written and Directed by Preston Sturges USA 1941, 92 Mins, Cert U a BFI Release
    The Lady Eve Written and directed by Preston Sturges USA 1941, 92 mins, Cert U A BFI release Starring Barbara Stanwyck, Henry Fonda, Charles Coburn 'You can't get a better romantic comedy than The Lady Eve' Peter Bogdanovich (Paper Moon, The Last Picture Show) Opening at selected cinemas UK-wide from 15 February 2019 with Valentine’s Day previews 18 December 2018 – The Lady Eve is a match made in cinematic heaven; a screwball comedy from the master of the genre, Preston Sturges (1898–1959), starring two film legends – Barbara Stanwyck (1907–1990) and Henry Fonda (1905–1982). This fast- talking battle-of-the-sexes romance returns to the big screen in selected cinemas UK- wide on 15 February 2019, with Valentine’s Day previews offering a dream night out on 14 February for fans of the Golden Age of Hollywood. The film will be screened as an extended run during ‘Starring Barbara Stanwyck’, the forthcoming season at BFI Southbank that takes place from 1 February until 20 March 2019. The Lady Eve was based on a short story by the screenwriter and playwright Monckton Hoffe who in turn played on the biblical fable of Adam and Eve. Glamourous con-artist Jean Harrington (Barbara Stanwyck) manipulates her way through life, getting what she wants with skill, charm and charisma. On a cruise ship, she sets her sights on Charles ‘Hopsie’ Pike (Henry Fonda), an innocent, gullible millionaire and snake scientist, who falls for her in a heartbeat. But he learns about her dubious past… and her ruse comes undone when she genuinely falls for him… In one of her most memorable roles, Barbara Stanwyck brilliantly portrays a confident, witty, resourceful woman in pursuit of revenge – and love.
    [Show full text]
  • Dance Critic Debra Levine to Co-Host “Choreography by Jack Cole” on Turner Classic Movies Monday September 10, 2012
    Dance Critic Debra Levine to Co-Host “Choreography by Jack Cole” on Turner Classic Movies Monday September 10, 2012 ULCA Film & Television Archive and the Dance Heritage Coalition also honor the gifted choreographer TCM Host Robert Osborne with dance critic Debra Levine. Photos courtesy TCM PH Mark Hill. Los Angeles-based dance critic and arts journalist Debra Levine (Los Angeles Times, The Huffington Post, artsmeme.com) will co-host a special tribute to the influential dance maker Jack Cole (1911-1974) on Turner Classic Movies. The four-film tribute will be broadcast on September 10, 2012 starting at 8 pm ET (5 pm PT). Ms. Levine joins TCM’s veteran host Robert Osborne to provide commentary. From 1941 to 1962, Cole pioneered American jazz dance as an art form in Hollywood films. He contributed dance sequences to 30 movies at Columbia Pictures, Twentieth Century Fox, and Metro Goldwyn Mayer, some credited, some not. Cole left behind a celluloid track record of outstanding filmed dance sequences with highly diverse themes, all with a recognizable Cole brand that is uncannily contemporary. TCM schedule for September 10, 2012: Tonight & Every Night (1945), 8 pm (ET), 5 pm (PT) Columbia Studios, 1945 dir Victor Saville Rita Hayworth, Lee Bowman, Janet Blair, Marc Platt On the Riviera (1951) 10 pm (ET), 7 pm (PT) Twentieth Century Fox, dir Walter Lang Danny Kaye, Gene Tierney, Gwen Verdon Gentlemen Prefer Blondes (1952), 11:45 pm (ET), 8:45 pm (PT) Twentieth Century Fox, dir Howard Hawks Marilyn Monroe, Jane Russell Les Girls (MGM, 1957) 1:30 am (ET), 11:30 pm (PT) Metro-Goldwyn-Mayer, dir George Cukor Kay Kendall, Taina Elg, Mitzi Gaynor, Gene Kelly Jack Cole with Marilyn Monroe UCLA Film & Television Archive, “A Tribute to Choreographer Jack Cole” Levine also participates in a live event at the Billy Wilder Theater of UCLA Hammer Museum in Los Angeles on August 4, 2012 as UCLA Film & Television Archive will screen a rarely viewed Cole movie, The I Don’t Care Girl (1953, Twentieth Century Fox).
