Pedagogical and Artistic Team 2020-21

Pedagogical and artistic team 2020-21 Programme coordination Annouk Van Moorsel Annouk Van Moorsel (°1962) studied at the Higher Institute for Dance and the Vrije Uni- versiteit Brussel (Licentiaat in clinical psychology). She worked as a dancer, choreographer and dance teacher. Since 2002 she has been the coordinator of the dance teacher training programme at the Royal Conservatoire of Artesis Hogeschool. She was respon- sible for the quality assurance policy of the department. Since 2007 she is also the Head of the teacher training programmes dance, drama and music and since 2019 the Acting Head of dance. She has worked as a psychologist / therapist and is co-author of the book “4 je mee?” - Initiation lessons for 6-year-olds with crossovers to the art disciplines of drama, dance, music and image. Since 2005 she has been involved as a promoter and co-supervisor in various research projects at the Department of the Royal Conservatoire and the University of Antwerp and is chair of CORPoREAL research group (KCA). She is a member of the Organizing Body of AP Hogeschool, the Council of the School of Arts Royal Conservatoire and the Research Council of the Royal Conservatoire and the Royal Academy of Antwerp. She is a member of CoDA an international research network "Cultures of Dance" that was founded in 2019 on the initiative of Professor Timmy De Laet of the University of Antwerp. Function: Head of Dance and Educational Graduate, Bachelor and Master Programmes Dance, Music, Drama Nienke Reehorst Nienke (°1964) graduated at the Rotterdamse Dansacademie (Codarts) before continu- ing her dance studies in New York. She is a Iyengar yoga teacher and studies fascia ther- apy. As a dancer she worked for Wim Vandekeybus/Ultima Vez, Meg Stuart/Damaged Goods and Ted Stoffer a.o. She has taught contemporary dance classes and workshops for companies, studio’s and festivals in Europe and South America. She has been a guest teacher for P.A.R.T.S, SEAD, Codarts, Palucca Hochschule and Academie voor Theater en Dans Amsterdam. From 2002 until 2014 she collaborated with Sidi Larbi Cherkaoui and his company Eastman as rehearsal director and choreographic assistant. After she was interim artistic director for Theater Stap in Turnhout. She works with dance, theatre, music, circus and social-artistic productions as a movement coach. Currently she is co-artistic coordinator of the BA Dance programme. Function: Artistic coordination BA programme, Mentoring choreography, Development inclusive dance practice. Natalie Gordon Natalie specialises in teaching Labananalysis and Bartenieff Fundamentals as well as being the Producer for Retina Dance Company. She trained at the University of Roehampton in London, followed by advanced notator training at the Labanotation Institute and qualified as a Certified Laban Movement Analyst in America with Peggy Hackney. She managed Random/ Wayne McGregor and Physical Recall Dance Companies, taught technique and Labananal- ysis at the University of Roehampton and delivered Laban specialised courses for teachers across the country. Since moving to Belgium in 2004, she teaches for the Bachelor Dance and Dance Teacher Training Course at the Conservatoire. She is also leading a research project about the role and development of vocabulary within contemporary dance education. Function: Artistic coordination BA programme, Dance analysis, Choreography, Bartenieff Fundamentals Teaching Staff Yasemin Kandemir Yasemin started her dance training at the age of 8 at the Royal Ballet School in Antwerp. She then continued her studies at the Higher Institute for Dance and Dance Pedagogy (now Royal Conservatoire Antwerp), where she was part of Company Aimé de Lignière from 1992 to 1998. In addition, she also worked for various TV and film productions as a dancer and choreographer. She assisted Damien Jalet in the production 'Les Méduses' for the Louvre Museum in Paris, Helder Seabra in 'No Man's Land' for the Kunsthumanio- ra Antwerp, 'Footprint' for Fontys Dansacademie Tilburg and 'Trouw met mij' the new film by Kadir Balci. In early 2018 she worked as a rehearsal director on Ohad Naharin's world-famous choreography 'Echad Mi Odea' for Moving Art 2018. Since 2000 she is permanently attached to the Kunsthumaniora Antwerp and the Royal Conservatoire of Antwerp. Function: Ballet, Rehearsal director, Mentor Ba1 Karel Tuytschaever Karel Tuytschaever (°1985) graduated from the Royal Conservatoire Antwerp in Drama, an acting education led by Dora van der Groen. A great importance to him is the interac- tion between his executive work as a performer, his own research trajectory and work as a maker and his professorship. His background in drama and dance as well play a key role in this triangle. In September 2015 he founded BARRY, based on the necessity to create an environment where Karel’s hybrid work can be supported, created and spread. Since 2009 Karel is a regular instructor at the Royal Conservatoire Antwerp. He mentors, coaches acting for the dance department