And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here

Total Page:16

File Type:pdf, Size:1020Kb

And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ STR 1974-03-01 P-1 --------- 1974-03-01 / STR CP017786 / MED778B Washboard Willie at Strata Concert Gallery - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017786 / MED778B Performers: 1974-03-01 1974-03-03: Strata Concert Gallery Washboard Willie ------------------------------ STR 1974-04-05 P-1 --------- 1974-04-05 / STR CP016810 / MEB051B Jazz in Detroit: Mccoy Tyner, Azar Lawrence at Strata Concert Gallery Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP016810 / MEB051B Performers: 1974-04-05 1974-04-06: Strata Concert Gallery Mccoy Tyner / Azar Lawrence / Alex Blake / Billy Hart ------------------------------ STR 1978-02-02 P-1 --------- 1978-02-02 / STR CP016798 / MEB045 Keith Jarrett, Tribe at Strata Concert Gallery - Detroit, MI Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP016798 / MEB045 Performers: 1978-02-02 1978-02-04: Strata Concert Gallery Keith Jarrett 1978-02-09 1978-02-11: Tribe 1978-02-13 1978-02-18: Charles Mingus 1978-02-20 1978-02-23: Herbie Hancock 1978-02-25: Ursula Walker 1978-03-09 1978-03-11: Head Arrangement 1978-03-02 1978-03-04: CJQ ------------------------------ STR 1978-02-13 P-1 --------- 1978-02-13 / STR CP016800 / MEB046B Mingus at Strata Concert Gallery - Detroit, MI Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP016800 / MEB046B Performers: 1978-02-13 1978-02-18: Strata Concert Gallery Mingus ------------------------------ STR 1978-02-13 P-1 --------- 1978-02-13 / STR CP017401 / MEB533 Mingus at Strata Concert Gallery Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017401 / MEB533 Performers: 1978-02-13 1978-02-18: Strata Concert Gallery Mingus ------------------------------ STR 1978-02-20 P-1 --------- 1978-02-20 / STR CP005753 / CP01002 Herbie Hancock, Buster Williams at Strata Concert Celler - Detroit, MI Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Private Notes: * A-/B+ 200 CHECK Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP005753 / CP01002 Price: 200.00 STR / CP019215 / XC005 Performers: 1978-02-20 1978-02-23: Strata Concert Gallery Herbie Hancock / Buster Williams / Billy Hart / Bennie Maupin / Eddie Henderson / Julian Priester ------------------------------ STR 1978-03-28 P-1 --------- 1978-03-28 / STR CP016801 / MEB047A Elvin Jones at Strata Concert Gallery - Detroit, MI Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Promoter: Allied Artists Association Items: Original poster STR Edition 1 / CP016801 / MEB047A Performers: 1978-03-28 1978-03-31: Strata Concert Gallery Elvin Jones ------------------------------ STR 1978-04-21 P-1 --------- 1978-04-21 / STR CP016809 / MEB051A Jazz in Detroit: rchie Shepp, Jimmy Garrison at Strata Concert Gallery Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP016809 / MEB051A Performers: 1978-04-21 1978-04-23: Strata Concert Gallery Archie Shepp / Jimmy Garrison / Beaver Harris / Dave Burrell / Grachan Moncur Iii ------------------------------ STR 1978-04-27 P-1 --------- 1978-04-27 / STR CP016804 / MEB048B Stanley Cowell, Ron Brooks Trio at Strata Concert Gallery - Detroit, MI Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Promoter: Jazz in Detroit Items: Original poster STR Edition 1 / CP016804 / MEB048B Performers: 1978-04-27 1978-04-28: Strata Concert Gallery Stanley Cowell / Ron Brooks Trio / Dan Spencer ------------------------------ STR 1978-05-11 P-1 --------- 1978-05-11 / STR CP016802 / MEB047B Contemporary Jazz Quintet at Strata Concert Gallery - Detroit, MI Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Promoter: Allied Artists Association Items: Original poster STR Edition 1 / CP016802 / MEB047B Performers: 1978-05-11 1978-05-18: Strata Concert Gallery Contemporary Jazz Quintet ------------------------------ STR 1978-06-08 P-1 --------- 1978-06-08 / STR CP016803 / MEB048A Ornette Coleman at Strata Concert Gallery - Detroit, MI Notes: Gary Grimshaw: Not something Frank Bach did, but might be something Frank would art direct. Frank became John's art director, after I moved to Detroit, in 1974. Artist: Rainbow Graphics Venue: Strata Concert Gallery Promoter: Jazz in Detroit Items: Original poster STR Edition 1 / CP016803 / MEB048A STR / CP016818 / MEB055B Performers: 