Did Benjamin Franklin Invent Transferware?
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Ceramics Handling Collection
Ceramics handling collection . Ceramics handling collection Teachers notes Welcome to the National Museum of Scotland. Our ceramics handling collection contains 17 pieces from our collection and we encourage everyone to enjoy looking at and touching the objects to find out all about them. These notes include: • Background information on ceramics. • Details about each piece. • Ideas for questions, things to think about and to discuss with your group. NMS Good handling guide The collection is used by lots of different groups so we’d like your help to keep the collection in good condition. Please follow these guidelines for working with the objects and talk them through with your group. 1 Always wear gloves when handling the objects (provided) 2 Always hold objects over a table and hold them in two hands 3 Don’t touch or point at objects with pencils, pens or other sharp objects 4 Check the objects at the start and the end of your session 5 Please report any missing or broken items using the enclosed form National Museum of Scotland Teachers’ Resource Pack Ceramics handling collection What are ceramics? • Ceramics are objects made from clay mixed with water and then fired in a kiln. • There are three types of ceramics: porcelain, stoneware and earthenware (pottery). • Ceramics have been made for thousands of years. The oldest known ceramics are animal and human figures that date to around 24,000BC. • Ceramics are used for many purposes - vases, tiles and sculptures. One of the most common uses is for tableware - plates, bowls, cups etc. • Ceramics can be for practical or decorative purposes – or both at the same time! • Ceramics can be made by one person or in a factory, where groups of people design, make and decorate the objects. -
“Wanted - Blue Willow in Any Color” Blue and White, Blue Willow, Flow Blue and Asiatic Pheasants China
“Wanted - Blue Willow in any Color” Blue and White, Blue Willow, Flow Blue and Asiatic Pheasants China away in Etruria, Josiah Wedgwood had created a fine new white earthenware, known as pearl ware, which had a lovely smooth surface, ideal to print on. By 1784 Spode was using his improved printing process to create lovely designs on this new pearl ware. For the first time a potter was making quality earthenware with beautiful designs, which would not wear off or fade from use, as they were under the glaze. It was tableware that was both durable and affordable and a mass market was born. y Transfer Printing rust.) Conceptually, transfer printing is simple, but to be suc- y potter T cessful it depends on the skill of execution. First select your design and ask your highly skilled engraver to care- fully engrave the design on a copper printing plate. After 6 to 8 weeks of painstaking work the engraver has finished one printing plate, which will be used to decorate the din- ner plate. He now starts to engrave the next copper plate to be used for the lunch plate and so his work goes on. tesy of Spode Museum Taking the freshly engraved plate, you hand it to your s working in a 19th Centur equally skilled printer, who covers the printing plate with er warm printing ink mixed with cobalt, wipes off the excess err awing cour ink leaving just the engraved lines and hatchings full of ansf r (Dr T ink, then prints an exact image onto fine, but strong tissue paper. -
Gallery Guide Marx-Lambert Collection Compton Verney
Gallery Guide Marx-Lambert Collection Compton Verney Please return to the gallery after use 1 Marx-Lambert Collection Gallery Guide Marx-Lambert Collection Compton Verney The Marx-Lambert Collection Gallery Guide and re-display was Written and compiled by made possible by funding from: Dr Steven Parissien, Director and Penelope Sexton, Curator The DCMS/Wolfson Museums and Galleries Improvement Fund Compton Verney and With support from The Estate of Enid Marx Gallery guide: Designed by Anne Odling-Smee and Ana Gomes, O-SB Design, London Marx-Lambert Galleries: Curated by Penelope Sexton, Compton Verney Designed by O-SB Design, London and Jeremy Akerman All works by Enid Marx © The Estate of Enid Marx Photographs by Harminder Judge All other works © Compton Verney