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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
'X'marks the Spot: the History and Historiography of Coleshill House
UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of History ‘X’ Marks the Spot: The History and Historiography of Coleshill House, Berkshire by Karen Fielder Thesis for the degree of Doctor of Philosophy June 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES DEPARTMENT OF HISTORY Doctor of Philosophy ‘X’ MARKS THE SPOT: THE HISTORY AND HISTORIOGRAPHY OF COLESHILL HOUSE, BERKSHIRE by Karen Fielder Coleshill House was a much admired seventeenth-century country house which the architectural historian John Summerson referred to as ‘a statement of the utmost value to British architecture’. Following a disastrous fire in September 1952 the remains of the house were demolished amidst much controversy shortly before the Coleshill estate including the house were due to pass to the National Trust. The editor of The Connoisseur, L.G.G. Ramsey, published a piece in the magazine in 1953 lamenting the loss of what he described as ‘the most important and significant single house in England’. ‘Now’, he wrote, ‘only X marks the spot where Coleshill once stood’. Visiting the site of the house today on the Trust’s Coleshill estate there remains a palpable sense of the absent building. This thesis engages with the house that continues to exist in the realm of the imagination, and asks how Coleshill is brought to mind not simply through the visual signals that remain on the estate, but also through the mental reckoning resulting from what we know and understand of the house. In particular, this project explores the complexities of how the idea of Coleshill as a canonical work in British architectural histories was created and sustained over time. -
She Stoops to Conquer Seattle Shakespeare Company Encore Arts Seattle
Jan 7–Feb 2, 2020 Center Theatre WINTER 2020 at Seattle Center Photo by HMMM Productions Feb 7–9, 2020 Shakespeare and Isaac Studio Theatre the Alchemy of Gender at Taproot Theatre With Lisa Wolpe Seattle Shakespeare’s new series featuring leading artists and performers sharing their unique perspective on Shakespeare and classical theatre. Winter 2020 | Volume 16, No. 4 FEATURE In This Issue Feature 3 The Joy and Value of a Student Matinee Dialogue 9 Karen Lund Returns to ‘The Shop Around the Corner’ with ‘She Loves Me’ at Village Theatre 13 Rachel Atkins Makes ‘The Turn of the Screw’ Her Own at Book-It Intermission Brain Transmission 12 Test yourself with our trivia quiz! Upcoming Events 15 Winter 2020 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Manager Guide and Catalog, Official Seattle ANA ALVIRA, STEVIE VAN BRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED San Francisco/Bay Area Account Executives Encore Stages features the BRIEANNA HANSEN, SHERRI JARVEY, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Brand & Creative Manager CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve performing arts events in the San Francisco Bay Area and Greater Seattle Area. -
For Additions to This Section Please See the Media Resources Desk. for Availability Check the Library Catalog
UNLV LIBRARY Akropolis. MEDIA RESOURCES CATALOG Mattapan Films (1968) THEATER ARTS Filmed live production of a drama Summer 2011 depicting prisoners in a concentration camp during World War II as performed by Acting in Restoration Comedy. members of Jerzy Grotowski's Polish Applause Video (19??) Laboratory Theater. Also features an Taking scenes from The Relapse by interview with British director, Peter Brook, Sir John Vanbrugh as the text, Simon which introduces the performance. Callow directs a workshop of young actors 1 videocassette (60 min.) and subjects them to his own rigorous and PG7158.W8 A792 1971 scrupulous appraisal. Video Cassette (1 hr.) Albee, Edward. PN 2071 C57 S54 c. 1-2 Films for the Humanities (1996) Explores the work of Albee. He talks Aeschylus & The Death of Tragedy. about the influences of his childhood upon Jeffrey Norton Pub. (1963) his work, his years in Greenwich Village and Lecture on the Greek dramatist. his method of writing. Cassette (1 hr. 12 min.) Video Cassette (52 min.) PA 3829 K28 PS 3551 L25 Z474 Agamemnon. The Alchemist. Films for the Humanities (198?) Creative Arts Television Archive (1964) Video Cassette (1 hr. 30 min.) Video Cassette (27 min.) PA 3827 A7 H37 PR 2605 A3 Agamemnon. All That Fall. Everett/Edwards Voices International, 1986 Lecture on the play. "An American national premiere of Cassette one of the radio plays of Samuel Beckett PA 3825 A8 C38 and a documentary about the play and its place in the context of Beckett's work"-- Ah, Wilderness. Guide in container. Caedmon (1970) 2 sound discs Performed by the Circle in the PR6003.E282 A84 1986 Square; Theodore Mann, Director. -
Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia
Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia Edited by Linda Kaljundi, Eneken Laanes and Ilona Pikkanen Studia Fennica Historica The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Sunstitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society, Finland Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia Edited by Linda Kaljundi, Eneken Laanes & Ilona Pikkanen Finnish Literature Society SKS • Helsinki Studia Fennica Historica 19 The publication has undergone a peer review. -
Anteros: on Friendship Between Rivals and Rivalry Between Friends