1978-06-08 1978-06-10: Strata Concert Gallery Ornette Coleman ------------------------------ STR 1978-08-11 P-1 --------- 1978-08-11 / STR CP017783 / MED777A Head Arrangement, Ron English at Strata Concert Gallery - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017783 / MED777A Performers: 1978-08-11 1978-08-12: Strata Concert Gallery Head Arrangement / Ron English / Bud Spangler / Ron Brooks Trio ------------------------------ STR 1978-08-15 P-1 --------- 1978-08-15 / STR CP017798 / MED784B Jim Perkins at Strata Concert Celler - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017798 / MED784B Performers: 1978-08-15: Strata Concert Gallery Jim Perkins ------------------------------ STR 1978-08-18 P-1 --------- 1978-08-18 / STR CP017785 / MED778A Contemporary Jazz Quintet at Strata Concert Gallery - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017785 / MED778A Performers: 1978-08-18 1978-08-19: Strata Concert Gallery Contemporary Jazz Quintet 1978-08-25 1978-08-26: ------------------------------ STR 1978-08-22 P-1 --------- 1978-08-22 / STR CP017784 / MED777B StrataCorp. Presents Electronic Music at Strata Concert Gallery Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017784 / MED777B Performers: 1978-08-22: Strata Concert Gallery Strata ------------------------------ STR 1978-08-29 P-1 --------- 1978-08-29 / STR CP017781 / MED776A Detroit Sound Projection at Strata Concert Celler - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017781 / MED776A Performers: 1978-08-29: Strata Concert Gallery Detroit Sound Projection ------------------------------ STR 1978-09-01 P-1 --------- 1978-09-01 / STR CP016806 / MEB049B Art Ensemble of Chicago at Strata Concert Gallery - Detroit, MI Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP016806 / MEB049B Performers: 1978-09-01 1978-09-02: Strata Concert Gallery Art Ensemble of Chicago 1978-09-03: ------------------------------ STR 1978-09-01 H-1 --------- 1978-09-01 / STR CP017654 / MED695B Great Black Music: Art Ensemble of Chicafo at the Strata Concert Gallery Artist: Rainbow Graphics Venue: Strata Concert Gallery Items: Handbill / CP044295 Handbill STR Edition 1 / CP017654 / MED695B Performers: 1978-09-01 1978-09-03: Strata Concert Gallery Art Ensemble of Chicago / Lester Bowie / Malachi Favors / Don Moye / Roscoe Mitchell / Joseph Jarman ------------------------------ STR 1981-09-18 P-1 --------- 1981-09-18 / STR CP017791 / MED781A Contemporary Jazz Quintet at Strata Concert Celler - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017791 / MED781A Performers: 1981-09-18 1981-09-27: Strata Concert Gallery Contemporary Jazz Quintet 1981-09-18 1981-09-25: 1981-09-19: 1981-09-20: 1981-09-25: 1981-09-26: 1981-09-27: 1981-10-01: 1981-10-02: 1981-10-03: ------------------------------ STR 1981-10-23 P-1 --------- 1981-10-23 / STR CP017794 / MED782B Stanley Cowell, Joe Henderson at Strata Concert Gallery - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR Edition 1 / CP017794 / MED782B Performers: 1981-10-23 1981-10-24: Strata Concert Gallery Stanley Cowell / Joe Henderson 1981-10-25: ------------------------------ STR 1981-11-06 P-1 --------- 1981-11-06 / STR CP017793 / MED782A Sphere, Larry Nozero at Strata Concert Gallery - Detroit, MI Venue: Strata Concert Gallery Items: Original poster STR
Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • American Music Review the H
    American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 2 Spring 2013 Invisible Woman: Vi Redd’s Contributions as a Jazz Saxophonist By Yoko Suzuki, University of Pittsburgh The story of alto saxophonist Vi Redd illustrates yet another way in which women jazz instrumentalists have been excluded from the dominant discourse on jazz history. Although she performed with such jazz greats as Count Basie, Max Roach, Dizzy Gillespie, and Earl Hines, she is rarely discussed in jazz history books except for those focusing specifically on female jazz musicians. One reason for her omission is that jazz historiography has heavily relied on commercially produced recordings. Despite her active and successful career in the 1960s, Redd released only two recordings as a bandleader, in 1962 and 1964. Reviews of these recordings, along with published accounts of her live performances and memories of her fellow musicians illuminate how Redd’s career as a jazz instrumentalist was greatly shaped by the established gender norms of the jazz world. Elvira “Vi” Redd was born in Los Angeles in 1928. Her father, New Orleans drummer Alton Redd, worked with such jazz greats as Kid Ory, Dexter Gordon, and Wardell Gray. Redd began singing in church when she was five, and started on alto saxophone around the age of twelve, when her great aunt gave her a horn and taught her how to play. Around 1948 she formed a band with her first husband, trumpeter Nathaniel Meeks. She played the saxophone and sang, and began performing professionally.