Chapter 8 Spectrum Analysis
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Glossary Physics (I-Introduction)
1 Glossary Physics (I-introduction) - Efficiency: The percent of the work put into a machine that is converted into useful work output; = work done / energy used [-]. = eta In machines: The work output of any machine cannot exceed the work input (<=100%); in an ideal machine, where no energy is transformed into heat: work(input) = work(output), =100%. Energy: The property of a system that enables it to do work. Conservation o. E.: Energy cannot be created or destroyed; it may be transformed from one form into another, but the total amount of energy never changes. Equilibrium: The state of an object when not acted upon by a net force or net torque; an object in equilibrium may be at rest or moving at uniform velocity - not accelerating. Mechanical E.: The state of an object or system of objects for which any impressed forces cancels to zero and no acceleration occurs. Dynamic E.: Object is moving without experiencing acceleration. Static E.: Object is at rest.F Force: The influence that can cause an object to be accelerated or retarded; is always in the direction of the net force, hence a vector quantity; the four elementary forces are: Electromagnetic F.: Is an attraction or repulsion G, gravit. const.6.672E-11[Nm2/kg2] between electric charges: d, distance [m] 2 2 2 2 F = 1/(40) (q1q2/d ) [(CC/m )(Nm /C )] = [N] m,M, mass [kg] Gravitational F.: Is a mutual attraction between all masses: q, charge [As] [C] 2 2 2 2 F = GmM/d [Nm /kg kg 1/m ] = [N] 0, dielectric constant Strong F.: (nuclear force) Acts within the nuclei of atoms: 8.854E-12 [C2/Nm2] [F/m] 2 2 2 2 2 F = 1/(40) (e /d ) [(CC/m )(Nm /C )] = [N] , 3.14 [-] Weak F.: Manifests itself in special reactions among elementary e, 1.60210 E-19 [As] [C] particles, such as the reaction that occur in radioactive decay. -
Moogerfooger® MF-107 Freqbox™
Understanding and Using your moogerfooger® MF-107 FreqBox™ TABLE OF CONTENTS Introduction.................................................2 Getting Started Right Away!.......................4 Basic Applications......................................6 FreqBox Theory........................................10 FreqBox Functions....................................16 Advanced Applications.............................21 Technical Information...............................24 Limited Warranty......................................25 MF-107 Specifications..............................26 1 Welcome to the world of moogerfooger® Analog Effects Modules. Your Model MF-107 FreqBox™ is a rugged, professional-quality instrument, designed to be equally at home on stage or in the studio. Its great sound comes from the state-of-the- art analog circuitry, designed and built by the folks at Moog Music in Asheville, NC. Your MF-107 FreqBox is a direct descendent of the original modular Moog® synthesizers. It contains several complete modular synth functions: a voltage-controlled oscillator (VCO) with variable waveshape, capable of being hard synced and frequency modulated by the audio input, and an envelope follower which allows the dynamics of the input signal to modulate the frequency of the VCO. In addition the amplitude of the VCO is controlled by the dynamics of the input signal, and the VCO can be mixed with the audio input. All performance parameters are voltage-controllable, which means that you can use expression pedals, MIDI-to-CV converter, or any other source of control voltages to 'play' your MF-107. Control voltage outputs mean that the MF-107 can be used with other moogerfoogers or voltage controlled devices like the Minimoog Voyager® or Little Phatty® synthesizers. While you can use it on the floor as a conventional effects box, your MF-107 FreqBox is much more versatile and its sound quality is higher than the single fixed function "stomp boxes" that you may be accustomed to. -
Measurement Techniques of Ultra-Wideband Transmissions
