Issue 59 November EENGLISHNGLISH 2008 TTprofessionalprofessionalEACHINGEACHING
The Leading Practical Magazine For English Language Teachers Worldwide The write stuff Viv Midlane The sudden specialist Robin Walker Managing the very young Joanna Gruchala See you at the coffee stand! Darren Elliott
• practical methodology
• fresh ideas & innovations
• classroom resources
• new technology
• teacher development
• tips & techniques
• photocopiable materials
• competitions & reviews
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www.diako.ir www.diako.ir ContentsContents MAIN FEATURE TEACHER DEVELOPMENT
THE WRITE STUFF 4 PLUS ÇA CHANGE 46 Viv Midlane puts the case for reassessing Peter Wells reflects on a letter he wrote 25 years ago our attitude to student writing and on how not much has changed since then
SEE YOU AT THE COFFEE STAND! 49 Darren Elliott FEATURES has some sensible suggestions for attending conferences A TOOLKIT FOR TEACHERS 8 Stephanie Hirschman offers some multi-functional lesson plans for teaching the four skills TECHNOLOGY
DOG DAYS 12 WICKED WIKIS 52 William Chaves Gomes slots in some Margaret Horrigan shows how teachers can spontaneous language practice unleash the power of the wiki
RUDE STUDENTS 16 USING WEBQUESTS 55 Paul Bress gives advice on dealing with the Carina Grisolía demonstrates the benefits of socially challenged internet-based projects
PHONEMIC PLAYING CARDS 18 WEBWATCHER 57 Paul Charles creates a playful resource for Russell Stannard suggests there are many more teaching pronunciation ways to use YouTube than you may think
I THINK, THEREFORE I LEARN 2 28 Tessa Woodward looks at the questions REGULAR FEATURES teachers ask ACTIVITY CORNER: 25 A PROCESS APPROACH TO 29 THREE PROBLEM-SOLVING ACTIVITIES TEACHING CULTURE Jon Marks Guo Yan wants to meet her students’ needs and expectations PREPARING TO TEACH ... 38 Could DIFFERENTIATION 2 36 John Potts Doug Evans lists some practical ways to provide different activities for different learners EYE ON THE CLASSROOM: 50 OBSERVATION BY CHECKLIST John Hughes TEACHING YOUNG LEARNERS NORMAN’S HAT 59 MANAGING THE VERY YOUNG 23 Rose Senior Joanna Gruchala tackles the challenge of very young children IT WORKS IN PRACTICE 40 REVIEWS 42
BUSINESS ENGLISH PROFESSIONAL SCRAPBOOK 44
THE SUDDEN SPECIALIST 34 COMPETITIONS 39, 60 Robin Walker offers comfort for teachers working within other people’s fields of expertise INTERNATIONAL SUBSCRIPTION FORM 58
Includes materials designed to photocopy
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www.diako.ir EditorialEditorial everal of the articles in this issue reflect the provide the inspiration. Concerned that culture courses influence that other people have had on the were not giving the students exactly what they needed Swriters, once again demonstrating how helpful it or expected, she conducted a survey to find out how is when we share our ideas with fellow teachers. best their expectations could be fulfilled.
Paul Charles was inspired by Adrian Underhill’s Peter Wells’s muse is himself, or, more accurately, his wonderfully logical layout of the phoneme chart to younger self. He has discovered a letter he wrote as an create a series of playing cards which will help students assignment during a teacher training course, which understand how to pronounce the various sounds. We reflected teaching styles and methodologies of the day. have provided some photocopiable blanks so that you Curiously, some things don’t seem that different from can create your own. (Incidentally, in the Reviews what happens in classrooms today, nearly 25 years section you will find information about some later! commercially available cards for children showing the Finally, our three contributors to the Technology section mouth positions in the form of monsters.) enter the ultimate space for sharing information and Darren Elliott finds inspiration every time he attends an ideas: the web. ELT conference, while William Chaves Gomes had his notion of the teacher’s role in the classroom turned around by exposure to the idea of Dogme, as propounded by Scott Thornbury. He now includes a ‘Dogme slot’ in his lessons where all the language input Helena Gomm comes from the students and their needs. Editor
For Guo Yan, too, it is the students themselves who [email protected]
ENGLISH PO Box 100, Chichester, West Sussex, PO18 8HD, UK TEACHING Tel: +44 (0)1243 576444 Email: [email protected] Tprofessional Fax: +44 (0)1243 576456 Web: www.etprofessional.com
Editor: Helena Gomm Published by: Keyways Publishing Ltd, Editorial Consultant: Mike Burghall PO Box 100, Chichester, West Sussex, PO18 8HD Editorial Director: Peter Collin © 2008, Keyways Publishing Ltd Designer: Christine Cox ISSN 1362-5276 Advisory Panel: Dave Allan, Ruth Gairns, Yvonne de Subscriptions: Keyways Publishing Ltd, Henseler, Susan Norman, Janet Olearski, Julian Parish PO Box 100, Chichester, West Sussex, PO18 8HD Advertising Sales: Sophie Dickson, Mainline Media, Printed by: Matrix Print Consultants Ltd, Tel: 01536 747333 Kettering, Northants, NN16 9QJ Tel: 01536 527297 Fax: 01536 746565 Número de Commission Paritaire: 1004 U 82181. Email: [email protected] Prix à l’unité = EUR14.75; à l’abonnement (6 numéros) = EUR59. Directeur de la Publication: Sarah Harkness
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Pages 21–22, 25–27, 38–39, 44–45 and 50–51 include materials which are designed to photocopy. All other rights are reserved and no part of this publication may be reproduced, stored in a retrieval system or transmitted without prior permission in writing from the publishers.