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • The Complete Clifford Jordan Strata-East Sessions
    RECORD REV!EWS TAfrZ celebrated or discussed. Martin Bough's jaw-dropping photos from the rI actual sessions transport us precisely to that time and place. fiiflvsJ The booklet also reproduces a full- page ad in support of the albums, eJ. 'Ware's minus Sup,sv Bass and Shades of Edward Blackwell, the late drummer's L968 debut, issued here for the first time ever. These rarities greatly increase the set's historical value. So does the five-minute interview with 'Ware CLIFFORD JORDAN (even if "Wilbur" is misspelled in The Complete Clifford lordan Strata- 'the track listing). East Sessions A Chicago riitirr.,Jordan came of Clifford Jordan, Charles Brackeen, Sonny Fortune, age in bands led by Horace Silver, Max Luqman Lateel Cecil Payne, Pharoah Sanders, Roach, and Charles Mingus, but he saxophones; Don Cherry, Kenny Dorham, was out there as a leader by his mid- trumpets; Julian Priester, trombone; Howard Johnson, tuba; Stanley Cowel!, 20s. His agile lines, sinewy tone, and Wynton Kelly, Lonnie Liston Smith, Cedar Walton, deep blues feeling mark him as one of piano; guitar; Sonny Sharrock, Richard Davis, the era's great tenors. A creative risk- Charlie Haden, Sam Jones, Bill Lee, Cecil McBee, Sirone, Wilbur Ware, bass; Ed Blackwell, Dennis taker, too: he used fwo bassists and Charles, Billy Hart, Roy Haynes, Albert Heath, drummers on In the World, an imperflect Ttte Haven for Billy Higgins, Majeed Shabazz, drums; record that nonetheless allows us to Chief Bey, others, percussion; Leon Thomas, hear Don Cherry and'W.ynton Kelly Music Lorers in the Mosa ic M D6-2sJ?:'l S$:liirlt',no rd r orda n, in the same band.
    [Show full text]
  • View Was Provided by the National Endowment for the Arts
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 – November 22, 2017) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next.
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Download Press
    Sumi Tonooka Pianist & Composer Biography n his liner notes to pianist, composer and Ieducator Sumi Tonooka’s fifth and latest CD, Long Ago Today, journalist Russ Musto restates his praise from thirty years ago: “. it has been a pleasure to hear her blos- som into one of the most talented musicians of her generation.” Today, Tonooka (pro- nounced To-NO-ka) reignites her successes as an architect at the keyboard with Long Ago Today (Artists Recording Collective), released nationwide on March 25, 2008. She’s joined by bassist Rufus Reid (who has appeared on all of her releases) and the late drummer Bob Braye. Nine of the ten tunes are penned by her. Born on October 3, 1956 in Philadelphia, a city that has few rivals in terms of its rich music history — jazz, gospel, punk, R&B, The Philly Soul Sound — Tonooka experienced unfettered freedom at the piano as a young child. She started piano and music instruction at the age of seven at the Settlement Music School in Philly with Ester Cinberg and then Gary Goldschneider. Tonooka, who grew up in a multicultural household, was introduced to the extramundane con- cepts and executions of pianist Thelonious Monk at the age of 13. “My parents took me to see Thelonious Monk ‘live’ at the Aqua Lounge for my thirteenth birthday and it was then and there . that’s when I decided to be a jazz musician.” He, along with pianist/composer Duke Ellington and close associate and admirer pianist Kenny Barron, have been her torches in the night as she’s glanced through and past many ideologies and perceptions of performance and tunesmithing.
    [Show full text]
  • Stanley Cowell Samuel Blaser Shunzo Ohno Barney
    JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]