Rec. ITU-R SM.1754-0 1 RECOMMENDATION ITU-R SM.1754-0* Measurement techniques of ultra-wideband transmissions (2006) Scope Taking into account that there are two general measurement approaches (time domain and frequency domain) this Recommendation gives the appropriate techniques to be applied when measuring UWB transmissions. Keywords Ultra-wideband( UWB), international transmissions, short-duration pulse The ITU Radiocommunication Assembly, considering a) that intentional transmissions from devices using ultra-wideband (UWB) technology may extend over a very large frequency range; b) that devices using UWB technology are being developed with transmissions that span numerous radiocommunication service allocations; c) that UWB technology may be integrated into many wireless applications such as short- range indoor and outdoor communications, radar imaging, medical imaging, asset tracking, surveillance, vehicular radar and intelligent transportation; d) that a UWB transmission may be a sequence of short-duration pulses; e) that UWB transmissions may appear as noise-like, which may add to the difficulty of their measurement; f) that the measurements of UWB transmissions are different from those of conventional radiocommunication systems; g) that proper measurements and assessments of power spectral density are key issues to be addressed for any radiation, noting a) that terms and definitions for UWB technology and devices are given in Recommendation ITU-R SM.1755; b) that there are two general measurement approaches, time domain and frequency domain, with each having a particular set of advantages and disadvantages, recommends 1 that techniques described in Annex 1 to this Recommendation should be considered when measuring UWB transmissions. * Radiocommunication Study Group 1 made editorial amendments to this Recommendation in the years 2018 and 2019 in accordance with Resolution ITU-R 1. -
Pulse Width Modulation
International Journal of Research in Engineering, Science and Management 38 Volume-2, Issue-12, December-2019 www.ijresm.com | ISSN (Online): 2581-5792 Pulse Width Modulation M. Naganetra1, R. Ramya2, D. Rohini3 1,2,3Student, Dept. of Electronics & Communication Engineering, K. S. Institute of Technology, Bengaluru India Abstract: This paper presents pulse width modulation which can 2. Principle be controlled by duty cycle. Pulse width modulation(PWM) is a Pulse width modulation uses a rectangular pulse wave powerful technique for controlling analog circuits with a digital signal. PWM is widely used in different applications, ranging from whose pulse width is modulated resulting in the variation of the measurement and communications to power control and average value of the waveform. If we consider a pulse signal conversions, which transforms the amplitude bounded input f(t), with period T, low value Y-min, high value Y-max and a signals into the pulse width output signal without suffering noise duty cycle D. Average value of the output signal is given by, quantization. The frequency of output signal is usually constant. By controlling analog circuits digitally, system cost and power 1 푇 푦̅= ∫ 푓(푡)푑푡 consumption can be reduced. The PWM signal is still digital 푇 0 because, at any instant of time, the full DC supply will be either fully_ ON or fully _OFF. Given a sufficient bandwidth, any analog 3. PWM generator signals (sine, square, triangle and so on) can be encoded with PWM. Keywords: decrease-duty, duty cycle, increase-duty, PWM (pulse width modulation), RTL view 1. Introduction Pulse width modulation (or pulse duration modulation) is a method of reducing the average power delivered by an electrical Fig. -
How Can You Replicate Real World Signals? Precisely
How can you replicate real world signals? Precisely tç)[UP.)[ 7QQ PSDIBOOFMT FG400 Series t*OUVJUJWFPQFSBUJPOXJUIBw Arbitrary/Function Generator LCD screen t4ZODISPOJ[FVQUPVOJUTUP QSPWJEFVQUPPVUQVU DIBOOFMT t"WBSJFUZPGTXFFQTBOE modulations Bulletin FG400-01EN Features and benefits FG400 Series Features and CFOFýUT &BTJMZHFOFSBUFCBTJD BQQMJDBUJPOTQFDJýDBOEBSCJUSBSZXBWFGPSNT 2 The FG400 Arbitrary/Function Generator provides a wide variety of waveforms as standard and generates signals simply and easily. There are one channel (FG410) and two channel (FG420) models. As the output channels are isolated, an FG400 can also be used in the development of floating circuits. (up to 42 V) Basic waveforms Advanced functions 4JOF DC 4XFFQ.PEVMBUJPO Burst 0.01 μHz to 30 MHz ±10 V/open Frequency sweep "VUP Setting items Oscillation and stop are 4RVBSF start/stop frequency, time, mode automatically repeated with the (continuous, single, gated single), respectively specified wave number. function (one-way/shuttle, linear/ log) 0.01 μHz to 15 MHz, variable duty Pulse 18. Trigger Setting items Oscillation with the specified wave carrier duty, peak duty deviation number is done each time a trigger Output duty is received. the range of carrier duty ±peak duty deviation 0.01 μHz to 15 MHz, variable leading/trailing edge time Ramp ". Gate Setting items Oscillation is done in integer cycles carrier amplitude, modulation depth or half cycles while the gate is on. Output amp. the range of amp./2 × (1 ±mod. 0.01 μHz to 5 MHz, variable symmetry Depth/100) 3 For trouble shooting Arbitrary waveforms (16 bits amplitude resolution) of up to 512 K words per waveform can be generated. 128 waveforms with a total size of 4 M words can be saved to the internal non-volatile memory. -
Frequency Response = K − Ml
Frequency Response 1. Introduction We will examine the response of a second order linear constant coefficient system to a sinusoidal input. We will pay special attention to the way the output changes as the frequency of the input changes. This is what we mean by the frequency response of the system. In particular, we will look at the amplitude response and the phase response; that is, the amplitude and phase lag of the system’s output considered as functions of the input frequency. In O.4 the Exponential Input Theorem was used to find a particular solution in the case of exponential or sinusoidal input. Here we will work out in detail the formulas for a second order system. We will then interpret these formulas as the frequency response of a mechanical system. In particular, we will look at damped-spring-mass systems. We will study carefully two cases: first, when the mass is driven by pushing on the spring and second, when the mass is driven by pushing on the dashpot. Both these systems have the same form p(D)x = q(t), but their amplitude responses are very different. This is because, as we will see, it can make physical sense to designate something other than q(t) as the input. For example, in the system mx0 + bx0 + kx = by0 we will consider y to be the input. (Of course, y is related to the expression on the right- hand-side of the equation, but it is not exactly the same.) 2. Sinusoidally Driven Systems: Second Order Constant Coefficient DE’s We start with the second order linear constant coefficient (CC) DE, which as we’ve seen can be interpreted as modeling a damped forced harmonic oscillator. -
The 1-Bit Instrument: the Fundamentals of 1-Bit Synthesis
BLAKE TROISE The 1-Bit Instrument The Fundamentals of 1-Bit Synthesis, Their Implementational Implications, and Instrumental Possibilities ABSTRACT The 1-bit sonic environment (perhaps most famously musically employed on the ZX Spectrum) is defined by extreme limitation. Yet, belying these restrictions, there is a surprisingly expressive instrumental versatility. This article explores the theory behind the primary, idiosyncratically 1-bit techniques available to the composer-programmer, those that are essential when designing “instruments” in 1-bit environments. These techniques include pulse width modulation for timbral manipulation and means of generating virtual polyph- ony in software, such as the pin pulse and pulse interleaving techniques. These methodologies are considered in respect to their compositional implications and instrumental applications. KEYWORDS chiptune, 1-bit, one-bit, ZX Spectrum, pulse pin method, pulse interleaving, timbre, polyphony, history 2020 18 May on guest by http://online.ucpress.edu/jsmg/article-pdf/1/1/44/378624/jsmg_1_1_44.pdf from Downloaded INTRODUCTION As unquestionably evident from the chipmusic scene, it is an understatement to say that there is a lot one can do with simple square waves. One-bit music, generally considered a subdivision of chipmusic,1 takes this one step further: it is the music of a single square wave. The only operation possible in a -bit environment is the variation of amplitude over time, where amplitude is quantized to two states: high or low, on or off. As such, it may seem in- tuitively impossible to achieve traditionally simple musical operations such as polyphony and dynamic control within a -bit environment. Despite these restrictions, the unique tech- niques and auditory tricks of contemporary -bit practice exploit the limits of human per- ception. -
