Between the Lines

Total Page:16

File Type:pdf, Size:1020Kb

Between the Lines 16A OPINION THE LITTLE HAWK | THELITTLEHAWK.COM | FEBRUARY 16th, 2018 Between the Lines On freedom of speech in an age free of accountability The New Big Brother Keeping the Internet Ecosystem Green By Eden Knoop By Reese Hill In the a"ermath of Logan Paul’s Social media is a way of life for us bu#oonish video of a dead body in Ja- in this day and age. Most teens have pan’s suicide forest, YouTube and oth- social media accounts. Platforms like er social media platforms have been Twitter and YouTube are frequented by forced to reckon with the disturbing millions. Internet stars have developed materials they distribute. This reck- on these platforms, gathering follow- oning comes a"er scrutiny beginning ers, fame, fortune, and in%uence. It’s with outrage over monetized channels time the content they post is evaluated that exploited children. Paul was not and properly regulated. social media’s $rst controversy, but he Recently, many platforms have pushed YouTube to change the way it faced problems with censorship, par- handles content. ticularly YouTube. The platform’s big- Although censorship may seem gest star, PewDiePie, was attacked for like an easy solution, it’s not an ef- posting anti-Semitic jokes and Nazi fective one. Censorship leads to little imagery. Later came the discovery of improvement at the expense of free channels dedicated to videos featuring speech. Previous attempts to regulate exploited children in revealing cloth- content led YouTube to demonetize ing, which had managed to dodge some LGBT-related videos and Face- YouTube’s child safety guidelines. book to remove photos of breast-feed- Most recently, vlogger Logan Paul ing moms and the historically import- faced backlash a"er posting a video in ant Napalm Girl. However, YouTube’s which he $lmed the body of a suicide most recent regulation is its worst. victim in Japan. In an e#ort to regulate monetized That this content can be uploaded channels, the platform demonetized and seen by millions is unacceptable, small channels, hurting their visibility especially since the majority of sub- and growth. They are now paying for scribers to these channels are young Paul’s actions—literally. people. (Logan Paul’s 15 million Censorship hurts the most vulner- subscribers are mainly white females able. Restrictions of speech usually from age 11 onward.) Our society come at the behest of governments us- is powered by the Internet. It is our ing platforms to control information. primary source of news, entertain- At the Indian government’s request, ment, and communication. But, as Twitter banned users sympathetic to the old saying goes, “you are what you Kashmiri independence. Facebook eat.” By this logic, the content that is blocked the co-author of the Panama allowed on the Internet should not be Papers for criticizing the Maltese hateful or insensitive. An onslaught of government. In Israel, the government harmful media will desensitize us to pressures platforms to censor Pales- hate and promote a world of indi#er- tinians. In the case of Tamara Abu ence. In other media, regulations are Laban, posting the words “Forgive already in place. The FCC has a policy me” in Arabic was enough to have her prohibiting profanity on public televi- arrested, $ned, and given $ve days of sion. This o#ensive content could not house arrest. be aired on television, so there is no Platforms also o"en put the tools reason it should be put online. of censorship in the hands of users, Freedom of speech is a critical part who target speech that they dislike. of our Constitution. But it’s common In particular, Twitter has a problem sense that freedom of speech means with users seeking to prevent speech the freedom to express oneself, not they oppose by mass reporting, the freedom to be a bigot or instigate typically targeting minorities, women, hate with volatile opinions. Freedom and journalists. Ukrainian news site of speech is not an invitation to be a Liga was blocked from Facebook public menace, and too o"en we let following false reports of its content. hate slide online. Rose McGowan was suspended from The problem is, YouTube does Twitter during her campaign against have protections and regulations set Harvey Weinstein. More damaging up, such as child restriction, %ags, is the apparent selectivity of these and “strikes” against users who post rules, with white supremacist accounts harmful content. So why did Logan remaining up and harassment reports Paul’s video, which was reportedly o"en going unanswered. reviewed before it was posted, get But what may simply be polit- 6 million views before it was taken ical speech to some may be o#ensive down? The answer is the critical %aw to others. The distinction isn’t always in arti$cial intelligence. An algorithm clear, such as in the case of Alex can distinguish o#ensive words or Zaragova, whose article was removed images, but lacks a moral code or any from Facebook for its opening line: ability to judge using ethics. You- “Dear dudes, you’re all trash.” Was it Tube hosts 1 billion active users each humor? An attempt to draw awareness month, and with 300 hours of video to the complicity of many men in uploaded to the site every minute, it harassment? Or was it sexism? Where does seem that arti$cial intelligence is do we draw the line? Can we tell the the only realistic or feasible method political from the hateful, the opinion of regulation. Still, heavier guidelines from the propaganda? must be set. Some videos could be This is why increased censorship reviewed by real people before being is an ine#ective solution. Instead, posted. Stricter punishments against platforms must enforce the rules they users who abuse the terms of agree- already have in place and practice ment could help as well. transparency. Twitter must start taking In the end, the Internet is the harassment reports seriously. Face- primary way we connect, learn, and book must recommit itself to warning grow. Like our natural environment, users of fake content. Users need to it should be a healthy, civilized place know that the rules are applied consis- where rules and freedom do not con- tently and fairly. Likewise, platforms tradict each other, but maintain order. need to take responsibility for their And just as the Internet has dark decisions, both good and bad. Only corners and harmful content, real life then can the dream of a free and safe isn’t perfect. But we can, and always Internet be realized for everyone. should, try to do better..