Photographs by Harminder Judge Photograph of Enid Marx © University of Brighton Design Archives Introduction 7 Biography 8 Collection Introduction 9 Cooking Utensils and Decorative Containers 10 Eating and Drinking 14 Furniture 28 Ornaments 32 Pictures 42 Textiles 48 Toys and Miscellanea 52 Introduction Enid Crystal Dorothy Marx (1902–1998) was one of the brightest stars to emerge from the Design School of London’s Royal College of Art (RCA) during the interwar years. Her generation at the RCA – an outstanding cohort which artist and RCA tutor Paul Nash (1889–1946) subsequently hymned as ‘an outbreak of talent’ – included her close friends Eric Ravilious (1903–1942) and Edward Bawden (1903–1989), as well as future giants of British painting such as John Piper (1902–1992). Marx’s own artistic talents were prodigious: she excelled as a textile designer, an author, designer and illustrator of children’s books, a printmaker and a painter. -
History and Description of English Porcelain Pdf, Epub, Ebook
HISTORY AND DESCRIPTION OF ENGLISH PORCELAIN PDF, EPUB, EBOOK William Burton | 277 pages | 01 Jun 1988 | E.P. Publishing | 9780854099023 | English | United Kingdom History and Description of English Porcelain PDF Book Twitchett, John. Ltd : Hanley, , earthenware, ironstone, etc. Mackenzie, Sir Compton. Brears, Peter C. Hughes, G. Blue and White Transfer Ware, A Qing plate depicts Christ being baptized by John—with magnolia trees blossoming in the background. Today, one can still marvel at the strange game of decorative, Orientalist telephone that this development created. King, William. Reprint Philadelphia: Seifer, Both the French and the English porcelain of the 18th century is of the artificial kind using powdered glass - with the frequent addition in England of ash from charred bones, beginning the specifically British tradition of bone china. Pine, Lynda and Nicholas Pine. This level of materialism, after all, is never about necessity. During the 17th century imports of china become much more common, particularly of delicate wares to accomodate Europe's new craze of tea-drinking. Spode logo since London: Chapman and Hall, In general a better substance. John, Willliam D. Crown Derby Porcelain. This is despite it being fired at the same high vitrifying temperature as hard-paste porcelain. A Century of Potting in the City of Worcester from I am doing my best to raise the phoenix from the ashes with my ongoing company making English bone china figurines. Another patent was applied for by Frye on 17 November , and the specification was enrolled 17 March Since the site had been a 'potworks' and at the time of the Spode purchase it was described as including: ' potworks potovens pothouses workhouses warehouses compting house… '. -
China Paint & Overglaze Ebook
CHINA PAINT & OVERGLAZE PDF, EPUB, EBOOK Paul Lewing | 238 pages | 01 Mar 2007 | American Ceramic Society | 9781574982695 | English | none China Paint & Overglaze PDF Book Not for use with dry grounding materials The ferrule brushes generally dont need conditioning Southwell, Sheila. In his company began to make a fine hard-paste porcelain in small quantities. A light violet may turn into a dark blue, and a pale pink into a brown-crimson. On the other hand, using a thick viscous medium can hold substantially more powder and thus result in a heavy layer of paint on the glazed surface. Kakiemon dish, Arita, porcelain with overglaze enamels c. Continuing a family tradition of the finest in china painting. Chinese University Press. Help Learn to edit Community portal Recent changes Upload file. Also, lead can significantly alter the color of some yellows, reds, browns and greens. Consider using a ceramic tile as your palette. Ended: 04 Dec, GMT. The acrylics dry to a hard finish and are difficult to remove once they dry. The J. Learn about Hispano-Philippine ivories on Wed. Do what I laughingly call the "kitty-butt wiggle" Related sponsored items Feedback on our suggestions - Related sponsored items. Outline drawn in water-based OHP pen. A factory for white tin-glazed soft porcelain was founded at Chantilly around A fairly long bristle of about an inch or so is prefered over a short detail brush. An image is drawn with a greasy crayon on a smooth stone or zinc surface, which is then wetted. The Great Artists of China Decoration. -
