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Carlo Levi and Chim: Ethics, Empathy, and Politics – a Journey Into the Mezzogiorno
Carole Naggar, Photography Historian Carlo Levi and Chim: Ethics, Empathy, and Politics – A Journey into the Mezzogiorno “‘Here it is! It’s all written here,’ she said, pulling an already filled out ballot from her pocket, for all the world like a precious talisman. Alas, the old woman was illiterate, and someone had foisted a monarchical ballot upon her. When I explained the trick, she looked at me sorrowfully, and said: ‘Is that why they didn’t teach us to read?’” – Carlo Levi, “Italy Fights the Battle of Illiteracy” (1949)1 “No one has come to this land except as an enemy, a conqueror, or a visitor devoid of understanding.” – Carlo Levi, Christ Stopped at Eboli (1947)2 In the early spring of 1950, Chim, a photographer who had just moved from Paris to Rome, traveled to Southern Italy on a UNESCO assignment to document illiteracy and the new schools where peasants, elderly and children alike, were taught to read and write by local volunteers. Born Dawid Szymin, Chim was the son of a Pol- ish-Jewish publisher. A chess player, an intellectual, and an avid reader, he was especially suited to this mission: books and knowledge had always been central to his life. We don’t know whether Carlo Levi, who had moved to Rome in 1945 and kept a home and studio there, accompanied him on that trip. But for both, the Mez- zogiorno would prove to be a transformative experience. At the time illiteracy was a problem that affected as many as 35 percent of Italy’s rural population. -
Sobre La Realidad Mitificada De Carlo Levi*
http://dx.doi.org/10.12795/PH.1994.v09.i01.15 SOBRE LA REALIDAD MITIFICADA DE CARLO LEVI* Nicolás Valdés "Essayons, c'est difficile de rester absolument purs. Nous nous apercevrons alors de tout ce qui nous lie" (Paul Eluard) Una de las cuestiones nada ociosas del Cristo si e fermata a Eboli es a qué género se adscribe. Aunque por nuestra parte no haya ánimo de entrar aquí en polémica1, digamos de entrada que este casi ensayo (ensayo narrativo, de otro modo), al suponérsele un acercamiento casi científico a la realidad que describe, ilustra, nos parece, mejor que las novelas del período neorrealista, cuán difícil le resulta al creador ceñirse a esas dos grandes coordenadas teóricas del movimiento: la oralidad y el compromiso2. Pocas obras literarias de los años '40 tuvieron la resonancia de la del pintor y escritor turinés C. Levi. Aunque su labor cuajó en un primer ensayo Paura della liberta y en el posterior L'orologio, y en variados libros de viaje, ha sido considerado como autor de una sola obra3, a la que ceñiremos nuestra atención en el presente artículo. El sugestivo título lo obtuvo Levi del particular modo de expresarse de los campesinos lucanos, como expresamente se señala en las primeras páginas: "Noi non siamo cristiani" essi dicono "Cristo si e fermato a Eboli" ... Cristo si e davvero fermato ad Eboli, dove la strada e il treno abbandonano la costa e si addentrano nelle desolate terre della Lucania. Cristo non e mai arrivato qui, ne vi e arrivato il * El presente artículo es una reelaboración de la conferencia pronunciada en la Universidad de Sevilla el viernes 17 de septiembre de 1993 dentro del Seminario "Narrativa italiana del s. -
Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’ -
David Ward Department of Italian Studies Wellesley College Wellesley, MA 02481 USA