Recommended publications
  • Reactions to Cosby Verdict
    Reactions To Cosby Verdict Sheridan waddle consubstantially if supervisory Oran metallize or financing. Merv bunt forwards? Interrogable Olag usually garnisheeing some Elo or surcease neologically. Why you to cosby then scattered clouds with rain chances return, phillips says some links are normal and strength Bill Cosby left a Pennsylvania courtroom on Tuesday in lightning to begin serving a hundred-to-10 year prison like for sexual assault Cosby. Accusers react to Bill Cosby's guilty verdict The various News. Bill Cosby The Internet explodes with reactions to guilty verdicts. Celebrities react to Bill Cosby's guilty verdict ABC7 San. Tarana Burke Terry Crews and More React to Bill Cosby's. To heed that Cosby's conviction and sentencing are invalid not. A fixture list within the 60 Bill Cosby accusers and their. Reacts to the verdict in his sexual assault retrial in April at the Montgomery County courthouse in Norristown Pa A jury convicted The Cosby. Bill Cosby asks Pennsylvania top heat to niche appeal said sex. 11 Inspiring Reactions to Bill Cosby's Guilty Verdict You Need the See Cosby faces up to 30 years in prison at his globe of schedule one gender but. Facebook confirmed this website link your california is currently unavailable because she said there is not receive one inch by continuing since it will not remembering what happened. Bill Cosby's outburst after guilty verdict 'You ahole' NZ Herald. Bill Cosby sentence Twitter reacts to court ruling amidst. Celebrities react to mark Bill Cosby guilty verdict KATU. Everybody wants to sex what has happened to Bill Cosby.
    [Show full text]
  • Dorenda Moore
    Dorenda Moore Gender: Female Service: 818-886-8687 Height: 5 ft. 3 in. Mobile: no info Weight: 103 pounds E-mail: [email protected] Eyes: Green Web Site: http://DorendaMoore.... Hair Length: Long Waist: 25 Inseam: 31 Shoe Size: 6.5 Physique: Slim Coat/Dress Size: 0-2 Ethnicity: Caucasian / White Photos Film Credits Swiss Army Man Stunts / Utility Paranormal Activity: The Ghost Stunts Dimension A Sunday Horse Stunts Insidious 2 Stunts Vacation Stunts Left Behind Stunt Double: Cassi Serial Killing For Dummies Stunt Coordinator Jimmy Sprague / Arroyo Studios Lady Luck Stunt Coordinator April White / Cameo Films Plane Dead Co-Coordinator David Shoshan / Imageworks Entertainment Champions Co-Coordinator Jimmy Sprague / Arroyo Studios The Convent Co-Coordinator Jed Nolan / Alpine Pictures Pirates of the Caribbean 4 Mermaid George Marshall / Disney Studios Reitman Double (Natalie Portman) Conrad Palmisano / Paramount Pictures Thor Double (Natalie Portman) Andy Armstrong / Marvel Studios Generated on 09/28/2021 05:13:50 am Page 1 of 5 Andy Armstrong / Columbia Pictures Star Trek 11 Double (Winona Ryder) Joey Box / Paramount Pics House Bunny Double (Anna Faris) Paul Elliopolis / Happy Madison Productions Urban Decay Double (Sarah Smith) Michael Sarna / Urban Decay LLC Plane Dead Stunt Zombie Nick Plantico / Imageworks Entertainment Spanglish Party Coordinator Alex Daniels / Sony The Hot Chic Double (Anna Faris) Gregg Smrz / Columbia Pics Planet of the Apes Human Charlie Croughwell / 20th Century Fox Sorority Boys Sorority Girl Earnie Orsatti / Disney Men in Black 2 Double (Lara Flynn Boyle) Charlie Croughwell / Sony Mr. Deeds Double (Winona Ryder) Gregg Smrz / Columbia Pics. Lost Souls Double (Winona Ryder) Doug Coleman / Prufrock Pics.
