Turtle Island News North America Had Any Validity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
2018-2015 BC Master Production Agreement
2015-2018 BRITISH COLUMBIA PMRAODSUTCTEIOR N AGREEMENT 300 - 380 West 2nd Avenue Vancouver, BC V5Y 1C8 p 604.689.0727 f 604.689.1145 [email protected] www.ubcp.com TABLE OF CONTENTS Preamble ...................................................................................................................................... 1 SECTION A - GENERAL CLAUSES..................................................................................... 1 ARTICLE A1 - UNION RECOGNITION AND APPLICATION ........................................... 1 Union Recognition .......................................................................................................................................... 1 Scope of Agreement........................................................................................................................................ 1 Future Negotiations on Scope of Agreement ................................................................................................. 1 Minimum Terms ........................................................................................................................................... 1 Agreement in Whole ..................................................................................................................................... 2 Rights of Producer .......................................................................................................................................... 2 Laws of British Columbia Apply .................................................................................................................. -
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER. -
The Film and Television Industry Works
Opportunities for Growth and Competitive Advantage for BC’s Film and New Media Industries A Report to the BC Competition Council March 2006 A Message From the Chairs The Co-Chairs express their gratitude to Rick Griffiths and his team at PricewaterhouseCoopers for the accumulation of the data The Film and New Media Industry Advisory Committee underlying this report and its initial (IAC) is composed of ten members from the film, drafting. television, animation and interactive gaming industries in British Columbia. Four advisors from the service and educational sectors supporting these industries also provided assistance in the collection of data and Film and New Media Industry development of this report. IAC members met three Advisory Committee times to discuss the terms of reference and identify the key challenges and suggested recommendations. IAC Co-Chairs members also each conducted interviews with leading executives operating in the industry; a complete listing of Crawford Hawkins Directors Guild of Canada-BC the individuals interviewed can be found in Appendix A. The purpose of the interviews was to establish/confirm Rick Mischel BC’s current competitive position, future potential for Mainframe Entertainment growth, factors that will influence that growth, and steps that can be taken by industry and government to resolve competitive issues. Members These sectors share the same story as others in BC. Chris Bartleman Studio B Productions The initial creation by a pioneering few creates a foundation upon which to build. But the lack of risk Arthur Evrensel capital, senior talent and the limited size of the Canadian Heenan Blaikie market make it very hard to grow to a new sustainable Warren Carr level. -
1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
#1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos. -
Download-To-Rent (“DTR”), Subscription Video-On-Demand (“SVOD”), Ad-Supported Video-On-Demand (“AVOD”), and Paid Permanent Downloads (A.K.A
300- 380 West 2 nd Ave Vancouver, B.C. , V5Y 1C8 p 604.689.0727 f 604.689.1145 [email protected] www.ubcp.com Union of B.C. Performe rs – 2018-2021 B.C. Master Production Agreement TABLE OF CONTENTS Preamble ...................................................................................................................................... 1 SECTION A - GENERAL CLAUSES..................................................................................... 1 ARTICLE A1 - UNION RECOGNITION AND APPLICATION ........................................... 1 Union Recognition .......................................................................................................................................... 1 Scope of Agreement........................................................................................................................................ 1 Future Negotiations on Scope of Agreement ................................................................................................. 1 Minimum Terms ........................................................................................................................................... 1 Agreement in Whole ..................................................................................................................................... 2 Rights of Producer .......................................................................................................................................... 2 Laws of British Columbia Apply .................................................................................................................. -