David Ward Department of Italian Studies Wellesley College Wellesley, MA 02481 USA Office Phone: (781) 283 2617/Fax: (781) 283 2876 Email: [email protected] Education 1972-75, BA (Hons) in English and American Studies, awarded by the School of English and American Studies, University of East Anglia, Norwich, Great Britain 1984-88, MA and PhD in Italian Literature, awarded by the Department of Romance Studies, Cornell University, Ithaca, NY Work Experience 1980-84, Lector, Faculty of Letters and Philosophy, University of Bologna, Bologna, Italy 1988-89, Lecturer, Department of Romance Languages and Literatures, University of Michigan, Ann Arbor, MI 1989-95, Assistant Professor, Department of Italian, Wellesley College, Wellesley, MA 1995-2002, Associate Professor, Department of Italian, Wellesley College 2002-present, Professor of Italian, Department of Italian Studies, Wellesley College Courses Taught at Wellesley College All levels of Italian language The Construction of Italy The Function of Narrative Narrative Practices (Comparative Literature Seminar) Fascism and Resistance Autobiography (Writing Seminar) Europe in the Aftermath of World War II Italy’s Other Half: The South in History and Culture Italy in the 1960s Italian Cinema The Cities of Italy Italian Mysteries Other Courses Introduction to Italian Medieval and Renaissance Culture Twentieth Century Italian Intellectual Thought David Ward/CV Publications 1984 "Translating Registers: Proletarian Language in 1984," in Quaderni di Filologia Germanica della Facoltà di Lettere e -
Nella Casa Dei Libri. 7 La Storia Raccontata
Nella Casa dei libri. 7 La storia raccontata: il vero e il verosimile del narratore Il ‘900: proposte di lettura Emigrazione Ulderico Bernardi, A catàr fortuna: storie venete, d’Australia e del Brasile, Vicenza, Neri e Pozza, 1994 Cesare Bermani, Al lavoro nella Germania di Hitler, Torino, Bollati Boringhieri, 1998 Piero Brunello, Pionieri. Gli italiani in Brasile e il mito della frontiera, Roma, Donzelli, 1994 Piero Brunello, Emigranti, in Storia d’Italia. Le regioni dall’unità ad oggi. Il Veneto, Torino, Einaudi, 1984 Savona - Straniero (a cura di), Canti dell’emigrazione, Milano, Garzanti, 1976 Emilio Franzina, Merica! Merica!, Verona, Cierre, 1994 Emilio Franzina, Dall’Arcadia in America, Torino, Fondazione Giovanni Agnelli, 1994 Paolo Cresci e Luciano Guidobaldi (a cura di), Partono i bastimenti, Milano, Mondadori, 1980 Elio Vittorini, Conversazione in Sicilia, Milano, Mondadori, 1980 Prima guerra mondiale Carlo Emilio Gadda, Giornale di guerra e di prigionia, Milano, Garzanti,1999 Emilio Lussu, Un anno sull’Altopiano, Torino, Einaudi, 1945 Paolo Monelli, Le scarpe al sole, Vicenza, Neri Pozza, 1994 Renato Serra, Lettere in pace e in guerra, Torino, Aragno, 2000 Mario Rigoni Stern, Storia di Tonle, Torino, Einaudi, 1978 Mario Rigoni Stern, L’anno della vittoria, Torino, Einaudi, 1985 Mario Rigoni Stern, Ritorno sul Don, Torino, Einaudi, 1973 Primo dopoguerra Corrado Alvaro, Gente in Aspromonte, Milano, Garzanti, 1970 Romano Bilenchi, Il capofabbrica, Milano, Rizzoli, 1991 Carlo Levi, Cristo si è fermato a Eboli, Torino, Einaudi, 1945 Mario Rigoni Stern, Le stagioni di Giacomo, Torino, Einaudi, 1995 Fascismo Vitaliano Brancati, Il bell’Antonio, Milano, Bompiani, 2001 Giorgio Boatti, Preferirei di no, Torino, Einaudi, 2001 Carlo Cassola, La casa di via Valadier, Milano, Rizzoli, 2001 Alba de Céspedes, Nessuno torna indietro, Milano, 1966 Vittorio Foa, Lettere della giovinezza. -
Victimhood Through a Creaturely Lens: Creatureliness, Trauma and Victimhood in Austrian and Italian Literature After 1945
