DOCSLIB.ORG

Contents Chapter 1 – the Bible

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contents Chapter 1 – the Bible Contents Chapter 1 – The Bible ......................................................................................................................................................... 3 Points to Remember .................................................................................................................................................. 4 The Old Testament..................................................................................................................................................... 5 Moses Writing ............................................................................................................................................................ 5 The New Testament ................................................................................................................................................... 7 What about Jesus? ..................................................................................................................................................... 9 Bible and Science ..................................................................................................................................................... 10 Archaeology ............................................................................................................................................................. 11 Student Handout Chapter 1. The Bible ........................................................................................................................ 12 Chapter 2 – In the Beginning ........................................................................................................................................... 14 Do You Believe? ....................................................................................................................................................... 14 Proving the Bible ...................................................................................................................................................... 15 The Correct Response .............................................................................................................................................. 16 How Big is Your God? ............................................................................................................................................... 17 Logos ........................................................................................................................................................................ 18 Consider the Ant ...................................................................................................................................................... 19 The Voice of God ...................................................................................................................................................... 20 God’s Timeline ......................................................................................................................................................... 21 Student Handout Chapter 2. In the Beginning ............................................................................................................ 23 Chapter 3 – Sin… .............................................................................................................................................................. 25 7 Days Creation ........................................................................................................................................................ 25 God’s Feast Days ...................................................................................................................................................... 27 New Jerusalem ......................................................................................................................................................... 28 Heavenly Beings ....................................................................................................................................................... 29 Lucifer ...................................................................................................................................................................... 34 Iniquity ..................................................................................................................................................................... 35 Student Handout Chapter 3 – Sin ................................................................................................................................ 38 Chapter 4 – The First Adam ............................................................................................................................................. 39 Charity ...................................................................................................................................................................... 39 Temptation .............................................................................................................................................................. 40 Dinosaurs ................................................................................................................................................................. 41 The Snake ................................................................................................................................................................. 41 God’s Blessing .......................................................................................................................................................... 42 Where Are You? ....................................................................................................................................................... 42 Born in Sin ................................................................................................................................................................ 43 Exiled ........................................................................................................................................................................ 44 The Ark ..................................................................................................................................................................... 44 The Tower of Babel .................................................................................................................................................. 45 Sodom & Gomorrah ................................................................................................................................................. 45 Amalek ..................................................................................................................................................................... 45 1 Jacob and Esau ......................................................................................................................................................... 46 King Saul ................................................................................................................................................................... 47 Ananias & Sapphira .................................................................................................................................................. 48 Reasons Matter ........................................................................................................................................................ 49 Flaws and Faults ....................................................................................................................................................... 50 Student Handout Chapter 4 – The First Adam ............................................................................................................. 52 Chapter 5 – The Flood ...................................................................................................................................................... 