    [Show full text]
  • A New #Metoo Result: Rejecting Notions of Romantic Consent with Executives
    Texas A&M University School of Law Texas A&M Law Scholarship Faculty Scholarship 1-2019 A New #MeToo Result: Rejecting Notions of Romantic Consent with Executives Michael Z. Green Texas A & M University School of Law, [email protected] Follow this and additional works at: https://scholarship.law.tamu.edu/facscholar Part of the Labor and Employment Law Commons Recommended Citation Michael Z. Green, A New #MeToo Result: Rejecting Notions of Romantic Consent with Executives, 23 Emp. Rts. & Emp. Pol'y J. 115 (2019). Available at: https://scholarship.law.tamu.edu/facscholar/1389 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Texas A&M Law Scholarship. For more information, please contact [email protected]. A NEW #METOO RESULT: REJECTING NOTIONS OF ROMANTIC CONSENT WITH EXECUTIVES BY MICHAEL Z. GREEN* I. INTRODUCTION: #METOO AND THE GROWING DEBATE ON LEGAL CONSENT......................................... ..... 116 II. #METOO AND THE VILE USE OF POWER-DIFFERENTIAL BY EXECUTIVE HARASSERS ........................... ...... 121 III. #METOO BACKLASH AND CLAIMS OF UNCERTAINTY ABOUT WORKPLACE CONSENT ...................................... 126 A. Increasing "Unwelcome" Sexual Harassment Claims as a Result of #MeToo. ........................... ..... 126 B. Resulting Backlash Based on Consent and Unfair Process.......130 C. Dating at Work Being Unnecessarily Regulated........................135 D. Duplicitous Responses Based on Politics ......... ....... 136 E. The Aziz Ansari Experience. .......................... 139 F. Women as the Violators....................... 144 G. Much More Ado Than Should Be Due in the Workplace........... 145 IV. #METoo AND THE BACKBONE TO COME FORWARD DESPITE EXECUTIVE RETALIATION ...............................
    [Show full text]
  • Harvey Weinstein Trial News: Hollywood Mogul's Case Begins in NYC
    Harvey Weinstein Trial News: Hollywood Mogul's Case Begins in NYC bloomberg.com/news/articles/2020-01-05/weinstein-on-trial-a-metoo-reckoning-two-years-in-the-making Harvey Weinstein on Trial: A #MeToo Reckoning Two Years in the Making Disgraced movie-mogul Harvey Weinstein arrives at state court in Manhattan, New York, for the start of his criminal trial on five felony counts, including predatory sexual assault and rape. More than two years and a lifetime ago, Hollywood’s open secrets about Harvey Weinstein finally spilled into public view. Few back then could have predicted all that would follow or where the #MeToo movement would go. Now, for Weinstein, a reckoning is at hand: His criminal trial, on five felony counts, including predatory sexual assault and rape, is scheduled to begin on Monday in state court in Manhattan. Jury selection could last two weeks, the trial six more. The proceedings will mark an extraordinary moment in the still-unfolding story of harassment and abuse by powerful men and the implications for every corner of society. For some in the movement, simply seeing Weinstein facing a jury, and charges that could send him to prison for life, will be a victory. “The fact that this has made it this far is remarkable in its own right,” said Tina Tchen, the chief executive of the advocacy group Time’s Up. Most rape accusations don’t make it to court. Much has changed since the New York Times and the New Yorker reported that dozens of women had accused Weinstein of rape, sexual assault and sexual abuse, unleashing a torrent of similar claims against others as the MeToo hashtag went viral and developed into an international movement.
