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The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
The Sea Program Notes
! Introduction It is interesting to consider that seventy percent of the Earth’s surface is water-covered. You never have to go far to find some body of water whether it be a lake, a river or the ocean. Growing up in Baltimore, Maryland I was only minutes from the Chesapeake Bay. Known for its seafood, particularly crabs, shipping and industry, as well as historic Navel battles the Chesapeake is the life source of the city and the eastern half of the state. I have fond memories of picnics at Fort McHenry watching tankers or cruise ships come in and out of the port, sitting on a pier fishing for crabs, and spending my summers on a sailboat. These memories remind me of the opening lines of Longfellow’s poem The Secret of the Sea, “Ah! what pleasant visions haunt me, As I gaze upon the sea!, All the old romantic legends, All my dreams, come back to me…” There are many great poems, stories and songs that have water or the sea as a central theme. Tonight I want to share with you a small collection of pieces from the flute repertoire that depict some of the many secrets! of the sea. Flute Concerto No. 1 in F major, Op. 10, No. 1, RV 433 "La Tempesta! di Mare” Antonio Vivaldi: Born: March 4, 1678, Venice, Italy. !Died: July 28, 1741, Vienna, Austria. La Tempesta di Mare is the first of six concertos, known as Op. 10, that Vivaldi was commissioned to write in 1725 for a publisher in Amsterdam. -
Patinkas to Go with Our Beautiful Engraved Sets of Five Gemstone Elemental Stones©
.!Qbujolbt!.! This Fact Sheet has been created by Patinkas to go with our beautiful engraved sets of five gemstone Elemental Stones©. About Elementals An Elemental is a spirit of nature, embodying four of the five elements of Earth, Water, Air, and Fire. Ether does not have a specific elemental spirit associated with it. All of the five elements are combined in different proportions to make up the whole of creation and all are, therefore, present in us. The energetic essence of elementals is quite unique and unlike anything else in the intangible realms. It is said that they are responsible for creating, sustaining, and renewing all life on Earth. When we work with the five elements and Elemental spirits, we connect with their realms and associated energies, benefiting from these vibrations and balancing those elements within ourselves. Water Undines are the elemental of water; the spirits of the water world. They hail from the West and their Archangel is Gabriel. One of the earliest references goes back to ancient Greece and a clan of nymphs called Oceanides who dwelled in the waters of the world. Mythology says that they were the daughters of Titan and his wife Tethys. They were well known to sailors and sea farers as generally benign spirits who could be called on for safe passage in troubled waters or to aid in navigation. To cross one, however, was to be avoided at all costs, as their wrath could whip up a destructive tempest. In European folklore, Undines were said to be the itinerant spirits of bereft women; wounded through unrequited or lost love. -
The Four Elemental Races, They Are Influenced by the 4 Temperaments Almost Completely
The Four Elemental Races, they are influenced by the 4 temperaments almost completely. The Sylph, they're blessed by the wind and have features that are windswept, dwelling primarily in valleys and plains they are a nomadic bunch of folk that love stories and meeting new people. A bit flighty at times they hate being tied down to one location for an extended period of time. The Sylphs themselves cannot fly but are very agile and can move quickly and do impressive athletic and acrobatic stunts. They have a working relationship with Rocs and use them as beasts of burden and mounts. Gnomes, these moody and unsociable small folk are masters of rock and earth. Not beholden to any form of wealth they create expertly crafted statues or other items from various stone for little in the way of payment. Often for the Undine they give them golden or platinum statues or trinkets that won’t corrode in the water, for the Sylph they create giant markers as waypoints to be seen during flight Undine, also known as Merfolk. These unrivaled diplomats live primarily in large bodies of water or when on land in places that are humid and wet. Living in giant reef cities to a matriarchal society they enjoy an often quiet life. Merfolk for most of their life are able to form a pair of legs when the need to traverse on land arises. The Undine offer their services in trying to negotiate peace with the other races. The female are your atypical Mermaid, the men have more shark like features. -
"The Little Mermaid"</I