54 Review ...................................................................................................................................................................... 54 Reading You ............................................................................................................................................................. 54 Timeline from Adam ................................................................................................................................................ 55 Cain & Able .............................................................................................................................................................. 55 hey Never Died ........................................................................................................................................................ 56 Who Met Who? ....................................................................................................................................................... 56 Google It! ................................................................................................................................................................. 57 The Firmament ......................................................................................................................................................... 57 Fountains of Water .................................................................................................................................................
Load more

Recommended publications
  • U R B a N LIFE And
    URBAN LIFE and URBAN LANDSCAPE SERIES CINCINNATI'S OVER-THE-RHINE AND TWENTIETH-CENTURY URBANISM Zane L. Miller and Bruce Tucker OHIO STATE UNIVERSITY PRESS Columbus Copyright © 1998 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Miller, Zane L. Changing plans for America's inner cities : Cincinnati's Over-The-Rhine and twentieth-century urbanism / Zane L. Miller and Bruce Tucker. p. cm. — (Urban life and urban landscape series) Includes bibliographical references and index. ISBN 0-8142-0762-6 (cloth : alk. paper).—ISBN 0-8142-0763-4 (pbk.: alk. paper) 1. Urban renewal—Ohio—Cincinnati—History. 2. Over-the-Rhine (Cincinnati, Ohio)—History. I. Tucker, Bruce, 1948­ . 11. Title. III. Series. HT177.C53M55 1997 307.3'416'0977178—dc21 97-26206 CIP Text and jacket design by Gary Gore. Type set in ITC New Baskerville by Wilsted & Taylor Publishing Services. Printed by Thomson-Shore. The paper in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 98765432 1 For Henry List of Illustrations ix Acknowledgments xi Introduction: Why Cincinnati, Why Over-the-Rhine? xv Prologue: 1850s-1910s 1 PART ONE ZONING, RAZING, OR REHABILITATION Introduction: From Cultural Engineering to Cultural Individualism 9 1 Social Groups, Slums, and Comprehensive Planning, 1915-1944 13 2 Neighborhoods and a Community, 1948-1960 29 PART TWO NEW VISIONS AND VISIONARIES Introduction: Community Action and
    [Show full text]
  • The Philosophy of the Coen Brothers
    University of Kentucky UKnowledge American Popular Culture American Studies 12-12-2008 The Philosophy of the Coen Brothers Mark T. Conard Marymount College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Conard, Mark T., "The Philosophy of the Coen Brothers" (2008). American Popular Culture. 5. https://uknowledge.uky.edu/upk_american_popular_culture/5 conard_coen_dj2:Layout 1 9/29/08 6:18 PM Page 1 CONARD (continued from front flap) FILM/PHILOSOPHY THE PHILOSOPHY OF systems. The tale of love, marriage, betrayal, and divorce THE PHILOSOPHY OF in Intolerable Cruelty transcends the plight of the charac- “The Philosophy of the Coen Brothers offers a very ters to illuminate competing theories of justice. Even in smart, provocative, and stylishly written set of lighter fare, such as Raising Arizona and The Big Lebowski, essays on the films of the Coen brothers. The THE COEN the comedy emerges from characters’ journeys to the volume makes a convincing case for reading their brink of an amoral abyss. However, the Coens often films within a wide array of philosophical contexts knowingly and gleefully subvert conventions and occa- and persuasively demonstrates that the films of sionally offer symbolic rebirths and other hopeful out- BROTHERS the Coen brothers often implicitly and sometimes comes.
    [Show full text]
  • Aaron's Garments of Glory and Beauty 2007 March
    [Aaron’s Garments of Glory and Beauty 2007 March] [Abel’s Blood and Jesus’ Blood 2007 March] The Abiding Life, John Trzeciak 1994 Sept. Abraham, Isaac, and Sacrifice 1999 March Acceptable Service 2000 May [Accessible 2013 Nov.] Acts 27, And You Are In It, Ray Luke 2008 May Adding to the Faith 2012 Nov. After the Final Exam 2015 May An Admonition for the New Year, John T. Read 1995 Nov. Advantages in Christ, Tom Ruggirello 2014 March [African Trip Report, David Rice 2001 Sept.] Agape, Mark Grillo 2012 Nov. The Age of Promise 1997 July Agreeing with Thine Adversary 2008 Nov. [Alabaster Boxes, Benjamin Barton 2001 March] The Alabaster Vial, Ernie Kuenzli 2014 March Alive and Remain (1 Thess 4:13-18) 2009 May All Men in Expectation, Homer Montague 1996 May ALL the Nations, Leonard Griehs 2012 July All the Nations Shall Be Blessed, Aaron Kuehmichel 2010 Jan. All Things Having Been Accomplished, Russell Marten 2002 March Alphabet of the Ages (Key to Chart) 1999 Nov. Always Pray and Never Lose Hope, Paul Lagno 2016 Sept. Amazing Grace of the Gospel, Michael Brann 1997 July Amiable Tabernacles 1995 Nov. Anastasis – Resurrection 1993 Nov. The Ancient Worthies in the Millennial Kingdom, David Stein 2009 May The Ancients on the Trinity 1993 Nov. [And It Was Good 2013 Nov.] [Anecdotes Along the Way 1994 Sept.] Anger, Homer Montague 2007 Jan. Anger and Love, Dennis Carmer 1995 July Animals Preserved, James Parkinson 2016 May Anointed for Burial, Robert Seklemian 2000 March Another Generation, Carl Hagensick 1996 May The Antiquity of the Books of Moses 2000 Nov.
    [Show full text]
  • Twentieth- Century Crime Fiction
    Twentieth-Century Crime Fiction This page intentionally left blank Twentieth- Century Crime Fiction Lee Horsley Lancaster University 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Lee Horsley The moral rights of the author have been asserted Database right Oxford University Press (maker) First published All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN ––– –––– ISBN ––– –––– pbk.
    [Show full text]
  • God Questions His Creation: a Look at Genesis 4-11
    God Questions His Creation: A Look at Genesis 4-11 Ted Bobosh Copyright 2008 Ted Bobosh Table of Contents Foreword……………………p. 3 Introduction………………..p. 5 Genesis 4…………………….p. 9 Genesis 5…………………….p. 48 The Flood……………………p. 61 Genesis 6-9 thru the Lens of Source theory……p. 65 Genesis 6…………………….p. 73 Genesis 7…………………….p. 99 Genesis 8…………………….p. 120 The Conclusion of the Flood..p. 134 Genesis 9…………………….p. 137 Genesis 10…………………..p. 155 Genesis 11…………………..p. 162 An After Word……………..p. 176 Glossary………………………p. 177 Bibliography………………..p. 181 2 Foreword In the autumn of 2007 I decided to continue a project I had begun earlier in the year – writing a series of reflections on the Book of Genesis. During Great Lent of 2007, I wrote daily reflections on Genesis 1-3, which I emailed to my parishioners at St. Paul the Apostle Orthodox Church, Dayton, Ohio. That effort resulted in those reflections being collected and published as the book QUESTIONING GOD: A LOOK AT GENESIS 1-3. The response from those who read the reflections was positive and some encouraged me to continue writing such meditations. I took up that work deciding to write daily reflections on Genesis 4-11 and emailed them to my parishioners each day of the Nativity Fast in 2007. This is a collection of those reflections. These reflections are not a dogmatic treatise. I did not set out to write an exposition of the Orthodox Faith. Rather, the ideas expressed herein are my reflections that arose from repeatedly reading and praying through Genesis 4-11 during a 4 month period.
