Gala El Hadidi (Mezzo-Soprano) Known for Her Portrayal of Carmen

Total Page:16

File Type:pdf, Size:1020Kb

Gala El Hadidi (Mezzo-Soprano) Known for Her Portrayal of Carmen Gala El Hadidi (Mezzo-Soprano) Known for her portrayal of Carmen, Gala is the first Egyptian to ever perform this role internationally. While still a student at the German school, she made her debut as a 17 year old on the main stage of the Cairo Opera House. A year later, she signed a contract with the Cairo Opera House, becoming the youngest soloist ever at the Company. As a Mezzo-soprano with a voice destined to perform femme fatale roles, she knew she had to develop a certain maturity before she can tackle those roles, so she enrolled at AUC while singing at the Cairo Opera. Gala continued her vocal studied with Tenor Sobhi Bidair, Tom Krause in Finland and Marylin Horne in USA, as well as, at the International Bach Academy in Stuttgart. She obtained B.A. in Philosophy and a M.A. in English and Comparative Literature, writing the first thesis of its kind at AUC on the literary transposition into music (Thesis titled “Carmen Debating the Femme Fatale”). Soon after she was admitted into Yale University where she obtained her second masters (M.M.) in Opera Performance. Upon graduation she was offered a Soloist contract at the Saxony State Opera in Germany, the famous Semperoper and stayed there from 2010-2016. In 2010, she received an encouragement award at Metropolitan Opera National Council Auditions. In 2011, she won the jury prizes at the »Stella Maris« International Vocal Competition.In 2013, Gala became the first Egyptian finalist at the BBC Cardiff Singer Of The World. She worked with renowned conductors, most notably Christian Thielemann, and with Singers: Juan-Diego Florez, Waltraud Meier, Evelyn Herlitzius, to name a few. Concert and recital engagements led her to sing on the following stages: Berlin Philharmonic, Konzerthaus Berlin, Stuttgart Liederhalle, Auditorio Nacional di Madrid, Kennedy Center, Stavanger Konzerthus, Savonlinnasali, Musikhuset Aarhus, St. David’s Hall and Cadogan Hall in London. She is featured in the Deutsche Grammophon CD recordings of the Grammy nominated (»Elektra«) with Thielemann, Pape and The New Year’s Eve Concert 2010 with Thielemann and Fleming. She recently made her debut at Dresdner Musikfestspiele singing the 2nd Alto alongside Waltraud Meier in (»Mahler 8th Symphony«), at Verbier Festival singing De Falla’s (»El Amor Brujo«), as well as, making her house debuts as (»Carmen«) at the Ankara State Opera, Theater St. Gallen, Liège Opera de Wallonie, Zurich Opera house and Festival Opera en plein air in Paris. Upcoming Engagements include the Live CD recording of Berlioz (»Cleopatre«) with the Camerata Concertgebouw and (»Die Gezeichneten«) at the Concertgebouw in Amsterdam. Word Count 423 .