Film and the City: the Urban Imaginary in Canadian Cinema
FILM AND THE CITY Copyright © 2014 George Melnyk Published by AU Press, Athabasca University 1200, 10011 – 109 Street, Edmonton, AB T5J 3S8 Cover and interior design by Marvin Harder, marvinharder.com. Cover photo by Jody Shapiro. Printed and bound in Canada by Marquis Book Printers. doi: 10.15215/aupress/9781927356593.01 Library and Archives Canada Cataloguing in Publication Melnyk, George, author Film and the city : the urban imaginary in Canadian cinema / George Melnyk. Includes bibliographical references and index. Issued in print and electronic formats. ISBN 978-1-927356-59-3 (pbk.).—ISBN 978-1-927356-60-9 (pdf).— ISBN 978-1-927356-61-6 (epub) 1. Motion pictures—Canada—History. 2. City and town life in motion pictures. 3. Cities and towns in motion pictures. I. Title. PN1995.9.C513M44 2014 791.43’658209732 C2013-905401-4 C2013-905402-2 We acknowledge the financial support of the Government of Canada through the Canada Book Fund (CBF) for our publishing activities. Assistance provided by the Government of Alberta, Alberta Multimedia Development Fund. This publication is licensed under a Creative Commons licence, Attribution–Noncommercial– No Derivative Works 2.5 Canada: see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author. To obtain permission for uses beyond those outlined in the Creative Commons licence, please contact AU Press, Athabasca University, at [email protected]. A city is not only a place but a state of mind. — Daniel Bell, The Cultural -
2018 Collective Agreement
2018 COLLECTIVE AGREEMENT EFFECTIVE: APRIL 1, 2018 — MARCH 31, 2021 TABLE OF CONTENTS Preamble……………………………………………………………………………………………....1 ARTICLE 1 — DEFINITIONS .................................................................................................. 2 Terms to be Given Common Industry Meaning ................................................................. 2 Business Day Defined....................................................................................................... 2 Cable Television Defined .................................................................................................. 2 Compact Device Defined .................................................................................................. 2 DGC Defined .................................................................................................................... 2 Domestic Run Defined ...................................................................................................... 2 Employee Defined ............................................................................................................. 2 Employer Defined ............................................................................................................. 3 Episode Defined ............................................................................................................... 3 Free Television Defined .................................................................................................... 3 High Budget Defined ........................................................................................................ -
The Future Is Female
WINTER 2018 WE SET OUT TO FIND CANADA’S MOST IMPRESSIVE YOUNG PRODUCERS AND DISCOVERED THE FUTURE IS FEMALE PAW PATROL-ING THE WORLD OVER THE TOP? How Spin Master found the right balance We ask Netflix for their of story, product and marketing to create take on the public reaction a global juggernaut to #CreativeCanada 2 LETTER FROM THE CEO TABLE OF 3 LETTER FROM THE CMPA ADDRESSING HARASSMENT WITHIN CONTENTS CANADA’S PRODUCTION SECTOR 12 OVER THE TOP? A CONVERSATION WITH NETFLIX CANADA’S CORIE WRIGHT 4 18 S’EH WHAT? THE NEXT WAVE A LEXICON OF CANADIANISMS FROM YOUR FAVOURITE SHOWS CHECK OUT SOME OF THE BEST AND BRIGHTEST WE GIVE OF CANADA’S EMERGING CREATOR CLASS 20 DON’T CALL IT A REBOOT MICHAEL HEFFERON, RAINMAKER ENTERTAINMENT 22 TRAILBLAZERS CANADA’S INDIE TWO ALUMNI OF THE CMPA MENTORSHIP PROGRAM RISE HIGHER AND HIGHER 24 IN FINE FORMAT PRODUCERS MARIA ARMSTRONG, BIG COAT MEDIA 28 HOSERS TAKE THE WORLD THE TOOLS MARK MONTEFIORE, NEW METRIC MEDIA THEY NEED PRODUCTION LISTS so they can bring 6 30 DRAMA SERIES 44 COMEDY SERIES THE FUTURE IS FEMALE diverse stories to 55 CHILDREN’S AND YOUTH SERIES MEET NINE OF CANADA’S BARRIER-TOPPLING, STEREOTYPE-SMASHING, UP-AND-COMING PRODUCERS 71 DOCUMENTARY SERIES life on screen for 84 UNSCRIPTED SERIES 95 FOREIGN LOCATION SERIES audiences at home and around the world 14 WINTER 2018 THE CMPA A FEW GOOD PUPS HOW SPIN MASTER ENTERTAINMENT ADVOCATES with government on behalf of the industry TURNED PAW PATROL INTO AN PRESIDENT AND CEO: Reynolds Mastin NEGOTIATES with unions and guilds, broadcasters and funders UNSTOPPABLE SUPERBRAND OPENS doors to international markets CREATES professional development opportunities EDITOR-IN-CHIEF: Andrew Addison CONTRIBUTING EDITOR: Kyle O’Byrne SECURES exclusive rates for industry events and conferences 26 CONTRIBUTOR AND COPY EDITOR: Lisa Svadjian THAT OLD EDITORIAL ASSISTANT: Kathleen McGouran FAMILIAR FEELING CONTRIBUTING WRITER: Martha Chomyn EVERYTHING OLD IS NEW AGAIN! DESIGN AND LAYOUT: FleishmanHillard HighRoad JOIN US. -
Brent Belke Filmography