    [Show full text]
  • Metoo and the Politics of Collective Healing: Emotional Connection As Contestation
    Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Publications Communication & Theatre Arts 2019 #MeToo and the Politics of Collective Healing: Emotional Connection as Contestation Allison Page Jacquelyn Arcy Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Mass Communication Commons, Social Media Commons, and the Women's Studies Commons Communication, Culture & Critique ISSN 1753–9129 ORIGINAL ARTICLE #MeToo and the Politics of Collective Healing: Emotional Connection as Contestation Allison Page1 & Jacquelyn Arcy2 1 Department of Communication and Theatre Arts, Institute for the Humanities, Old Dominion University, Norfolk, VA 23508, USA 2 Department of Communication, University of Wisconsin-Parkside, Kenosha, WI 53141, USA Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity in their personal accounts of sexual violence. This article explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quan- tification and visibility that undergird popular feminism and the attention economy, and produce an affective excess that works toward movement founder Tarana Burke’s original project of “mass healing.” At a moment wherein popular feminism emphasizes individual empowerment and consumption, and carceral feminism relies on criminalization and incarceration, the #MeToo movement’s focus on shared emotions represents the potential for a feminist politics rooted in collective support and restorative justice. Keywords: Affect, Race, Feminist Media Studies, Hashtag Activism, Restorative Justice, Popular Feminism, Carceral Feminism doi:10.1093/ccc/tcz032 Prioritizing punishment means that we keep patriarchy firmly in place.
    [Show full text]
  • Advanced Warfare Downloadable Content Pack Reckoning
    Brace Yourself for the Final Call of Duty: Advanced Warfare Downloadable Content Pack Reckoning Call of Duty: Advanced Warfare's Fourth DLC Pack Delivers Four All-New Multiplayer Maps, Return of the Exo Grapple Playlist and New Trident Reflected Energy Weapon Delivers the Epic Conclusion to Advanced Warfare's Exo Zombies saga, featuring all-star cast John Malkovich, Bill Paxton, Rose McGowan, Jon Bernthal and Bruce Campbell Reckoning Arrives First, Exclusively on Xbox August 4th SANTA MONICA, Calif.--(BUSINESS WIRE)-- Call of Duty®: Advanced Warfare wraps up an extraordinary DLC season with the release of the fourth and final DLC pack, Call of Duty: Advanced Warfare Reckoning, coming August 4 first on Xbox Live, the world's premier gaming community from Microsoft for Xbox One and Xbox 360, with other platforms to follow. Reckoning features four all-new maps that takes players from New Baghdad all the way to South Korea as they grapple their way out of ship-fired missile strikes, dodge plasma lamp explosions and boost jump off crumbling glaciers; the return of the Exo Grapple playlist and the thrilling conclusion to Exo Zombies. "We've had an absolute blast supporting the fans throughout the DLC season, and continue to come up with fun new ways to play Advanced Warfare. The support and feedback we've received from the community continues to inspire us, and we've taken that inspiration to heart with Reckoning to deliver a new set of multiplayer maps and the conclusion to Exo Zombies. We are grateful to all of our fans and hope everyone enjoys playing the new content as much as we enjoyed creating it," said Michael Condrey, Co-Founder and Studio Head, Sledgehammer Games.
    [Show full text]
  • Asia Argento and the Me Too Movement: a Complicated Pairing
    Volume 5, Issue No. 1. Asia Argento and the Me Too Movement: A Complicated Pairing Lauren Flowers Tulane University, New Orleans, Louisiana, USA ÒÏ Abstract: In October 2017, producer Harvey Weinstein, one of the most powerful forces in the entertainment industry, was accused of decades of hidden sexual misconduct by The New Yorker and The New York Times. As a result of the Weinstein accusations, the Me Too movement began on a global scale. The Me Too movement was initially created by activist Tarana Burke in 2006, and then co-opted by actresses Asia Argento, Rose McGowan, and Alyssa Milano in the wake of Weinstein’s accusations. It successfully fought to promote awareness of sexual assault and harassment and connecting victims to resources that would help them heal from their trauma. Then, in August 2018, Asia Argento was publicly accused of sexually assaulting actor Jimmy Bennett five years prior. At the time of the assault, Bennett was 17 years old, and Argento was 37 years old. The two had shared a work relationship for years, with Argento serving as Bennett’s mentor. Suddenly, Argento’s role in the Me Too movement seemed much less clear. How could a movement against sexual misconduct be led by a perpetrator? What did this mean for Argento’s presence as a leader against sexual misconduct? For the greater Me Too movement as a whole? The Me Too Movement’s Origins The Me Too movement was initially founded on MySpace in 2006 by Black activist Tarana Burke. Burke began the use of the phrase “Me Too” to show support for primarily Black women and girls who identified as victims of sexual trauma.