Victimhood through a Creaturely Lens: Creatureliness, Trauma and Victimhood in Austrian and Italian Literature after 1945. Alexandra Julie Hills University College London PhD Thesis ‘ I, ALEXANDRA HILLS confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis.' 1 Acknowledgements I am extremely grateful to the Arts and Humanities Research Council for their continual support of my research thanks to a Research Preparation Award in 2009 and a Collaborative Doctoral Award in the context of the “Reverberations of War” project under the direction of Prof Mary Fulbrook and Dr Stephanie Bird. I also wish to thank the UCL Graduate School for funding two research trips to Vienna and Florence where I conducted archival and institutional research, providing essential material for the body of the thesis. I would like to acknowledge the libraries and archives which hosted me and aided me in my research: particularly, the Literaturarchiv der Österreichischen Nationalbibliothek, Dr. Volker Kaukoreit at the Österreichische Nationalbibliothek who facilitated access to manuscript material, the Wienbibliothek, the Centro Internazionale di Studi Primo Levi in Turin and Florence’s Biblioteca Nazionale. For their constant patience, resourcefulness and assistance, I wish to express my gratitude to staff at UCL and the British libraries, without whom my research would not have been possible. My utmost thanks go to my supervisors, Dr Stephanie Bird and Dr Florian Mussgnug, for their encouragement and enthusiasm throughout my research. Their untiring support helped me develop as a thinker; their helpful responses made me improve as a writer, and I am extremely grateful for their patience. -
The Jews of Italy
The Jews of Italy: A Personal Reflection By Maria J. Falco, PhD After the booksigning (“It Happened in Italy”) an extraordinarily moving lecture by Elizabeth Bettina and that of one of the holocaust survivors, Ursula Korn-Selig, at the National World War II Museum in New Orleans on May 6, I began to wonder why everyone seemed surprised that Italians had saved over 30,000 Jews during the holocaust. After all, I, a student at a Catholic College in Pennsylvania over fifty years ago, had read Primo Levi’s book “Se questo e un huomo” (If this is a Man), later translated as “Survival at Auschwitz”, and even more appropriately, Carlo Levi’s book, “Cristo si e` fermato a Eboli”, (Christ Stopped at Eboli), during a class in Italian literature taught by a native Italian speaker. Primo had related how well he had been treated while at “internment” at Fossoli near Modena in northern Italy, and Carlo had described his treatment while in exile for being an “anti-fascist” in Lucania. Primo had, in fact, been spared imprisonment as an anti-fascist by revealing that he was a Jew, so that Fossoli was a much better outcome for him during the war than it was for those who were non-Jews. When I mentioned these two authors after the lecture, my comments were dismissed as somewhat irrelevant—after all, Bettina was describing only the events that had taken place at her Grandmother’s village based on a picture and some documents she had discovered when she had visited a few years back. -
Civilistico 2009
GRUPPO RAI Relazioni e Bilanci 2009 Prima parte:Relazione 26-07-2010 15:26 Pagina 1 Relazioni e bilanci al 31.12.2009 Prima parte:Relazione 26-07-2010 15:26 Pagina 2 Prima parte:Relazione 26-07-2010 15:26 Pagina 1 Indice generale del volume 2 Organi Sociali 3 Struttura Organizzativa 5 Relazione sulla gestione 11 La Rai 21 L’offerta Rai 31 Area Editoriale Tv 61 Area Editoriale Radiofonia 71 Area Editoriale Nuovi Media 75 Area Commerciale 83 Area Trasmissiva e DTT 89 Situazione economico-patrimoniale e finanziaria della Capogruppo 105 Ulteriori informazioni 115 Proposta di delibera 117 Bilancio civilistico di Rai SpA al 31 dicembre 2009 189 Assemblea degli Azionisti 191 Bilancio consolidato del Gruppo Rai al 31 dicembre 2009 271 Bilanci delle Società controllate 323 Corporate Directory Prima parte:Relazione 26-07-2010 15:26 Pagina 2 2 Organi Sociali Consiglio di Amministrazione (fino al 25 marzo 2009) (dal 26 marzo 2009) Presidente Claudio Petruccioli Paolo Garimberti Consiglieri Giovanna Bianchi Clerici Giovanna Bianchi Clerici Angelo Maria Petroni Rodolfo De Laurentiis Nino Rizzo Nervo Alessio Gorla Carlo Rognoni Angelo Maria Petroni Marco Staderini Nino Rizzo Nervo Giuliano Urbani Guglielmo Rositani Giorgio Van Straten Antonio Verro Segretario Nicola Claudio Collegio Sindacale Presidente Domenico Tudini Sindaci effettivi Gennaro Ferrara Paolo Germani Sindaci supplenti Rosa Grimaccia Domenico Mastroianni (fino al 1° aprile 2009) (dal 2 aprile 2009) Direttore Generale Claudio Cappon Mauro Masi Società di Revisione PricewaterhouseCoopers -