Recommended publications
  • Elisa Citterio Discography 2009 Handel Between Heaven and Earth
    Elisa Citterio Discography 2009 Handel Between Heaven And Earth CD Stefano Montanari, conductor Accademia Bizantina Soloists Sandrine Piau,Topi Lehtipuu 2008 Handel The Musick For The Royal Fireworks, Concerti A Due Cori CD Alfredo Bernardini Zefiro Fiorenza Concerti & Sonate CD Stefano Demicheli Dolce & Tempesta 2003 Various Storia Del Sonar A Quattro - Volume III CD Joseph Joachim Quartet 2001 Schuster 6 Quartetti Padovani CD Joseph Joachim Quartet 2000 Vivaldi La Tempesta di Mare CD Fabio Biondi Europa Galante 1998 Monteverdi Settimo Libro Dei Madrigali CD Claudio Cavina La Venexiana Recordings with L’orchestra del Teatro alla Scala di Milano 2015 Mozart Don Giovanni DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Bryn Terfel, Anna Netrebko, Barbara Frittoli, Giuseppe Filianoti, Anna Prohaska 2014 Jarre Notre-Dame De Paris DVD Paul Connelly, conductor Ballet Company & Orchestra of Teatro alla Scala Natalia Osipova, Roberto Bolle, Mick Zeni, Eris Nezha Wagner Goetterdammerung DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Maria Gortsevskaya, Lance Ryan, Iréne Theorin, Mikhail Petrenko Wagner Siegfried DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Lance Ryan, Peter Bronder, Terje Stensvold, Johannes Martin Kränzle, Alexander Tsymbalyuk, Anna Larsson, Nina Stemme, Rinnat Moriah Beethoven Fidelio VC Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Falk Struckmann, Klaus Florian Vogt, Jonas Kaufmann, Anja Kampe, Kwangchul
    [Show full text]
  • James Cohan Gallery
    James Cohan Gallery THURSDAY, APRIL 14, 2005 In Pursuit of a Total Art, the Paris Opera Adds Video to 'Tristan und Isolde' By Alan Riding Ben Heppner and Waltraud Meier as the title characters in "Tristan und Isolde," beneath video scenes by Bill Viola at the Paris National Opera. Photo by Pascal Gely/Enguerand. Copyright 2005 The New York Times Company. PARIS, April 13 - Huge, dense, taxing, with almost all the action taking place in the heart, Wagner's "Tristan und Isolde" is notoriously difficult to stage. Indeed, the composer himself abandoned his first attempt in Vienna in the early 1860's after no fewer than 77 rehearsals. Now, in a daring experiment, the Paris National Opera has invited the American video artist Bill Viola to accompany the work with his own visual commentary. On a 30-foot-wide screen above and behind the somberly lighted space peopled by the singers, images that recall some of Mr. Viola's well-known video pieces variously offer literal, metaphorical and even spiritual complements to one of mythology's most famous and tragic love stories. With only the preludes played to a closed curtain, Mr. Viola's multi-toned video poem runs for some 3 hours 40 minutes, a full-length spectacle in its own right. 533 WEST 26TH STREET NEW YORK NEW YORK 10001 TEL 212 714 9500 FAX 212 714 9510 James Cohan Gallery The production, first performed in a concert version at Disney Hall in Los Angeles in December, is directed by Peter Sellars, with Esa-Pekka Salonen conducting the Paris Opera Orchestra.
    [Show full text]
  • EVELYN HERLITZIUS Sopran
    14 / 15 H RDING AGner BR hms sch nberG herLii Zius SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS Donnerstag 18.6.2015 Freitag 19.6.2015 8. Abo A Philharmonie 20.00 – ca. 22.15 Uhr 14 / 15 DANIEL HARDING Leitung EVELYN HERLITZIUS Sopran SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS Konzerteinführung: 18.45 Uhr Moderation: Elgin Heuerding LIVE-ÜBERTRAGUNG in Surround auf BR-KLASSIK Donnerstag, 18.6.2015 PausenZeichen: Bernhard Neuhoff im Gespräch mit Daniel Harding On demand: danach 7 Tage abrufbar auf www.br-klassik.de 4 Programm Richard Wagner Vorspiel und Karfreitagszauber aus »Parsifal« • Sehr langsam • Feierlich bewegt Arnold Schönberg »Erwartung«, Monodram in einem Akt, op. 17 • I. Szene. Am Rand eines Waldes • II. Szene. Tiefstes Dunkel • III. Szene. Weg im Dunkel • IV. Szene. Mondbeschienene Straße Pause Johannes Brahms Symphonie Nr. 1 c-Moll, op. 68 • Un poco sostenuto – Allegro • Andante sostenuto • Un poco Allegretto e grazioso • Adagio – Più Andante – Allegro non troppo, ma con brio – Più Allegro 5 Programm Nun freut sich alle Kreatur Zu Vorspiel und Karfreitagszauber aus Richard Wagners Parsifal Jörg Handstein »Als ich keines Wortes Entstehungszeit fähig, aus dem Festspiel- Prosaentwurf im August 1865 in München; 19. April haus hinaustrat, da wußte ich, daß mir das Größte, 1877 Fertigstellung des Schmerzlichste aufgegangen war, und daß ich es Textbuches; komponiert unentweiht durch mein ganzes Leben tragen von Ende September 1877 bis Januar 1882 in Palermo; werde.« So wie dem jungen Gustav Mahler ging das Vorspiel bereits Ende es vielen Bayreuth-Pilgern, die am 26. Juli 1882 1878 inklusive des Konzert- der Uraufführung von Richard WagnersParsifal schlusses vollendet. Uraufführung des beiwohnten.