Volume 38 Number 1 Article 25 October 2019 The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" by Lucy Fraser Bianca L. Beronio Texas State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Beronio, Bianca L. (2019) "The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" by Lucy Fraser," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 1 , Article 25. Available at: https://dc.swosu.edu/mythlore/vol38/iss1/25 This Book Reviews is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Lucy Fraser employs her vast knowledge of Japanese and English literature and pop culture to present -
Còpia Digital
le lk1_ A1CHES rt,DVE .5 ! , .' o R CA e UBURIA 2 J131 Eh 411111 1. 14 1 1 ' n1 II DEL CENTÄ!!ßJ; ANY XLVI.—NUM.. 'ano. PREU: 10 cENnms BARCELONA, DIUMENGE, 22 DE MAIG DE 1927 uRALITA.,›A. „ pickc a .Antoeu. uppre30- — mama 1 ADNIMSTsialla. PLAÇA Di Wat/AM& L—TELEP'011 tuf• 71ILLER8 D'IMPIMMITA: CABREA DARBAJIÄ, II I I11.-.-TELEI,01, 1111MMA glE e0111 iiniallimmirrimigaintiniminiimmimmimattnummiannimmi • _1111M 111•1101 „„„„„„„„„ 11/11~111 Lgorma-zions de (La Publicitats COMENTARIS CRONICA Full de dieutri , occitanes El desig predominant UN BELL CAPVESPRE Les dues agricultures Les erres oue es havà viscut? Que es viu- eneoratjadora la lectura de la revista tolosenca óc. Hayan re i morir? Qué Es néixer, de primer?" En un article anterior—combatent base de totes les economies, des de Si alguna vàlua ha tingut l'exposició, en la Preinsa, de les certa campanya de cert periòdic, la a la mis ex- tingut °calla de referir-nos-hi altres vegades, i no ens dol de normalització constitucional d'Espanya, .éa —es demana Jordi Clemeneeau, harn- la mes casolana fins os relatives a la qual va esfumar-se amb un xic de tensa i estudiada, posen la manu- fer-ho novament. Ja saben els nostres lectora que Oc es l'brgan rhaver palesat que predomina actualment el desig d'arribar a letianament, en la primera plana de misteri—, com de passada, insinua- Perla la base vos voltuns gruixudfssims que acaba tenció de l'individu. dels països que integren l'ample territori lingüístic conegut per :ó democràtica del problema que s'ha creat. -
Undine by Friedrich De La Motte Fouqué Illustrated by Arthur Rackham Online
k3RYF [Read ebook] Undine by Friedrich de la Motte Fouqué Illustrated by Arthur Rackham Online [k3RYF.ebook] Undine by Friedrich de la Motte Fouqué Illustrated by Arthur Rackham Pdf Free Friedrich de la Motte Fouqué DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #655311 in eBooks 2013-06-10 2013-06-10File Name: B00DC4J91CPDF # 1 | File size: 21.Mb Friedrich de la Motte Fouqué : Undine by Friedrich de la Motte Fouqué Illustrated by Arthur Rackham before purchasing it in order to gage whether or not it would be worth my time, and all praised Undine by Friedrich de la Motte Fouqué Illustrated by Arthur Rackham: 0 of 0 people found the following review helpful. Tragic classic love taleBy Cheshire CatRomantic and bittersweet. A classic example of a romance gone awry when a human and non human fall in love and how human temptation leads to ultimate undoing.0 of 0 people found the following review helpful. Interesting ReadBy CustomerI enjoy folk lore from all countries. The illustrations are delightful and powerful. The story has a sad ending but that was its point. It points out how fickle humans can be, always wanting what they don't have and not appreciating what they do have!0 of 0 people found the following review helpful. Short and sweetBy HeatherFriedrich has rich descriptions and I can understand how this inspired the story of the Little Mermaid. Short and sweet. I thoroughly enjoyed it. Undine is a fairy-tale novella by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock
11 In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock Lester Bangs All the shit they play on the radio today-it lacks the true meaning of rock, which is sex, subversion, and style. Rock 'n' roll is pagan and primitive and very jungle, and that's how it should be. The moment it stops being those things, it's dead. -Sex Pistols manager Malcolm McClaren (Kohut and Kohut 1994, 18) The kids want misery and death. They want threatening noises because that shakes you out of your apathy. -John Lydon of the Sex Pistols (Kohut and Kohut 1994, 101) Lester Bangs is the most celebrated critic in the history of rock. A wild man and visionary armed with a pugnacious attitude and original writing style, which he claimed was based on the sound and language of rock and roll itself (Bangs 1987, ix), he was an early champion of punk rock. According to Bangs, punk means rock "in its most basic, primitive form," and it has thus been around from the beginnings of rock 'n' roll. Here he expounds upon what he sees as the true meaning of not only punk, but of rock itself, delivering a manifesto for both: the essence is passion. Rock must be first and foremost "a raw wail from the bottom of the guts." Punk rock was hardly invented by the Ramones in Qyeens, NY, in 1974-5, any more than it was by the Sex Pistols in London a year or so later. You have to go back to the New York Dolls. -
Glastonbury Companion
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: http://www.powys-lannion.net/Powys/Keith/Companions.htm Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.