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons Anteros: On Friendship Between Rivals and Rivalry Between Friends Dror Post Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Dror Post All rights reserved Abstract Anteros: On Friendship Between Rivals and Rivalry Between Friends Dror Post This dissertation is about friendship and rivalry and, particularly, about the connection between them. The main argument of the dissertation is that friendship, philia, and rivalry, eris, are interconnected and that the failure to recognize this interconnection leads to violence and destruction. More specifically, I argue that every philia, friendship, contains elements of eris, of difference and disagreement, and that the failure to provide a space for these elements within the philia relationship results in the collapse of the friendship. Similarly, I argue that every eris, rivalry, contains elements of philia, of similarity and communality, and that the failure to recognize these elements leads to violent and destructive results. I use the term ‘philia’ here in a broad sense that includes different interpersonal relations like love, friendship, cooperation, solidarity, sympathy, etc., which are endowed with some gravity force that draws individuals close to each other and links them together. Likewise, I use the term ‘eris’ here in a wide-ranging sense that includes various interpersonal relations like hate, rivalry, hostility antipathy, etc., which are endowed with a sort of repulsive force that draws individuals away from each other and divides them. -
Historical Characters in Dante's Divine Comedy
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Uncovering The Sources: Historical Characters In Dante's Divine Comedy Vanessa Dimaggio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Italian Literature Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Dimaggio, Vanessa, "Uncovering The Sources: Historical Characters In Dante's Divine Comedy" (2019). Publicly Accessible Penn Dissertations. 3486. https://repository.upenn.edu/edissertations/3486 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3486 For more information, please contact [email protected]. Uncovering The Sources: Historical Characters In Dante's Divine Comedy Abstract A lack of citation of Dante’s specific source material for historical characters who appear in the Divine Comedy is widespread throughout the commentary tradition. I performed a close textual analysis of the Divine Comedy’s historical characters, comparing them with the chronicles, annals and histories of Dante’s time, using both archival research and secondary histories to do so, and interpreted those primary historical texts as potential sources consulted by Dante. The historical characters I focused on fell into three categories: 1) characters involved in the battles of Montaperti and Colle Val d’Elsa, 2) characters belonging to or associated with the Norman, Swabian and Aragonese dynasties of Sicily, 3) characters embroiled in sensational or newsworthy events during Dante’s lifetime. The first two categories analyzed historical events that mostly occurred before Dante was born, and thus focused more heavily on written testimony, while the third category analyzed the news of Dante’s adulthood, and thus focused more on oral tradition. -
Ilit Student Library Ilit STUDENT LIBRARY Every Ilit Class Begins with Students Independently Reading a Book They’Ve Selected Themselves
iLit Student Library iLit STUDENT LIBRARY Every iLit class begins with students independently reading a book they’ve selected themselves. There are hundreds of books in the iLit library, and it has something for every reader: fast and edgy thrillers, high-interest nonfiction, classic literature, and much more. The titles in the library range in Lexile from BR (Beginning Reader) to 3710, which means students will be able to find a text that’s both interesting and at their reading level. Title Author Genre Lexile BR - 100L Action! Haney, Jill Nonfiction BR Animals A to Z Zammit, Iris Nonfiction; Reference BR Boy Soldier Higgins, Melissa Fiction BR Draft Higgins, Melissa Fiction BR Friend Me Haney, Jill Nonfiction BR iYou Jacobs, Evan Nonfiction BR Mr. Small Fay Robinson Fiction BR New Girl Gray, PJ Fiction BR Nothing But White Simms, Rosie Fiction BR Pitch Higgins, Melissa Fiction BR Red Planet Jill L. Haney Nonfiction BR The Crow and the Pitcher Robert Newell Fiction: Fable BR The Mist Gray, PJ Fiction BR The Open Book Gray, PJ Fiction BR The Star Gray, PJ Fiction BR Three Moons Gray, PJ Fiction BR We Stand United Haney, Jill Nonfiction BR Include Me Evan Jacobs Nonfiction 10L Into the Dark Simms, Rosie Fiction 10L Stand M. G. Higgins Fiction 10L The Gift Westcott, Jim Fiction 10L Almost Human Higgins, Melissa Fiction 20L Blue Beans Gray, PJ Fiction 20L Flip Higgins, Melissa Fiction 20L Triangle of Mystery Jill L. Haney Nonfiction 20L Gone by Night Gray, PJ Fiction 30L Mine Higgins, Melissa Fiction 30L But Since You Finally Asked Giovanni, Nikki Poetry 40L Crash Fiction 40L Hide and Seek Susan Rose Simms Fiction 40L Splash! Haney, Jill Nonfiction 40L Cloning Henneberg, Susan Nonfiction 50L No Home Jill L. -
Jolly Fellows Stott, Richard