    [Show full text]
  • Pictorial Article with Captions
    NOTES ON JEFFREY HUNTER AND HIS FILMS by Jim Meyer "Jeffrey Hunter is beautiful!" a girl friend gurgled to me some 15 years ago. And indeed he was, as any man not envious of Hunter's impressive 6' 1" height and blue-eyed, brown-haired handsomeness must admit. As is well enough known, many film actors have little more to offer audiences than handsomeness. But far too many critics (men and women alike) too quickly tabbed the exceptionally hand- some actor "beautiful but bland." But teen-age girls didn't mind. Many didn't care whether he could act. In Jeffrey Hunter they saw (or thought they saw) a dream prince, a husky young god, who could fulfill their most imaginative fantasies. Less dazzled male viewers saw something else: a man who was handsome enough for them to resent, largely, one suspects, because many of them wished that his good looks belonged to them, and, not being able to measure up, consoled themselves by insisting that he couldn't act and wouldn't last long in films. Obviously, Hunter had to work twice as hard as many another actor of his type to prove he was a good actor. I believe he succeeded although he never became a superstar. Did Hunter's good looks make him arrogant, overbearing, and hard to work with? Possibly not, when one recalls that Jean Peters, a co-star of his, once went out of her way to observe that his courtesy toward and consideration for her would be remarkable anywhere but especially in Hollywood.
    [Show full text]
  • Paris, Hollywood and Kay Kendall
    Geraghty, C. Paris, Hollywood and Kay Kendall. In Moseley., R. (Eds) Fashioning Film Stars : Dress, Culture, Identity., Chap 10, pages pp. 121-133. BFI (2005) http://eprints.gla.ac.uk/3370/ Glasgow ePrints Service http://eprints.gla.ac.uk PARIS, HOLLYWOOD AND KAY KENDALL Christine Geraghty, University of Glasgow The Constant Husband (GB, Gilliat, 1955) was in many ways a watershed film for the British star, Kay Kendall. Filming took place in the spring and early summer of 1954, when Genevieve (GB, Cornelius, 1953) and Doctor in the House (GB, Thomas,1954), hugely popular British comedies, had already brought her to the attention of the public and the critics. Although there had been problems before over suitable parts for her, it was the last film she made before the very public falling out with Rank Organisation in December 1954 when she was suspended from her contract for turning down a number of proffered parts, including the second Doctor film (Daily Herald, 22 December 1954). It was also the film on which she met and fell in love with her future husband, Rex Harrison, who was already a major star. But The Constant Husband is also significant from the point of view of image and fashion, the aspects of Kay Kendall's later career which are the subject of this essay. It was in this film that elements of Kendall's individual style most clearly seem to be shaping her costumes; it is perhaps not an accident that the costume designer Anna Duse was someone who knew Kendall in her childhood and had taught her dancing (Golden, p.15).
    [Show full text]
  • Information About Salzburg´S "Stadtkino"
    Information about Salzburg´s "Stadtkino" Austria´s second Todd-AO Theatre Part 1 of 2 Parts -------------------------------------------------------------------------------------------------- The very first "Stadtkino" (City Cinema) had once been housed in Salzburg´s old "Festspielhaus" (festival hall) – opening on 25.12.1948. Article above left from "Salzburger Volkszeitung" dated 27.12.1948. On the right the program of the opening film The Best Years of Our Lives (USA, 1946). The article above: "Stadtkino" (City Cinema) has opened On Christmas day, the "Stadtkino" began with its screenings in the "Festspielhaus" (festival hall). Against the improper use of the "Festspielhaus" – such as boxing competitions, perma- nent screenings of films and similar – have repeatedly been raised legitimate protest votes. People fear that the solemn hall of the glamorous Salzburg Festival would now (outside the festival season) be degraded by simple everyday events without upscale festival character. But, as we now learn, the use of the "Festspielhaus" as a "Kintopp" is only a provisional. The City of Salzburg intends to erect a new large-scale cinema, which is to be built on Franz- Joseph-Kai on the site of the former Municipal Museum (author´s note: the former Carolino- Augusteum) – the building had been destroyed by bombs. Reportedly, this urban cinema is scheduled to be completed by October 1949 (author´s note: it opened on 01.08.1950). At first, it is planned that there will take place film screenings at the "Festspielhaus" only temporarily – until the beginning of the festival rehearsals in May next year. The very first film that has opened "Stadtkino"´s provisional operation, gives hope that the program creation will have an equal `happy hand´ in future.