and motion for all drama students. From 2015 on, he started as co-coordinator of the yearly interdisciplinary research week between all departments of the School of Arts, Common Ground. Karel is regularly solicited as a coach and hosts workshops and masterclasses organized by Toneelhuis, HETPALEIS, KunstZ, theatre studio Nest, OPENDOEK, University of Antwerp, deDansPunt, Theater Zuidpool and the Amsterdam School of the Arts. Function: Drama, Mentor Ba2, Dramaturg Tuur Marinus Tuur Marinus was born in Antwerp in 1981. He obtained a Masters degree in visual arts at Sint Lucas (Kdg Hogeschool, Antwerp) before starting to train as a dancer/choreographer at P.A.R.T.S. (Brussels) from 2004 until 2008. After finishing P.A.R.T.S. he created the dance performance “Dominos and Butterflies” with the Brussels based dance col- lective Busy Rocks, and performed it in ao Belgium, The Netherlands, Germany, France, Sweden and Switzerland. Busy Rocks keeps producing -at irregular intervals- new projects. Tuur also makes dance performances in his own name, such as “Still Animals (In- stallation)” which toured extensively throughout Europe. As a dancer Tuur worked for ao Rosas/Zita Swoon, Vincent Dunoyer, They Are Here, and Fabian Barba. Together with his brother, Tuur & Flup Marinus make an artist duo that works in the visual arts field, ao with their project “Belgisch Congo Belge” an exact trompe-l’oeil oil paint copy of their 16 pages stamp album from ‘Belgian Congo’. Function: Portfolio, Mentor Ba3, Artistic practice - coaching student work Isael Cruz Mata Isael Cruz Mata started his dance training in the Institut Supérieur de Danse de Ca- racas (1992). Coming to Belgium he became a member of the X-Group in P.A.R.T.S., directed by Anne Teresa de Keersmaeker. He danced with several dance companies: Espacio Alterno (Venezuela), Tim Feldman (Copenhagen), Enclave & Roberto Ol- ivan, Josse de Pauw and (Brussels). His specializations are Release Technique, Flying Low, Acrobatic Dance and Contact Improvisation and has taught professional classes and workshops for several contemporary dance companies and at international dance festivals: Ultima Vez – Wim Vandekeybus, Cie Philipe Saire, Company Thor and Dance Conservatorium Antwerpen. Function: Contemporary dance Tony Vezich Tony studied contemporary dance at the New Zealand School of dance and later spent the whole next decade and a half working as a dancer and choreographer in Germany. Tony is the founder, artistic director and choreographer of the temper-temper dance company and his repertoire consists of over fifty choreographic accomplishments. After having dis- solved temper-temper, he became the head lecturer of contemporary dance at the Iceland Academy of the Arts and was able to devise and develop his technique called, ‘release-the- beast’- which he teaches throughout Europe and Scandinavia. Release the Beast: inspired by injury-prevention, Tony’s ‘release-the- beast’ technique is a codified system- and more than that, it is the no-nonsense aftermath of Tony’s intensely physical trajectory as a dancer and performer. Therein lies a heavy emphasis on floor-work and a certain sequential order of the body in relation to the origin from which movement is initiated. One defining factor is the dependency upon the re-finding of a powerful centre and learning how to use and substantiate it in order to move greater distances in relationship to the floor and the lower spatial planes. Function: Contemporary dance Geneviève Van Quaquebeke Geneviève graduated from the Royal Ballet School of Antwerp in 1996, after which she joined the Royal Ballet of Flanders, where she was promoted to soloist very quickly. She continued her career at Les Ballets de Montes Carlo where she danced numerous large ballets such as Enemy In the Figure (William Forsythe) Bella Figura (Jiri Kilian) Romeo and Juliette (Jean-Christophe Maillot). In 2004 she returned to the Royal Ballet of Flan- ders. She was Principal dancer and danced many leading roles such as the good fairy in Sleeping Beauty and the leading role in Swan Lake (Marcia Haydee), New Sleep (William Forsythe), Gray Area (David Dawson) and Herman Shmermann (William Forsythe). She also worked with William Forsythe. Function: Ballet Tijen Lawton Tijen is a professional dancer, performer and teacher based in Belgium. She was born in 1972 to a Turkish mother and British father. She began her dance studies while living in İstanbul, later continued at The Arts Educational School London, The Place London and The Juilliard School New York. She has danced with Pierre Droulers, Thierry De Mey, Caterina & Carlotta Sagna, Mauro Paccagnella & Wooshing Machine, Harold Henning, Erika Zueneli, Inaki Azpillaga & Rodrigo Fuentealba and Manngold, Karlien De Savoye & Quan Bui Ngoc. In 1998 Tijen became a longtime member of Needcompany, directed by Jan Lauwers and Grace Ellen Barkley. As a teacher, creator and coach Tijen works in professional, educational and social artistic fields throughout Europe.

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