Jolly Fellows Stott, Richard Published by Johns Hopkins University Press Stott, Richard. Jolly Fellows: Male Milieus in Nineteenth-Century America. Johns Hopkins University Press, 2009. Project MUSE. doi:10.1353/book.3440. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/3440 [ Access provided at 28 Sep 2021 22:09 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Jolly Fellows gender relations in the american experience Joan E. Cashin and Ronald G. Walters, Series Editors Jolly Fellows Male Milieus in Nineteenth-Century America D richard stott The Johns Hopkins University Press Baltimore © 2009 The Johns Hopkins University Press All rights reserved. Published 2009 Printed in the United States of America on acid-free paper 246897531 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Stott, Richard Briggs. Jolly fellows : male milieus in nineteenth-century America / Richard Stott. p. cm. Includes bibliographical references and index. isbn-13: 978-0-8018-9137-3 (hardcover : alk. paper) isbn-10: 0-8018-9137-x (hardcover : alk. paper) 1. Men—United States—History—19th century. 2. Men—Psychology— History—19th century. 3. Masculinity—United States—History—19th century. 4. Violence in men—United States. I. Title. hq1090.3.s76 2009 305.38'96920907309034—dc22 2008044003 A catalog record for this book is available from the British Library. Special discounts are available for bulk purchases of this book. For more information, please contact Special Sales at 410-516-6936 or [email protected]. -
Creating Memories: Myth, Identity, and Culture in the Russian Space Age—Slava Gerovitch
REMEMBERING the SPACE AGE Steven J. Dick Editor National Aeronautics and Space Administration Office of External Relations History Division Washington, DC 2008 NASA SP-2008-4703 CONTENTS Acknowledgments .......................................vii Introduction ........................................... ix PART I. N ATIONAL AND GLOBAL DIMENSIONS OF THE SPACE AGE Chapter 1: Gigantic Follies? Human Exploration and the Space Age in Long-term Historical Perspective—J. R. McNeill .................3 Chapter 2: Spaceflight in the National Imagination—Asif A. Siddiqi.... 17 Chapter 3: Building Space Capability through European Regional Collaboration—John Krige ..................................37 Chapter 4: Imagining an Aerospace Agency in the Atomic Age— Robert R. MacGregor .....................................55 Chapter 5: Creating a Memory of the German Rocket Program for the Cold War—Michael J. Neufeld ..........................71 Chapter 6: Operation Paperclip in Huntsville,Alabama— Monique Laney ..........................................89 Chapter 7:The Great Leap Upward: China’s Human Spaceflight Program and Chinese National Identity—James R. Hansen..........109 Chapter 8:“The ‘Right’ Stuff: The Reagan Revolution and the U.S. Space Program”—Andrew J. Butrica.......................121 Chapter 9: Great (Unfulfilled) Expectations:To Boldly Go Where No Social Scientist or Historian Has Gone Before— Jonathan Coopersmith ....................................135 PART II. REMEMBRANCE AND CULTURAL REPRESENTATION OF THE SPACE AGE Chapter 10: Far Out: -
School of Theatre Arts History and Directory
Illinois Wesleyan University Digital Commons @ IWU History Theatre Arts, School of 1994 School of Theatre Arts History and Directory Jared Brown Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_hist Part of the Education Commons, and the Theatre History Commons Recommended Citation Brown, Jared, "School of Theatre Arts History and Directory" (1994). History. 1. https://digitalcommons.iwu.edu/theatre_hist/1 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by University Archivist at The Ames Library at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. ILLINOIS WESLEYAN UNIVERSITY • • • • ~ Ilhno1s Wesleyan Un1vers1ty School of Theatre Arts History and Directory ILLINOIS WESLEYAN UNIVERSITY SCHOOL OF THEATRE ARTS Dear graduate: I know that you'll enjoy the enclosed School of Theatre Arts Directory. It will offer you (and me) easy access to the addresses and telephone numbers of many of our alumni. In addition, a brief history of the School should be informative. I'm sure you'll be pleased to know that the School of Theatre Arts continues to be rated highly. -
The Image of the Journalist in Silent Film, Part One: 1890 to 1919
Journalist in Silent Film 35 The Image of the Journalist in Silent Film, 1890 to 1929: Part One 1890 to 1919 Joe Saltzman Professor of Journalism Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction This is the first installment in the landmark study of “The Image of the Journalist in Silent Film, 1890 to 1929.” It covers 1,948 films from 1890 to 1919. Part Two will cover the years from 1920 to the beginning of recorded sound in 1929. This is the first comprehensive study of the beginning of cinema’s earliest depictions of the journalist, mostly newspaper reporters, editors, and publishers. Newspaper fiction flourished at a time when journalism “was a revolutionary force, tearing up traditions, redefining public morality, and lending voice and encouragement to the disenfranchised. It reflected currents sweeping through every phase of American life. The skyrocketing circulations, the manic search for exclusive news, the sensational headlines, and the concentration of newspaper ownership were signs of an America changing from a rural society to an urban and industrial one. Since journalism so clearly mirrored and so loudly supported the new order, it became the preeminent symbol for the mechanization, standardization, democratization, and vulgarization of culture.”1 Historian Howard Good points out that the 1890s “represented a watershed not only in American journalism but also in American history.