Roman God Vulcan, St. Eligius and Metal Casting
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
N. 14 COP 1,2,3,4 Prova 2.Ai
14 2016 IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage JOURNAL OF THE SECTION OF CULTURAL HERITAGE Department of Education, Cultural Heritage and Tourism University of Macerata Il Capitale culturale Fiorella Dallari, Stefano Della Torre, Maria Studies on the Value of Cultural Heritage del Mar Gonzalez Chacon, Maurizio De Vita, Vol. 14, 2016 Michela Di Macco, Fabio Donato, Rolando Dondarini, Andrea Emiliani, Gaetano Maria ISSN 2039-2362 (online) Golinelli, Xavier Greffe, Alberto Grohmann, Susan Hazan, Joel Heuillon, Emanuele Invernizzi, Lutz Klinkhammer, Federico © 2016 eum edizioni università di macerata Marazzi, Fabio Mariano, Aldo M. Morace, Registrazione al Roc n. 735551 del 14/12/2010 Raffaella Morselli, Olena Motuzenko, Giuliano Pinto, Marco Pizzo, Edouard Pommier, Carlo Direttore Pongetti, Adriano Prosperi, Angelo R. Pupino, Massimo Montella Bernardino Quattrociocchi, Mauro Renna, Orietta Rossi Pinelli, Roberto Sani, Girolamo Co-Direttori Sciullo, Mislav Simunic, Simonetta Stopponi, Tommy D. Andersson, Elio Borgonovi, Michele Tamma, Frank Vermeulen, Stefano Rosanna Cioffi , Stefano Della Torre, Michela Vitali Di Macco, Daniele Manacorda, Serge Noiret, Tonino Pencarelli, Angelo R. Pupino, Web Girolamo Sciullo http://riviste.unimc.it/index.php/cap-cult e-mail Coordinatore editoriale [email protected] Francesca Coltrinari Editore Coordinatore tecnico eum edizioni università di macerata, Centro Pierluigi Feliciati direzionale, via Carducci 63/a – 62100 Macerata Comitato editoriale tel (39) 733 258 6081 Giuseppe Capriotti, -
Vulcan! Table of Contents
SAVE OUR CITY SYMBOL Activities for Students of All Ages BIRMINGHAM HISTORICAL SOCIETY 1999 VIVE VULCAN! TABLE OF CONTENTS Teacher Materials A. Overview D. Quiz & Answers B. Activity Ideas E. Word Search Key C. Questions & Answers F. Map of the Ancient World Key Activities 1. The Resumé of a Man of Iron 16. The Red Mountain Revival 2. Birmingham at the Turn 17. National Park Service of the 20th Century Documentation 3. The Big Idea 18. Restoring the Statue 4. The Art Scene 19. A Vision for Vulcan 5. Time Line 20. American Landmarks 6. Colossi of the Ancient World 21. Tallest American Monument 7. Map of the Ancient World 22. Vulcan’s Global Family 8. Vulcan’s Family 23. Quiz 9. Moretti to the Rescue 24. Word Search 10. Recipe for Sloss No. 2 25. Questions Pig Iron 26. Glossary 11. The Foundrymen’s Challenge 27. Pedestal Project 12. Casting the Colossus 28. Picture Page, 13. Meet Me in St. Louis The Birmingham News–Age Herald, 14. Triumph at the Fair Sunday, October 31, 1937 15. Vital Stats On the cover: VULCAN AT THE FAIR. Missouri Historical Society 1035; photographer: Dept. Of Mines & Metallurgy, 1904, St. Louis, Missouri. Cast of iron in Birmingham, Vulcan served as the Birmingham and Alabama exhibit for the St. Louis World’s Fair. As god of the forge, he holds a spearpoint he has just made on his anvil. The spearpoint is of polished steel. In a gesture of triumph, the colossal smith extends his arm upward. About his feet, piles of mineral resources extol Alabama’s mineral wealth and its capability of making colossal quantities of iron, such as that showcased in the statue, and of steel (as demonstrated with the spearpoint). -
The Wolf in Virgil Lee Fratantuono