2 • Issue 59 November 2008 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir www.diako.ir MAIN FEATURE 1980s. I explain that I would plan the assignment, then write a first draft, check it and edit it. I then started again, rewriting a fair draft on fresh paper, which was then handed in. All this by hand, on lined A4 paper with a ballpoint pen. I had a permanent callus where the pen rubbed against my finger. At one stage I acquired a manual typewriter, but gave up using it because every time I made a mistake I had to retype the whole page. TheThe This process contrasts with how word-processing allows us to write. For modern students, the delineation of stages in the writing process is not fixed in the way it was for pre-ICT generations. Today we still teach EAP students the model of generating ideas writewrite through brainstorming, making a plan, writing a first draft, checking and editing before writing a final draft. But in practice, with word-processing, these
A piece of writing is now never absolutely finalised in the way stuffstuffViv Midlane champions student writing. that it was when s is often the case, it began Across the centuries the mechanics handwriting meant with accountants. Around of writing, the process by which 6,000 years ago, in readable marks are made on a medium, that late changes Mesopotamia, trade and also developed. The Egyptians were involved creating an Acommerce evolved to a point where using papyrus by the third century BC, information became too complex to be with modern paper being developed in entire new draft retained in any one individual’s China two centuries later. Ink has a memory, and so it needed recording to similarly ancient history, traceable to put it beyond dispute. The ancient sixth-century China. But for millennia stages tend to flow into each other; bookkeepers hit on the idea of keeping the only means for a permanent record brainstorming with free writing or the records using a stylus to make marks in to be made of people’s lives and making of lists evolves into an outline; soft clay tablets. By doing so, they spiritual aspirations, or their business outline points expand into paragraphs; accidentally invented history, considered transactions, was through the laborious we juggle these about, experimenting to to be the tracing of man’s development process of hand copying. This changed find a logical and consistent sequence of seen through the evidence of written around the year 1440, when Johannes ideas and information; we keep writing records. Gutenberg established his printing press until we have nothing more to say and Writing moved slowly from early at Strasbourg. Now, what had been all our points have been made, or, more inventories and manifests into the written could be duplicated and passed likely for most students, we’ve realms of the imagination and of amongst many readers. Despite completed the required number of creativity. Around the third century BC, attempts to put this genie back in its words. After we’ve filled the blank the Epic of Gilgamesh was recorded on bottle, mankind had set out on the path space, we can start editing: looking for clay tablets, the oldest example of to mass literacy. better ways of saying what we mean, written poetry to survive. Gilgamesh is taking out irrelevancies or repetitions, the written record of an older oral A change in practice adding new points, examples or details. tradition, the epic learnt and relearnt by I suggest to my students that, because generations of storytellers, to be recited Anyone over 40 has witnessed massive of this process, a piece of writing is now to new audiences. Maybe those ancient changes in the mechanics of writing. I never absolutely finalised in the way bards saw the writing down of sometimes tell my English for Academic that it was when handwriting meant Gilgamesh as heralding a worrying new Purposes (EAP) students about the that late changes involved creating an technology, a threat to their traditional process of writing an assignment as an entire new draft. Then, one would working practices! undergraduate student in the early accept the final draft as complete, its
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www.diako.ir message carved as in stone. But now, where writing exists in electronic form The stuff of successful writing and tweaking text is so straightforward, it is possible, indeed tempting, to ● Free the imagination. ● Make it regular. continue tinkering indefinitely. For Use visualisation techniques to get Get students to write diaries or blogs, modern students, as for people who students writing creatively. read them and provide feedback. write for a living, only the approach of ● ● deadlines need ever end this process. Write little and often. Engage the students’ enthusiasm I could also tell my students how Even in the EAP classroom, where for technology. giving every employee access to word- the aim is to achieve competency in Create class blogs or wikis, set task- processing changed the world of work. I writing longer pieces, students based activities where students email could explain how in my first job, when benefit from frequent short writing each other or the teacher, or devise a I needed to write a letter to a client, I tasks where they write one or two game where no one is allowed to had to pass a hand-written draft to the sentences. speak and responses must be sent by SMS text. typing pool. The typed version would ● Bring writing back into the return for signature three days later, by classroom. ● Vary formality and feedback. which time, invariably, the client had We learn on teacher training Apply the same approach to fluency phoned, circumstances had changed, courses that class time should and accuracy in writing as you do to and the letter was never sent. I suspect be for communication. Writing is speaking. Encourage communication, my students listen to this stuff communication. Don’t set and pick up on systematic errors. indulgently, much as I did to my assignments in class and leave Analyse student work regularly with grandfather’s stories of seeing the first students to work in silence, but the class, looking at how features motor car in his village. Today’s office do aim to devise collaborative such as syntax, grammar and spelling workers not only do their own typing, classroom writing activities. can be improved, but do not overdo but that letter never even gets printed; it this, and never let it become ● Make it interactive. goes out as an email. intimidating. Audiovisual equipment Have students write to and for such as data projectors and video each other. For example, in a A change in pace OHPs are very useful for this type of business English or a Skills for Life activity, allowing you to share student The psychology of writing has also class, study the language of job writing with the rest of the class. changed with the mechanics of how we advertising and get groups to make marks to record information, create job adverts together. Then ● Mark it. thoughts or ideas. I’m writing this class members can apply for each Setting students writing involves article using voice recognition (VR) other’s vacancies. Follow up this asking them to put extra effort into software, which I’ve used over the last activity with roleplaying of their studies. Make sure that you mark five years or so. Voice recognition can’t interviews, then writing letters work conscientiously and return it produce an exact and accurate of appointment or rejection. promptly. transcription every time, and never will be able to. It regularly produces howlers – I cherish ‘Soul Food University’, my system will recognise (including VR system’s invariable transcription of A change in Gilgamesh!). I use a headset microphone communication ‘Salford University’. However, my for dictation, leaving my hands free to experience is that VR has become more make corrections using the keyboard. Whether the writer is a clerk counting reliable in recent years; it is now Using VR radically speeds up my the bushels of wheat in Pharaoh’s possible to dictate long passages with writing, but there is a trade-off. granaries, a medieval monk copying no transcription errors, and it is However fast your typing or Saint Matthew’s gospel, an extraordinary the range of words the handwriting is, these methods of writing administrator writing an email or an involve a time gap between formulating EFL student working with a partner to ideas into words and these words create a guide to the city where they’re But now, where becoming readable on screen or paper. studying, writing remains a means of writing exists in During this gap, valuable pre-editing communication. The essential difference goes on, with redundant ideas filtered between oral and written electronic form and out as they hit the bottleneck of communication has always been that tweaking text is so transcription speed. With VR, this gap writing allowed communication between is reduced to the time it takes to people separated in space and time. straightforward, it formulate thought into coherent Commentators on computer-mediated language and speak it, and the effort communication – CMC – describe this is possible, indeed expended in getting ideas down is ability as asynchronous communication. tempting, to continue reduced. As a result, I find that voice New means of communication fostered recognition makes me overwrite; every by the internet – such as online chatting tinkering indefinitely idea possible goes in the first draft and or forums – have meant that we now use editing takes longer. writing far more for synchronous