A Brief History of Transfer Printed Tiles by Wendy Harvey
A Brief History of Transfer Printed Tiles By Wendy Harvey ass produced or a glue bat. The im- Mtransfer printed age could then be fired tiles trace their history at a relatively low tem- to the tiles first pro- perature for a very brief duced by printer John time (15 minutes). This Sadler and his partner method had the obvi- Guy Green in the year ous advantage of has- 1756. On a sworn af- tening production both fidavit Sadler states in decoration and fir- “without the aid or as- ing. However, since the sistance of any person decoration was placed or persons, did, within atop the tin glaze it was the space of six hours, subsequently much less to wit, betwixt the hours durable and subject to of nine in the morning wear. and three in the after- noon of the same day, The first decorations print upwards of twelve that Sadler and Green Fireplace Surround w/ Sadler & Green Tiles. hundred earthenware produced were reminis- tiles of different patterns, at Liverpoole [sic] aforesaid, and cent of Dutch tiles. Since there was huge demand for blue which as these depondents have heard and believe, were painted Dutch tiles originating from Liverpool as well as more in number and better and neater, than one hundred from Holland, it is easy to see that this was an obvious skillful pot painters could have painted in the like space of attempt to compete in a well established marketplace. In time in the common and usual way.” (Van Lemmon p.127) fact, a certificate by Thomas Shaw and Samuel Gilbody, at- tached to the Sadler affidavit, states, “We are also assured Using available handmade white tin glazed delftware that the Dutch may by this improvement be considerably tiles, John Sadler applied the newly developed method undersold.” (Van Lemmon p.128) The original Dutch de- of printing on ceramics to tiles. -
More Than Meets the Eye
MORE THAN MEETS THE EYE The Archeology Of Bathhouse Row, Hot Springs National Park, Arkansas Prepared By Author William J. Hunt, Jr. Midwest Archeological Center Technichal Report 102 United States Department of the Interior National Park Service Midwest Archeological Center Lincoln, Nebraska 2008 Cover Caption Hot Springs National Sanitorium, Ark. Arlington Hotel, Central Ave. and Bath House Row in 1888 “Postcard printed by Eastern National based on a poster by J.R. Buckingham and printed in 1888 by Woodward and Tiernan Printing Co., St. Louis. This report has been reviewed against the criteria contained in 43CFR Part 7, Subpart A, Section 7.18 (a) (1) and, upon recommendation of the Midwest Regional Office and the Midwest Archeological Center, has been classified as Available Making the report available meets the criteria of 43CFR Part 7, Subpart A, Section 7.18 (a) (1). MORE THAN MEETS THE EYE The Archeology Of Bathhouse Row, Hot Springs National Park, Arkansas By William J. Hunt, Jr. Midwest Archeological Center Technical Report No. 102 NATIONAL PARK SERVICE Midwest Archeological Center United States Department of the Interior National Park Service Midwest Archeological Center Lincoln, Nebraska 2008 hot sprinGS ABSTRACT For many, the oldest “park” managed by the federal government is not Yellowstone National Park (set aside in 1872) but Hot Springs National Park (HOSP) in Arkansas. Congress set aside the hot springs and adjoining mountains here as a federal reservation in 1832 to protect the resource and preserve it for public use. For centuries before this, the hot springs may have used by Native Americans, their occupations having little impact on the resource. -
Collecting Canadian Hand Painted Porcelain from the 1880’S Onwards1 O Colecţie De Porţelan Pictat De Mână În Canada De La 1880 Până În Prezent