The Wolf in Virgil Lee Fratantuono To cite this version: Lee Fratantuono. The Wolf in Virgil. Revue des études anciennes, Revue des études anciennes, Université Bordeaux Montaigne, 2018, 120 (1), pp.101-120. hal-01944509 HAL Id: hal-01944509 https://hal.archives-ouvertes.fr/hal-01944509 Submitted on 23 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright ISSN 0035-2004 REVUE DES ÉTUDES ANCIENNES TOME 120, 2018 N°1 SOMMAIRE ARTICLES : Milagros NAVARRO CABALLERO, María del Rosario HERNANDO SOBRINO, À l’ombre de Mommsen : retour sur la donation alimentaire de Fabia H[---]la................................................................... 3 Michele BELLOMO, La (pro)dittatura di Quinto Fabio Massimo (217 a.C.): a proposito di alcune ipotesi recenti ................................................................................................................................ 37 Massimo BLASI, La consecratio manquée de L. Cornelius Sulla Felix ......................................... 57 Sophie HULOT, César génocidaire ? Le massacre des -
Art Trails in Alabama Public Art Members Alabama State Council on the Arts
ALABAMA Volume XXI, Number 2ARTS Art Trails in Alabama Public Art Members Alabama State Council on the Arts BERNICE PRICE CHAIRMAN Montgomery REBECCA T. B. QUINN VICE CHAIRMAN Huntsville FRANK HELDERMAN SECRETARY Florence EVELYN ALLEN Birmingham JULIE HALL FRIEDMAN Fairhope RALPH FROHSIN, JR. Alexander City DOUG GHEE Anniston ELAINE JOHNSON Dothan DORA JAMES LITTLE Auburn JUDGE VANZETTA PENN MCPHERSON Montgomery VAUGHAN MORRISSETTE Mobile DYANN ROBINSON Tuskegee JUDGE JAMES SCOTT SLEDGE Gadsden CEIL JENKINS SNOW Birmingham CAROL PREJEAN ZIPPERT Eutaw Opinions expressed in AlabamaArts do not necessarily reflect those of the Alabama State Council on the Arts or the State of Alabama. ALABAMAARTS In this Issue Volume XXI Public Art Trails in Alabama Number 2 Public Art in Alabama 3 Al Head, Executive Director, ASCA 4 Discovering Public Art: Public Art Trails in Alabama Georgine Clarke, Visual Arts Program Manager, ASCA 6 Continuing the Trail New Deal Art in Alabama Post Offices 42 and Federal Buildings On the cover: Roger Brown Autobiography in the Shape of Alabama (Mammy’s Door) (recto), 1974 Oil on canvas, mirror, wood, Plexiglas, photographs, postcards, and cloth shirt 89 x 48 x 18 inches Collection of Museum of Contemporary Art, Chicago, gift of Maxine and Jerry Silberman Photography © Museum of Contemporary Art, Chicago ©The School of the Art Institute of Chicago and the Brown family. Roger Brown, (1941-1997) was born in Hamilton, Alabama and later moved to Opelika. From the 1960’s he made his home in Chicago, where he graduated from The School of the Art Institute of Chicago and played a significant role in the city’s art scene for over 30 years as one of the Chicago Imagist artists. -
Roman Domestic Religion : a Study of the Roman Lararia
ROMAN DOMESTIC RELIGION : A STUDY OF THE ROMAN LARARIA by David Gerald Orr Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements fo r the degree of Master of Arts 1969 .':J • APPROVAL SHEET Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia Name of Candidate: David Gerald Orr Master of Arts, 1969 Thesis and Abstract Approved: UJ~ ~ J~· Wilhelmina F. {Ashemski Professor History Department Date Approved: '-»( 7 ~ 'ii, Ii (, J ABSTRACT Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia David Gerald Orr, Master of Arts, 1969 Thesis directed by: Wilhelmina F. Jashemski, Professor This study summarizes the existing information on the Roman domestic cult and illustrates it by a study of the arch eological evidence. The household shrines (lararia) of Pompeii are discussed in detail. Lararia from other parts of the Roman world are also studied. The domestic worship of the Lares, Vesta, and the Penates, is discussed and their evolution is described. The Lares, protective spirits of the household, were originally rural deities. However, the word Lares was used in many dif ferent connotations apart from domestic religion. Vesta was closely associated with the family hearth and was an ancient agrarian deity. The Penates, whose origins are largely un known, were probably the guardian spirits of the household storeroom. All of the above elements of Roman domestic worship are present in the lararia of Pompeii. The Genius was the living force of a man and was an important element in domestic religion. -
