Affirmation in Opposition to Defendant's Motion
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Reactions to Cosby Verdict
Reactions To Cosby Verdict Sheridan waddle consubstantially if supervisory Oran metallize or financing. Merv bunt forwards? Interrogable Olag usually garnisheeing some Elo or surcease neologically. Why you to cosby then scattered clouds with rain chances return, phillips says some links are normal and strength Bill Cosby left a Pennsylvania courtroom on Tuesday in lightning to begin serving a hundred-to-10 year prison like for sexual assault Cosby. Accusers react to Bill Cosby's guilty verdict The various News. Bill Cosby The Internet explodes with reactions to guilty verdicts. Celebrities react to Bill Cosby's guilty verdict ABC7 San. Tarana Burke Terry Crews and More React to Bill Cosby's. To heed that Cosby's conviction and sentencing are invalid not. A fixture list within the 60 Bill Cosby accusers and their. Reacts to the verdict in his sexual assault retrial in April at the Montgomery County courthouse in Norristown Pa A jury convicted The Cosby. Bill Cosby asks Pennsylvania top heat to niche appeal said sex. 11 Inspiring Reactions to Bill Cosby's Guilty Verdict You Need the See Cosby faces up to 30 years in prison at his globe of schedule one gender but. Facebook confirmed this website link your california is currently unavailable because she said there is not receive one inch by continuing since it will not remembering what happened. Bill Cosby's outburst after guilty verdict 'You ahole' NZ Herald. Bill Cosby sentence Twitter reacts to court ruling amidst. Celebrities react to mark Bill Cosby guilty verdict KATU. Everybody wants to sex what has happened to Bill Cosby. -
Brooklyn Law School Associate Professor Joc- Among the Staff and Children Here at St
Volume 65, No. 198 TUESDAY, JANUARY 28, 2020 50¢ Borough QUEENS brass Veteran cops TODAY with Queens ties January 28, 2020 rise in the ranks By David Brand Queens Daily Eagle A 6,000-SQUARE-FOOT PLAY SPACE Three veteran police officers with Queens for young children opened in Forest Hills on ties were appointed to NYPD leadership po- Friday, Time Out reports. Dream City includes sitions by Police Commissioner Dermot Shea a mural by Queens artist Rob Anderson, as Friday at 1 Police Plaza well as swings, a play food stand and a ball pit. Shea, a Sunnyside native, promoted Assis- The play space caters to children from ages tant Chief David Barrere to Chief of Housing, 1-6 and is located at 108-48 Queens Blvd. Assistant Chief Ruben Beltran to borough commander of Queens South and Assistant Chief Juanita Holmes as the Commanding “I’VE MET SO MANY GREAT PARENTS Officer of the School Safety Division. and families in the Forest Hills community “These are talented leaders and I am where my four-year-old son and two-year-old thrilled with the experience and vision each daughter have been growing up. We wanted brings to their role,” Shea said. “Together, we to create a space where children can dream, will take Neighborhood Policing to the next discover and play, while simultaneously NYPD Commissioner Dermot Shea appointed three officers with Queens ties to new level, particularly as it relates to engaging our offering a place for parents to connect and leadership positions. Photo by Michael Appleton/Mayoral Photography Office Continued on page 19 network,” Dream City Founder Corrie Hu said. -
Dorenda Moore
Dorenda Moore Gender: Female Service: 818-886-8687 Height: 5 ft. 3 in. Mobile: no info Weight: 103 pounds E-mail: [email protected] Eyes: Green Web Site: http://DorendaMoore.... Hair Length: Long Waist: 25 Inseam: 31 Shoe Size: 6.5 Physique: Slim Coat/Dress Size: 0-2 Ethnicity: Caucasian / White Photos Film Credits Swiss Army Man Stunts / Utility Paranormal Activity: The Ghost Stunts Dimension A Sunday Horse Stunts Insidious 2 Stunts Vacation Stunts Left Behind Stunt Double: Cassi Serial Killing For Dummies Stunt Coordinator Jimmy Sprague / Arroyo Studios Lady Luck Stunt Coordinator April White / Cameo Films Plane Dead Co-Coordinator David Shoshan / Imageworks Entertainment Champions Co-Coordinator Jimmy Sprague / Arroyo Studios The Convent Co-Coordinator Jed Nolan / Alpine Pictures Pirates of the Caribbean 4 Mermaid George Marshall / Disney Studios Reitman Double (Natalie Portman) Conrad Palmisano / Paramount Pictures Thor Double (Natalie Portman) Andy Armstrong / Marvel Studios Generated on 09/28/2021 05:13:50 am Page 1 of 5 Andy Armstrong / Columbia Pictures Star Trek 11 Double (Winona Ryder) Joey Box / Paramount Pics House Bunny Double (Anna Faris) Paul Elliopolis / Happy Madison Productions Urban Decay Double (Sarah Smith) Michael Sarna / Urban Decay LLC Plane Dead Stunt Zombie Nick Plantico / Imageworks Entertainment Spanglish Party Coordinator Alex Daniels / Sony The Hot Chic Double (Anna Faris) Gregg Smrz / Columbia Pics Planet of the Apes Human Charlie Croughwell / 20th Century Fox Sorority Boys Sorority Girl Earnie Orsatti / Disney Men in Black 2 Double (Lara Flynn Boyle) Charlie Croughwell / Sony Mr. Deeds Double (Winona Ryder) Gregg Smrz / Columbia Pics. Lost Souls Double (Winona Ryder) Doug Coleman / Prufrock Pics. -