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www.diako.ir assuming that these are understood, and Teacher: Yosuke, do you understand that writing can be part of widening what this sentence means? language learning. The Yosuke: (Nodding) Oh, yes, I understand! A change in attitude Teacher: Great! But I’m not sure Carla understands. Could you explain it to her, Writing has another, fundamental role please? wrwriteite in language teaching. Aside from its inherent, communicative value, it reveals Yosuke: Oh. Sorry, Carla, actually, I’m to teachers a student’s interlanguage – not so sure! their emerging version of the language Teacher: (Laughing) OK, let’s go through stuff being learnt – in ways that speech never it again! can. Everybody feels exposed when communication. This is leading to the speaking a foreign language. Have you Obviously, this little technique should growth of new literacies. ever been in a country where you don’t be used only when the result will be If writing is such a fundamental speak the language and have been everybody smiling and where learning means of communication, why is it often approached in the street by someone the new language point will be ignored in the communicative classroom? asking a question? They probably just reinforced, and avoided if there’s any Of the four basic skills, why is writing want directions, are asking the time, or possibility the student being put on the the one we are most tempted to neglect? maybe it’s market research, but your spot will feel vulnerable or threatened. Why do some teachers seem to believe instant reaction is to close down the Writing puts students in a position there is something old-fashioned, even where they can’t use close-down reactionary, about teaching writing and strategies; they have to participate fully encouraging students to write? ‘Oh, I Why do some teachers in communication. Despite our best want to teach my students to speak,’ I’ve intentions, in a teaching and learning heard teachers say. ‘My classes are about seem to believe situation where no writing happens, we communication. Writing gets in the way.’ never really get to grips with what is Ouch. Without developing writing there is something going on ‘under the hood’ of a student’s skills, students are not getting the full old-fashioned, even language. Maybe we slow down the communicative picture. And yet we communicative flow in class in order to encounter EFL teaching contexts where reactionary, about concentrate on accuracy, but we can students barely write at all: on a teaching writing never deal with each and every summer course, young students work on grammatical or syntactical slip our posters and guides, but never write a and encouraging students make in speech, or our classes full sentence; at an executive training would grind to a halt. It is only through centre, students are asked to produce students to write? interaction with students through their bullet-pointed slides for a PowerPoint written work that we can examine in presentation, but otherwise write interaction as quickly as possible. This detail the mechanics of their nothing. gets both parties out of an awkward interlanguage, revealing their strengths It may be thought that integrating situation and saves face on both sides. and weaknesses and showing up what writing into the learning process Many students do this all the time. they really know and understand about increases the workload for teachers and They have well-developed strategies for the language. Getting students writing is students. Sometimes we are faced with closing down interaction, which vital in every classroom, and not just in massive teaching loads; setting and, all unfortunately sometimes come out in EAP classes, or those where students importantly, conscientiously marking, class. These may include: are preparing for examinations. What is student writing may seem more than we needed is a change in our attitude to can cope with. However, making writing ● Saying they’ve understood and the writing, seeing it not just as a support, part of learning helps with workflow, activity can move on when they or a means through which language is indicating language areas to work on, haven’t and it can’t; learnt, but as a vital component of the helping with the lesson planning ● Single word answers; communicative purpose in itself. ETp process, and providing the spark for activities such as peer review, which ● Echoing words used by the other Viv Midlane is a become part of classroom routine. party or parties to the interaction; freelance EFL/EAP An important point we must never consultant and ● Body language, such as nodding, or materials writer who forget is that not all students of English non-verbal sounds. has taught in Greece, come from affluent, well-educated and Belgium and Italy and for various universities literate backgrounds. ESL teachers Of course, the canny classroom teacher in the UK. He is working in community contexts is aware of these strategies, and evolves currently developing online PhD study skills regularly encounter students who are techniques to get round them. One materials for the not literate in their first language. The which works well with a class that’s University of Salford. aim for these teachers may be to provide been together a long time and is relaxed such students with the basic mechanics with each other and with their teacher of how to write at all, rather than goes like this: [email protected]
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www.diako.ir www.diako.ir SKILLS AA toolkittoolkit fforor teachersteachers Stephanie hen you’ve just started Materials needed teaching, skills lessons You will need a speaking task you wish Hirschman presents can seem difficult. the students to do, eg tell a story, give a Problems posed by mini-presentation, talk about a picture, Wcoping with the resources, equipment roleplay, etc (this can be from a some simple and effective and classroom management overshadow coursebook). lesson plans. the real aims of the lesson, ie giving students practice in the skill and 1 Model the speaking task yourself. teaching them strategies for taking their If you are going to ask the students to comprehension/production abilities to a make notes (see stage 2 below), put some higher level of competence. Every minimal notes for your speaking on the teacher needs a toolkit of simple and board so they can see how you turn key effective lesson plans which they can use words and phrases into full grammatical again and again with different groups sentences. Make sure you successfully and materials. Here are some ideas you accomplish the task yourself in terms of can employ in a skills lesson with the length of time you speak, your use of virtually any resources (including your target language and the points you cover, coursebook) to ensure that your lesson and ask the students some concept- aims are achieved – and all in ten stages check questions afterwards. or fewer! 2 Set the speaking task and allow the Speaking students a short time to think about what they’re going to say. If you want, Many speaking lessons follow the they can make some written notes of present–practise–produce model, and key words, but not full sentences. You ideally you would like to listen to the can refer to the notes from your students speaking in the final activity and demonstration to prompt them. offer them some feedback on their use of the target language. Unfortunately, it rarely works this way in reality. It is Every teacher needs usually impossible for you to monitor all the students in the short time they a toolkit of simple will be speaking and it is often and effective lesson disappointing that they haven’t used the target language much (or at all) because plans which they can they are so worried about what they are going to say. These problems can be use again and again reduced by asking the students to with different groups perform the speaking task twice, and also by incorporating a stage where they and materials reflect on their own performance.