The Vulcan Historical Review Daniel Fowler, William Watt, Deborah Hayes, Rebecca Dobrinski, Kaye Cochran Nail, John Wiley, George O
Donna L. Cox, Colin J. Davis, David M. Brewer, Robert Maddox, Sameera Hasan, Jerry Snead, Stacy S. Simon, Eric Knudsen, Patricia A. Donna L. Cox, Colin J. Davis, David M. Brewer, Robert Maddox, Sameera Hasan, Jerry Snead, Stacy S. Simon, Eric Knudsen, Patricia A. Matthews, Scott M. Speagle, Will C. Holmes, J. D. Jackson, Aimee Armstrong Belden, Carol Balmer, Alan Dismukes, Jack E. Davis, Kenneth Matthews, Scott M. Speagle, Will C. Holmes, J. D. Jackson, Aimee Armstrong Belden, Carol Balmer, Alan Dismukes, Jack E. Davis, Ken- Homsley, Kurt E. Kinbacher, Jonathan L. Foster, Howard J. Fox III, Jeremy P. Soileau, Catherine L. Druhan, Andrew T. Baird, Averil Charles neth Homsley, Kurt E. Kinbacher, Jonathanth L. Foster, Howard J. Fox III, Jeremy P. Soileau, Catherine L. Druhan, Andrew T. Baird, Averil Ramsey, Mary B. Ashley, J. Kyle Irvin, Ellen M. Griffin, Tiffany Bence, Michelle L. Devins, Kelly Hamilton, Rhonda K. Mitchell, Roger K. Charles Ramsey, Mary B. Ashley,20 J. Kyle Irvin,ANNIVERSARY Ellen M. Griffin, Tiffany Bence, Michelle L.ISSUE Devins, Kelly Hamilton, Rhonda K. Mitchell, Steele, Lindsay Stainton-James, Sanford E. Jeames, Timothy L. Pennycuff, Donnelly F. Lancaster, Melinda Holm, Ron Bates, Jessica Lacher Roger K. Steele, Lindsay Stainton-James, Sanford E. Jeames, Timothy L. Pennycuff, Donnelly F. Lancaster, Melinda Holm, Ron Bates, Jes- Feldman, Horace Huntley, Cynthia A. Luckie, Elizabeth Wells, Becky Strickland, Wayne Coleman, Ashley C. Grantham, Allie A. Hanna, sica Lacher Feldman, Horace Huntley, Cynthia A. Luckie, Elizabeth Wells, Becky Strickland, Wayne Coleman, Ashley C. Grantham, Allie Robert W. Heinrich, Christopher M. Long, Jerry Tiarsmith, Jennifer Marie Wilson, Pamela E. -
Conference Exhibition
Exhibition From Ore to God: Giuseppe Moretti’s Sculptures and the Italian Migrant Experience in the Birmingham District INTERNATIONAL CONFERENCE Religion(s) and Cultural Production(s) of the Italian Diaspora(s) Utrecht University, 19-20 May 2017 At the beginning of the twentieth century, the state of Alabama, the so called Heart of Dixie, hosted the second largest Italian community in the American South outside of New Orleans, Louisiana. Michael Toumey, The first geological map of Alabama, 1849. In addition to the coal and iron ore found in central Alabama, this map depicts resources such as Sylacauga marble, petroleum and natural gas, and even a few gold mines. First settled in Mobile, where they were employed mainly in the cotton industry, most Italians were attracted by a rapidly growing city, whose economy was based on ore mining and would soon become the Steel City of the South. Birmingham, Alabama, saw its population rise to 132.000 in 1910, and became the main economic and financial hub of the state, thus earning itself the nickname of Magic City. At the beginning of the twentieth century, a small community of Italians settled in Birmingham. Their integration was not easy. The state of Alabama was geographically at the hearth of the seven confederate states that believed in slavery as common social and work practice. In this context, the very first Italian settlers of the area were often excluded from the migrants of "desirable white race" and were confined to shantytowns located nearby the main mining sites, such as Bessemer, Ensley, and Thomas. Furnace of the Tennessee Coal, Iron, and Railroad Company, Ensley, Alabama, 1906. -
Classical Mythology in English Renaissance Drama: an Analysis of Romeo and Juliet
