Disability in Myths
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Graham Jones
Ni{ i Vizantija XIV 629 Graham Jones SEEDS OF SANCTITY: CONSTANTINE’S CITY AND CIVIC HONOURING OF HIS MOTHER HELENA Of cities and citizens in the Byzantine world, Constantinople and its people stand preeminent. A recent remark that the latter ‘strove in everything to be worthy of the Mother of God, to Whom the city was dedicated by St Constantine the Great in 330’ follows a deeply embedded pious narrative in which state and church intertwine in the city’s foundation as well as its subse- quent fortunes. Sadly, it perpetuates a flawed reading of the emperor’s place in the political and religious landscape. For a more nuanced and considered view we have only to turn to Vasiliki Limberis’ masterly account of politico-religious civic transformation from the reign of Constantine to that of Justinian. In the concluding passage of Divine Heiress: The Virgin Mary and the Creation of Christianity, Limberis reaffirms that ‘Constantinople had no strong sectarian Christian tradition. Christianity was new to the city, and it was introduced at the behest of the emperor.’ Not only did the civic ceremonies of the imperial cult remain ‘an integral part of life in the city, breaking up the monotony of everyday existence’. Hecate, Athena, Demeter and Persephone, and Isis had also enjoyed strong presences in the city, some of their duties and functions merging into those of two protector deities, Tyche Constantinopolis, tutelary guardian of the city and its fortune, and Rhea, Mother of the Gods. These two continued to be ‘deeply ingrained in the religious cultural fabric of Byzantium.. -
Vulcan! Table of Contents
SAVE OUR CITY SYMBOL Activities for Students of All Ages BIRMINGHAM HISTORICAL SOCIETY 1999 VIVE VULCAN! TABLE OF CONTENTS Teacher Materials A. Overview D. Quiz & Answers B. Activity Ideas E. Word Search Key C. Questions & Answers F. Map of the Ancient World Key Activities 1. The Resumé of a Man of Iron 16. The Red Mountain Revival 2. Birmingham at the Turn 17. National Park Service of the 20th Century Documentation 3. The Big Idea 18. Restoring the Statue 4. The Art Scene 19. A Vision for Vulcan 5. Time Line 20. American Landmarks 6. Colossi of the Ancient World 21. Tallest American Monument 7. Map of the Ancient World 22. Vulcan’s Global Family 8. Vulcan’s Family 23. Quiz 9. Moretti to the Rescue 24. Word Search 10. Recipe for Sloss No. 2 25. Questions Pig Iron 26. Glossary 11. The Foundrymen’s Challenge 27. Pedestal Project 12. Casting the Colossus 28. Picture Page, 13. Meet Me in St. Louis The Birmingham News–Age Herald, 14. Triumph at the Fair Sunday, October 31, 1937 15. Vital Stats On the cover: VULCAN AT THE FAIR. Missouri Historical Society 1035; photographer: Dept. Of Mines & Metallurgy, 1904, St. Louis, Missouri. Cast of iron in Birmingham, Vulcan served as the Birmingham and Alabama exhibit for the St. Louis World’s Fair. As god of the forge, he holds a spearpoint he has just made on his anvil. The spearpoint is of polished steel. In a gesture of triumph, the colossal smith extends his arm upward. About his feet, piles of mineral resources extol Alabama’s mineral wealth and its capability of making colossal quantities of iron, such as that showcased in the statue, and of steel (as demonstrated with the spearpoint). -
Incog- Nito Celeb Jesus Signs
FREE DEADPOOL THEMED INCOG- WIRED HUGS DRESSED PEDA- NITO LOUNGE SOMEONE BADGE SIGN ELSE CAB CELEB GUARDIANS COSPLAY AGENTS CUTE OF THE JESUS THAT’S OF KIDS IN GALAXY TOO HOT SIGNS S.H.I.E.L.D COSPLAY FOR JULY COSPLAY KEVIN ADVENTURE “GEEK” 1 PERSON BATMAN LEGGINGS SMITH W/MANY (AUTO COMIC- TIME WIN) CON BAGS COSPLAY LANYARD ORIGINAL COSPLAYER LINE WITH TMNT PLAYBOY (NO WITH BODY BUNNIES FOR PINS OR PAINT COSPLAY FOOD BLING NOSES) NINTENDO GAME OF SOMEONE NEW SWAG DS THRONES READING BATGIRL FROM ACTUAL PLAYER COSPLAY COMICS COSPLAY STREET TEAM LINE GOTHAM DIS- DOCTOR HELLO FOR KITTY CITY CARDED WHO ANYTHING WATER FOOD P.D. BOTTLE SOMEONE COMIC- FREE T- “GEEK” READING ELF/ CON SHIRT LEGGINGS ACTUAL HAND- VULCAN SELFIES COMICS OUTS EARS A NEW ROCKET RAMONA MYTH- BATGIRL RACOON DISCO NAPPER FLOWERS BUSTER COSPLAY (AUTO BAG WIN) SUPER LONG GUARDIANS MICHEAL GAME OF WIZARD LINE FOR OF THE BAY THRONES STAFF GOD KNOWS GALAXY TMNT COSPLAY WHAT COSPLAY (NOSES) AGENTS SPIRIT CUTE FLYER OF HOOD HAWKEYE KIDS IN ABOUT S.H.I.E.L.D COSPLAY JESUS ORIGINAL SWAG FREE ADVENTURE TMNT DOCTOR FROM WHO HUGS TIME (NO STREET NOSES) TEAM SIGN COSPLAY 1 PERSON SUPER TALL GUARDIANS LANYARD SOMEONE W/MANY SHOES, TOO OF THE WITH READING COMIC- EARLY IN GALAXY ACTUAL PINS OR COMICS CON BAGS THE DAY COSPLAY BLING FEMALE NINTENDO WIL ELF/ COMIC- DEAD- DS WHEATON VULCAN CON PLAYER AUTO EARS SELFIES POOL WIN) HELLO A KITTY JESUS DISCO BATMAN MYTH- ANYTHING NAPPER SIGNS BUSTER SPIRIT DIS- INCOG- WIZARD CARDED RAMONA STAFF HOOD WATER FLOWERS NITO BOTTLE BAG CELEB. -