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www.diako.ir How 3 Set up the speaking pairs in 10 Give feedback yourself on the board, simple questions on the board, eg many people are speaking? Are they whatever way seems convenient to you. focusing first on the target language of the American or British? Where are they? While the students speak, you can lesson, and then on any other important Is it monitor and make notes for later areas. For example, you can write up a For a song, the questions could be modern? What kind of music is it? Is the feedback. (Try to note successes as well mixture of sentences you heard, some singer a man or a woman? as failures!) correct and some incorrect, and ask the students to comment on them. Make sure Then play just a short piece from the 4 When the students have finished you end with some praise for students who beginning of the recording and elicit the speaking, put this list on the board: used the target language, or were answers to the questions. otherwise successful or were engaging to How did I do? 2 Certain listen to. Put the headings and ● Target language – did I use it? Uncertain in a chart on the board and ● Pronunciation – was it clear? ask the students to copy it onto a piece Listening of paper. ● Organisation – did I include too little/enough/too much information? Listening lessons can make students 3 Explain that they will listen to the Was the order logical? anxious, especially if the experience of full recording and should take notes of ● Other grammar – did I make mistakes listening seems more like a test than a any words or phrases they hear, but they in any area not covered by the target journey towards understanding. Students must write them on the chart in the language? really need to focus on strategies for place which corresponds to how certain ● Other vocabulary – did I use a range boosting their comprehension, and this they feel about what they actually heard. of vocabulary accurately? lesson plan helps them to develop the ability to piece together clues to arrive 4 Play the full recording while the 5 Tell the students they are going to at (more or less!) sensible conclusions. students make notes and then allow repeat the speaking task with a different them to compare ideas in pairs or small partner. Explain the items on the board. groups. Ask the students to think about their Listening lessons speaking, discuss their performance with can make students 5 With the whole class, check and their original partner and choose one record ideas on the board – certain first area which they would like to improve anxious, especially and then uncertain, maybe one idea per the next time. (They can’t pay attention if the experience student. Make sure they know that you to more than one area at a time so they are only acting as their secretary at this really must stick to one choice.) of listening seems point: when you write something on the board it may or may not be correct. 6 Then get each student individually more like a test than You will need to leave this information to tell you which area they have chosen. a journey towards on the board for the rest of the lesson. (You may be able to use your observations from monitoring to inform understanding 6 Ask the students to discuss in pairs your reactions to these choices – for or groups what is happening in the example, some students think their listening. They can give a general grammar is terrible, but their It is interesting for students to see summary or a detailed one, depending pronunciation is really the worst that some class members hear almost on how comfortable they feel. problem. If so, tell them!) everything but understand very little, while others hear only a little and 7 In a class feedback session, ask the 7 Set up some new pairings and understand a lot. This procedure can be students to justify their ideas about the repeat the task. While the students used with virtually any material (it content of the listening, using the speak again, you can monitor some works very well with songs) and you can information on the board. Act as a more and make notes for later feedback. then move on to focus on further facilitator and encourage discussion and (You might even be able to check comprehension questions, vocabulary argument between the students. Don’t whether one or two students have been related to the topic, a grammar or give them all the answers. successful in their chosen areas for pronunciation point, or a discussion. improvement.) 8 Tell the students they are now Materials needed going to complete a written exercise 8 Briefly get some feedback from a You will need a recorded text – based on the recording. You can use any couple of students on whether their monologue/dialogue/song, etc – with a exercise to accompany this – a gap-fill, speaking was better the second time. tapescript, and some accompanying multiple-choice questions, short-answer exercises (eg a gap-fill, multiple-choice questions, etc. This may be the original 9 Elicit more feedback about the questions, short-answer questions, etc. exercise from the coursebook or content of the speaking by asking a These can be from a coursebook). something you have prepared yourself. couple of students some brief concept- Give them time to read the exercise and check questions about what their 1 Help the students tune in to the answer any questions they can from partner said. recording by putting two or three very memory.
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www.diako.ir Materials needed 7 Ask the students to compare their You will need copies of a text that you answers in their pairs or groups and A toolkit want the students to read; this could be then check the answers with the class, from your coursebook or a newspaper. It is recording ideas on the board in note fforor teachers helpful if the text has paragraphs marked form. Ask the students to put the A, B, C, etc, or has line numbers indicated. information into their own words as much as possible. 1 Put the headline or title of the text 9 Play the recording again for the on the board and explain any unknown 8 Ask the students to rate the text as students to complete the exercise. Then vocabulary. Hand out any follows and get feedback: accompanying pictures but don’t let the ask them to compare answers in pairs. ● students see the text yet. Elicit the topic How interesting is the article Play the recording once more if (1–5 points)? necessary and then check the answers of the text and a very general prediction ● How much do you understand (in %)? with the class. of what it will be about. ● Did you read any new information? 2 10 Ask the students to comment on Ask the students to work in pairs Was it surprising? Was there anything their notes from the first time they or small groups and to write two to five you disagree with? listened and their guesses about the questions that they are interested in and content of the listening. What didn’t that they think they will be able to This lesson can stand alone, or if you they hear and why not? Was it a answer after quickly reading the text. wish to extend it, you could go on to question of the pronunciation, the You can prompt them with question exploit some other aspect of the text. You vocabulary or a complete words: who, when, where, etc. Monitor might want to ask further comprehension misunderstanding of the context? If and assist with ideas and grammar. questions, focus on new vocabulary related to the topic, pick out a particular necessary, you can always listen again, 3 with the students looking at the Ask the students to choose their language point or initiate a discussion. tapescript. favourite/best question and put one or two different questions from each pair This lesson can stand alone, or if you or group on the board, subtly correcting Writing activities can wish to extend it, you can go on to focus any grammar mistakes. (You should give you a valuable on some other aspect of the text: further have a maximum of six questions.) comprehension questions, vocabulary opportunity to pay 4 Give out copies of the text, set a related to the topic, a language point attention to each of (including pronunciation) or discussion. time limit and ask the students to read the text quickly so that they can say your students and to simply whether or not the questions on Reading the board can be answered. No give really meaningful dictionaries should be used. It is often difficult for students to engage (Note: They should not try to answer personalised feedback with a reading lesson because they may the questions at this point, but just say lose confidence in their individual ability either Yes, the text contains the answer to relate to or adequately understand to this question or No, it doesn’t.) the text in a reasonable amount of time. Writing This problem can be overcome by 5 Ask the students to compare their Writing activities can give you a valuable allowing the class to predict the content answers in their pairs or groups and opportunity to pay individual attention to of the text and write their own, then check with the class which each and every one of your students and personalised comprehension questions. questions can be answered. You can to give really meaningful personalised Once these questions have been further confirm where the answer is, eg feedback. Students often want to have all answered (or not!), you can either end in paragraph C or in line 22. their mistakes corrected, but this is time- the lesson or ask them to focus on your (If their questions were not very consuming for you and it gives them too own agenda for the text. successful, you can reassure the students much feedback (often in an unintelligible that predicting the content of a text is a form), which they can’t make use of. By sub-skill which is acquired through using the following technique regularly, You can reassure practice.) you can train students to write the students that effectively and to appraise their own 6 Ask the students to re-examine the work critically. It must be used after you predicting the content text and highlight the information they have set the task and students have need to answer the questions. Tell them completed their writing. of a text is a sub-skill they can use dictionaries in moderation which is acquired but only to answer the questions on the Materials needed board. They don’t need to write the You will need a writing task where through practice answers, but they should be prepared to students have already produced a piece talk about them. of work belonging to a particular genre