Contribution of the Conditioning Stage to the Total Harmonic Distortion in the Parametric Array Loudspeaker
Universidad EAFIT Contribution of the conditioning stage to the Total Harmonic Distortion in the Parametric Array Loudspeaker Andrés Yarce Botero Thesis to apply for the title of Master of Science in Applied Physics Advisor Olga Lucia Quintero. Ph.D. Master of Science in Applied Physics Science school Universidad EAFIT Medellín - Colombia 2017 1 Contents 1 Problem Statement 7 1.1 On sound artistic installations . 8 1.2 Objectives . 12 1.2.1 General Objective . 12 1.2.2 Specific Objectives . 12 1.3 Theoretical background . 13 1.3.1 Physics behind the Parametric Array Loudspeaker . 13 1.3.2 Maths behind of Parametric Array Loudspeakers . 19 1.3.3 About piezoelectric ultrasound transducers . 21 1.3.4 About the health and safety uses of the Parametric Array Loudspeaker Technology . 24 2 Acquisition of Sound from self-demodulation of Ultrasound 26 2.1 Acoustics . 26 2.1.1 Directionality of Sound . 28 2.2 On the non linearity of sound . 30 2.3 On the linearity of sound from ultrasound . 33 3 Signal distortion and modulation schemes 38 3.1 Introduction . 38 3.2 On Total Harmonic Distortion . 40 3.3 Effects on total harmonic distortion: Modulation techniques . 42 3.4 On Pulse Wave Modulation . 46 4 Loudspeaker Modelling by statistical design of experiments. 49 4.1 Characterization Parametric Array Loudspeaker . 51 4.2 Experimental setup . 52 4.2.1 Results of PAL radiation pattern . 53 4.3 Design of experiments . 56 4.3.1 Placket Burmann method . 59 4.3.2 Box Behnken methodology . 62 5 Digital filtering techniques and signal distortion analysis. -
Multidisciplinary Design Project Engineering Dictionary Version 0.0.2
Multidisciplinary Design Project Engineering Dictionary Version 0.0.2 February 15, 2006 . DRAFT Cambridge-MIT Institute Multidisciplinary Design Project This Dictionary/Glossary of Engineering terms has been compiled to compliment the work developed as part of the Multi-disciplinary Design Project (MDP), which is a programme to develop teaching material and kits to aid the running of mechtronics projects in Universities and Schools. The project is being carried out with support from the Cambridge-MIT Institute undergraduate teaching programe. For more information about the project please visit the MDP website at http://www-mdp.eng.cam.ac.uk or contact Dr. Peter Long Prof. Alex Slocum Cambridge University Engineering Department Massachusetts Institute of Technology Trumpington Street, 77 Massachusetts Ave. Cambridge. Cambridge MA 02139-4307 CB2 1PZ. USA e-mail: [email protected] e-mail: [email protected] tel: +44 (0) 1223 332779 tel: +1 617 253 0012 For information about the CMI initiative please see Cambridge-MIT Institute website :- http://www.cambridge-mit.org CMI CMI, University of Cambridge Massachusetts Institute of Technology 10 Miller’s Yard, 77 Massachusetts Ave. Mill Lane, Cambridge MA 02139-4307 Cambridge. CB2 1RQ. USA tel: +44 (0) 1223 327207 tel. +1 617 253 7732 fax: +44 (0) 1223 765891 fax. +1 617 258 8539 . DRAFT 2 CMI-MDP Programme 1 Introduction This dictionary/glossary has not been developed as a definative work but as a useful reference book for engi- neering students to search when looking for the meaning of a word/phrase. It has been compiled from a number of existing glossaries together with a number of local additions. -
To Learn the Basic Properties of Traveling Waves. Slide 20-2 Chapter 20 Preview
Chapter 20 Traveling Waves Chapter Goal: To learn the basic properties of traveling waves. Slide 20-2 Chapter 20 Preview Slide 20-3 Chapter 20 Preview Slide 20-5 • result from periodic disturbance • same period (frequency) as source 1 f • Longitudinal or Transverse Waves • Characterized by – amplitude (how far do the “bits” move from their equilibrium positions? Amplitude of MEDIUM) – period or frequency (how long does it take for each “bit” to go through one cycle?) – wavelength (over what distance does the cycle repeat in a freeze frame?) – wave speed (how fast is the energy transferred?) vf v Wavelength and Frequency are Inversely related: f The shorter the wavelength, the higher the frequency. The longer the wavelength, the lower the frequency. 