Arthur Suydam: “Heroes Are What We Aspire to Be”
Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics. -
Chapter Five: Cupid and Psyche
Chapter Five: Cupid and Psyche (from Mythology for Today Hamilton’s Mythology) 1. Venus becomes jealous because Psyche’s surpassing beauty has transfixed all the mortals, so that they forget Venus, and neglect her temples and altars. 2. Venus plans to have her son, Cupid, shoot Psyche with a love arrow, so that Psyche will fall in love with a hideous creature. Venus’ plan fails because Cupid himself falls in love with the beautiful Psyche. 3. Psyche’s father believes that he must leave her on the summit to be claimed by her serpent‐husband, for this is what he has been told by the Oracle of Apollo. However, the truth is that Cupid has arranged this himself, so that he can carry Psyche away as his own bride. 4. Her sisters become jealous of Psyche’s superior riches and treasures. 5. Psyche is torn between her love for and her faith in her husband, and the doubt and fear her sisters cause her to feel. She is unable to live with the uncertainty of not knowing the truth. 6. When Psyche sees that her husband is a beautiful youth, she feels too ashamed of her suspicion that she is about to plunge the knife intended for him into her own breast. However, her hand trembles and the knife falls. This faltering saves her own life, but also causes her to drip some lamp oil on Cupid, who sees that she has betrayed him and runs away. 7. Psyche is made to separate by kind a huge mixed mass of tiny grains; ants separate them for her. -
Women's Studies in the History of Religions
1 Women’s Studies in the History of Religions DAVID KINSLEY On the most archaic levels of culture, living as a human being is in itself a religious act, for alimentation, sexual life, and work have a sacramental value. In other words, to be— or rather, to become—a man means to be “religious.” —Mircea Eliade, A History of Religious Ideas o appreciate the radical impact women’s studies has had on the discipline Tof history of religions, it is necessary first to describe briefly how the his- tory of religions understands its task. The history of religions, which claims to be the objective, scientific study of religion, sets as its task nothing less than the study, in historical and cross- cultural perspective, of all human religious phenomena. It includes in its pur- view, not only sophisticated, literate, philosophical, and theological materials, but also popular expressions of human religiosity such as festivals, life cycle rituals, myths, and practices that are found only in oral traditions. The history of religions seeks to avoid an approach to human religiosity that privileges cer- tain materials as “higher” and others as “lower.” It assumes that all expres- sions of human religiosity are worthy of study. In the words of Mircea Eliade: “For the historian of religions, every manifestation of the sacred is important: every rite, every myth, every belief or divine figure reflects the experience of the sacred and hence implies the notions of being, of meaning, and of truth.”1 History of religions does not seek to evaluate one religion (or religious expression) vis-à-vis another with a view to declaring one superior to the other. -
The Wolf in Virgil Lee Fratantuono
The Wolf in Virgil Lee Fratantuono To cite this version: Lee Fratantuono. The Wolf in Virgil. Revue des études anciennes, Revue des études anciennes, Université Bordeaux Montaigne, 2018, 120 (1), pp.101-120. hal-01944509 HAL Id: hal-01944509 https://hal.archives-ouvertes.fr/hal-01944509 Submitted on 23 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright ISSN 0035-2004 REVUE DES ÉTUDES ANCIENNES TOME 120, 2018 N°1 SOMMAIRE ARTICLES : Milagros NAVARRO CABALLERO, María del Rosario HERNANDO SOBRINO, À l’ombre de Mommsen : retour sur la donation alimentaire de Fabia H[---]la................................................................... 3 Michele BELLOMO, La (pro)dittatura di Quinto Fabio Massimo (217 a.C.): a proposito di alcune ipotesi recenti ................................................................................................................................ 37 Massimo BLASI, La consecratio manquée de L. Cornelius Sulla Felix ......................................... 57 Sophie HULOT, César génocidaire ? Le massacre des -