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www.diako.ir – eg a story, a formal letter, an e-mail, a C = content 9 Now collect the written work and composition, etc. All the students must ● Wrote about specific problems the feedback sheet and staple them have worked on the same task. experienced during a visit. together. Tell the students that you will ● Gave details of the visit (dates, 1 read the writing, check that the feedback Elicit what makes a piece of writing room number, staff names, etc). was accurate and maybe add some successful. Students will say that a lack ● Asked for a refund and an apology. remarks of your own, and correct some of grammar mistakes is important, but of their mistakes. Outside of class time, try to extract some other ideas as well. O = organisation ● Used appropriate letter layout with when you mark the accuracy and range, focus on a few serious mistakes only. 2 Write COAST vertically on the addresses, greetings and closing. ● Used paragraphs. Highlight the errors on the text itself and board. Then ask the students to say then write some general comments, eg: what they think the letters stand for and ● Used linking words. ● give some extra information: Be careful with articles. S = style ● Remember to use past tenses when C = content, ie did you write about the ● Formal – no contractions, phrasal describing past events. correct topic? If the task asks you to write verbs, etc. ● about a holiday and you write about ● Expressed strong feelings without Learn to spell these words ... (and list your grandmother, then the content is being impolite. words for students to learn). inappropriate, regardless of accuracy. 10 This also includes word count. If the T = target reader The next time the class meets, return ● task asks for 120 words, then 80 words is The hotel manager can understand the corrected written work and feedback inadequate and 250 words is too much. your feelings and the reasons for to the students, allowing them a few these feelings. minutes to see what you have written O = organisation, ie paragraphs and ● The hotel manager will want to and ask any questions they may have. If proper use of linking words. apologise and offer you a refund or you like, they can write a second draft A = accuracy and range, for both some other financial compensation. incorporating any necessary changes. ● A positive comment: ...... vocabulary and grammar. ૽ ૽ ૽ S = style, ie formal, semi-formal, 6 Ask the students to copy this onto neutral, informal. a piece of A4 paper and tell them that Using these lesson plans regularly will T = target reader, ie what effect will it they will use this paper as a checklist to have two positive effects. Firstly, once you have on the person the writing is mark a classmate’s work. Also tell them get to know the procedure of each lesson intended for? What will that person feel that in addition, they should write a plan, you will be able to relax a bit so like doing after reading the text? Will positive comment in the final section. that you can focus more on the students they understand the writer’s ideas? Will and less on the delivery. Secondly, you they be able to take appropriate action 7 If they are not marking will be training the students to work as a result? anonymously, tell the students to begin more productively by asking them to by putting the name of the writer, their assess their own work in the productive 3 Tell the students they are going to own name and the approximate number skills of speaking and writing, and by read each other’s writing and give of words in the text at the top of their allowing them to approach materials at feedback in four of these categories. sheet of paper. They should then read their own level in the receptive skills of (Students cannot give feedback in the text. If they feel the writer has reading and listening. ETp accuracy and range – that’s the teacher’s successfully fulfilled the listed criteria, job!) they can put a tick next to them. If not, Stephanie Hirschman is American and teaches they should put nothing. They shouldn’t teenagers and adults at 4 Decide how you will organise the correct any mistakes. Remind them that Sussex Downs College in southeast England. feedback. You can either ask the students they must add a positive comment at She also teaches Latin to exchange written work with a partner the end. This can be any supportive and to primary school children. She is or you can type up and photocopy one appreciative comment, such as: interested in helping student’s work for everyone to read. If ● Good spelling teachers and learners to you do this, keep it anonymous. This also develop habits and ways ● Excellent vocabulary of thinking which make works well if the students work in pairs lessons more effective. ● Funny story so they can discuss their feedback. [email protected] Give them a few minutes to complete 5 Add two or three criteria to each their feedback. Monitor and help as COAST heading relating to the specific necessary. writing task which your students Writing for ETp 8 undertook. The examples here are for a If you asked all the students to Would you like to write for ETp? We are transactional letter of complaint to a read the same text, you can check their always interested in new writers and hotel where the writer recently stayed. ideas with the class. Otherwise, you can fresh ideas. For guidelines and advice, You will have to write appropriate ask students to return the feedback to write to us or email: criteria for every writing task you use in the writer so they can see how they did. [email protected] this way, but it doesn’t take long! Monitor and assist with any queries.
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www.diako.ir METHODOLOGY DogDog daysdays
William Chaves s a student of English, I was lessons were never the same! However, I taught for two hours a week was no longer a human being genuinely Gomes invites us to do a by very experienced teachers interacting with my students: I had in an excellent language become a mere materials operator. Aschool, which could afford to provide Even though materials play an little Dogme in our lessons. me with loads of materials and tried to important role in language teaching, reproduce ‘real-life situations’, some of what has been noticed recently is an which, I now realise, bore little over-dependency on them at the expense resemblance to real life at all. My of the learning opportunities that can teachers followed the coursebook and happen between people in the did what they believed was best – classroom. It was not until I started the something pretty natural, I would say. DELTA course that I was observed by a When I started my own teaching tutor who diagnosed my dependence on career in a very modest language materials and my tendency towards school, a good 12 years ago, the over-planning. And that was when I was coursebook was basically all I had with introduced to Dogme ELT. which to teach the language. As a novice teacher, I had to rely heavily on my creativity and my perception of each The role of the student by interacting with them in Dogme teacher is to order to fill classroom time. Because of the lack of varied be attentive to the material, the interaction between my students’ needs and students and me was really intense, and I still remember talking to them about responses and to things that came up in the lessons but that, in fact, had no connection with the maximise language topic of the book or the topic of the learning opportunities lesson. These unexpected conversations with my students used to leave me with a horrendous sense that I was simply The term derives from the Dogme- padding the lesson out. 95 Collective headed by Danish Little did I know that what I was filmmaker Lars von Trier, who believed doing was real teaching! that the art of making cinema had been destroyed by the high-budget and highly A materials teacher in a technological Hollywood-style productions. materials world? In a similar fashion, Scott My ‘nightmare’ ended with the Thornbury suggests that the absence of development of technology and the materials fosters interaction in class and wonderful range of teaching resources it allows language to emerge out of the put at a teacher’s disposal. There are communicative needs, interests and now downloadable activities, resource desires of the people in the room: thus packs, CD-ROMs, catch-up CDs, to Dogme ELT. name but a few. From the moment I The role of the Dogme teacher is to had access to these resources, my be attentive to the students’ needs and