    [Show full text]
  • A Recognitive Theory of Identity and the Structuring of Public Space
    A RECOGNITIVE THEORY OF IDENTITY AND THE STRUCTURING OF PUBLIC SPACE Benjamin Carpenter [email protected] Doctoral Thesis University of East Anglia School of Politics, Philosophy, Language and Communication Studies September 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. ABSTRACT This thesis presents a theory of the self as produced through processes of recognition that unfold and are conditioned by public, political spaces. My account stresses the dynamic and continuous processes of identity formation, understanding the self as continually composed through intersubjective processes of recognition that unfold within and are conditioned by the public spaces wherein subjects appear before one another. My theory of the self informs a critique of contemporary identity politics, understanding the justice sought by such politics as hampered by identity enclosure. In contrast to my understanding of the self, the self of identity enclosure is understood as a series of connecting, philosophical pathologies that replicate conditions of oppression through their ontological, epistemological, and phenomenological positions on the self and political space. The politics of enclosure hinge upon a presumptive fixity, understanding the self as abstracted from political spaces of appearance, as a factic entity that is simply given once and for all. Beginning with Hegel's account of identity as recognised, I stress the phenomenological dimensions of recognition, using these to demonstrate how recognition requires a fundamental break from the fixity and rigidity often displayed within the politics of enclosure.
    [Show full text]
  • The Fall of Harvey Weinstein – Mcgowan Suggest Coercion in Drug Warrant
    The Fall of Harvey Weinstein – McGowan Suggest Coercion in Drug Warrant Rose McGowan (Photo source: Twitter) Ronn D. Torossian, CEO, 5WPR When the story of Hollywood producer Harvey Weinstein’s fall from his ivory tower is written in full, there’s better than even odds the beginning of the end will be traced to actress Rose McGowan. Her repeated vociferous Twitter accusations shined a bright light on Weinstein that brought many other women out of the woodwork. Accusation after accusation and Weinstein was unemployed and a public pariah. But now it’s McGowan who is answering negative press accusations after an arrest warrant for felony possession of a controlled substance was issued for the 44-year-old actress. Immediately after the warrant was issued, McGowan accused authorities of a conspiracy to “silence” her from speaking out against sexual harassment in Hollywood. According to multiple media reports, the arrest warrant is the result of an investigation of an incoming flight at Washington Dulles International Airport last January. According to the investigators, items left behind on the plane tested positive for narcotics. Subsequently, the Metropolitan Washington Airports Authority PD issued a warrant for McGowan’s arrest. For those keeping notes, that was months ago. So, how long ago did McGowan learn about the warrant? That’s the question many are asking … and that doubt is casting aspersions on the actress’ other allegations. The timing is interesting. No one but McGowan can definitively know when she actually learned of the warrant, but it’s forgivable that some people would wonder why she kept silent for so long.
    [Show full text]
  • Scandal, Social Movement, and Change: Evidence from #Metoo in Hollywood∗
    Scandal, Social Movement, and Change: Evidence from #MeToo in Hollywood∗ Hong Luo† Laurina Zhang‡ First draft: April 24, 2020 Revised version: December 2, 2020 Abstract Social movements have the potential to effect change in strategic decision making. In this paper, we examine whether the #MeToo movement, spurred by the Harvey Weinstein scandal, leads to changes in the likelihood of Hollywood producers working with female writers on new movie projects. Since #MeToo affected the entire industry, we use variation in whether producers had past collaborations with Weinstein to investigate whether and how #MeToo may spur change. We find that producers previously associated with Weinstein are, on average, about 35-percent more likely to work with female writers after the scandal than they were before, relative to non-associated producers; and the size of this effect increases with the intensity of the association. Female producers are the main drivers of our results, perhaps because they are more likely than male producers to resonate with the movement’s cause and face relatively low costs of enacting change. Changes made by other groups, such as production teams with the most intense association with Weinstein and less-experienced all-male teams, may be better explained by motivations to mitigate risk. We also find that producers do not sacrifice writer experience by hiring more female writers and that both experienced and novice female writers have benefited from the increased demand. Our study shows that social movements that seek to address gender inequality can, indeed, lead to meaningful change. It also provides perspective for thinking about whether, and to what extent, changes may occur in broader settings.