    [Show full text]
  • Vienna Bifold.Indd
    Festivals February 21–March 16, 2014 Featuring the Vienna Philharmonic Orchestra and Vienna State Opera Music, Film, Art, Panel Discussions, and More Terry Linke Vienna Philharmonic Orchestra A glittering cultural jewel at the heart of Europe, Vienna has for centuries drawn artists, dreamers, and innovators from all corners of the continent to its dazzling intellectual and artistic life. With its famed art salons and co ee houses, Vienna supported a unique culture in which artists and scientists, fi rebrands and aesthetes, met and freely exchanged ideas. From this hothouse atmosphere emerged revolutionary breakthroughs in psychology, literature, art, and music, reverberating around Europe and indeed the world. Carnegie Hall salutes Vienna’s extraordinary artistic legacy with Vienna: City of Dreams, a three-week citywide festival that features symphonic and operatic masterpieces, chamber music, and lieder, as well as new sounds that are emerging from this historic cultural capital. The festival is bookended by seven concerts in Stern Auditorium / Perelman Stage by the renowned Vienna Philharmonic Orchestra and Vienna State Opera, led by esteemed conductors Franz Welser-Möst, Daniele Gatti, Andris Nelsons, and Zubin Mehta. The residency includes concert performances of both Alban Berg’s Wozzeck and Richard Strauss’s Salome, marking only the second time in their history that the Viennese musicians have performed opera in concert at Carnegie Hall. Other festival highlights include a Beethoven violin sonata cycle with Leonidas Kavakos and pianist Enrico Pace, Schubert’s great Die schöne Müllerin with baritone Matthias Goerne and pianist Christoph Eschenbach, a Discovery Day that focuses on Schubert’s fi nal years, and a Carnegie Hall–commissioned new work by Austrian composer Georg Friedrich Haas to be premiered by Ensemble ACJW.
    [Show full text]
  • Richard Strauss
    RICHARD STRAUSS DIE FRAU OHNE SCHATTEN STEPHEN GOULD - CAMILLA NYLUND WOLFGANG KOCH - NINA STEMME EVELYN HERLITZIUS CHOR DER WIENER STAATSOPER ORCHESTER DER WIENER STAATSOPER CHRISTIAN THIELEMANN RICHARD STRAUSS DIE FRAU OHNE SCHATTEN Op. 65 Oper in drei Aufzügen / Opera in 3 Acts Text von / by Hugo von Hofmannsthal Der Kaiser ........................................................................................... Stephen Gould Bühnenorchester der Wiener Staatsoper Die Kaiserin ......................................................................................Camilla Nylund Leitung / Conductor: Witolf Werner Die Amme .......................................................................................Evelyn Herlitzius Der Geisterbote ............................................................... Sebastian Holecek Chor der Wiener Staatsoper Ein Hüter der Schwelle des Tempels ............ Maria Nazarova Leitung / Chorus Master: Thomas Lang Stimme eines Jünglings ...................................................Benjamin Bruns Opernschule der Wiener Staatsoper Die Stimme des Falken .................................................... Maria Nazarova Leitung / Chorus Master: Johannes Mertl Eine Stimme von oben .................................................... Monika Bohinec Barak, der Färber .................................................................... Wolfgang Koch Orchester der Wiener Staatsoper Die Färberin ..........................................................................................Nina Stemme Der Einäugige
    [Show full text]