A New #Metoo Result: Rejecting Notions of Romantic Consent with Executives
Texas A&M University School of Law Texas A&M Law Scholarship Faculty Scholarship 1-2019 A New #MeToo Result: Rejecting Notions of Romantic Consent with Executives Michael Z. Green Texas A & M University School of Law, [email protected] Follow this and additional works at: https://scholarship.law.tamu.edu/facscholar Part of the Labor and Employment Law Commons Recommended Citation Michael Z. Green, A New #MeToo Result: Rejecting Notions of Romantic Consent with Executives, 23 Emp. Rts. & Emp. Pol'y J. 115 (2019). Available at: https://scholarship.law.tamu.edu/facscholar/1389 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Texas A&M Law Scholarship. For more information, please contact [email protected]. A NEW #METOO RESULT: REJECTING NOTIONS OF ROMANTIC CONSENT WITH EXECUTIVES BY MICHAEL Z. GREEN* I. INTRODUCTION: #METOO AND THE GROWING DEBATE ON LEGAL CONSENT......................................... ..... 116 II. #METOO AND THE VILE USE OF POWER-DIFFERENTIAL BY EXECUTIVE HARASSERS ........................... ...... 121 III. #METOO BACKLASH AND CLAIMS OF UNCERTAINTY ABOUT WORKPLACE CONSENT ...................................... 126 A. Increasing "Unwelcome" Sexual Harassment Claims as a Result of #MeToo. ........................... ..... 126 B. Resulting Backlash Based on Consent and Unfair Process.......130 C. Dating at Work Being Unnecessarily Regulated........................135 D. Duplicitous Responses Based on Politics ......... ....... 136 E. The Aziz Ansari Experience. .......................... 139 F. Women as the Violators....................... 144 G. Much More Ado Than Should Be Due in the Workplace........... 145 IV. #METoo AND THE BACKBONE TO COME FORWARD DESPITE EXECUTIVE RETALIATION ............................... -
Abel Ferrara
A FILM BY Abel Ferrara Ray Ruby's Paradise, a classy go go cabaret in downtown Manhattan, is a dream palace run by charismatic impresario Ray Ruby, with expert assistance from a bunch of long-time cronies, sidekicks and colourful hangers on, and featuring the most beautiful and talented girls imaginable. But all is not well in Paradise. Ray's facing imminent foreclosure. His dancers are threatening a strip-strike. Even his brother and financier wants to pull the plug. But the dreamer in Ray will never give in. He's bought a foolproof system to win the Lottery. One magic night he hits the jackpot. And loses the ticket... A classic screwball comedy in the madcap tradition of Frank Capra, Billy Wilder and Preston Sturges, from maverick auteur Ferrara. DIRECTOR’S NOTE “A long time ago, when 9 and 11 were just 2 odd numbers, I lived above a fire house on 18th and Broadway. Between the yin and yang of the great Barnes and Noble book store and the ultimate sports emporium, Paragon, around the corner from Warhol’s last studio, 3 floors above, overlooking Union Square. Our local bar was a gothic church made over into a rock and roll nightmare called The Limelite. The club was run by a gang of modern day pirates with Nicky D its patron saint. For whatever reason, the neighborhood became a haven for topless clubs. The names changed with the seasons but the core crews didn't. Decked out in tuxes and razor haircuts, they manned the velvet ropes that separated the outside from the in, 100%. -
Harvey Weinstein Trial News: Hollywood Mogul's Case Begins in NYC
Harvey Weinstein Trial News: Hollywood Mogul's Case Begins in NYC bloomberg.com/news/articles/2020-01-05/weinstein-on-trial-a-metoo-reckoning-two-years-in-the-making Harvey Weinstein on Trial: A #MeToo Reckoning Two Years in the Making Disgraced movie-mogul Harvey Weinstein arrives at state court in Manhattan, New York, for the start of his criminal trial on five felony counts, including predatory sexual assault and rape. More than two years and a lifetime ago, Hollywood’s open secrets about Harvey Weinstein finally spilled into public view. Few back then could have predicted all that would follow or where the #MeToo movement would go. Now, for Weinstein, a reckoning is at hand: His criminal trial, on five felony counts, including predatory sexual assault and rape, is scheduled to begin on Monday in state court in Manhattan. Jury