    [Show full text]
  • Affirmation in Opposition to Defendant's Motion
    Deadline because, from the beginning, the defendant’s lawyers have contributed to the media coverage they now complain about by making extrajudicial statements about the case, portraying the defendant as a scapegoat who has been targeted by the “Me Too” movement, thus employing the well-worn strategy of trying his case outside of the courtroom. Because (1) defendant’s allegations are unfounded and (2) the trial court can ensure the selection of a fair and impartial jury, defendant’s motion should be denied and his case should go forward according to the schedule previously set by the court and the parties. ARGUMENT A motion to change venue from the county where the crime was committed may be granted only where the movant demonstrates “reasonable cause to believe that a fair and impartial trial cannot be had in such county.” CPL § 230.20(2). “A pretrial change of venue for the purpose of protecting the right to a fair trial is an extraordinary remedy reserved for the rarest of cases.” People v. Boss, 261 A.D.2d 1, 2-3 (1st Dept. 1999). It is long settled that extensive press coverage, “even if pervasive and concentrated,” does not automatically result in an unfair trial. Nebraska Press Ass’n v. Stuart, 427 U.S. 539, 565 (1976); Murphy v. Florida, 421 U.S. 794, 799 (1975); People v. Boudin, 90 A.D.2d 253, 255 (2d Dept. 1982). Accordingly, a change of venue motion at this stage of the proceedings should be denied as premature, subject to renewal only if during voirDeadline dire a fair and impartial jury cannot be selected.
    [Show full text]
  • LUCA VANNELLA Hair Designer IATSE 706 Member Fluent in Italian and English
    LUCA VANNELLA Hair Designer IATSE 706 Member Fluent in Italian and English AWARDS AND NOMINATIONS Hollywood Make-Up and Hair Stylist Guild Awards - Nominee - Best Period and/or Character Hair Styling - Television and New Media Series - PENNY DREADFUL Primetime Emmy Awards - Nominee - Outstanding Hairstyling for a Single Camera Series - PENNY DREADFUL La Chioma Di Berenice International Cinema Awards - Win - Hair Design – SNOW WHITE & THE HUNTSMAN La Chioma Di Berenice International Cinema Awards - Nominee - Hair Design – THOR THE DARK WORLD FILM/TV THOR: LOVE AND THUNDER Hair Designer/HOD and Personal Hair Stylist to Mr. Marvel Studios Hemsworth Shooting January 2021 Director: Taika Waititi THE LAST DUEL Hair Designer 20th Century Studios Director: Ridley Scott STILLWATER Personal Hair Stylist to Matt Damon Amblin Partners Director: Tom McCarthy DHAKA Hair Department Head (Designer) Netflix Director: Sam Hargrave BLITHE SPIRIT Personal Hair Stylist to Leslie Mann Fred Films Director: Edward Hall MEN IN BLACK INTERNATIONAL Personal Hair Designer to Chris Hemsworth Columbia Pictures Director: F. Gary Gray AVENGERS: ENDGAME Personal Hair Designer to Chris Hemsworth, Tom Marvel Studios Hiddleston and Mark Ruffalo Director: Anthony Russo and Joe Russo BAD TIMES AT THE EL ROYALE Personal Hair Designer to Chris Hemsworth Twentieth Century Fox Director: Drew Goddard AVENGERS: INFINITY WAR Personal Hair Designer to Chris Hemsworth, Tom Marvel Studios Hiddleston and Mark Ruffalo Director: Anthony Russo and Joe Russo THOR: RAGNORAK Hair Department Head (Designer) Marvel Studios Director: Taika Waititi THE MILTON AGENCY Luca Vannella 1st Floor Electra House, 93a Rivington Street, London EC2A 3AY Hair Designer Telephone: +44 (0) 207 729 9226 Page 1 of 3 [email protected] www.miltonagency.com PENNY DREADFUL (S03) Hair Department Head (Designer) PD Three Film Productions Ltd.
    [Show full text]