    [Show full text]
  • Creaturely Encounters: Animals in the Libyan Literary Imaginary
    Olszok, Charis (2016) Creaturely encounters: animals in the Libyan literary imaginary. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/23805 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. Creaturely Encounters Animals in the Libyan Literary Imaginary Charis Olszok Thesis submitted for the degree of PhD 2016 SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: ____________________________ Date: _________________ 2 Abstract Animals occupy a strikingly prominent place in modern Libyan fiction.
    [Show full text]
  • To View Its Impressive Collection of Works, Several of Services
    Non-Profit Organization. U.S. Postage VIEW PAID Milford, CT Permit No. 80 Library of American Landscape History P.O. Box 1323 Amherst, MA 01004-1323 VIEVIEWW SUMMER 2015 NUMBER 15 www.lalh.org VIEW from the Director’s Office Your support makes it possible for LALH to develop award-winning books, exhibitions, and Dear Friends of LALH, online resources. Please make a tax-deductible donation today. This April LALH celebrated the publication of John Nolen, Landscape Architect and City Planner, R. Bruce Stephenson’s biography of one of the twentieth century’s most important landscape practitioners. Later this summer, we will see William E. O’Brien’s Landscapes of Exclusion, the first study of segregated state parks during the Jim Crow era. Both books represent landmark scholarship in the field, and in this issue of VIEW Stephenson and O’Brien bring their perspectives to bear on the history of racism in landscape planning. Themes of social and environmental justice also run through Elizabeth Barlow Rogers’s article on Gary Hilderbrand’s visionary landscape plan for the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Rogers’s interview reveals how Hilderbrand’s landscape ethic was influenced by his experience growing up in the Hudson River valley, when the threat of a Con Edison power plant loomed large. LALH education director Jane Roy Brown writes about the issues involved in the construction of another museum addition, the Mary and Charlie Babcock Wing, designed by Beyer Blinder Belle for Reynolda House Museum of American Art. She discusses the architects’ efforts to minimize the impact of the building on the historic landscape of Reynolda and how an LALH book, A World of Her Own Making, provided guidance in the process.
    [Show full text]
  • THE PARABOLIC NARRATIVE of FREE WILL in PARADISE LOST By
    "Sufficient to Have Stood, Though Free to Fall": The Parabolic Narrative of Free Will in Paradise Lost Item Type text; Electronic Dissertation Authors Bizik, Amy Stewart Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 08:41:56 Link to Item http://hdl.handle.net/10150/194760 “SUFFICIENT TO HAVE STOOD, THOUGH FREE TO FALL”: THE PARABOLIC NARRATIVE OF FREE WILL IN PARADISE LOST by Amy Stewart Bizik _____________________ Copyright © Amy Stewart Bizik 2008 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Stewart Bizik entitled “‘Sufficient to have stood, though free to fall’: The Parabolic Narrative of Free Will in Paradise Lost ” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: November 3, 2008 Dr. John C. Ulreich _______________________________________________________________________ Date: November 3, 2008 Dr. Meg Lota Brown _______________________________________________________________________ Date: November 3, 2008 Dr. Kari Boyd McBride Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College.
    [Show full text]
  • Lehigh Preserve Institutional Repository
    Lehigh Preserve Institutional Repository The rise of David Levinsky: Autobiographical mask for a dispossessed American Adam. Mackes, Marilyn F. 1983 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. THE RISE OF DAVID LEVINSKY: AUTOBIOGRAPHICAL MASK FOR A DISPOSSESSED AMERICAN ADAM by Marilyn F. Mackes A Thesis Presented to the Graduate Committee of Lehigh University in Candidacy for the Degree of Master of Arts in English Lehigh University 1983 ProQuest Number: EP76737 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Pro ProQuest EP76737 Published by ProQuest LLC (2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition© ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 This thesis is accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. ~ () 11t3 (date) Chairman of ·Department ii Table of Contents Abstract ............................................... 1 Introduction: The Rise of the American Businessman ••••••••••••••••••••••••••••• 4 I. America and the Self-Made Man •••••••••••••••• 4 II.