3Hz 5Hz Spherical Waves Wave speed: Depends on Properties of the Medium: Temperature, Density, Elasticity, Tension, Relative Motion vf Transverse Wave • A traveling wave or pulse that causes the elements of the disturbed medium to move perpendicular to the direction of propagation is called a transverse wave Longitudinal Wave A traveling wave or pulse that causes the elements of the disturbed medium to move parallel to the direction of propagation is called a longitudinal wave: Pulse Tuning Fork Guitar String Types of Waves Sound String Wave PULSE: • traveling disturbance • transfers energy and momentum • no bulk motion of the medium • comes in two flavors • LONGitudinal • TRANSverse Traveling Pulse • For a pulse traveling to the right – y (x, t) = f (x – vt) • For a pulse traveling to -
Resonance Beyond Frequency-Matching
Resonance Beyond Frequency-Matching Zhenyu Wang (王振宇)1, Mingzhe Li (李明哲)1,2, & Ruifang Wang (王瑞方)1,2* 1 Department of Physics, Xiamen University, Xiamen 361005, China. 2 Institute of Theoretical Physics and Astrophysics, Xiamen University, Xiamen 361005, China. *Corresponding author. [email protected] Resonance, defined as the oscillation of a system when the temporal frequency of an external stimulus matches a natural frequency of the system, is important in both fundamental physics and applied disciplines. However, the spatial character of oscillation is not considered in the definition of resonance. In this work, we reveal the creation of spatial resonance when the stimulus matches the space pattern of a normal mode in an oscillating system. The complete resonance, which we call multidimensional resonance, is a combination of both the spatial and the conventionally defined (temporal) resonance and can be several orders of magnitude stronger than the temporal resonance alone. We further elucidate that the spin wave produced by multidimensional resonance drives considerably faster reversal of the vortex core in a magnetic nanodisk. Our findings provide insight into the nature of wave dynamics and open the door to novel applications. I. INTRODUCTION Resonance is a universal property of oscillation in both classical and quantum physics[1,2]. Resonance occurs at a wide range of scales, from subatomic particles[2,3] to astronomical objects[4]. A thorough understanding of resonance is therefore crucial for both fundamental research[4-8] and numerous related applications[9-12]. The simplest resonance system is composed of one oscillating element, for instance, a pendulum. Such a simple system features a single inherent resonance frequency. -
Understanding What Really Happens at Resonance
feature article Resonance Revealed: Understanding What Really Happens at Resonance Chris White Wood RESONANCE focus on some underlying principles and use these to construct The word has various meanings in acoustics, chemistry, vector diagrams to explain the resonance phenomenon. It thus electronics, mechanics, even astronomy. But for vibration aspires to provide a more intuitive understanding. professionals, it is the definition from the field of mechanics that is of interest, and it is usually stated thus: SYSTEM BEHAVIOR Before we move on to the why and how, let us review the what— “The condition where a system or body is subjected to an that is, what happens when a cyclic force, gradually increasing oscillating force close to its natural frequency.” from zero frequency, is applied to a vibrating system. Let us consider the shaft of some rotating machine. Rotor Yet this definition seems incomplete. It really only states the balancing is always performed to within a tolerance; there condition necessary for resonance to occur—telling us nothing will always be some degree of residual unbalance, which will of the condition itself. How does a system behave at resonance, give rise to a rotating centrifugal force. Although the residual and why? Why does the behavior change as it passes through unbalance is due to a nonsymmetrical distribution of mass resonance? Why does a system even have a natural frequency? around the center of rotation, we can think of it as an equivalent Of course, we can diagnose machinery vibration resonance “heavy spot” at some point on the rotor. problems without complete answers to these questions.