Wonder Woman Daughter of Destiny
WONDER WOMAN: DAUGHTER OF DESTINY Story by Jean Paul Fola Nicole, Christopher Johnson and Edmund Birkin Screenplay By Jean Paul Nicole, and Andrew Birkin NUMBERED SCRIPT 1st FIRST DRAFT 1/3/12 I279731 Based On DC Characters WARNER BROS. PICTURES INC. 4000 Warner Boulevard Burbank, California 91522 © 2012 WARNER BROS. ENT. All Rights Reserved ii. Dream Cast Lol. Never gonna happen. Might as well go all in since I'm "straight" black male nerd living in a complete fantasy world writing about Wonder Woman. My cast Diana Wonder Woman - Naomi Scott Ares - Daniel Craig Dr. Poison - Saïd Taghmaoui Clio - Dakota Fanning Mala - Riki Lindhome IO - Regina King Laurie Trevor - Beanie Feldstein Etta Candy - Zosia Mammet Hippolyta - Rebecca Hall Hera - Juliet Binoche Steve Trevor - Rafael Casal Gideon - James Badge Dale Antiope (In screenplay referred to as Artemis) - Nicole Beharie or Jodie Comer Dr. Gogan - Riz Ahmed Alkyone - Jennifer Carpenter or Jodie Comer or Nicole Beharie W O N D E R W O M A N - D A U G H T E R O F D E S T I N Y Out of AN OCEAN OF BLOOD RED a shape emerges. An EAGLE SYMBOL. BECOMING INTENSELY GOLDEN UNTIL ENGULFING THE SCREEN IN LIGHT. CROSS FADE: The beautiful FACE OF A WOMAN with fierce pride (30s). INTO FRAME She is chained by the neck and wrists in a filthy prison cell. DAYLIGHT seeps through prison bars. O.S. Battle gongs echo. Hearing gongs faint echo, her EYES WIDEN. PRISONER They've come for me. This is Queen Hippolyta queen of the Amazons and mother to the Wonder Woman. -
Roman God Vulcan, St. Eligius and Metal Casting
Roman God Vulcan, St. Eligius and Metal Casting Page 1 of 3 PREPARED BY THE FOLK GROUP. THIS MAY BE REPRINTED WITH ATTRIBUTION. MARCH, 2009. We normally try to present articles that either and he couldn’t hold his spear. He could, however, inform about the metal casting industry or provide hold other various objects for advertising purposes value to senior management. This time we thought such as a giant ice cream cone, a pickle sign and a it would be fun to take a look at two patrons of the Coke bottle. Vulcan was painted with a giant pair metal casting industry – the mythical Roman god of Liberty overalls for modesty’s sake. In 1936, Vulcan and the Roman Catholic patron saint of Vulcan was moved to Red Mountain as part of a metal casting, St. Eligius. It would be hard to find WPA project. Red Mountain is a most appropriate two more different patrons. name since the red color of the soil is due to its high iron content. The hollow statue was filled to the VULCAN shoulders with concrete to help anchor it in place, a Vulcan is the Roman re-incarnation of the Greek big mistake. In 1946, safety minded citizens god, Hephaestus. Most of the Roman gods were replaced his spear with a cone shaped lighted Greek gods renamed and slightly revised. What we beacon. The light glowed green on days when there know of the Roman and Greek gods was not were no deaths in auto accidents and red when there documented until writing was developed about were. -
PAGANISM a Brief Overview of the History of Paganism the Term Pagan Comes from the Latin Paganus Which Refers to Those Who Lived in the Country
PAGANISM A brief overview of the history of Paganism The term Pagan comes from the Latin paganus which refers to those who lived in the country. When Christianity began to grow in the Roman Empire, it did so at first primarily in the cities. The people who lived in the country and who continued to believe in “the old ways” came to be known as pagans. Pagans have been broadly defined as anyone involved in any religious act, practice, or ceremony which is not Christian. Jews and Muslims also use the term to refer to anyone outside their religion. Some define paganism as a religion outside of Christianity, Judaism, Hinduism, Islam, and Buddhism; others simply define it as being without a religion. Paganism, however, often is not identified as a traditional religion per se because it does not have any official doctrine; however, it has some common characteristics within its variety of traditions. One of the common beliefs is the divine presence in nature and the reverence for the natural order in life. In the strictest sense, paganism refers to the authentic religions of ancient Greece and Rome and the surrounding areas. The pagans usually had a polytheistic belief in many gods but only one, which represents the chief god and supreme godhead, is chosen to worship. The Renaissance of the 1500s reintroduced the ancient Greek concepts of Paganism. Pagan symbols and traditions entered European art, music, literature, and ethics. The Reformation of the 1600s, however, put a temporary halt to Pagan thinking. Greek and Roman classics, with their focus on Paganism, were accepted again during the Enlightenment of the 1700s. -