Il Fuoco Sul Volto. I Giorni Siciliani Di Carlo Levi
Quaderns d’Italià 24, 2019 15-30 Il fuoco sul volto. I giorni siciliani di Carlo Levi Aldo Gerbino Università di Palermo [email protected] https://orcid.org/0000-0002-3631-0188 Abstract I settantré anni dell’arco vitale di Carlo Levi (Torino 1902-Roma 1975) rivelano la straor- dinaria coerenza d’un intellettuale, del suo fuoco politico, della sua versatilità estetica. Una simbiosi espressiva come cifra di pittura e scrittura: due forme del ‘dire’ amalgamate in una. Se dal viaggio nel Meridione d’Italia egli distilla l’amore per la Lucania, i suoi ‘giorni sici- liani’, immersi negli anni Cinquanta e condensati nell’opera Le parole sono pietre, irradiano una Sicilia sotterranea e solare abitata dalla violenza e dalla tavolozza di Guttuso. Vige la coinvolgente dinamica dell’ossimoro: anima spirituale, geologica, sociale d’un mondo, quello contadino, sulla soglia della scomparsa Parole chiave: Sicilia; Carlo Levi; Guttuso; carusi; miniera. Abstract. Fire on the Face. Sicilian days by Carlo Levi. The seventy-three years of Carlo Levi arch of life (Turin 1902 – Rome 1975) reveal his extraordinary coherence as an intellectual, his political flame and aesthetical versatility. It was nothing but a symbiosis between painting and writing: two ways of expression blen- ded in one. While his love for Lucania is distilled from his journey to the South of Italy, his ‘Sicilian days’ —framed in the fifties and preserved in Words are stones— radiate an underground and solar Sicily inhabited by violence and Guttuso’s palette. The absorbing dynamism of the oxymoron governs the whole: that is, a spiritual, geological, social soul of a world, the peasant one, on the threshold of disappearance. -
Victims of the Same Destiny’
‘Victims of the Same Destiny’: Italy in the Postcolonial, the Postcolonial in Italy Thomas James Langley Submitted for the Degree of Doctor of Philosophy School of English Literature, Language, and Linguistics Newcastle University September 2015 ii Abstract This thesis concentrates on a series of canonical Italian anti-Fascist writers, and argues that their work is informed and underpinned by an engagement with colonialism. Working between Italian and English, the thesis establishes an original framework for comparative reading, in which it traces neglected lines of literary influence and networks of intellectual and political dialogue between Italian and Indian writers in the inter-war and post-war periods. The first chapter explores the contours of the ‘anti-colonial imagination’ underpinning the work of Italian Marxist Antonio Gramsci. Focusing particularly on his lesser-known and often un-translated pre-prison writings, it suggests that the critical terminology for which he has become best known in postcolonial studies emerges as part of his gradual elaboration of an anti-colonial position. The second chapter looks at the ways in which Ignazio Silone’s novel Fontamara represents Fascism as a form of internal colonialism, before moving on to think about the significance of its influence on Raja Rao’s Kanthapura and what the implications of this line of influence might be for our understanding of what defines postcolonial writing. The third chapter turns to the work of Carlo Levi, and argues that his lifelong commitment to exposing the internal colonization of the Italian South forms part of a broader anti-colonial commitment that carries him to India and brings him into dialogue with writers like Mulk Raj Anand. -