CLASSICAL MYTHOLOGY IN ENGLISH RENAISSANCE DRAMA: AN ANALYSIS OF ROMEO AND JULIET Trabado de fin de grado presentado por Gonzalo Carpintero Díez Línea temática: Renaissance literature Prof. Tutor: Francisco Javier Castillo Curso Académico: 2014-2015 Convocatoria: julio 2 TABLE OF CONTENTS 0. ABSTRACT ........................................................................................................................... 5 1. INTRODUCTION .................................................................................................................. 5 2. CLASSICAL MYTHOLOGY IN THE ENGLISH RENAISSANCE: A GENERAL VIEW .................................................................................................................. 7 3. MYTHOLOGY AND ROMEO AND JULIET ....................................................................... 9 4. ANALYSIS OF THE MYTHOLOGICAL REFERENCES IN ROMEO AND JULIET ..... 12 4.1. Aurora ............................................................................................................................ 12 4.2. Cupid ............................................................................................................................. 13 4.3. Diana/Cynthia ................................................................................................................ 17 4.4. Venus ............................................................................................................................. 19 4.5. Vesta ............................................................................................................................. -
Pennsylvania
pittsbu gh PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS pennsylvania a PHOTOGRAPHIC PORTRAIT PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS photography by amy cicconi narrative by PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTYchristy repepOF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS pittsbu gh pennsylvania PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS a photographic portrait PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PHOTOGRAPHY BY AMY CICCONI NARRATIVE BY CHRISTY REPEP PROPERTY OF TWIN LIGHTS PUBLISHERSTWIN LIGHTS PUBLISHERS | ROCKPORT, PROPERTY MASSACHUSETTS OF TWIN LIGHTS PUBLISHERS Copyright © 2016 by Twin Lights Publishers, Inc. All rights reserved. No part of this book may be reproduced in any form without written permission of the copyright owners. All images in this book have been reproduced with the knowledge and prior consent of the artists PROPERTY OF TWIN LIGHTSconcerned and PUBLISHERSno responsibility is accepted PROPERTY OF TWIN LIGHTS PUBLISHERS by producer, publisher, or printer for any infringement of copyright or otherwise, arising -
6 the God Liber and the Republican Notions of Libertas in the Late Roman Republic
6 The god Liber and the Republican Notions of Libertas in the late Roman Republic I This essay focuses on the Roman god Liber and its relation with the notion of libertas in the first century BC. A very powerful, and prima facie convincing, explanation of this relation is, in the words of one of the most authoritative scholars in the field, that ‘by name and by nature, Liber is the god of freedom … Though many explanations were offered by ancient sources to account for his name, the simplest and most obvious was an ideological one: Liber a libertate. Political freedom, libertas, was the defining quality of the Roman Republic, achieved by the expulsion of Tarquin and under threat ever after,’ and which found its divinisation in Liber.1 a notable exception Raaflaub 2000 in Hansen birthday, 257. Il punto non e’ sbagliato, ma richiede revision. Non si tratat della political liberty di provocatio. However, when analysing the evidence at our disposal, it is possible to observe that Liber is conceived as enacting different forms of liberation: Liber frees the individual from worries and fears, frees the soul from the constraints of a mortal body, and frees the semen, both male and female, in sexual union.2 As Anthony Corbeill brilliantly put it, Liber was conceived as fulfilling the role of both the Realiser and the Liberator.3 Building on recent works that move away from a linear development of Liber in Rome as an Italic deity of subversive traits, gradually tamed in the third and second century BC through a process of Hellenisation, and considering -