fish-fry music & sound fish-fry music & sound composers for film & television BRENTcomposers BELKE for film & television composer for film & television Contact: ARI WISE, agentContact: • 1.866.784.3222 ARI WISE, agent •• [email protected] • [email protected] Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] FEATURES & TELEVISION MOVIES THE CHRONICLE MYSTERIES 1-3 (crime) 2018-2019 C. Baumgarten, M. Salmons, A. Sweeney, Hallmark Movies & Mysteries, Crown Media Prods. K. Leslie, prod. A TASTE OF SUMMER (romance) 2019 M. Amato, V. Balzano, S. Belzberg, N. Bennett, MPCA, Hallmark Channel, Disney-ABC International C. Cooper, P. DeLuise, E. Jarboe, H. Kahn, B. Krevoy, J. Lake, A. Phillips, M. Shepard, B. Versteeg, prod. LOVE ON A LIMB (comedy/romance) 2016 N. Dodson, A. Williams, Harvey Kahn, A. C. Erin, prod. Front Street Pictures. The Mob Ent., The Hallmark Channel Mel Damski, dir. OCTOBER KISS (production number) 2015 Harvey Kahn, Michael R. Goldstein, prod. Front Street Pictures, The Hallmark Channel Lynne Stopkewich, dir. THE UNAUTHORIZED FULL HOUSE STORY (drama) 2015 Stephen Bulka, Harvey Kahn, prod. Lifetime Television, Front Street Pictures Brian K. Roberts, dir. LOVE ON THE AIR (romance) 2015 Marina Cordoni, K.F. Reynolds, A. Sweeney, prod. eOne Television, The Hallmark Channel Kristoffer Tabori, dir. SO YOU SAID YES (drama/romance) 2015 Ira Pincus, Jonathan Schwartz, Robert Lee, prod. eOne Television, The Hallmark Channel Christie Will, dir. GUESS WHO’S COMING TO CHRISTMAS (comedy/romance) 2013 N.H. Dobrofsky, T. Dobrofsky, P. Emerson, T. Bieler, eOne Television Margaret O’Brien, I. Pincus, John Morayniss, R. Cheveldave, prod., Kristoffer Tabori, dir. -
The Company You Keep
VOLTAGE PICTURES PRESENTS A VOLTAGE PICTURES / WILDWOOD ENTERPRISES PRODUCTION A FILM BY ROBERT REDFORD ROBERT REDFORD SHIA LaBEOUF THE COMPANY YOU KEEP Julie Christie Sam Elliott Brendan Gleeson Terrence Howard Richard Jenkins Anna Kendrick Brit Marling Stanley Tucci with Nick Nolte with Chris Cooper and Susan Sarandon 125 min | Release Date (NY/LA): 04/05/13 East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Alexandra Glazer Carmelo Pirrone Sara Groves Max Buschman Alison Farber 220 W. 42nd St, 12th Floor 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10036 Los Angeles, CA 90036 New York, NY 10022 212-277-7555 tel 323-634-7001 tel 212-833-8833 tel [email protected] 323-634-7030 fax 212-833-8844 fax [email protected] THE COMPANY YOU KEEP Cast Jim Grant Robert Redford Ben Shepard Shia LaBeouf Mimi Lurie Julie Christie Sharon Solarz Susan Sarandon Donal Fitzgerald Nick Nolte Daniel Sloan Chris Cooper FBI Agent Cornelius Terrence Howard Ray Fuller Stanley Tucci Jed Lewis Richard Jenkins Diana Anna Kendrick Henry Osborne Brendan Gleeson Rebecca Osborne Brit Marling Mac Mcleod Sam Elliott Billy Cusimano Stephen Root Isabel Grant Jacqueline Evancho Filmmakers Director Robert Redford Screenwriter Lem Dobbs Based on the novel by Neil Gordon Producers Nicholas Chartier Robert Redford Bill Holderman Executive Producers Craig J. Flores Shawn Williamson Director of Photography Adriano Goldman Production Designer Laurence Bennett Editor Mark Day Costume Designer Karen Matthews Music by Cliff Martinez Casting by Avy Kaufman, C.S.A. 2 The Company You Keep Synopsis Jim Grant (Robert Redford) is a public interest lawyer and single father raising his daughter in the tranquil suburbs of Albany, New York. -
Arts Umbrella 18-19 Annual Report 2018-2019Photo by Albert Law; Cover by David Cooper
ARTS UMBRELLA 18-19 ANNUAL REPORT 2018-2019PHOTO BY ALBERT LAW; COVER BY DAVID COOPER 1 ARTS UMBRELLA Dedicated to Access At Arts Umbrella, we believe in the difference an arts education can make in the lives of young people. Through arts education, children and youth develop immeasurable life-long skills, such as critical thinking, problem solving, and confidence. This is why we want to ensure that all children and youth, regardless of socio-economic circumstances, have access to our programs. In 2018/19 Arts Umbrella reached more than 24,000 students, with 81% served through bursaries, scholarships, and donor-funded community programs. We are extraordinarily grateful to the numerous corporations, individuals, foundations, governments, families, and volunteers that allow us to increase youth access to the arts across Metro Vancouver. In 2020, Arts Umbrella will move into its new home on Granville Island, and the 2018/19 year brought us closer to realizing this transformational opportunity. As we look forward, we hope to continue making an impact in the lives of young people, nurturing every young person’s creativity and curiosity through arts education. To the entire Arts Umbrella family, we can’t thank you enough for your continued support. Together, we’re creating The New Limitless for generations to come! With gratitude, PHOTO BY JAMIE-LEE FUOCO Paul Larocque Michelle Martin President & CEO Chair Arts Umbrella Arts Umbrella Board of Directors 18-19 ANNUAL REPORT 2 CREATING LIMITLESS ACCESS TO THE ARTS RENDERING BY HENRIQUEZ PARTNERS ARCHITECTS 3 ARTS UMBRELLA DONORS as of August 31, 2019 $2 million Robert Lemon As we come closer to realizing our goal for The New Limitless Capital and Endowment Campaign, we are $1.5 million Pamela & David Richardson so grateful to our community who share our belief that Family Fund, held at high-quality arts education should be accessible to all Nicola Wealth Private young people.