MUZEUL NAŢIONAL Vol. XX 2008 COLLECTING CANADIAN HAND PAINTED PORCELAIN FROM THE 1880’S ONWARDS1 O COLECŢIE DE PORŢELAN PICTAT DE MÂNĂ ÎN CANADA DE LA 1880 PÂNĂ ÎN PREZENT Paula Gornescu-Vachon* Abstract After being practiced in the large factories of Europe, the art of decorating porcelain became an amateur domestic industry especially for women. In Canada, it mostly remained a feminine specialty that was linked to the Arts and Crafts Movement introduced into the country in the last quarter of the 19th century. Because the movement was North American in scope, it is important to compare developments in Canada with those in the United States. On the Canadian scene, the brothers John and James Griffiths were largely responsible for spreading of this “professional” hobby. The Cabot Commemorative State Dinner Service presented in 1898 to Lady Aberdeen, the Governor General’s wife, exemplifies the degree of skill attained by Canadian women artists of the time. The article highlights the achievements of several artists in the field from its beginnings in Canada. Key words: china painting, Canadian hand painted china, collectibles hand painted china porcelain, Canadian Historical Dinner Service, Alice Mary Hagen After being practiced in large factories in Europe, the art of decorating porcelain became an amateur domestic industry for many women. In Canada, this art, in which women were the most active, was linked to the Art and Crafts Movement introduced into the country in the last quarter of the 19th century. The movement was North American in scope, which inevitably leads us to compare the Canadian scene with developments across the border in the United States. -
TERMINUS POST QUEM LIST Washington College Archaeology
TERMINUS POST QUEM LIST Washington College Archaeology Amunition 1871 Bottle necked cartridges 1866 Rim fire cartridges 1852 Mini balls 1850 Shotgun cartridges, center fire 1846 Brass or copper cartridge cases 1814 Percussion caps Ceramics 1891 "Made in..." as part of mark 1884 "Rd. No...." as part of mark 1880 Decalomania printed pattern 1880 Liquid gold gilding, bright gold 1875 Ivory body, introduced by Spode 1870 Japanese style patterns, transfer printed 1862 "Trade mark" as part of mark 1861 "Ltd" as part of mark 1850 "Royal" as part of mark 1845 White granite or undecorated ironstone 1840 Sponged decoration 1840 Flow blue transfer printed patterns 1830 Yellow ware, American 1830 Polychrome transfer printed patterns 1828 Red, green, or purple transfer printed patterns 1820 Whiteware 1820 Embossed edge ware 1810 Underglaze black and brown transfer printing 1810 Printed marks, including the pattern name 1810 Stippling in transfer printed wares 1805 Stone China introduced 1805 Albany slip 1800 Royal Coat of Arms as part of pottery mark 1800 English Bone China 1800 Canton Porcelain, Chinese Export 1795 Underglaze painted pearlware 1795 Mocha 1795 Willow pattern, transfer print 1790 Lustre glaze, English 1790 Dipped Creamware, (i.e. annular ware, common cable) 1788 B ennington ware 1787 Underglaze transfer print on earthenware 1780 Underglaze blue and green shell edge decoration 1776 Pearlware 1775 Debased Rouen Faience in Williamsburg 1775 Light colored Creamware 1768 English hard paste porcelain 1765 Debased scratch blue on white saltglazed -
Early 19Th to Mid-20Th Century Ceramics in Texas
Early 19th to Mid 20th Century Ceramics in Texas Becky Shelton, TASN Training Fort Worth, July 18th 2015 Adapted from: Sandra and Johnney Pollan and John Clark Texas Archeological Stewardship Network 2006 Workshop Presentations Ceramics generally fall into two categories: High temperatures Low temperatures Vitreous Nonvitreous 1. Stoneware Earthenware 2. Porcelain 1. Creamware 2. Pearlware 3. Whiteware 4. Red earthenware OET Porcelain Compact and grainy in cross-section with glassy edges. Used all decorating techniques to make decorative as well as useful wares. England developed two kinds of porcelain – hard-paste and soft-paste. Soft-paste porcelain is fritted with crushed glass. Bone China, or bone ash porcelain (fritted with glass and animal bone ash), became the standard English porcelain body throughout the 19th Century. It is more translucent than hard-paste porcelain. Its broken edges will discolor, and the overglaze decoration often wears away with use. Soft-paste porcelain: very Bone China: ivory, white, vitreous vitreous Earthenware • Fired at low temperatures • Coarse, porous clay bodies • Non-vitreous; require interior surface coating to prevent leakage • Opaque body; transmits no light • Includes “red wares, yellow wares, and white wares” Earthenware-Red • Coarse, porous body that is fragile and must be glazed to prevent leakage. • Pinkish buff to red to brown body • Wheel-thrown and drape-molded most common • Pre-1830: bulbous, ovoid shapes • Post-1830: Straight-sided cylindrical vessels • Decor: Slip-trailing, Manganese glaze, and simple Lead glaze Earthenware-Red, cont. Tooling marks Manganese glaze mostly pre-1850 Slip-trailed and coggled pie plate Milk pan with simple interior glaze Majolica - Early 20th Century Earthenware - Yellow • Coarse, porous body that is finer and more durable than redware, but less vitreous than stoneware. -