selection could last two weeks, the trial six more. The proceedings will mark an extraordinary moment in the still-unfolding story of harassment and abuse by powerful men and the implications for every corner of society. For some in the movement, simply seeing Weinstein facing a jury, and charges that could send him to prison for life, will be a victory. “The fact that this has made it this far is remarkable in its own right,” said Tina Tchen, the chief executive of the advocacy group Time’s Up. Most rape accusations don’t make it to court. Much has changed since the New York Times and the New Yorker reported that dozens of women had accused Weinstein of rape, sexual assault and sexual abuse, unleashing a torrent of similar claims against others as the MeToo hashtag went viral and developed into an international movement. -
Metoo and the Politics of Collective Healing: Emotional Connection As Contestation
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Publications Communication & Theatre Arts 2019 #MeToo and the Politics of Collective Healing: Emotional Connection as Contestation Allison Page Jacquelyn Arcy Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Mass Communication Commons, Social Media Commons, and the Women's Studies Commons Communication, Culture & Critique ISSN 1753–9129 ORIGINAL ARTICLE #MeToo and the Politics of Collective Healing: Emotional Connection as Contestation Allison Page1 & Jacquelyn Arcy2 1 Department of Communication and Theatre Arts, Institute for the Humanities, Old Dominion University, Norfolk, VA 23508, USA 2 Department of Communication, University of Wisconsin-Parkside, Kenosha, WI 53141, USA Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity in their personal accounts of sexual violence. This article explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quan- tification and visibility that undergird popular feminism and the attention economy, and produce an affective excess that works toward movement founder Tarana Burke’s original project of “mass healing.” At a moment wherein popular feminism emphasizes individual empowerment and consumption, and carceral feminism relies on criminalization and incarceration, the #MeToo movement’s focus on shared emotions represents the potential for a feminist politics rooted in collective support and restorative justice. Keywords: Affect, Race, Feminist Media Studies, Hashtag Activism, Restorative Justice, Popular Feminism, Carceral Feminism doi:10.1093/ccc/tcz032 Prioritizing punishment means that we keep patriarchy firmly in place. -
Advanced Warfare Downloadable Content Pack Reckoning
Brace Yourself for the Final Call of Duty: Advanced Warfare Downloadable Content Pack Reckoning Call of Duty: Advanced Warfare's Fourth DLC Pack Delivers Four All-New Multiplayer Maps, Return of the Exo Grapple Playlist and New Trident Reflected Energy Weapon Delivers the Epic Conclusion to Advanced Warfare's Exo Zombies saga, featuring all-star cast John Malkovich, Bill Paxton, Rose McGowan, Jon Bernthal and Bruce Campbell Reckoning Arrives First, Exclusively on Xbox August 4th SANTA MONICA, Calif.--(BUSINESS WIRE)-- Call of Duty®: Advanced Warfare wraps up an extraordinary DLC season with the release of the fourth and final DLC pack, Call of Duty: Advanced Warfare Reckoning, coming August 4 first on Xbox Live, the world's premier gaming community from Microsoft for Xbox One and Xbox 360, with other platforms to follow. Reckoning features four all-new maps that takes players from New Baghdad all the way to South Korea as they grapple their way out of ship-fired missile strikes, dodge plasma lamp explosions and boost jump off crumbling glaciers; the return of the Exo Grapple playlist and the thrilling conclusion to Exo Zombies. "We've had an absolute blast supporting the fans throughout the DLC season, and continue to come up with fun new ways to play Advanced Warfare. The support and feedback we've received from the community continues to inspire us, and we've taken that inspiration to heart with Reckoning to deliver a new set of multiplayer maps and the conclusion to Exo Zombies. We are grateful to all of our fans and hope everyone enjoys playing the new content as much as we enjoyed creating it," said Michael Condrey, Co-Founder and Studio Head, Sledgehammer Games. -
Asia Argento and the Me Too Movement: a Complicated Pairing