12 • Issue 59 November 2008 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir responses and to maximise language moments (Dogme slots) in my class to learning opportunities by drawing their make room for language emergence and Much of what attention to the characteristics of the reformulation. language which emerges. By interacting teenagers want to with the students, the teacher works Slots for situations know – slang and with the language that comes up, helping students reformulate it or Having Dogme slots in class also informal expressions, providing them with the next level of increases motivation because students the language they need, a process which can use the language they have in a non- for example – is not relates to Stephen Krashen’s input threatening atmosphere to talk about easily found hypothesis (i + 1). real problems and to get real answers. Because they don’t feel threatened in books during this informal talk – as it doesn’t I made sure that I seem to be something the teacher has planned – students feel at ease trying to teacher becomes somebody who is truly included unplanned get their message across. Meanwhile, the interested in what they have to say, moments (Dogme teacher can silently diagnose the rather than a mere mistake corrector. language and lexical gaps to target in slots) in my class follow-up work. Simple Dogme activities If students are learning the language I still have a lot to learn and experiment to make room for in an English-speaking environment, a on with my students, but the following Dogme moment in class is a marvellous language emergence activities have worked beautifully in my opportunity for them to use ‘real-life classes and I believe they will probably and reformulation language’ learnt outside the classroom inspire you, too! and to get feedback from the teacher on whether that language is appropriate for Knowledge is, therefore, a particular situation in class. Also, it is Lower levels constructed, instead of being imposed an opportunity to share cultural or transmitted by the teacher. In other differences between countries and learn 1 My world words, language and grammar are not informally from other students while This is a very good Dogme slot for acquired: they simply appear, given the interacting with them. appropriate conditions. Hence, there is showing your students that you are no right order in which grammar interested in their countries. It is also structures should be learnt. useful for diagnosing problems with A Dogme question formation. Slots for surprises moment in class is a If you teach a multinational group, write the countries the students come I was once teaching a group of marvellous opportunity from on the board and ask them what elementary students on a freezing day in for students to use they would like to know about one or London when it started sleeting. An two of the countries. Have them write Algerian student was overjoyed to see ‘real-life language’ appropriate questions in their for the first time what he called ‘snow’. learnt outside the notebooks. Then a Swiss student in the group Then get the students to ask and explained to him that it wasn’t snow, classroom answer the questions about their but sleet. In a six-minute conversation, countries, while you make a note of any lexical items such as snow, sleet, hail, language gaps. hailstorm, flurry and grammatical Dogme slots in class are also highly If you teach a monolingual group, structures such as there’ll probably be beneficial for those who are in a non- you can adapt the activity and write on more snow later, I think there won’t be English-speaking environment. Much of the board the different cities the any … tomorrow and it will definitely, it what teenagers want to know – slang students come from or the area in the possibly won’t emerged. These words and informal expressions, for example – city where they live. and structures are not normally part of is not easily found in books. So, Dogme an elementary syllabus, but were slots in class not only bridge this gap, 2 Free time perfectly pertinent and relevant for that but also motivate students to participate Ask your students what they did at the lesson. in the lesson and, consequently, lead to weekend or before coming to class. I believe that designing an entire less disruptive behaviour. Involve all the other students by asking ‘Dogme syllabus’ or letting students As for adults, who tend to be if they did the same thing or if they dictate the content of a whole course is reluctant to speak and afraid of having would consider doing it. I’ve noticed somewhat utopian. In fact, materials are their poor English exposed, a Dogme that this activity tends to generate powerful and effective tools in fostering slot is a boost to their confidence language for recommendation, such as the learning process. However, from the because they suddenly realise that they it’s worthwhile, I strongly recommend, it’s moment I got acquainted with Dogme, can actually communicate in situations well worth a visit. But again, it depends I made sure that I included unplanned beyond those given in coursebooks. The on the class.
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www.diako.ir Whichever activity the teacher chooses or whatever Dogme moment arises in a lesson – either planned or genuinely ENGLISH Dog days unplanned – it is the teacher’s EACHING responsibility to orchestrate that Tprofessional moment well so that all the students get Higher levels involved in the same topic and give their contributions. This is your magazine. 1 Complete the sentences With the language that emerges put We want to hear from you! Write on the board a series of prompts, on the board, the teacher can work like the following: afterwards on form and pronunciation. ● I will … The meaning will already be clear: after ߜ ● … is the most disgusting thing I’ve ever all, it came from the students’ seen. communication needs. Finally, it is a IT WORKS IN PRACTICE ● I can’t stand … because … great idea for the students to copy the Do you have ideas you’d like to share ● You wouldn’t see me dead … language into their notebooks so that with colleagues around the world? ● I can’t … they have a written record and so that Tips, techniques and activities; ● I wish I could … because … that rich class moment doesn’t fade away. simple or sophisticated; well-tried You can either work with the whole ૽ ૽ ૽ or innovative; something that has class or split it into smaller groups. Ask worked well for you? All published the students to complete the sentences My intention when I wrote this article contributions receive a prize! any way they like. This sort of activity was to reinforce Scott Thornbury’s ideas Write to us or email: generates a lot of language for the of Dogme ELT but also, and perhaps [email protected] teacher to work on because of the range mainly, to encourage teachers to include of possibilities provided by the Dogme slots in their classes so that real unfinished sentences. communicative needs and language Alternatively, if you want to work emerge. By doing so, the focus is directed TALKBACK!TALKBACK! on writing skills, ask the students to away from the teacher and onto the Do you have something to say about write the sentences in their notebooks. students, giving them more to say. Also, an article in the current issue of ETp? I would invite teachers to look critically 2 This is your magazine and we would What’s on today? at the activities in their coursebooks really like to hear from you. Ask the students to report on something and feel free to reject them, if necessary, Write to us or email: they saw on TV or read in the newspaper. in favour of more meaningful and Involve the other students in the class by quality time in class. And, above all, to [email protected] asking them if they saw or read about it listen to what their students have to say! and what their opinion is. You can also I’d like to end this article with a give students follow-up work by asking quotation from David French: ‘It is Writing for ETp them to write a short summary about more rewarding to talk about real lives, Would you like to write for ETp? We are what was on the news that particular day. real opinions and real experiences than always interested in new writers and invent opinions or take on an invented fresh ideas. For guidelines and advice, 3 Me, not me! p role.’ ET write to us or email: Write a number of words, such as dogs, robots, soaps, rap, marbles, arguments, X- French, D ‘The Dogme discussion group’ [email protected] Factor, etc, at random on the board and IATEFL 3 2000 ask the students if those words relate to Lightbown, P M and Spada, N How them in any way, and, if so, why. Again, Languages are Learned OUP 1994 Visit the lots of grammar and lexical items can Nield, D ‘Spirit of Dogme’ English ETp website! emerge from this activity. Teaching Professional 41 2005 The ETp website is packed with practical Thornbury, S ‘Teaching unplugged’ www.teaching-unplugged.com/ tips, advice, resources, information and By using descriptions.htm selected articles. You can submit tips or articles, renew your subscription Dogme slots in William Chaves Gomes or simply browse the features. has taught and trained class, the focus is teachers in Brazil and in England. He is an oral www.etprofessional.com examiner for Cambridge directed away from ESOL and currently works at Cultura Inglesa ENGLISH TEACHING professional the teacher and onto São João del Rei in Brazil. Keyways Publishing Ltd, PO Box 100, the students, giving Chichester, West Sussex, PO18 8HD, UK Fax: +44 (0)1243 576456 them more to say Email: [email protected] [email protected]
