Natural Horn Models Engelbert Schmid Tiefenried Waldhörner Engelbert Schmid GmbH, Bellerweg 3, D-86513 Mindelzell Telefon (08282) 890412, Fax (08282) 890512 Email:
[email protected] Engelbert Schmid Natural Horn Models What in the beginning was considered as a fashion, in the meantime has become a firm part of the music- world: often supported by the idealism of the performers, ensembles last which play on original instruments or their copies. In the same way as this music practice often trains the sound sensibility of the musicians, I as a hornmaker had to recall historic measures, material thicknesses and manufacturing methods. By the way, this also influenced the production method of our modern valve horn bells. Let me introduce you to the result of an intensive labour of development, which has spared no expense for material or tool costs, in total 4 Natural horn models: 1. "Corno da caccia". at the same time "Corno da tirarsi” I do not want to join in the discussion which baroque works shall or can be performed by hornplayers and which by trumpet-players, but I would rather call on both sides to realize the baroque sound-world. There simply is no baroque horn on which all baroque parts can be interpreted authentically. However there was a vast palette of instrument types, which offered an interesting and seamless transition from the trumpet to the hunting-horn with big bell. My "Corno da caccia"- version meets the brighter side of the sound-palette. "Corno da caccia", "Corno da tirarsi" Engelbert Schmid Original instrument, about 1730, Friedrich Ehe in Nurenberg, in high D, with C-crook and 2 intonation pieces, out of the museum Caroline Augusteum, Salzburg Description of my "Corno da caccia"- and at the same time "Corno da tirarsi"-version: Utilization: Parts for "Corno da caccia", "Corno da tirarsi", "Lituus” Keys: From High D to low C (with A=415Hz), crooks.