Volume 5, Issue No. 1. Asia Argento and the Me Too Movement: A Complicated Pairing Lauren Flowers Tulane University, New Orleans, Louisiana, USA ÒÏ Abstract: In October 2017, producer Harvey Weinstein, one of the most powerful forces in the entertainment industry, was accused of decades of hidden sexual misconduct by The New Yorker and The New York Times. As a result of the Weinstein accusations, the Me Too movement began on a global scale. The Me Too movement was initially created by activist Tarana Burke in 2006, and then co-opted by actresses Asia Argento, Rose McGowan, and Alyssa Milano in the wake of Weinstein’s accusations. It successfully fought to promote awareness of sexual assault and harassment and connecting victims to resources that would help them heal from their trauma. Then, in August 2018, Asia Argento was publicly accused of sexually assaulting actor Jimmy Bennett five years prior. At the time of the assault, Bennett was 17 years old, and Argento was 37 years old. The two had shared a work relationship for years, with Argento serving as Bennett’s mentor. Suddenly, Argento’s role in the Me Too movement seemed much less clear. How could a movement against sexual misconduct be led by a perpetrator? What did this mean for Argento’s presence as a leader against sexual misconduct? For the greater Me Too movement as a whole? The Me Too Movement’s Origins The Me Too movement was initially founded on MySpace in 2006 by Black activist Tarana Burke. Burke began the use of the phrase “Me Too” to show support for primarily Black women and girls who identified as victims of sexual trauma. -
A Recognitive Theory of Identity and the Structuring of Public Space
A RECOGNITIVE THEORY OF IDENTITY AND THE STRUCTURING OF PUBLIC SPACE Benjamin Carpenter [email protected] Doctoral Thesis University of East Anglia School of Politics, Philosophy, Language and Communication Studies September 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. ABSTRACT This thesis presents a theory of the self as produced through processes of recognition that unfold and are conditioned by public, political spaces. My account stresses the dynamic and continuous processes of identity formation, understanding the self as continually composed through intersubjective processes of recognition that unfold within and are conditioned by the public spaces wherein subjects appear before one another. My theory of the self informs a critique of contemporary identity politics, understanding the justice sought by such politics as hampered by identity enclosure. In contrast to my understanding of the self, the self of identity enclosure is understood as a series of connecting, philosophical pathologies that replicate conditions of oppression through their ontological, epistemological, and phenomenological positions on the self and political space. The politics of enclosure hinge upon a presumptive fixity, understanding the self as abstracted from political spaces of appearance, as a factic entity that is simply given once and for all. Beginning with Hegel's account of identity as recognised, I stress the phenomenological dimensions of recognition, using these to demonstrate how recognition requires a fundamental break from the fixity and rigidity often displayed within the politics of enclosure. -
The Fall of Harvey Weinstein – Mcgowan Suggest Coercion in Drug Warrant
The Fall of Harvey Weinstein – McGowan Suggest Coercion in Drug Warrant Rose McGowan (Photo source: Twitter) Ronn D. Torossian, CEO, 5WPR When the story of Hollywood producer Harvey Weinstein’s fall from his ivory tower is written in full, there’s better than even odds the beginning of the end will be traced to actress Rose McGowan. Her repeated vociferous Twitter accusations shined a bright light on Weinstein that brought many other women out of the woodwork. Accusation after accusation and Weinstein was unemployed and a public pariah. But now it’s McGowan who is answering negative press accusations after an arrest warrant for felony possession of a controlled substance was issued for the 44-year-old actress. Immediately after the warrant was issued, McGowan accused authorities of a conspiracy to “silence” her from speaking out against sexual harassment in Hollywood. According to multiple media reports, the arrest warrant is the result of an investigation of an incoming flight at Washington Dulles International Airport last January. According to the investigators, items left behind on the plane tested positive for narcotics. Subsequently, the Metropolitan Washington Airports Authority PD issued a warrant for McGowan’s arrest. For those keeping notes, that was months ago. So, how long ago did McGowan learn about the warrant? That’s the question many are asking … and that doubt is casting aspersions on the actress’ other allegations. The timing is interesting. No one but McGowan can definitively know when she actually learned of the warrant, but it’s forgivable that some people would wonder why she kept silent for so long. -
Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.