  • An Analysis and Discussion of Zwischenfach Voices by Jennifer
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ASU Digital Repository An Analysis and Discussion of Zwischenfach Voices by Jennifer Allen A Research Paper Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Musical Arts Approved April 2012 by the Graduate Supervisory Committee: Carole FitzPatrick, Co-Chair Kay Norton, Co-Chair Dale Dreyfoos Russell Ryan Robert Barefield ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Zwischen in the German language means ‘between,’ and over the past century, as operatic voices have evolved in both range and size, the voice classification of Zwischenfach has become much more relevant – particularly to the female voice. Identifying whether nineteenth century composers recognized the growing opportunities for vocal drama, size, and range in singers and therefore wrote roles for ‘between’ singers; or conversely whether, singers began to challenge and develop their voices to sing the new influx of romantic, verismo and grand repertoire is difficult to determine. Whichever the case, teachers and students should not be surprised about the existence of this nebulous Fach. A clear and concise definition of the word Fach for the purpose of this paper is as follows: a specific voice classification. Zwischenfach is an important topic because young singers are often confused and over-eager to self-label due to the discipline’s excessive labeling of Fachs. Rushing to categorize a young voice ultimately leads to misperceptions. To address some of the confusion, this paper briefly explores surveys of the pedagogy and history of the Fach system. To gain insights into the relevance of Zwischenfach in today’s marketplace, I developed with my advisors, colleagues and students a set of subjects willing to fill out questionnaires.
    [Show full text]
  • Wagner News No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS
    wagner news No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS 3 An eightieth birthday letter to the President John Crowther 4 Johan Botha 1965-2016 Karen West 6 A message from the Chairman Richard Miles 7 Editorial Ray Godson Bayreuth 2016 8 Review Parsifal Alan Ridgewell 11 Review Tristan und Isolde Andrew Brannon 13 Wagner’s bells John Crowther 16 Interview with Catherine Foster Michael Bousfield 19 Bayreuth 2016 – two diaries Anthony Spooner Neil King 27 Review Die Walküre Saffron Walden Paul Dawson-Bowling 29 Review Die Meistersinger Munich Jeremy Rowe 32 From the Archives 34 Katie Stevenson at the Proms 34 Gwyneth Jones Masterclass at Royal College of Music Paul Dawson-Bowling 35 Wagner at the Proms 2016 Katie Barnes 36 Paul Dawson-Bowling talk on “Wagner the Man” Ray Godson 38 Book Review “The Ring of Truth” by Roger Scruton Richard Miles 40 Correspondence 41 Wagner Society Contacts 42 Forthcoming Events Cover image:Christian Steiner, New York The views expressed in articles in this journal are the views of the authors of the article which do not necessarily represent the views of the editor or his colleagues on the committee of the Wagner Society Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 DAME GWYNETH: SERENELY IN COMMAND An open birthday card to our President for her eightieth birthday on 7 November 2016 John Crowther Dear Dame Gwyneth, Please allow an ordinary member of the Wagner Society to pay tribute to you on this your special birthday. I greatly admire the way in which you have supported the Society for many years, but especially in the three years since Wagner’s bicentenary.