14 • Issue 59 November 2008 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir www.diako.ir IN THE CLASSROOM every lesson to discuss specific examples of that student’s behaviour that the teacher has noted. ૽ ૽ ૽
It is obvious that most language students Rude students attend classes in order to learn grammar, Paul Bress tackles the issue of anti-social behaviour. vocabulary, phonology and the four skills. They may, in addition, have a uman beings are essentially 2 Talking behaviour particular motivation for communicating social animals. There are those Those students who know how to fit in in a specific area, eg business English or Hwho like to spend their lives make a point of making relevant English for Academic Purposes. seeking nirvana in caves, but, for most of contributions to a conversation, and they However, for whatever reason they’re us, happiness arises out of the ability to don’t ‘hog the floor’. Their contributions studying, they will probably need to be fit in with those around us. Some people will be positive ones, and their tone will able to converse in a group (both during are lucky enough to have been well be calm. If their contributions involve and after their studies). Some students socialised as infants, but the less some reference to a personal experience, will be excellent at this, some reasonable fortunate have not been encouraged to the reference will be a modest one. and some dire. Teachers need to be able mix with others and have not been made In short, socialised students are to help the socially ‘dysfunctional’ aware of what is acceptable behaviour sensitive to other students in class both students to converse more effectively and what isn’t. This lack of socialisation when they are listening and when they and behave more appropriately in a may result in racist or sexist behaviour. are speaking. group. If they can do that, the students in question will have learnt much more p Socialisation in the classroom Students who don’t fit in than just English. ET If students have not been well socialised, Teachers can do two principal things to Paul Bress works both they may exhibit a number of different help students to fit in: a) praise in the fields of personal undesirable behaviours: growth and ELT and ‘functional’ behaviour and b) raise has published very ● They constantly seek attention. awareness of the effects of widely in both areas. Paul is a life-long, non- ● They never contribute anything to a ‘dysfunctional’ behaviour. In the grid stop learner – he learns class discussion. below there are some examples of more from everyday possible language a teacher could use. experience than from ● They are often negative or aggressive. formal research. His life In the event of serious ongoing coaching website is ● They constantly interrupt other problems, it is a good idea for a teacher www.bemycoach.co.uk. students when they’re speaking. to take a ‘problem’ student aside after [email protected] ● They often say things which aren’t connected with the existing ‘FITTING IN’ SKILLS PRAISING ENCOURAGING AWARENESS conversation. Listening I like the way you listened I noticed that you were looking at your ● They like to show off. carefully to what Maria said. watch while Maria was speaking. What Just one of these behaviours is likely to do you think she thought about that? have a very negative effect on the rest of Waiting Well done! I noticed you Did you know that Harumi hadn’t the class, but if a student exhibits all of waiting patiently for Harumi finished speaking? What do you think these behaviours, the most likely to finish speaking before you she felt when you interrupted her? scenario is that the student will be said something. shunned, and the class will be extremely difficult to teach. Connecting You’re keeping the Did you think the conversation topic conversation topic going was finished? What can you do instead well! of just changing the direction of the Students who fit in conversation like that? Let’s look at students who do know how to behave in a group. What do they do – Contributing It’s good to hear you express Do you have any opinions about this whether as a result of lucky genes or your opinions! topic? Do you think that we would like successful socialisation – to fit into a to hear them? group? I’ll divide their behaviour into Being positive/calm I thought that that was a Are you feeling angry? Do you think ‘non-talking behaviour’ and ‘talking really useful contribution. that the classroom is a good place to behaviour’. show your anger? 1 Non-talking behaviour Being modest I liked the way you didn’t give I’m happy for your success, but do you Students who know how to fit in always too much detail about your think you need to go into so much listen carefully to what other students competition victory! detail? Do you think the group will say. They always wait until the other appreciate the fact that you talk so students have finished speaking before much about your achievements? they join in the conversation.
16 • Issue 59 November 2008 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir www.diako.ir PRONUNCIATION PhonemicPhonemic pplayinglaying cards Paul Charles puts his money where his mouth is.
he mark of a great air is somehow blocked. The layout of often the case, learning by doing is the sportsperson is the ability to the monophthongs in the chart is based only approach with real merit. Unlikely make difficult things look on the mouth’s shape when each is as it may sound, plenty of fun can be easy. To take something I had formed, more closed for the top row, had moving from sound to sound, Tknowingly marginalised in my teaching moving to open on the bottom. inventing new ones, and vainly trying to and, within an hour, turn it into a Pronouncing those on the left, the lips make one vowel sound while the mouth passion bordering on obsession must be are pulled back and the tongue pushed is in the natural position for another. one sign of an inspirational trainer. forward. This slides into the reverse Next comes the logical step of Some time ago, Adrian Underhill did arrangement (lips forward and tongue combining these sounds, appreciating the exactly that for me, and I’m sure I’m back) as the four sounds in each row are feel of diphthongs, and suddenly being not the first person to say this. produced. Feel the difference in the able to mimic various accents by playing movement between the two sounds in the about with vowels. Finally, there are the A change of heart word she /i*/ compared with shoe /u*/, consonants. Where there are voiced and for example. Try it for yourself! As is so unvoiced versions of exactly the same Before this revelation at a conference in Devon, UK, I imagine my attitude to teaching pronunciation was sadly common. My Director of Studies said that the phonemic chart had to be displayed, but I had similar feelings towards the chart as to the patch of wall it covered. Actually, I was even more negative, because people rarely ask awkward questions about blank wall space. At Adrian Underhill’s workshop, though, the wonderfully logical layout of his chart finally became clear to me. A change of chart Understanding the significant differences between sounds (phonemes) and stress patterns is critical to successful communication in English. Monophthongs, diphthongs and consonants are, of course, separated in the chart. When we pronounce vowels, the flow of air is shaped but not impeded Phoneme chart from Sound Foundations by Adrian Underhill. by the mouth. To form a consonant, the Chart © Adrian Underhill & Macmillan Education, 1994, 2005