    [Show full text]
  • Tampa Bay History 22/01 University of South Florida
    University of South Florida Scholar Commons Digital Collection - Florida Studies Center Digital Collection - Florida Studies Center Publications 1-1-2008 Tampa Bay History 22/01 University of South Florida. College of Social and Behavioral Sciences. Department of History Follow this and additional works at: http://scholarcommons.usf.edu/flstud_pub Part of the American Studies Commons, and the Community-based Research Commons Scholar Commons Citation University of South Florida. College of Social and Behavioral Sciences. Department of History, "Tampa Bay History 22/01" (2008). Digital Collection - Florida Studies Center Publications. Paper 2551. http://scholarcommons.usf.edu/flstud_pub/2551 This Article is brought to you for free and open access by the Digital Collection - Florida Studies Center at Scholar Commons. It has been accepted for inclusion in Digital Collection - Florida Studies Center Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Volume 22 2008 Tampa Bay History Published through a partnership between the Tampa Bay History Center and the University of South Florida Libraries’ Florida Studies Center Rodney Kite-Powell, Editor Saunders Foundation Curator of History, Tampa Bay History Center Andrew Huse, Assistant Editor Assistant Librarian, University of South Florida Libraries’ Special Collections Department and Florida Studies Center Mark I. Greenberg, Ph.D., Book Review Editor Director, University of South Florida Libraries’ Special Collections Department and Florida Studies Center Editorial Board Jack Davis, Ph.D. University of Florida James M. Denham, Ph.D. Florida Southern College Paul Dosal, Ph.D. University of South Florida Maxine Jones, Ph.D. Florida State University Robert Kerstein, Ph.D.
    [Show full text]
  • Classical Myth and History in Heavy Metal: Power, Escapism and Masculinity
    Classical Myth and History in Heavy Metal: Power, Escapism and Masculinity With the possible exception of opera, heavy metal makes greater use of Classical material than any other genre of contemporary music. This paper will suggest some of the reasons for the connection between Classics and heavy metal, and discuss what these reasons can add to our understanding of the modern reception of the ancient world. A brief overview of the history of heavy metal and its subgenres will show the extent to which Greco-Roman myth and history are an established part of the music from its beginnings. Because metal is in some ways a conservative genre, with an established canon of artists (Weinstein), the use of Classical material by these canonical bands sanctions the continued use of such material by subsequent bands. From its very beginnings, metal shows an interest in fantastic material from other times and places: Black Sabbath draws on the realm of fantasy and the occult (e.g. “The Wizard”) and Led Zeppelin draws on contemporary fantasy such as Tolkien (“Battle of Evermore”) and Classics (“Achilles Last Stand” [sic]). These trends are continued and developed by other “traditional” metal bands such as Iron Maiden, who use Classical material (“The Flight of Icarus,” “Alexander the Great”) as well as literary material (“The Rime of the Ancient Mariner”). These early bands demonstrate some of the main trends of heavy metal lyrics: in comparison with most popular music, there is less focus on the quotidian, and the ancient world is just one of the realms on which bands draw for inspiration, with the others being books (especially fantasy), movies and history.
    [Show full text]
  • The Shelter Revolution: Housing and Community Planning In
    THE SHELTER REVOLUTION: HOUSING AND COMMUNITY PLANNING IN TAMPA BAY, FLORIDA, 1940-1990 AN ABSTRACT SUBMITTED ON THE TWENTY-FIFTH DAY OF JUNE 2017 TO THE DEPARTMENT OF HISTORY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY Peyton Lee Jones ! Abstract: In the last half of the twentieth century, a major transformation occurred in American residential living. While in the 1950s and 1960s the single-family, detached home dominated residential development, in the 1970s and 1980s new forms of residential dwellings and communities, ranging from private retirement communities, to mobile homes and trailer parks, to condominiums, to gated, privately governed “towns,” proliferated across the metropolitan landscape. The changes in residential living, what can be understood as a “shelter revolution,” played an integral role in the spatial, political, and social formation of metropolises in the Global South. This dissertation examines the “shelter revolution” in Tampa Bay, Florida, between 1940 and the 1985. In so doing, it explores the changing relationship between housing and community design, community formation, and residential and metropolitan political culture. It argues that changes in residential living fueled and shaped metropolitan growth and expansion. At the same time, innovations in residential design and development, along with new legal instruments of property ownership, altered the residential experience. Over time, these changes rippled throughout metropolitan life, transfiguring the built environment and transforming the ways Americans built, purchased, and experienced residential housing and community. These changes drove the physical, cultural, and economic formation of the Tampa Bay, from a series of scattered urban settlements into a regional metropolis.
    [Show full text]