    [Show full text]
  • Avant Première Catalogue 2017
    Avant PreCATALOGUEmi ère 2017 UNITEL is one of the world's leading producers of classical music programmes for film, television, video and new media. Based on exclusive relationships with outstanding artists and institutions like Herbert von Karajan, Leonard Bernstein, the Salzburg Festival and many others, the UNITEL catalogue of more than 1700 titles presents some of the greatest achievements in the last half a century of classical music. Search the complete UNITEL catalogue online at www.unitel.de Front cover: Elīna Garanča in G. Donizetti's “La Favorite” / Photo: Wilfried Hösl UNITEL AVANT PREMIÈRE CATALOGUE 2017 Editorial Team: Konrad von Soden, Franziska Pascher Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: 31st of January 2017 ∙ © Unitel 2017 ∙ All Rights reserved FOR COPRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching / Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas
    [Show full text]
  • Opera, Ballet, Classical Music the Arts Escorted and Bespoke Holidays
    TRAVELFOR THE ARTS AUTUMN, WINTER & SPRING 2016/17 OPERA, BALLET, CLASSICAL MUSIC THE ARTS ESCORTED AND BESPOKE HOLIDAYS NEW PRODUCTIONS FOR 2017 CHRISTMAS IN NEW YEAR STOCKHOLM IN ZURICH page 8 page 13 THE BERLIN THE RING IN FESTTAGE WIESBADEN page 20 page 24 www.travelforthearts.com +44 20 8799 8350 [email protected] welcome welcome to the world of BOOKING DETAILS 2016/17 OPERA, All tours mentioned in this brochure (as well as additional tours) CLASSICAL MUSIC are available to view online at www.travelforthearts.com OPERA, DANCE, Many of our holidays are taken up very quickly after the brochure AND DANCE SEASON launch. Sometimes they are fully booked after appearing on our website or as advance information in our Newsletter. We would We are delighted to present our selection of highlights from CLASSICAL MUSIC encourage you to book early if you are interested in one of our the new 2016/17 Season, featuring the best of opera, music and group tours. dance programmes across Europe. This brochure includes new ARTS HOLIDAYS MAKE AN ENQUIRY destinations and old favourites alike. You can make an enquiry about one of our tours in three ways: • Call us on 020 8799 8350 CONTENTS We are delighted to bring you exciting new tours in our brochure • Email [email protected] • Visit our website www.travelforthearts.com and make Tours 4 – 27 for the 2016/17 Season. Our exclusive group tours are specifically a booking enquiry by going into the tour and completing À la Carte guide 28 – 41 tailored to cater to the needs of opera, ballet and arts lovers.
    [Show full text]
  • Waltraud Meier
    PORTADA Waltraud Meier “Siempre trato de cantar como si estuviese hablando: para mí, el canto es la continuación del habla” Foto: Nomi Baumgartl Wagner, Strauss y el verdadero sentido dramático por Ingrid Haas na de las grandes intérpretes del repertorio wagneriano Un acontecimiento importante fue su debut en 1983 en el Festival de de los últimos treinta años es sin duda la mezzosoprano Bayreuth, en el papel de Kundry (Parsifal), y desde entonces es una de Waltraud Meier. Catalogada por algunos como un las mejores intérpretes que ha habido de este personaje. Después de su auténtico ejemplo de las cantantes que pueden practicar éxito en esa ópera, la carrera de Meier despegó y teatros como la Royal el Zwischenfach (alternar roles de soprano y mezzosoprano), Meier Opera House de Londres, el Metropolitan Opera de Nueva York, la U Scala de Milán, la Ópera Nacional de París, la Ópera Estatal de Viena y ha hecho una exitosa carrera, no sólo por su innegable calidad vocal, sino también por su magnífica presencia escénica y su agudo instinto la de Baviera la llaman con frecuencia para formar parte de sus elencos. teatral. Es una actriz natural y, cuando aparece en escena, aunque no esté cantando, siempre está en papel y su sola presencia atrapa al En 1993 su carrera tomó un giro sin precedente, cuando decidió espectador. abordar algunos papeles de soprano dramático, y sorprendió al mundo al abordar el difícil rol de Isolde en Tristan und Isolde de Wagner, en Nacida en Würzburg, Alemania, en el seno de una familia con una producción de Heiner Müller dirigida por Daniel Barenboim.