18 • Issue 59 November 2008 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir mouth movement or shape (the vast position in the chart. Several cards are 1 Memory majority), they are always side-by-side in reproduced on page 20 and there are the chart, like /t/ and /d/. There is much, blank templates for you to photocopy Objectives: To familiarise students much more as well. For example, try and produce your own on pages 21 and with the sounds of English, and help sliding between /l/, /n/ and /r/, feeling the 22. At the bottom of each card is an them think about pronunciation in tongue’s subtle but crucial movement. indication of the position they occupy terms of phonemes rather than letters. Imagine the difference a similar in Adrian Underhill’s phonemic chart. To highlight where different sounds awareness could make to students The inclusion of this information is commonly occur in words. struggling with these distinctions. crucial, as I have tried to explain above. Players: This game can be played Without it, they are a random – if still individually, in pairs or in groups of Learning about the potentially useful – set of symbol cards. three. Where necessary, I have found that the sounds best way to model sounds is to make the Procedure ● In the same way we English teachers correct shape with the mouth, but Twenty-seven of the cards are laid out have to learn about a language we silently, and encourage the students to face down in three groups (consonants, already ‘know’, I found myself, for the do the same, then voicing the most monophthongs/diphthongs, first time, learning about the sounds comfortable sound in each position. consonants). Use fewer cards for that were the most familiar in the world That way, you can elicit the ideal model lower-level groups, where only a few to me. And while I apologise for a from the students. Alternatively, some of the sounds have been introduced. whirlwind couple of paragraphs, as I of the sounds lend themselves to a Useful cards for the first group of said, it has become a near-obsession. description of the face shape (smile nine include /C/ /b/ /h/ /s/ /f / /r/ /l/ The harmony of exhaled air, lip and /k/ /m/ tongue movements just reading this Useful cards for the second group sentence out loud is extraordinary. The games can include /æ/ /J / /I / /a*/ /Ÿ/ /Ê*/ /Q*/ /e/ I also began to appreciate fully the /u*/ benefits of this chart in the teaching inspire confidence Useful cards for the third group and learning process. Crucially, this and overcome the include /d/ /n/ /t / /z / /b/ /Ñ / /dú/ /Ü/ wasn’t even a grudging acceptance. It /p/ involved full participation, childish students’ reluctance enthusiasm and a fair amount of ● The first player turns over one card daftness and laughter. Since then, I have to try to change from each group, aiming to make a spent countless hours copying and their pronunciation word. After each turn, the cards are adapting Adrian Underhill’s methods, turned back over and the next player and trying to develop my own ideas. habits or team has a go. When I left Europe for an Ethiopian ● Players try to memorise the position teacher training college, I enjoyed an of each card, and receive a point for even more striking reaction, and saw widely for /i*/ or open the mouth as far each word they make. genuine, positive effects. as possible and try to smile for /æ/.) Sound association can also work (you ● In groups of three, players can work Teaching the sounds are at a football match and have just in teams, with one set of nine cards seen your team hit the post – /u*/, or each to memorise. There, with a glaring lack of exposure to you are a sulky teenager and your native speaker English, and an education mother has told you to wash up – /Q*/). Obviously, the cards used can be that mostly involved lectures to classes It is worth spending some time on this changed according to the class. Players of 100 or more students, two inevitable at the very beginning of the course. could also be asked to spell the word problems occurred. The first was weak The games work best if they produce or use it in a sentence for pronunciation. This was compounded monophthongs, diphthongs and bonus points. by the more serious second problem – a consonants are each printed on different total lack of confidence when speaking coloured card. When they work well, 2 Countdown English. These issues are clearly not they can inspire confidence and Objectives: Similar to ‘Memory’. limited to Ethiopia, Africa, or even the overcome the students’ reluctance to try developing world. to change their pronunciation habits. Players: This is a whole-class There isn’t space here to describe in Most of all, like many games involving alternative to ‘Memory’. Students can detail the methods that originally the chart itself, they can inspire work individually, in pairs or in teams. inspired my interest (although the downright silliness. In a country where Procedure classic book Sound Foundations goes a learners are too often forced into the This game is similar to a UK television long way towards doing this and I role of passive observer, this is game show of the same name. The would thoroughly recommend it). My invaluable. I really hope you and your students ask the teacher for consonant, own contribution has been to develop a students enjoy the cards, and develop monophthong or diphthong (or just set of games with playing cards showing some new and exciting games of your consonant or vowel) and the teacher the phonemes, their type (consonant, own. Here are five of my favourite picks each one at random and attaches monophthong or diphthong) and their activities. it to the board until nine symbols are
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www.diako.ir related to a recent topic. If necessary, Vowels: Monophthongs they look it up in a dictionary to find Phonemic the phonemic script. As in standard hangman, the word is marked out with pplayinglaying cards dashes on the board, but in this version, each dash represents a phoneme rather displayed. The winner is the student or than a letter. The student should also team that can construct the longest mark the primary and (if applicable) i* word within a time limit (1–5 minutes). secondary stress. The other students Have several rounds, using different nominate phonemes by making the symbols. Bonus points can be awarded sound and, if necessary, showing the as above for spelling a word or using it corresponding card. The game is won in a sentence. and lost like normal hangman. It is a good idea to duplicate cards for the most useful sounds, such as the 5 Phonemic sardines schwa /P/, and remove some of the least common, such as /ŸP/. Objectives: To tune the students’ ears into sounds and word stress. To work Vowels: Diphthongs 3 Clap-Clap-Click-Click on forming sounds. To construct words using phonemic symbols. Objectives: To encourage instinctive recognition and production of English Players: More than six, split into equal sounds. To build familiarity with the teams of three to seven students. Note: more than one set of cards may be âP phonemic symbols. useful. Players: Ideally, ten students or more. Procedure Procedure The first team thinks of a word with the The players stand in a wide circle. Each same number of phonemes as there are student takes one phonemic playing players per team (eg, if there are five card and places it face up in front of players, the word number / ÷nJmbP/ them. This phoneme is ‘their’ sound. If could be used). If only one set of cards the cards are too small to see, the is being used, it must also be a word in students can copy their allotted sound which no sound is repeated. If students onto a piece of A4 paper. are new to the phonemic chart, they Consonants Using a slow 3/4 rhythm, everybody could draw words with the correct hits their knees twice (one and …), claps number of phonemes from sets their hands twice (two and …), clicks prepared by the teacher. The other team the fingers on their left then their right has the phonemic cards. (In large hand (three and …), and repeats. p classes, it works better to scatter all the Once the regular rhythm is cards on the floor in front of the team.) established, the student to the teacher’s A player from the first team says the right says his or her own sound on the chosen word. The players from the first finger click, and somebody else’s on second team then have 30 seconds to the second finger click. The player find the corresponding cards, take one whose sound this is becomes the new each and stand in a line with them in nominee and does the same, using his or order. The person with the stressed her own sound on the first click and a sound holds their card up higher or different player’s on the second. If stands on one leg. Points are awarded students fail to recognise their sounds for the phonemes and stress, and the or lose the rhythm, they are eliminated. teams then swap roles. Underhill, A Sound Foundations Gradually speed up the beat. The last Macmillan 1994
player remaining is the winner. One example card from each group is Paul Charles is a shown here. There are another 12 blank teacher and freelance writer. He has taught 4 Phonemic hangman cards on the following pages; six for and trained in Spain, consonants and six for vowels. These England and with VSO Objectives: To help recognition of can be photocopied as many times as in Ethiopia. He has symbols and production of sounds. To just started an MEd in necessary. Copy all the symbols from TESOL at Exeter encourage students to think about the chart onto the photocopied cards, University, UK. His words or phrases in terms of phonemes. main interests are mark each sound’s position in its pronunciation, Players: Three or more. section of the chart, and enjoy the authentic materials and communicative phonemic fun! ETp Procedure methods. One player thinks of a word or phrase [email protected]
20 • Issue 59 November 2008 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir Phonemic playing cards
Vowels: Monophthongs Vowels: Monophthongs Vowels: Monophthongs
Vowels: Diphthongs Vowels: Diphthongs Vowels: Diphthongs