    [Show full text]
  • Starlight Musicals Records, 1940–1997
    Collection # M 0955 OM 0471 OMB 0108 BV 3618–3627 STARLIGHT MUSICALS RECORDS, 1940–1997 Collection Information Biographical/Historical Sketch Scope and Content Note Series Contents Cataloging Information Processed by Kelly Gascoine 2 June 2008 Revised by Barbara Quigley, 4 March 2015 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF Manuscript Materials: COLLECTION: 26 document cases, 14 oversized boxes, 10 Bound Volumes, 5 folders in flat file storage Visual Materials: 11 boxes of photographs, 1 box of OVA size photographs, 1 box of OVC size photographs, 2 boxes of color photographs, 1 folder of OVA size color photographs, 1 box of OVB size graphics, 3 folders of OVC size graphics, 7 bins of slides, 3 bins of 35 mm negatives, 9 4x5 negatives COLLECTION 1940–1997 (Bulk 1970s–1990s) DATES: PROVENANCE: Margot L. Eccles, Indianapolis, IN, 2007 RESTRICTIONS: None COPYRIGHT: REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE FORMATS: RELATED HOLDINGS: ACCESSION 2007.0058 NUMBER: NOTES: BIOGRAPHICAL/HISTORICAL SKETCH For almost 50 years, Starlight Musicals entertained Indianapolis with summer musical theater productions and concerts. Started in 1944 as Stars Under the Stars, the company later changed its name to the Indianapolis Theatre Association, then to Starlight Musicals. Productions were performed at the State Fairgrounds and the Butler Bowl. In 1955, Starlight Musicals relocated to the open-air Hilton U. Brown Theater at Butler University. For many years, Starlight Musicals functioned as a resident professional musical theater company.
    [Show full text]
  • Mitzi Gaynor Razzle Dazzle! My Life Behind the Sequins Friday, September 9
    FOR IMMEDIATE RELEASE MAY 24, 2011 RIVER ROCK CASINO RESORT PRESENTS MITZI GAYNOR RAZZLE DAZZLE! MY LIFE BEHIND THE SEQUINS FRIDAY, SEPTEMBER 9 Richmond, BC – Hollywood legend Mitzi Gaynor lights up the stage in an intimate evening of laughs, love and music from her show-stopping life and career in “Razzle Dazzle! My Life Behind the Sequins”. The Emmy Award winning and Golden Globe nominated star of classic blockbuster musicals including Rodgers & Hammerstein’s South Pacific, Anything Goes and There’s No Business Like Show Business will perform a musical memoir through side-splitting stories and treasured songs along with stunning video footage from her television, concert and film work in a glittering multimedia one woman tour-de-force. Mitzi will delight audiences with intimate reflections from her personal life including her brief love affair with Howard Hughes, her first date at the famous Coconut Grove nightclub with husband-to-be, producer Jack Bean and her performances at Vancouver’s famous nightclub, The Cave. Audience members will also be treated to hilarious anecdotes of her famous friends and co-stars including Gene Kelly, Ethel Merman and Marilyn Monroe. This unforgettable love letter to a great era of show business features six all new breathtaking costume creations by her longtime collaborator and friend, legendary fashion designer Bob Mackie. She will also perform a virtual songfest such as “Honey Bun”, “There’s No Business Like Show Business” and “Fabulous Places”. Mitzi Gaynor will be bringing “Razzle Dazzle! My Life Behind the Sequins” – which recently completed an acclaimed two-week engagement in New York City – to the River Rock Casino Resort for one night only in September.
    [Show full text]