Janus Henderson VIT Global Research Portfolio
SEMIANNUAL REPORT June 30, 2020 Janus Henderson VIT Global Research Portfolio Janus Aspen Series Beginning on January 1, 2021, as permitted by regulations adopted by the Securities and Exchange Commission, the insurance company that offers your variable life insurance contract or variable annuity contract, may determine that it will no longer send you paper copies of the Portfolio’s shareholder reports, unless you specifically request paper copies of the reports. Beginning on January 1, 2021, for shareholders who are not insurance contract holders, paper copies of the Portfolio’s shareholder reports will no longer be sent by mail unless you specifically request paper copies of the reports. Instead, the reports will be made available on a website, and your insurance company or plan sponsor, broker-dealer, or financial intermediary will notify you by mail each time a report is posted and provide you with a website link to access the report. Instructions for requesting paper copies will be provided by your insurance company or plan sponsor, broker-dealer, or financial intermediary. If you already elected to receive shareholder reports electronically, you will not be affected by this change and you need not take any action. You may elect to receive shareholder reports and other communications from the Portfolio electronically by contacting your insurance company or plan sponsor, broker-dealer, or other financial intermediary. You may elect to receive all future reports in paper free of charge by contacting your insurance company or plan sponsor, broker dealer or other financial intermediary. Your election to receive reports in paper will apply to all funds held in your account with your insurance company or plan sponsor, broker dealer or other financial intermediary. -
Paving the Past: Late Republican Recollections in the Forum Romanum
Copyright by Aaron David Bartels 2009 Paving the Past: Late Republican Recollections in the Forum Romanum by Aaron David Bartels, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May, 2009 Paving the Past: Late Republican Recollections in the Forum Romanum Approved by Supervising Committee: Penelope J. E. Davies Andrew M. Riggsby John R. Clarke DEDICATION – pro mea domina – Tracy Lea Hensley ACKNOWLEDGEMENTS No thanks can adequately express the gratitude I have for those who have supported this thesis. My advisor, Penelope J. E. Davies has provided unflinching guidance. The advice from my second reader, Andrew M. Riggsby, also deserves endless praise. The insights of my other colloquium committee members, John R. Clarke, Glenn Peers and Janice Leoshko continue to challenge my approach. Other scholars who offered their wisdom include Ingrid Edlund-Berry, Amy and Nassos Papalexandrou, John Pollini, P. Gregory Warden, Michael Thomas, Ann Steiner, Gretchen Meyers, Thomas Palaima, Matthew Roller and many others. Friends and colleagues at the University of Texas at Austin that deserve thanks for their ongoing support include, Erik McRae, Sebastian Bentkowski, Leticia Rodriguez, Kristin Ware, Joelle Lardi, Sheila Winchester and Gina Giovannone. I am also indebted to discussions with my fellow staff members and students at the Mugello Valley Archaeological Project. Robert Vander Poppen, Ivo van der Graaff, Sara Bon-Harper, Lynn Makowsky, Allison Lewis and Jess Galloway all provided sound advice. Any accurate or worthwhile conclusions in the following pages have filtered solely from those mentioned above.