An Italian American Reading of Carlo Levi's Cristo Si È
LA TERRA MADRE: AN ITALIAN AMERICAN READING OF CARLO LEVI’S CRISTO SI È FERMATO A EBOLI . CALE JAMES LASALATA A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages (Italian) Chapel Hill 2007 Approved by: Dr. Federico Luisetti Dr. Ennio Rao Dr. Dino Cervigni © 2007 CALE JAMES LASALATA ii ABSTRACT CALE JAMES LASALATA : LA TERRA MADRE: AN ITALIAN -AMERICAN READING OF CARLO LEVI’S CRISTO SI È FERMATO A EBOLI . (Under the direction of Dr. Federico Luisetti ) This thesis’ objective is to offer a personal interpretation of Carlo L evi’s narrative, Cristo si è fermato a Eboli . T his thesis evaluates Levi’ s narrative according to a specific reading of the modern, realist novel. This dialogue evaluates Levi’s narrative as providing textual evidence for a work in realism as conceived by Giacomo Debenedetti. This thesis further addresses the questione meridionale by means of engaging the text with the theory of Antonio Gramsci. Th e following chapters elaborate on the capacity of the narrative ’s subject to speak to a current, socioeco nomic situation generating an evaluation that speaks to fundamental elements of the questione meridionale . This thesis examines in what way a distinctive aesthetic evaluat ion of Carlo Levi reaffirms the novel as a realist text as conceived by Giacomo Debenedetti . This thesis’ ultimate aesthetic evaluation considers Levi’s narrative as speaking to the specific reality of the Italian -American community. iii DEDICATION To my parents, David and Kathleen LaSalata, may I always be worthy of their confidence in me. -
PRIMO LEVI and JEWISH KAFKA in ITALY Saskia
PRIMO LEVI AND JEWISH KAFKA IN ITALY Saskia Elizabeth Ziolkowski Duke University "Kafka e un autore che ammiro, non lo amo e lo ammiro, lo temo, come una grande macchina che ti viene addosso, come ii profeta che ti dira ii giomo de Ila tua morte." - Primo Levi ( Conversazioni e interviste 189) "Kafka is an author I admire - I do not love him, I admire him, I fear him, like a great machine that crashes in on you, like the prophet who tells you the day you will die." - Primo Levi (The Voice ofMemory 156) Primo Levi, the famous Shoah survivor from Turin, was invited to translate Franz Kafka's The Trial into Italian for Einaudi's "Writers translated by writers" series. The publisher's decision to ask Levi is part of a long and underexplored tradition of associating Italian Jewish authors with Kafka. This article surveys the history of Kafka's reception as a Jewish author in order to shed light on Kafka's significance in Italy, as well as point to some of the tensions of being Jewish in early twentieth-century Italy. I first outline the relationship between Kafka and Levi, paying particular attention to how Levi's reaction to the Gennan language author is relevant to the idea of Kafka as a Holocaust prophet. 1 After addressing the resonances between Levi's comments on Kafka and the critical discourse on Kafka as prophet, the balance of the article investigates the importance of Kafka's Jewish background to his Italian reception and compares Levi's short story "Gladiators" and Kafka's "In the Penal Colony." In keeping with the recent work of scholars such as Robertson and Samolsky who have shifted the terms of the debate from whether or not Kafka was a prophet (a question whose answer relies primarily on discovering whether anyone can predict the future) to an investigation of the literary, historical, and cultural bases for this belief, this essay does not search for clues about history in literature, but uses historical knowledge to analyze reactions to literature.