    [Show full text]
  • Wagnerkalender Nr. 1 24 Februari 2017
    Wagnerkalender nr. 1 24 februari 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Piuerre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Bamberg Parsifal symposium, 22 en 23 april 2017 Diverse lezingen in Bamberg en bezoek aan een voorstelling van Parsifal in het theater van Coburg op 23 april. Barcelona – Gran Teatre del Liceu Der fliegende Holländer, 2, 6, 10, 14, 22, 26 en 28 mei 2017 (productie theater Basel/Staatsoper Berlin) Philipp Stölzl regie/decor, Conrad Moritz Reinhardt decor, Oksana Lyniv dirigent, Albert Dohmen/Egils Silins (Holländer), Attila Jun (Daland), Emma Vetter/Anja Kampe (Senta), Shawn Mathey (Erik) Bayreuth Der Ring des Nibelungen, 29, 30 juli, 1, 3 augustus, 8, 9, 11, 13 augustus, 23, 24, 26, 28 augustus, Die Walküre 18 augustus Frans Castorf regie, Aleksandar Denić decor, Marek Janowski dirigent, Iain Paterson, John Lundgren (Wotan), Roberto Saccà (Loge), Albert Dohmen (Alberich), Andreas Conrad (Mime), Tanja Ariane Baumgartner (Fricka), Christopher Ventris (Siegmund), Camilla Nylund (Sieglinde), Catherine Foster (Brünnhilde), Stefan Vinke (Siegfried), Thomas J. Mayer (Wanderer), Markus Eiche (Gunther), Stephen Milling (Hagen). Die Meistersinger von Nürnberg, 25, 31 juli, 7, 15, 19, 27 augustus Barrie Kosky regie, Rebecca Ringst decor, Philippe Jordan dirigent,
    [Show full text]
  • Richard Wagner Lohengrin WWV 75
    1 Richard Wagner Lohengrin Romantische Oper in drei Akten WWV 75 (Erste Aufführung: 28.August 1850, Großherzogliches Hoftheater, Weimar) Medien in der Musikbücherei am Wilhelmspalais Zusammengestellt von Gertraud Voss-Krueger 2 Notenausgaben/Tonträger/Sekundärliteratur Partituren: Sämtliche Werke / hrsg. .in Verbindung mit der Bayerischen Akademie der Schönen Künste, München. Begr. von Carl Dahlhaus. Editionsleitung: Egon Voss. - Mainz : Schot. Bd 7,1. Lohengrin : romantische Oper in drei Akten ; WWV 75 ; Vorspiel und Erster Akt / hrsg. von John Deathridge u. Klaus Döge. - Partitur - 1996. - VIII, 176 S. SY: W1/Wag Bd 7,2. Lohengrin : romantische Oper in drei Akten ; WWV 75 ; Zweiter Akt / hrsg. von John Deathridge u. Klaus Döge. - Partitur - 1998. - 289 S. Sy: W1/Wag Bd. 7, 3. Lohengrin : romantische Oper in drei Akten ; WWV 75 ; dritter Akt , Anhang und Kritischer Bericht / hrsg. von John Deathridge u. Klaus Döge. - [Partitur] - 2000. - 264 S. ; 38 cm Sy: W1/Wag Lohengrin / by Richard Wagner. - Full score - New York : Dover, c 1982. - 395 S. ISBN 0-486-24335-4 44.80 SY: T11/Wag Lohengrin : romantische Oper in 3 Aufzügen / Richard Wagner. Version francaise par Charles Nuitter. English version by F. and H. Corder. - Partitur - London [u.a.] : Eulenburg, ca. 1976. - 851 S. Text dt., engl., frz.SY: Sy: T21/Wag Klavierauszug: Lohengrin / Richard Wagner. - Klavierauszug - Budapest : Könemann, 1993. - 262 S. ISBN 963-8303-16-6 SY: U111/Wag Lohengrin / von Richard Wagner.. - Vollständiger Klavierauszug von Karl Klindworth - Mainz [u.a.] : Schott, c 1913. - 389 S. SY: U111/Wag Lohengrin : Oper in drei Akten / Richard Wagner. - Klavierauszug mit Text / von Felix Mottl, Veränd. Neuaufl.
    [Show full text]