White Bodied Earthenware, European, and American Stoneware Texas Archeological Stewards Network Becky Shelton - THC July 18, 2015
White Bodied Earthenware, European, and American Stoneware Texas Archeological Stewards Network Becky Shelton - THC July 18, 2015 Deciphering White Earthenware 1) Introduction a) Table 1 – Ceramic body types and their characteristics 2) Reference Collection used and further research 3) When it is white, but not white earthenware a) Stoneware b) China, Chinese porcelain (Cat #25) c) Porcelain –English or European (THC Cat#53/#74/#79/#94) i) Bone (THC #24) ii) Bisque porcelain – Parian Ware (THC Cat #3) 4) Categories of White-bodied Earthenware (Price 1979). a) Creamware – ca. 1760-1820 (THC Cat #100/#109/#111) i) Refined (high fired) earthenware with yellowish or cream-colored paste and a clear lead glaze which has a yellowish or greenish cast. When glaze pools, appears deep green or yellow-green. ii) Contemporaneous with Pearlware iii) Decorations (1) Painted underglaze (2) Transfer printed (3) Painted overglaze b) Pearlware ca. 1780-1840 i) Refined earthen ware with white paste ii) Clear lead, blue-tinted (cobalt) glaze. Decoration under the glaze in blue paint (THC Cat #44/#16/#81/#95/#88/#89/#91/#108), printing, and over the glaze in monochrome and polychrome painting (THC Cat #46/#30) (enamels). c) Whiteware ca. 1800-late 19th century i) Refined earthen ware with white paste (THC Cat #37/#48/#90/#113) ii) Blue cobalt was omitted from the glaze, but added to the clay body to make it appear white. Overlaps Pearlware production. Every conceivable decorative style (THC [2006] 2012). (1) Handpainted (THC Cat #112/#92/#93/#45), English origin, Delft (THC Cat #27) East Texas 1820+, South Texas 1830+ (2) Transfer print (THC Cat #12/#13/#14): English origin, 1800 to ca. -
Vertical Facility List
Facility List The Walt Disney Company is committed to fostering safe, inclusive and respectful workplaces wherever Disney-branded products are manufactured. Numerous measures in support of this commitment are in place, including increased transparency. To that end, we have published this list of the roughly 7,600 facilities in over 70 countries that manufacture Disney-branded products sold, distributed or used in our own retail businesses such as The Disney Stores and Theme Parks, as well as those used in our internal operations. Our goal in releasing this information is to foster collaboration with industry peers, governments, non- governmental organizations and others interested in improving working conditions. Under our International Labor Standards (ILS) Program, facilities that manufacture products or components incorporating Disney intellectual properties must be declared to Disney and receive prior authorization to manufacture. The list below includes the names and addresses of facilities disclosed to us by vendors under the requirements of Disney’s ILS Program for our vertical business, which includes our own retail businesses and internal operations. The list does not include the facilities used only by licensees of The Walt Disney Company or its affiliates that source, manufacture and sell consumer products by and through independent entities. Disney’s vertical business comprises a wide range of product categories including apparel, toys, electronics, food, home goods, personal care, books and others. As a result, the number of facilities involved in the production of Disney-branded products may be larger than for companies that operate in only one or a limited number of product categories. In addition, because we require vendors to disclose any facility where Disney intellectual property is present as part of the manufacturing process, the list includes facilities that may extend beyond finished goods manufacturers or final assembly locations.