Marble Sculptures from the Imperial Palace in Sirmium
UDC 904:73"652"(497.113) DOI: 10.2298/STA0656153P 153 IVANA POPOVI] Institute of Archaeology, Belgrade MARBLE SCULPTURES FROM THE IMPERIAL PALACE IN SIRMIUM Abstract. – Few fragments of marble sculpture have been found in the course of the archaeological excavations conducted in Sirmium between 2003 and 2005 at site 85 which is believed to be part of the imperial palace complex. The most important are two almost completely preserved heads of deities. The head of a young person made of milky white, fine-grained marble of exceptionally fine texture from Pentelicon was found under the Late Roman floor in room 7 of the residential structure. The sculpture, of exceptional quality, is from the second half of the 1st century and represents a deity, most probably Venus or Apollo. Another head made of Carrara marble, from the 4th century, was found in a secondary position and on the basis of its mural crown is identified as the Tyche of Sirmium. Key words. – Roman sculpture, marble, Sirmium, deities, personifications. ew fragments of marble sculptures have been smooth surface of the face. It is parted in the middle, discovered in the course of systematic archae- framing the face in gentle waves modeled in relief and F ological excavations conducted in Sirmium with locks emphasized by incisions. On the back of the from 2003 to 2005 at site 85 which is almost certainly head the side locks combed over the ears are gathered the imperial palace complex1 (Fig. 1). The most im- portant are certainly two almost completely preserved heads of deities. * The author presented a brief account of these finds at the The head of a young person (C 109/2003) made of International Meeting Les ateliers de sculpture réginoaux: techni- milky white, fine-grained marble of exceptionally fine ques, styles et iconographie, Xe Colloque international sur l’art texture and originating from Pentelicon2 was discove- provincial romain, Arles et Aix-en-Provence, 21–23 mai 2007. -
Mercury (Mythology) 1 Mercury (Mythology)
Mercury (mythology) 1 Mercury (mythology) Silver statuette of Mercury, a Berthouville treasure. Ancient Roman religion Practices and beliefs Imperial cult · festivals · ludi mystery religions · funerals temples · auspice · sacrifice votum · libation · lectisternium Priesthoods College of Pontiffs · Augur Vestal Virgins · Flamen · Fetial Epulones · Arval Brethren Quindecimviri sacris faciundis Dii Consentes Jupiter · Juno · Neptune · Minerva Mars · Venus · Apollo · Diana Vulcan · Vesta · Mercury · Ceres Mercury (mythology) 2 Other deities Janus · Quirinus · Saturn · Hercules · Faunus · Priapus Liber · Bona Dea · Ops Chthonic deities: Proserpina · Dis Pater · Orcus · Di Manes Domestic and local deities: Lares · Di Penates · Genius Hellenistic deities: Sol Invictus · Magna Mater · Isis · Mithras Deified emperors: Divus Julius · Divus Augustus See also List of Roman deities Related topics Roman mythology Glossary of ancient Roman religion Religion in ancient Greece Etruscan religion Gallo-Roman religion Decline of Hellenistic polytheism Mercury ( /ˈmɜrkjʉri/; Latin: Mercurius listen) was a messenger,[1] and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx ("merchandise"; compare merchant, commerce, etc.), mercari (to trade), and merces (wages).[2] In his earliest forms, he appears to have been related to the Etruscan deity Turms, but most of his characteristics and mythology were borrowed from the analogous Greek deity, Hermes. Latin writers rewrote Hermes' myths and substituted his name with that of Mercury. However, there are at least two myths that involve Mercury that are Roman in origin. In Virgil's Aeneid, Mercury reminds Aeneas of his mission to found the city of Rome. In Ovid's Fasti, Mercury is assigned to escort the nymph Larunda to the underworld.